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When the Phone Rings: Episodes 11-12 (Final)

This finale is many things, but boring is not one of them! To find their happily ever after, our couple will have to first find each other (in more ways than you might think!) and face difficult truths. Because it takes two to communicate successfully: one to call, the other to answer — and both to listen.

 
EPISODES 11-12

As the search for Hee-joo continues, Sa-eon ponders how differently things might have turned out if he hadn’t been so cold for the first three years of their marriage. When her belongings are found in the river, it looks to be too late. But Sa-eon repeats the familiar phrase “Call me when there’s a corpse,” turning it from a callous dismissal into a passionate refusal to give up hope.

Though he’s certain his adoptive mother knows more than she lets on, he has no evidence. But he does have a trump card hidden up his sleeve for just such an opportunity: footage of her smothering Chairman Baek to death in his hospital bed. That’s enough to get her arrested, and before long the police discover a secret, underground storage chamber where both Hee-joo and her kidnapper have been locked away (turns out, the car never went all the way over the incline, so they were knocked unconscious but not severely injured).

The same aide who previously tipped Hee-joo off about her kidnapper’s identity is under orders to kill Hee-joo if things go south, but he frees her instead and adds an extra lock to the kidnapper’s door. But thanks to Sa-eon’s father, the kidnapper escapes with a gun to hunt Hee-joo through the woods. In desperation, Hee-joo throws herself in front of an approaching car. Fortunately, it’s Sa-eon, and after a tearful reunion they get safely inside the car while the police fan out to search for the kidnapper.

When the Phone Rings: Episodes 11-12 (Final)

But of course that’s not the end of it. The kidnapper stands in the road and demands Sa-eon get out and face him. Instead of doing the smart thing and running him over, Sa-eon obeys. The kidnapper whispers something in his ear — something that makes Sa-eon look at Hee-joo with shame and sorrow.

What follows is one of the more convoluted, disorienting fakeouts I’ve seen. We hear a gunshot, and Hee-joo narrates about Sa-eon being “gone,” echoing his question about whether things would have ended differently if they’d been honest about their feelings sooner. It’s ultimately revealed that the police shot the kidnapper before he could harm anyone else. But the only time we “see” the scene play out, it’s via Hee-joo’s recurring dream wherein our Sa-eon is the one who’s shot dead in front of her. So while we’re told Sa-eon is alive — he went on to donate all his assets, resign as press secretary, and disappear — the most tangible confirmation is Hee-joo’s fuzzy memories of him sitting faithfully by her hospital bedside while she recovered.

When the Phone Rings: Episodes 11-12 (Final)

Now, she clings to every scrap of information people can tell her about him. Colleague KANG YOUNG-WOO (Im Chul-soo), for example, tells her all about Sa-eon asking him for advice on being a better husband. And she learns that Sa-eon took her (biological) father out for tonkatsu on his birthday. So, despite In-ah’s insistence that Sa-eon isn’t coming back, Hee-joo waits, hoping against hope that he’ll at least call.

And finally, he does. Or, at least, it seems like him. The caller hangs up without speaking, but the area code, 604, is the exact reverse of the one she used to call him from (and, thus, the nickname he used for her during those calls). Plus, a donation of two billion won was recently made in her name to a sign language school in the country that area code covers. Oh, and it’s also the same place where Sa-eon once served as a war correspondent. So off Hee-joo goes, never mind that it’s still an active war zone, and promptly gets herself kidnapped by local rebels. Which, to be fair, when all else fails to get Sa-eon’s attention, her being kidnapped has always worked rather well.

And sure enough, he comes to the rescue, though he doesn’t let her see his face until they’ve evaded the rebels. Then he scolds her for ruining his plans again instead of waiting for him to come find her. The big, terrible secret the kidnapper told him turns out to be that his father, Chairman Baek, orchestrated her family’s car accident. Even though In-ah confirmed that Hee-joo knew already, Sa-eon felt too guilty to just move on, so he disappeared to punish himself until he could forgive himself. Or something like that.

Hee-joo doesn’t quite say what I want her to: that by leaving without an explanation he’s been punishing her, not just himself (which would at least have called back to the whole “in trying to free you I became your prison” conversation). But she does ask how long he expects her to wait, reminding him how much time they’ve already lost by not being honest with each other. They kiss and make up, and at long last consummate their marriage — but not until sunrise (or is it sunset?), for optimal golden lighting behind the sheets.

An undefined time-skip later, they’ve gotten re-married, and “Sa-eon” has chosen a new name: Baek Yu-yeon, meaning “One and only love.” Their new home is filled with friends and laughter, and Yoo-ri and Sang-woo announce they’re also getting married. Afterwards, we finally get to see our couple enjoying domestic activities outside of Hee-joo’s imagination. When she says she hopes their home is never quiet again, Yu-yeon carries her to the bedroom with a line so adorably cheesy even Yoo Yeon-seok can’t deliver it with a straight face: “Cooperate, Hong Hee-joo. If we’re going to have a lively home, we’ll need more family members!”

Hee-joo reaches out to her family, with tentatively hopeful results. Her stepfather is genuinely happy for her and Yu-yeon, her mother has had a change of heart after the huge wakeup call of the kidnapping incident, and In-ah apologizes for everything. Hee-joo vows to forget the past and simply live happily in the present.

When the Phone Rings: Episodes 11-12 (Final) When the Phone Rings: Episodes 11-12 (Final)

Yu-yeon is sent abroad for hostage negotiations (with Do-jae back at his side, aww), but that wraps up almost as soon as it begins because it’s really just an excuse for one last flirty phone call. Remarking on how much he loves her feisty side, Yu-yeon asks Hee-joo not to hold back her complaints ever again. And I start to wonder, just for a moment, if we’ve been watching the same Hee-joo all this time. After all, this is the same girl who crashed the car every time she was taken hostage, impersonated her own kidnapper to negotiate a divorce, cursed people out in sign language, and chose exactly when and how she’d reclaim her speaking voice — not to mention traipsing through a war-torn jungle to retrieve her noble idiot of a husband! But, in any case, this leads into the important conclusion that a happy, healthy relationship can only be possible through honest, open communication, and with that our happy couple strolls off into the sunset.

Now, did this finale make a whole lot of sense? No, not really. Was it how I’d have chosen to spend the last hour of the show? …No, not really. But did I have a great time watching anyway? Absolutely! I think my favorite thing about this show has been Hee-joo’s character and the unhinged ways she chose to drive the action, and she certainly kept that up until the end. So, much as the final episode had me scratching my head, I’m still left (mostly) satisfied with fond memories of this wacky whirlwind of a show.

When the Phone Rings: Episodes 11-12 (Final)

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How does a show fuck up an ending so badly? I am so mad, lmao. I've seen my fair share of sub-par and unsatisfying endings before, but this is the first time an ending left me so dumb-founded. I found myself reeling at his disappearance. I was already banging my head on my desk from the way the real Baek Sa-eon arc wrapped up, but this is just abominable. They quite literally could have just changed the ending from the original, and made one that aligned more perfectly with the story they painted so far. Even episode 11 was consistent, so why did no one behind the production of episode 12 raise concerns? I didn't think this drama was amazing, but I am so appalled by the ending.

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I mean!!!! I was wondering if they had a contractual obligation to follow the novel, bevause otherwise, WHYYYY go for such an ending?!!

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That's what I'm wondering, because I've seen people who have read the original work talking about how the ending is supposed to go, and while the drama ending might somewhat make sense for readers, it doesn't for those of us just watching. Tomfoolery.

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Actually... I read the ending... And it was just as nonsensical in the novel. If it wasn't for the bonus stories, the end of the novel just sucked.

Given all the changes they had made in the drama which made the drama way better than the novel, I was expecting them to do the same with the ending.

Well I'm glad some people had fun watching the ending...
Personally I was entertained overall but I do think that once Sa Eon let the cold façade go... the drama lost most of its charm.
This fucked up ending was the last nail in the coffin.

I can't forgive the show for the nosedive it took after the 4th episode though I have to admit it still remained entertaining at least until episode 10.

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The ending being so jarring because of a contractual necessity to stick to the original source material actually makes sense to me. Probably quite likely that the OG creator insisted on certain plots points being non-negotiable and the ending being one of them. Certainly explains the 180 shift in character actions and the ridiculous extra noble idiocy.

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This! I didn't expect them to give me something seriously good but I didn't want them to go berserk either with the story. I'm glad for anyone who enjoyed ep 12 taking it in stride but honestly I am mad at this conclusion of a show I genuinely enjoyed till ep 7.

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Could not agree more. I am usually happy to suspend disbelief in such shows but c'mon(!!), this is just disrespecting the audience. I have lost the number of times Hee Joo has been abducted at this point. There has to be a limit to the number of times that is used as a plot point! And do not get me started on the confusing disappearance/possible death??? of Baek Sa-eon. These webtoon based dramas start off great with fiery chemistry and all and end up as badly resolved stories, I have noticed.

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Thank you for your recaps, @mistyisles. It's been so much fun reading and discussing along with everyone else. But what the heck was that finale?!!!!

I'm trying not to rant, but.... My goodness what a shambles! I was so annoyed by the final two episodes I couldn't even enjoy the intimate romance scenes that have become the hallmark of this drama.

WHAT?! WOZZALLDIS???! Oh I want to smack the writers so much. This was an awful ending!!! Sure, the premise was flimsy, but stories have been woven on less. AND there was still so much material that could've been covered. Instead... We got.... this

We never had an episode from Sa-eon/Yu-yeon's perspective. We could have done 2/3 episodes on that alone! Never got to see his private thoughts on love /his own story, and all of a sudden we have to believe he was executing a revenge several years in the making? We just saw someone living his life, so WHAT REVENGE? The came all that useless self-flagellation because Grandpa/dad Baek was an evil POS..... How?! That doesn't even fit with Sa-eon's character, and it didn't help the plot either! Running off to Argan..... To what end? What at all is this??? He was shot, presumably ended up in hospital and was treated and released without his wife/guardian's knowledge? Hee-joo was able to blithely enter a conflict zone?!!! Just... Whyyyyyy?!

And this nonsense of trying to redeem characters that are irredeemable (Mummy Hong? REALLY? Even In-a, tbh) ...... Oh these last two episodes were so stupid.

It makes sense that real Sa-eon is a psycho because his mama, dad, and grandad are all psychos. Genetic. Everyone glossed over the fact that he killed CHILDREN. I'm sorry, I can't imagine any motherly love being anything but relieved someone like that was offed (As the elders would say, he needed killing 🤷🏾‍♀️) Even in real life, the parents of psychopaths are terrified of them. And they try to get them help, not lock them in safe rooms. AND are relieved when they are stopped, because the endless nightmare finally ends. Utter nonsense plot. Let me not even get into Mummy Baek's motivations because I'll just get more annoyed as I type. A story may be fanciful, but it has to be believable to carry us along, ah!

Ultimately, the story was carried by Chae Soo-bin and Yoo Yeon-seok, who did a fantastic job with what little they were given, and added in some electric chemistry. And I had a wonderful, makjang-filled ride till episode 9 or so. This ending has undone all the hard work the actors put in.

I am glad I watched it because I love those two actors, and they didn't disappoint, and the initial episodes were fire, but I need to look up the writer and steer clear of their work. Goodness that was a terrible final two episodes.

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I agree with everything you said. Just one point: The fake Saeon wasn't shot. The real Saeon was shot by the police and died on the spot , the fake Saeon was safe. Him being shot was Heejoo's hallucination.

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Thank you for the clarity.

I believe I had disconnected from episode 12 prior to that point so I didn't even listen to the screen anymore save for the news narration. I didn't know how he died. I just suddenly heard that he did.
Kudos to them for making me believe he actually did die and that the hallucinations were an extension of moments after that night.

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We have had too many dream sequences and hallucinations to keep up tbh 🤣

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when all else fails to get Sa-eon’s attention, her being kidnapped has always worked rather well.

Nice to see a plot point treated with the deference it deserves :)

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That's how the dumb writer in me felt about the "Call me when there's a corpse" line retread lmao.

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Talk about recycling plotpoints!! 4 kidnappings is really rubbing it in!

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I dare to bet with my life that should the show extended to 13 episodes, you can bet that Hee Joo would be kidnapped for the 4th time.

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I have so much to rant about till I don't know how to put them into words. Best I could say is "Am I really watching When The Phone Rings?" by the end of episode 12. I don't know what was I even watching. One minute I think I saw G-Dragon in ajumma headscarf wearing "white" (instead of black to not be noticed) entering conflict area and the next minute I was shocked to see Rambo Sa-Eon out of nowhere.

Gosh, give me back my sanity then maybe I can put my two cents into words.

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When The Phone Rings faltered in the ending. I've never used the ffwd my button as I used in episode 12. I was done in under 20 minutes and I don't think I missed anything substantial.

You love him to the moon and back. I know and I see. So please get back to living your life instead of pining for his return.

But to go to a terrorist zone😂😂😂😂. I'm sorry but this is just the height of it. Hee-joo is a fragile being literally. How did she think she could brave that😂😂😂. I had no issues turning my brain off for this drama. But somehow I unintentionally turned it on and the critic in me just couldn't go to sleep.

Still, I'll give it the kudos it deserves. It pulled its punch quite successfully.

And the bedroom scene, that was a perfect gift to wrap WTPR and to start the drama year with.

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After the real Saeon died, Heejoo must really missed being kidnapped and that was the real reason she went to a war zone 😂

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She developed Stockholm Syndrome to the kidnapping world 😂

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And she was! She was blindfolded and bundled into a car remember? Then jungle SE saved her. Gosh just imagining the scene makes me want to roll on the floor. Crying. 🤭

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Imagine telling their future kids, mama was kidnapped 4 times before! The last one was voluntary when she was looking for sunset/your dad in Argan.

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Surely, Heejoo could've found ways to incorporate her newfound kidnapping fixation in the bedroom instead of running off to the world's most accessible warzone, smh.

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They pulled no punches with the hot kisses and finally the bed scene which given how bad the last 2 episode were, just a mere act of fan-service by both the PD and writers to cover up for the batshit crazy ending that they served us viewers.

I would say they owe YYS and CSB in big favour for having those two working extra hard with the smooch-fest just to make up for the bad or more accurately lazy writings.

Someone posted on X, asking what would be a better way for Sa-Eon to punish himself (though I sincerely couldn't understand why the need to punish himself when the matter could be communicated instead) other than going full rambo in Argan since many complaining over this disjointed narrative. I don't have the answer to that yet.

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There are so many more rational things he could have chosen. Doing a 10,000 piece puzzle of polar bears in the snow. Making a movie with The Rock. Going to Canada like the area code suggested, becoming a diehard hockey fan, only to watch them not make the World Junior Championship final

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I wanted them to ride off into the sunset in British Columbia!

What a disappointment. I enjoyed YYS and that was all. I did not even feel any heat between them!

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i was convinced he was re-locating to Vancouver when I saw the number, but because the phone number structure was wrong (###-###-####), i didn't know where they were going with the storyline...

BUT I DEFINITELY DID NOT THINK THEY WERE GONNA GO TO ARGAN.

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Dang, I shouldn't laugh that much with your comment but accidentally I did 🤭.

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What crime did he commit that he was to pay for. At the end of the day, he wasn't a bastard. He has as much right to the family name as does I-yong and Sa-eon.

On an aside, it was beautiful to finally learn his name - Baek U-yeon. I loved how they saved that reveal for last.

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Clearly he was flabbergasted to learn that his murderer grandpa/dad killed HY brother. He was only okay with 1 murder, okay? 2 is too much to handle, poor guy.

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That was quite possibly the dumbest reason for noble idiocy, ever. And god forbid you EXPLAIN it to her.

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Drama-land logic:
Dear nephew, tis okay for us to be killing each other within the family. But tis absolutely *not* okay to be killing the neighbour's kid too.

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The real problem comes because of him talking to her sister about it first. His original fiance and he have zero communication issues and are the same age unlike the married couple who can't seem to become equal partners after all the progress of 10 episodes. The choice of plot should also be more about convincing the audience than character consistency. The audience already moved on since the victim's father and the sisters have had a talk about this sordid past and all three have come to terms with what all had happened due to all the adults. This plot also cleared a stage for the villain to have a happy ending. In his dying moments he won with just these words and he was saved by dying since being locked up was his childhood trauma. The only upside is that the other victim of Baek Jang-ho also gets to see some justice or atonement by his killer's family in his name. For the villain his mother avenged him.

Even going behind her back to take her father out on his birthday without telling her or involving her didn't come across as that positive. Its lovely to treat your in-laws well but why have zero communication with your spouse?

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The writers did all that just because they wanted to help me add another slot to my long-running 'extremely realistic foolproof reasons for noble idiocy' list. Contributing to critical scientific research.

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The best way for Sa-eon to punish himself is to let Hee-joo punish him...in bed. 😈

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Oh! She did.
They did a good job on that.

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Yea, yea. Good job, good job!! 💪🏻👍🏻😍🤣🤣🤣

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She said "I should be the one punishing you" and later he said "I love when you are feisty/unrestrained".
We were robbed of him kneeling at her feet.

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Damnit you should have written the final episode. I have been robbed of something I never even had.

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Give her the 2 billion won. I'm all for donating to a good cause but he broke their clause and he owed that money to HJ. It is hers to decide where she wants to spend that. Since she's a step daughter one may think she doesn't need that money but she has that money either. I think all the luxuries provided to her (the bags, clothes and the car) , were either by her mom or SE.

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Since she's the step daughter of a chaebol, one may think she doesn't need that money but she doesn't have it either.*

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Give her the 2 billion won
I second that!!!

She should have woken up the day after he "disappears" only to find her bank account reflecting a whooping addition of 2b.

Then her heart sinks. She thinks: "That's it. He is divorcing me and running away..."

In her grief, she went out and start her retail therapy buying a new house, new manual driving car, new sexy garter belts and designer head scarfs...until 6 months later.

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Starting to get convinced by the theory (by me) that they brought in a new screenwriter last minute to craft the final episode. At the very least we should've seen Hee-joo's evil mom get her comeuppance. And more of Sang-woo and Yoo-ri. What a shame.

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All that time they spent on the parents redemption / punishment should have been given to Yuri grabbing Sangwoo’s arms and him being in awe and unsure how to react. Or just them being cute in general.

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I would throw Heejoo's mom into an active volcano to get more cutesy Yoo-ri/Sangwoo moments. It's not common for me to get attached to secondary couples in more thriller-ish shows but they have my whole heart.

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This story's selling point was the OTP and OST including the lovely "Say my name". I have loved it only for them. What happened to multiple confessions about wanting to stay by the side of your beloved and then going off-character with a noble idiocy in a war zone? It was completely destroying the image of Spokesperson BSE and the communication the OTP developed. As someone mentioned already did the director have to follow whatever stupid plotline the webtoon was pushing? Surely with a dragon ring, crazy mom and a pyscho grandfather they had enough material for a thriller element in Ep 12?? Kdrama writers get your act together. What was that abomination of a warzone with a mis-mash of Middle East beats, Caribbean beaches and throwing a sop of Caucasian children because the Asian audience may point out that wars are caused by arms suppliers of white nations. The whole setup is so insensitive of communities who are actually in warzones! With so many places where a bed scene could have been inserted did it have to be in the warzone?? I so badly wanted this drama to stick the landing and while the very end with a roomful of supporters was cute it could have been done better so the fandom could have whole heartedly cheered this drama.

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I was already mad as hell by the end of episode 11. I wasn't expecting it could get worse but who would have expected they could sink even lower.

The whole vanished for 6 months by Sa-Eon is one of the major plots according to the novel. I get that and I understand if there's a contractual obligation to stick to the original novel narrative but they could have done it in better ways.

And I can't find anything romantic with that Sa-Eon did by just disappearing like that. Even worse, he even could tell In-Ah and not his own wife???? He should have married In-Ah in the first place since they have better communication. If I were Hee Joo, I would just go and date another man and shove two middle fingers right up his nostrils if he ever come back.

At the end of the day, you would think so much heartbreaks happening between them is actually rooted by their inability to communicate. With Sa-Eon decided to just vanish without word, without communicating to Hee Joo, that's just like going back to how they originally started.

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"He should have married In-Ah in the first place since they have better communication." LMAO

Everything you said is exactly how I felt watching the episode.
The guy only cares about HIS feelings and HIS peace of mind.
He neglected Hui Joo as his wife for three years to "protect his feelings" and then he disappeared for 6 months (only six because she went there) to "punish himself". He didn't care that she already knew everything and was okay with it.
He didn't even consider what it meant to her to choose him even after all the fcked up stuff his family did to hers.

And the worst part is that he didn't even bother to explain any of that to her. He could've at least leave her a note, voicemail or literally just meet her and tell her everything in person.
But nah. It's all about HIM. Always him. Only him.

If he had had the decency of at least calling her to say goodbye, she could've told him then how idiotic his plan was and how his shallow guilt made no damn sense and had zero value to her or anyone else.

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It was the most multi-national warzone ever: afro-european schoolkids in a South American jungle, with rebels.
I actually thought there might be some DOTS reference in there, somewhere. As it is, it's just … baffling.

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No wonder it's only known as THE war. Which war? I dunno, the war.

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Dragon ring and majority of the plot is drastically different than the novel. Crazy mom had orchestrated everything so she could have her peace and kill her bio son while also killing his namesake so she could give it all back to him and hold the grand funeral she wanted with her bio son's real corpse at last(this is what I read from someone who translated from another language than the korean original so I'm sure I got it right). They chose to go back to being canon compliant at odd times and they made several faux pas along the way.

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not sure*

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Now that this saga is over and done with, we must get to the real mystery: wtf is Argan and where the heck is it supposed to be??

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Fictitious country LOL

But plot-wise Show rounds back to Argan in a full circle, cos Argan was the country in the pilot opening that took Korean citizens as hostage.

Baek Sa-eon as Blue House spokesperson then went on national TV to reiterate that "there would be NO compromise and NO negotiation" when it comes to the terrorists.

Show also probably wanted to show his growth arc when he pivoted to Ministry of Foreign Affairs as their hostage negotiator and was willing to soften his stance to communicate and negotiate by the end of Ep 12

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I would love that explanation for his new career. However I found it hard to justify for reasons other than "he was trained by the NYPD and FBI" (which, btw, is TERRIBLE knowing the histories of both organizations regarding negotiation and hostage safety, but i'll invoke the law of fiction and try to let it slide) line from the first episode. Instead of wasting precious screentime traipsing through tv's least believable conflict zone, the show should've delved deeper into Saeon's mental state and changed convictions after the events of the previous episodes. Actually *showing* instead of telling viewers that he shifted careers because of his growing capacity for compassion after (kinda) dealing with the demons of his childhood was sorely needed IMHO. Finding love with Heejoo changed him for the better? Sure, that's fine and all but he, in his own words, has been in love with her since childhood, so what gives? Not only is that justification trite and classic bad writing, but it also makes no sense even within the heightened worldbuilding of the setting itself. UGH, can you tell I'm frustrated by these episodes?

Personally if I was in the Ministry of Foreign Affair's vetting process for employees I would not hire the guy who ran away to a foreign conflict zone to not talk to his wife. Just think that's bad for national security and all.

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Someone thinks it was Morocco. Apparently "the war" was also a reference to the Israel/Palestine conflict. Yikes.

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Yup, that was pretty obvious from the "Paltima" and "Izmael" reference elsewhere. I found it appalling, honestly.

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Using a real-life ongoing war for parody and plot device is in very bad faith(the same could be said if they had parodied Argan as Afghanistan with no room for doubt since it is equally sensitive). But worst the parody name is Ismael of all things for Israel.

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Argan has nothing to do with Afghanistan. That name is from the webnovel itself.

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@Kdrama Lover
In your opinion was the entire novel politically correct and above reproach? Why even bring up a novel? How is it relevant? I thought I've seen many reminders that this is a site to discuss the kdrama episodes only. Readers should read in their own space wasn't it?

I know the novel too. Argan had the aesthetic of Morocco and old Hollywood movies and tropical sea. At the same time novel mentions several places in Iraq by their real names as places he served in. But coming back to what I said it is how the production team proceeded with their parody using similar sounding names but thankfully hadn't made Argan an obvious vision of Afghanistan since they thought they were being clever and relevant with their puns.

By your logic the production team should have passed the buck for their insenstive portrayal of the sign language middle finger joke since it was from the novel. But the production had to apologize because it is their responsibility to adapt carefully and instead their change to the event made it highly offensive. There are things the comic industry can get away with putting in writing which is not the same for public broadcast.

MBC apologized after a week of the initial complaints of the sign language issue but have yet to respond to the current international outrage.

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I don't bother going back to check, so I would be grateful if someone can enlighten me on this: When YYS came to rescue Heejoo in that jeep, why did the soldier guys ran away at first to let YYS have enough time to release all the hostages before coming back to chase him and Heejoo?

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I thought we all agreed to turn of our brains and put on our suspension of belief caps, most especially for this episode called episode 12?😂

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Yes, it was written in tiny letters, hardly legible in the Terms and Conditions 😂

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The same way the police stood around and waited for the real BSE to whisper sweet nothings (literally) in fake BSE ears before they decided to intervene.

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Ya know, that scene (though improbable) is so ripe for twisting the knife in...

If only psycho BSE would whisper to fake BSE after the car accident truth bomb: "You're your father's son, and blood never lies. He was a killer, I am a killer, and you will be one like us too, Uncle."

Then at least, the guilt-trip and noble idiocy of becoming a potential monster / curse to Hee-joo in the future would sort of make sense?

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Yes! But you are a sane person with logical thoughts. The writers are not.

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One word #plot!! 😂🙃🤣

Although I like @jerrykuvira and @coffeprince4eva 's answers better. 🤌🏻👏🏻

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Because they did not have the budget to add a close combat with rambo.
At least someone recognized that such a scene was useless. (but didn't have enough weight to erase the whole segment)

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Since I recognize a fellow plot-hole filler, I will say the supposed "plot" is that the rebels all ran to the trucks in front of them where they were getting some gunfire. But don't ask me why they didn't have trucks behind the kidnapped ones and also why they didn't leave a guard behind to cover them!

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it was a landmine, according to Blackclad Soldier #2 with the fluent English. I'm not sure why dealing with landmines requires leaving the truck and trouncing all over the road with said landmine, but alas.

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Thanks, this helps.

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And where did the other hostages go after being released by YYS ? Are they not going to be found again by the rebels ?

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This is my favorite k-drama of 2024, and one of my favorite k-dramas of all time. Was the storyline sound? No. Did the narrative flow? No. But I had so much fun chasing this drama, participating in the community experience, and cackling over the memes and reactions, that not even a train-wreck finale can dim my overall enjoyment of WTPR.

This drama showed me just how far good acting and chemistry can go to save a bad script (for me at least). This show had a Shein-level script that the actors managed to render into demi-couture. YYS blew me away with his acting in every single scene. You really saw how the years he spent building out his filmography accumulated into the skills for this role. YYS's Baek Sae-on is the best depiction of a tsundere male lead I have ever seen. I'm curious to see where his career goes from here, and wonder if he's getting flooded with offers. I would love to see him in a melodrama, because the dude can do angst so beautifully.

CSB didn't match YYS's intensity at times, but she got better towards the end. Their chemistry was *chef's kiss*. That sunset bed scene was probably the steamiest I've seen in a kdrama.

It has been years since chasing a drama gave me this much happiness. Sometimes in life, one just enjoys a fast food joint more than a 3-Michelin-star tasting menu, quality be damned.

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that not even a train-wreck finale can dim my overall enjoyment of WTPR-
YES!
My favorite Kdrama 🫶

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I don't even like YYS, *BUT* I objectively and strongly believe this particular role of Baek Sa-eon (and YYS' interpretation of it) will likely be career-defining for the actor, and also definitive for the tsundere archetype in k-drama canon in the future.

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Well done, YYS! 👏👏👏 (and, you lucky bastard)

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I had a bad habit of labeling some kdrama couples' chemistry as 'sizzling' at the display of barely passable onscreen compatibility. If there was ever a dictionary example of the word however, it belongs to YYS as Baek Sa-eon.

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Yes this. YYS as the make lead was done so beautifully. I do think his intensity did wane in the last few episodes and that’s why the drama’s ratings went down. But ultimately enjoyed the show and would watch it again

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The Chemistry though! I almost never watch an ongoing drama but I had to for this OTP only. I haven't seen such sizzling chemistry in a while. and I would give YYS a lot of credit for that. I was watching his interviews. He mentioned in one that this time he wants to be called master of chemistry and wants to win couple award with CSB. Also, in other interviews he said CSB is usually very shy at the beginning(I think may be because he is senior in the industry) so he spent quite some time with her to make comfortable/open up. He actually put effort and time to build the chemistry - good actor indeed, he understood the assignment. all the feels when I binge watched the first four episodes/the OST/ The Chemistry/ and oh those intense and realistic kisses - that's how I would like to remember WTPR.

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I agree with everything you said. This was my comfort fast food drama for the last month. YYS slayed in this role.

It's also my favorite 2024 drama, mainly because I didn't manage to finish any other 2024 drama, lol. So this is one is commendable even just for keeping me hooked till the end.

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"Shein-level script" LOLOL

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Because it was the last episode, we did not have any 'what happens next' to sweep us along, so we had to face the fact that a lot of the writing and plot points in this drama were rather dire. I enjoyed it regardless. (It was not the only episode in the story where I thought half the time was wasted)
Baek Sa-Eon/ Yu Yeon had major self esteem issues as a result of his loveless upbringing. Without the power of revenge to drive him, he collapsed and ran away. The drama did not sell/explain this properly to us, partly because people in the midst of such a major collapse don't have enough executive function to vanish so well, and to then survive independently in a war zone.
Also because drama had reporter friend and In-A became stupidly loyal to SE/YY and refused to let HJ go and talk to him/slap him out of it. (OK, IA thinks she is protecting HJ, because she has never been able to accept that HJ wants to be with him. But reporter friend should at least be enough of a friend to SE tell HJ that SE is being crazy)
Best moment of the drama: The spotless white sheets in the middle of the war zone. I'm still laughing.

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I should have said- best moment of these two episodes, not of the whole drama! :)

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Well said, well said. The finale was such a mess that I wasn't listening anymore to dialogues. Your explanation makes the finale a little better... apart from all the Argan crazyness.

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When the Phone Rings ep 11-12 was written by an entire classroom of 3rd graders high on crack cocaine and Monster energy drinks. Each 3rd grader wrote one scene and passed it to the next 3rd grader. There were no bathroom breaks until the entire script was complete.
That’s the only explanation for 35 different illogical plot lines happening all at the same time.
Soo many WTF moments that my brain cells screaming in agony as they died by suicide.
Hee-Joo escapes! Hooray. She’s got a huge head start and can run in any direction. But she falls again, gets knocked out, and ends up right in front of the OG Sae-On. The odds of that…🙄
She then sees the fake Sae-On. Knowing that the real Sae-On is there with a friggin gun, they take their sweet time to embrace in front on their car headlights. Look here! Shoot us please.
The dudes got a gun and there are about a million things you can do besides getting out of the car with zero plan and walk right up to him. It’s not like Hee Jo is even attempting to run away.
The police arrive and they don’t draw their guns despite the baddie pointing a gun at the Noble Idiot (I forget, this ain’t USA, where we shoot first and ask questions later).
But wait- there’s more. None of that was real. A mulligan. Oops.
Let’s shift gears. Let’s go to a war torn country where the school looks like a fancy fancy rich kids school.
Not only that- let’s arrive in a forest alone, unarmed, unprepared, but looking like they are ready for a fashion show. That white shirt in a dark green forest is great camo!
Donated 2 billion? I’d find that idiot husband that donated away 2 billion just to slap his dumb a$$.
Who the heck goes to a country at war to punish themselves? What does that do emotionally to the wife? I’d find the 3rd graders that wrote this and whip his/her a$$.

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The dudes got a gun and there are about a million things you can do besides getting out of the car with zero plan and walk right up to him. It’s not like Hee Jo is even attempting to run away.

For a time I wished Hee-joo was by the wheel. My girl knows what to do, no questions asked. Give that guy another dose of PTSD🤣

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Oh, so you both could hear me shouting, "Get out from in front of the headlights!" and "Run him over you big dummy!".
We signed up for makjang and we got it in spades. I agree that it was fun to share with Beanies.

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I'd hope that 3rd graders don't write bed scenes.

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Because of comments like this, I'm starting to adore this show. I just love this whole thread. Beanies are the best.

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That was a helluva wild finale. We have Hee-joo, who dreamed only of having an ordinary marriage, sneaking into a jungle warzone, disguised as Jackie O, to ravish her husband, who lbr was just over there in the first place to serve That Look. No chill whatsoever. This was never a totally serious show even though it had its more sincere moments, so playing to its strengths of absurdity and the OTP being OTT worked 😂

Slightly frustrated on behalf of the 406 phone though, that worked like its bill was due to get these two talking only for Hee-joo's husband to forget how to (but that 406 roleplay lol, Do-jae was probably thinking he was better off in jail)

While not enough to put it in skywriting, I did love the drama haha. I genuinely liked the romance, and a blackmail phone bringing the leads together was unique and done well. All credit to Yoo Yeon-seok and Chae Soo-bin, whose chemistry was as insane as the drama itself and whose acting was topnotch throughout so I could just roll with whatever was going on and actually catch the feels at the same time as laughing with all the nonsense (also loved that last song by YYS). Along with some likable side characters and a storyline that managed to out makjang itself every week, this came together to be one of the most fun dramas I've ever watched.

(But I can't take Baek Yoo-yeon seriously without wanting to call his wife Hong Chae-soo)

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Re: "sneaking into a jungle warzone, disguised as Jackie O, to ravish her husband"
🤣🤣🤣🤣
and that unforgettable cameo by head scarf! I cannot. LOL

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I was rolling 😂 They really said "if we're going to do this, we're going to do it all wrong". So good lol

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The impunity of it all!

That is a key reason why I can roll with it until the end ( in spite of a rage-inducing Ep 11. Future Beanies, please watch immediately with Ep 12 to save your B.P.)

The show is so meta and self-aware I really don't care by this point as long as we nail a happy ending 😜

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Speaking of lol, your "disguised as Jackie O" quip had me chuckling all through my exercise time. Haven't seen burner phone work so hard since The Wire.

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Hahahah that headscarf was such a WTF moment for me.

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Yoo Yeon Seok himself made fun of that Baek Yoo Yeon. In the end, it becomes Baek Yoo Yeon Seok.

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The BTS of that scene was cute 😄

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If 406 burner phone takes the cake as most hardworking romantic plot device, then the dragon signet ring must surely be the Chekov Gun of all guns!

What a long pipeline Show has laid for the final payoff!

*drum roll*
1. It not only functions as a spy-camera (procuring damning evidence of murder, that secured the arrest warrant of Prof Shim)
2. It is also the secret keyhole inn the large portrait of Baek Jang-ho, that opens to the basement vault where psycho grandson Sa-eon is locked

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The ring was definitely unexpected! Even years of watching Scooby Doo weren't enough to prepare me for the portrait key haha.

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>>Scooby Doo<<

I *knew* that flashback with the keyhole hidden in the big, ominous portrait reminded me of something!!

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“But I can't take Baek Yoo-yeon seriously without wanting to call his wife Hong Chae-soo)“
Haha he said himself Soo Bin is Hee Joo, maybe that’s why he’s Baek Yoo Yeon hahaha

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I loved everything of this drama.

With such parents, it was quite normal the real Sa-eon wasn't normal... His father is completely stupid and his mother is a sociopath too. She was responsible for everything. She knew her son was different and locked him in instead of taking him outside Korea and let him be treated by professionals.

The grandfather/father was awful too but quite brave. He didn't flinch in front of Hee-joo's stepfather, he just gave him a contract to erase the death of his son and the handicap of his daughters.

The mother being sad after Hee-joo's disapearance was pretty funny. Like after 20 years, she feels guilty? It wasn't convincing.

I liked how their workplaces were friendly. She had a great relationship with her coworkers at the station and his team really liked him. It was nice to see Do-jae working with him at the end.

Ji Sang-Woo and Na You-Ri were good friends too. I liked how You-Ri wanted to find Hee-Joo back just to be angry against for her lies.

The plot and the events never made sense, after all I think almost the whole drama took place in June.. .She was kidnapped 3 times in one month... So I like the part in Argan, it was quite entertaining and Yoo Yeon-Seok looked great in all black and action! Their bed scene was super pretty! Was he egoistic by living by his own like this? Oh yeah, and I was happy she did he was stupid with his plans!

For the politics, it wasn't a good idea to base it on real events, but I won't call it propaganda. It was written around 2023-2024.

The best part was clearly the couple and their chemistry. I loved Chae Soo-bin as an interpreter, she looked natural. But Yoo Yeon-Seok was the one who brought the intensity and charisma on screen. His hands (+veins+wedding ring) were their own character, I loved every close-up of them!

Congratulation for the carrot pen to beat the Kimchi PPL!

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The best part was clearly the couple and their chemistry
- i love everything of WTPR too.

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YAAAASSSSS, this is the reaction I was looking for. The script was so very very bad, but the chemistry was chemistrying and that is all we really need for a drama to be enjoyable.

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It was not a drama I was expecting logic, just entertainment!

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WTPR understood the assignment.
Left no crumbs 😋

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yes, why do we have to digest, do biology of everything when we have the CHEMISTRY that just do the work :)

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The mother was absolutely a psychopath. That's where the son got it from

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But she really wasn't very smart - if you are going to smother someone with a pillow, instead of taking of the persons glasses, wouldn't it be a better idea to remove the oxygen nasal prongs???? :)

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His grand father was a killer, his mother was a killer.

As the blood of his patrilineal and matrilineal bloodlines converge into one furious river in the real Sa-eon, we get a psychopathic serial killer

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The grandfather was a killer but I'd argue he didn't have psychopathic traits. The mother ABSOLUTELY did.

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Unfortunately, I already knew how the novel ended due to an unintentional spoiler and had hoped since then that the drama would take a different route. By the end of episode 11, I realised that these hopes were in vain, which left me quite frustrated. The only upside was that with only one episode to go, the time available was short and in the end I only had to sit through the first half hour. The rest of episode 12 was so sugary sweet that I almost got diabetes, but after the drama before that was okay.

I hate ghosting as a trope, but at least Sa-eon/Yoo-yeon didn't fake his death unlike in the novel, I definitely would never have forgiven him for that. I can even understand that it would have eaten him up to pretend he didn't know what his biological father did to Hee-joo and her family, but he could have solved it differently. But as the saying goes: old habits die hard and apparently he intended to return to Hee-joo at some point. But then he shouldn't have been surprised if she didn't take him back.

The whole Argan plot was super makjang.
When I watch this drama again, which will definitely be the case, I'll just skip the first half of the last episode, so never mind.

Enough complaining, now for what I especially liked about the last episode:

Hee-joo and Sa-eon/Yoo-yeon's new house, finally a real home
The dinner with the friends/coworkers, all characters I've grown fond of
In-ha's apology, which is a good basis for the two half-sisters to build a good relationship for the future
The bed scene with two adults actually acting like adults who are hot for each other, bonus points for not being clothed in bed at the end (an absolute mood-killer for me in scenes like this). But where was his wedding ring, he was still wearing it in the jungle?
The prospect of the two of them continuing their 406 phone calls is also ideal as foreplay ;-)
Black is definitely Sa-eon/Yoo-yeon's colour

Despite its flaws, I love this drama. Is it subjectively the best drama? No. Would I currently give all the beans I earned in 2024 to this drama? Yes, because it entertained me perfectly and the chemistry between the two leads was great. The two of them, especially YYS, were so good that they could say the cheesiest lines without it sounding ridiculous, in fact they made me melt.

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Adding on to your list of all the small moments that I find so touching / sweet:

1. Sa-eon taking his dementia-stricken FIL out for tonkatsu (this one breaks me. I always believe the man who takes care of the people you love, is a keeper)
2. Chief Kang and Heejoo reminiscing about Sa-eon ("he was clumsy, but he really tried very hard")
3. The overtures of reconciliation and healing within the Hong family, notably In-A apologising to Heejoo (their regret-fraught sisterhood has always been so poignant to watch). It can also be said of In-A what was said of Sa-eon: she was clumsy but she really tried very hard
4. The house-warming cum wedding party: Chief Kang arriving with toilet paper! (no house warming is complete without this gift)
5. The little details like Sa-eon cooking (you notice there are many seafood dishes)
6. OK, I didn't get my pets wish, but I think little Baeks are on the way
6. Healing of his childhood trauma when he could sit down and eat with his adoptive dad of his favourite childhood fish dish

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The little details like Sa-eon cooking (you notice there are many seafood dishes)-
I didn’t notice it my 3rd watch, I’ll like to see more details. ☺️

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I hadn't realised that the gift was toilet paper, but thought he was giving a packet of nappies.

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I only realised it was a housewarming party because of the toilet paper he schlepped to the house

Apparently in S.K. the two housewarming gifts that are de rigeur are toilet paper and dishwashing detergent (do *not* ask me why lol)

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I love their new home too.
That reminds me I need to collect beans for them 🫘

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The last episode was so ridiculous....overall, it was an okay show. There were good parts but it became more and more stupid and over the top and also boring by the end

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When they mentioned his military/special ops/whatever background early on, I expected it to come out in a fight scene or going after the villain. I did Not expect it to be pulled out in the last half hour of the show in a war zone with no explanation. I am flabbergasted at how terrible ep12 was.

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It is indeed the writer's fault for not setting it up properly or early enough, so that it doesn't feel like a tonal whiplash or deus ex machina to perplex or outrage viewers in the finale. The source novel did a more convincing job in set-up (at least for this plot point)

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He was a war reporter, trained as a negotiator (with the FBI!!), has spec ops capabilities, and last worked as a Presidential Spokesperson ... And now he negotiates with terrorists to free hostages, on behalf of the ROK? What did this man study in university?? I just know his LinkedIn is uh, very colourful.

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Journalism. His special forces stint was due to conscription and the rest his not-mother had him do as her protégé.

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If he was in a normal extended family, Saeon would have been the bane of every cousin's existence lol.

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I would have incestuous thoughts if Sae-on was my cousin.

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Even within the prestigious Baek family, he attracts the envy and jealousy of all his direct-line uncles cos he is universally recognised as the default successor to his "grandfather" Baek Jang-ho (since they did not know that this is actually his youngest & favourite son, and not eldest grandson)

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Did 15-year-old Sa-eon/Yu-yeon go to school when he lived with his fisherman father? How could he have gone to school without a name like Chairman Baek said? If not, he adjusted to society pretty quickly after being adopted.

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I know the last episode has flaws, but I still love WTPR so much.
They have the happy ending I needed.
It’s my all time favorite.
The story, lines, characters, acting, OTP and chemistry really works for me. I am thrilled of their Romance (my SaJu couple).
I love how Yoo Yeon Seok himself love this show too. He even rename BSE after himself to Baek Yoo Yeon 😍. He writes (inspired by Chae Soo Bin, as he said Soo Bin is Hee Joo) and sings “Say My Name” for the soundtrack.
What a lovely song to put on the epilogue. It made it more bittersweet.
BSE/BYY is a swoony character you’ll melt for. Definitely WTPR is a must rewatch. 🫶

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"I love how Yoo Yeon Seok himself love this show too." - THIS! It seems like he really gave his heart and soul to this role and drama. I think I've read he even lobbied for 2 promotional outings before the premiere; namely, CSB guesting on his & Yoo Jae-seok's variety show Whenever Possible and live stream on Na PD's channel with CSB (because MBC was just doing the bare minimum).

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MBC must be eating crow now - given the runaway success of this hit

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Yes, obviously he loves WTPR so much and badly wants the best couple award. WTPR is a global hit, YYS and CSB are now recognized around the globe.

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I think I liked 96% of the show. The finale contained the 4% that made me 🙄. I think it's fair to say that I'm one of the few (or only) people who don't mind noble idiocy and even I was like "WTF? WHY?" The show already primed us for him disappearing for some time but why did we have to include this particular thing? A warring country with murderous rebels because it has the best sunsets? Are you for real? And then the wife is like "getting shot by rebels is no worse than being here without him! I miss him so much!!!!" 😑
Yeah, I can't with that at all.
Also her getting kidnapped along with the other folks just made me think of what tends to happen to women who are captured in these types of situations and that is not a romantic situation.

Next is the reporter friend is me cause oh my god the cringe with the new name reveal haha. I honestly watched through my fingers. But then again, I also had second hand embarrassment during the bed scene (and the fact that it's the actor singing the OST as he's taking off his shirt). Just all of it gave me the cringe haha.

This made me think about sins of the father/parents. Both mother and son wanted to punish the lead character for what his FATHER did and it's total rational to them and similarly, the lead feels disgusted and shame because his father caused his wife's brother's death. I get it; it must be a weird feeling.

I did like the sister's apology and the mother's moments of regret and caring. I like that they aren't automatically good and it's taking some time and space.

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I had no idea re the OST, so that is fricking hilarious! Thanks for that info 😬

I agree re her sister and mother - they had some nice shading in the end (unlike his mother and father!)

I think I had stopped watching though at the point where the sister told Hee-joo she had spoken to Sa-eon and he was 'never' coming back??? That's completely different to 'wait for me and I'll find you' but basically his whole Rambo-themed noble idiocy was honestly one of the worst examples I've ever seen, so he better have been great in the sack to even vaguely start to make it up to her....👀

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But then again, I also had second hand embarrassment during the bed scene (and the fact that it's the actor singing the OST as he's taking off his shirt). -

it’s not the song of YYS, same my name was played in the epilogue.

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Re: I think I had stopped watching though at the point where the sister told Hee-joo she had spoken to Sa-eon and he was 'never' coming back???

- I don't think Sa-eon told In-A that he is never coming back. It is In-A who insists (in her own misguided protectiveness of her sister) that Hee-joo must move on, forget him and that he is not coming back.

He has told her before in hospital when they were discussing why he installed the GPS tracking in her phone but would not allow her to do the same with his phone: "Do not look for me when you can't find me. You just wait for me. I will always come back to find you."

His problem is his excessive self-flagellation. He practically exiled himself to a doghouse to lick his emotional wounds and work through his guilt, whilst the poor dog owner is wondering where her dog went.

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Nope.

The OST playing during the bed scene is by Ja Yeon titled "May I Love You?". The OST by YYS only playing twds the end before credit rolls.

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Thanks for the correction

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Ep 1-10 were great (with a few lapse of logic)
Ep 11 was medium
Ep 12 was total batshit with unsatisfactory time slips and offensive war comments.
What is the 12 eps format good for if it does not prevent the frustrating separation?

Saeon did a Jaime Lannister / scorpion in the river "that's my nature" and decided to vanish to play rambo as punishment, like the bloody red flag that he is.

No amount of cuddling can compensate the inanity. I need a rewrite of the ending, just as the ending of Business Proposal was rewitten.

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Oh man, such a great comparison to Jaime Lannister. I will never not be mad about that

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LMAO at the Jaime Lannister comparison. Saeon running away for reasons (insert boos and tomato throwing) gives off similar vibes to Jaime never telling anybody Aerys II was about to immolate the entire city of King's Landing because "honour" and "failing his oath-bound duty." Like dude, what happened to basic f-cking common sense?? A glutton for punishment for shit you're not actually at fault for.

God, I cannot wait to describe Jaime Lannister as a prime example of noble idiocy within my ASOIAF book fandom friends from now on. Worlds colliding.

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It was a fun show, it knew what it was doing until the last episode. I didn’t care for the whole nonsensical plot that I even ff-ed the kissing. I didn’t care for the dumb and dumber couple of ep 12.
Anyway. It was over. I will remember the first 6 episodes fondly.

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Well, overall, that was a blast! This show was explosive 🎆 both literally and figuratively with a flurry of bombs, fires and falls (the plot perils became repetitive and OTT for me, but the character explosions (chemistry) fires (passion) and falls (into love) were much more interesting💖)....
so it's ironic that the thing that nearly took out our OTP in the end wasn't a cliff, or a gunshot but goddamn noble idiocy!

Cut to me shouting at Sa-eon 'you claim to be punishing yourself, but you're really just hurting the person you supposedly love. Sort your shit out!' Seriously dude!😱👀

On the upside, it allowed Hee-joo to fully embrace her newfound self-confidence and self-determination. Her line in response to his that 'I've decided not to hold back any more' followed by the-kiss-he -couldn't-resist was great.

I loved her character journey overall and thought she did a fantastic job showing how silent doesn't automatically mean submissive...

It reminded me of a comment I made before re the Little Mermaid references
"I love how this drama is doing a revisionist version where SHE decides when she will reclaim her voice and rather than being heartbroken, she will also get the love she doesn't think she deserves.... "
We see Hee-joo realise that she DOES deserve love💖, which is what gives her the confidence to go after Sa-eon and persuade him that he does too.

Two messed up kids finding a healing (and hot) love together as adults is the bit that felt satisfying (definitely not the weird-ass made-up war zone that he single-handedly navigated alone... or any of the other major plot holes...)😬

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A couple of other more minor points

* Yay for proper skinship - seriously, props for including it and for shooting it so beautifully...........

BUT did anyone else have cognitive dissonance about watching what looked like a high-end perfume ad (billowing white sheets, hotel level bed) in what I assumed was actually just a hut in this made-up war-torn country, with any number of trucks full of armed militia presumably not too far away?

I found it stressful to watch because I wasn't sure if they were safe! (but I'm sure I'll appreciate it more on a re-watch, which is, ahem, of course the only reason I will go back to revisit that scene )🤩

* Did anyone else get shades of Grey (I mean Christian Grey..) from Sa-eon's desire to punish himself and Hee-joo's blindfold? Plus the fact that he misses 406 because of her sharp tongue? I can foresee some consensual dom/sub role play in their future... But that will have to be a film sequel because we know that k-dramas will rarely go above a PG or 14 😁

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Re: I can foresee some consensual dom/sub role play

No need. Just read the novel.
And you know what's the best part? It's absolutely integral and consistent to the plot ❤💋📞

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Our Fifty Shades of BYY wants his feisty 406 HHJ. 😍

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I liked Hui Joo as a character too. ^^

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Thank you for the recap. 📳🤳 Your comments have made this fun ride a whole lot more fun. 😊🫰🏻❤

Makjang-y wtf-ery, nonsensical randomness, Wattpad drama, whatever you may call it. Indeed boring it was most definitely not. 🤣🤣🤣

How are the "imaginings" of the OTP more intense than their actual interactions. If I was pretending not to cry while watching Saeon imagining a happy beginning to their marriage, I was just as openly wailing seeing Hee-joo's imagined start.

While we can all roll our eyes over uri Saeon and psycho Sa-eon's interaction at the end of day it was just #plot, however webnovel-y senseless it may have been.

I legit thought uri Saeon had actually been shot and didn't realize it was Hee-joo's imagination. Again!?

Can Im Chul-soo's next drama cast him as a marriage counselor. Pretty please.

I was going to skip commenting anything about the Argon misadventures but how can I resist when you say -

So off Hee-joo goes, never mind that it’s still an active war zone, and promptly gets herself kidnapped by local rebels. Which, to be fair, when all else fails to get Sa-eon’s attention, her being kidnapped has always worked rather well.

I have a hundred million reasons why I love DB recaps and this comment right here is a million of them. 👌🏻🤣🔥

This and describing the "reason" for uri Saeon's disappearance ending with "Or something like that." 🤌🏻👏🏻👏🏻👏🏻

Kudos to Yoo Yeon-seok for selling the "I'm punishing myself" angsty look in a plainly ridiculous scenario but it just makes me respect him more as an actor. 💪🏻👍🏻

Uri Saeon becoming the whipped husband Yu-yeon was cute even though it took a long time coming. I would have loved actually seeing the "increased" family members.

But I don't understand why Hee-joo had to go off to meet up old family members notably her mom who doesn't seem contrite in the least. In-ha has the most meaningful apology I have ever seen. Can we set her up with Do-jae!?

However weird and politically incorrect the last scene may have been but at least the drama knew it worked best when the OTP ring each other's phone. 😂 Although I had the same question - when did Hee-joo not communicate clearly even when she was allegedly not speaking. If anyone it was uri Saeon nee Yu-yeon who needed to open up and communicate with Hee-joo earlier in their marriage and more clearly.

Ooh! And those biceps on uri Saeon. Nice last screencap. 💪🏻❤😊

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If Inha is set up with Dojae, I'll start a petition 😂 She can't be with the one who had the nerve to push her sister down a cliff, no matter how misled he was and how hard he is working towards redeeming himself 🙃

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🤣🤣
Ya know, Tabong and I have this weird litmus test: if we cannot conceivably ship a drama character with one of our IRL close gfs or sisters in all good conscience, tis a red flag and no-go.

So yeah, I get your violent objections lol

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Uri @enriquequierecagar indeed has the best theories and hashtags of course. I love this joint theory of yours. Well done. 👌🏻👍🏻😍

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Right you are. Off with his head then. We should have had psycho Sa-eon deal with Dojae. 😤

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Yes this. I'm also surprised why SE hired him again as his secretary of sorts. This guy even though mistaken, pushed your wife off a cliff. Maybe in the novel his redemption made sense because I heard he was tricked by real SE's mom but here he acted on his own.

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Both he and true Sa Eon got tricked by the mom in the novel but the novel doesn't give him any redemption. He is a weak nerd and Hee Joo notices he was badly beaten in prison and to get him to talk threatens to have him beaten more with her stepfather's connection if he won't cooperate. She feels sorry for him when he tells her his story but doesn't forgive him or reason that he was a friend to the ML. ML also figured out his closest friend was behind it all but used that to his own advantage for his plan before cutting him from the team.

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The ex-con Park Do Jae is therefore working directly or indirectly for the korean Ministry of Foreign Affairs

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Agreed. I think it's okay for In Ha to not date anyone from the "traumatized kids club". Sang Woo is the only truly decent one and he's already taken. So I hope she finds just a regular person with little drama in their life.

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Yes, the observations and comments in the recaps are priceless and so spot-on !

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and we finally got to see YYS' shoulder deltoids 😜
after all that jealous stewing over Sang-woo's

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Shoulder Thug!?

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with shoulders as wide as the Pacific Ocean...
🤣🤣

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👍🏻👌🏻🤣🤣🤣 same, same. And perfectly pictured to ensure maximum effect *swoons*

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and YYS deltoids are gorgeous

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Hee-joo had a fertile imagination!

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#plot is the best way to describe ep. 12! 😂

And yes, those biceps. Wow. They should put them in a museum or something. 😂 Just wow.

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IKR!? I had a new found appreciation for the. 💪🏻😅 Rambo YYS is a good look. 😂

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Everything plotwise fell apart the minute they took Chief Kang away from being the marriage counsellor (and turned him into the comic relief who must interrupt newlywed time). He was not ready to have stopped taking those lessons.

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Uri Saeon becoming the whipped husband Yu-yeon was cute even though it took a long time coming. I would have loved actually seeing the "increased" family members.
- the scene was so cute and so was the BTS of it. 😍😍😍

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Oh really! Guess I've got to go look for the bts. I loved the way he kicked open the door. 🦵🚪

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If he really wanted to see sunset because it reminded him of her, why did he choose such a risky location!?!?!?

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IKR.
Sa-eon, *this* is where your high-end advanced dual-camera system on phone comes in useful lol

Whenever you suffer the pangs of Hee-joo withdrawal, just scroll through your photo gallery of sunsets.

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I wish we got more screen time of the 2nd leads instead of whatever nonsense happened in the first 40 minutes of ep 12. I was happy that they got together but I wanted to see it happening as well. I wanted to see yuri confronting hee joo about the lies, not as a jealous 2nd lead but as a person who truly cared about her and was kept in the dark. Instead of all that we got last minute noble idiocy and forced separation. Despite all that, it was still an enjoyable show thanks mainly to the actors performances that made me overlook all the plot holes and I'm glad to see this on my completed list.

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No one can make me hate that finale. The way I laughed. It was so ridiculous, but one of my favorites was her fashionable outfits to the airport and in the "jungle." 😂😂😂😂. I love every bit of this drama, every single bit. Plus YYS and CSB had such gorgeous sizzling chemistry. So all plot holes forgiven because love conquers all, ha.

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The head scarf deserves a Special Mention lol

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You are correct, so random, so weird, but just right.

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Those two look starving whenever they are together.

I feel embarassed myself watching them making out like there's no tomorrow. She even got in idk what (frog?) position with him ended up with swollen lips and red ears.

CSB basically defeated the self-proclaimed "Master of Kissing".

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"She even got in idk what (frog?) position with him ended up with swollen lips and red ears." - Beanie mentioned it's HHJ fertile imagination. 😍

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“Plus YYS and CSB had such gorgeous sizzling chemistry” OMG 100%. Thankful for the casting director LOL. It might be unpopular opinion here, but I loved some moments in that bed scene. Camera focus on HJ's parted lips when he took off the shirt and that scene where his hand slips under the sheet - it's going to live rent free in my head for a while

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I went back and rewatched it because I didn't notice, but HELLO, lol.

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Lol I might have watched it few times. I found it so hawt 🫣🫣🫣

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Thank you for making me rewatch it in painstaking detail. *Swoons*

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Just read article yesterday where he discussed the bed scene.

The funny thing is they both had "video" to reference to. Wonder what video was that? LOL.

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interesting! LOL I'm so curious now. Also, where can I find that article ?

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https://m.entertain.naver.com/article/015/0005078336?s=08

I read the translations on X.

Accordingly YYS and CSB even watched the finale together and was quite shocked that the bed scene turns out to be more intense than expected.

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Thanks so much for the link! Do they realize how intense their chemistry looks on screen 😍

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Oh when I watched it, I thought he slides his hand under her camisole no? 😆 (maybe my mind is in the gutter)

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“Plus YYS and CSB had such gorgeous sizzling chemistry” YES!
Their chemistry is overflowing whenever their on screen you can feel the sexual tension..

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The plot was only secondary anyway. At least I watched this drama for completely different reasons.

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Oh, those looks WILL be on my 2025 end-of-year top fashion moments, objectivity be damned.

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Yessss!!!

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It was expected that the thriller/mystery part would come to the forefront. I was still mildly surprised that they managed to stretch it to the finale. Sa Eon's mother being a major villain was better than it being her husband. Of course, things got more dramatic and twisty. I'm glad that Hee Joo didn't actually run the car off into the water. I was prepared to just accept she'd survived the crash no matter what.

I didn't take the whole international part seriously. The show made the situations overly dramatic in the last hour, not surprising. At least they used fictional countries. Sa Eon was gone for 6 months! That was way too long to not say a word to Hee Joo. He was punishing himself, but also hurting her. Wasting time when they had wasted so much already. Still flawed and being a noble idiot one last time. Can't ever get away from that trope.

Their passionate reunion was great though (starting with that first kiss! Hee Joo not holding back! 🔥). They delivered on the steamy kisses and more. (The cell phone placement on his chest was soooo weird though. Threw me off. XD;;;)

Yoo Yeon Seok & Cha Soo Bin nailed their roles. The OTP's chemistry was so good. Their kisses and cute homey life was sweet and satisfying. Their new place looked darling and cozy. ^^ Sa Eon changing his name made sense. Going back to his familiar job did too.

I LOVE that they ended the drama with a teasing phone call. 😏🥰😘

I haven't said much about Yoo Ri. She didn't really have much to do. She was a cute, pleasant character to watch though. The marriage announcement of her and Sang Woo was a bit too sudden even with the vague time skip. We haven't even seen them hold hands or kiss! Announcing an engagement would have been more believable. They had some nice, rom-com-y scenes. He was sorta awkward with the smiley, cheesy moments. Gotta take some lessons from her, hah. She was a ray of sunshine. ^^

All in all, this was a fun watch. The plot was definitely ridiculous and not the highlight.

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I though that maybe the placement of the phone between them was an allusion of the importance of phone calls in their relation.
But it might just be pure ridiculous no reason.

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I was cussing like, "WHO did the blocking for this scene?"
It was so distracting, and at one point the phone slides down and disappears between their bodies into the sheets LOL

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Their passionate reunion was great though (starting with that first kiss! Hee Joo not holding back! 🔥). They delivered on the steamy kisses and more. -
I love this scene, hungry yearning kiss 🥵

Yoo Yeon Seok & Cha Soo Bin nailed their roles. The OTP's chemistry was so good. Their kisses and cute homey life was sweet and satisfying. Their new place looked darling and cozy. ^^ Sa Eon changing his name made sense. Going back to his familiar job did too.- I love this 😍

I LOVE that they ended the drama with a teasing phone call. 😏🥰😘 -yes!

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I was laughing all the way through ep 12, because this makjang nonsense had reached a new height (or low depending on whether you like makjang). Many thanks to the beanies who explained that this is based on a novel, even the ending. This is a book I will not read!

The story was consistent in that the phone had to ring (title!!) and this must be eagerly awaited by one of the leads. A separation of the couple before the real happy end was only logical. But this was the only logical part in this drama!

I like that Yoo Yeon-seok is shaking off his 'softie'-image, he does cruel really well. More of this, Sir!

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Re: he does cruel really well.

Watch his portrayal as Gu Dong-mae in Mr Sunshine.
Tormented, ruthless, complex, intense and absolutely obsessed with his tragic love.

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Agree, he is so good in this drama, as you say, very complex.

I would have loved to watch more of him in A Bloody Lucky Day, but the drama was a little too cruel even for me.

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Ep 12 and, to a lesser extent, 11 were SO bad that I think it retroactively ruins the series. Like, I can't recommend this to anyone after that. I couldn't even enjoy that bed scene because, after those two eps, I lost ALL investment in their relationship. The whole story was them coming to learn the importance of communication. So why did he abandon her and not COMMUNICATE with her? That does not bode well for the future.

Also, why the heck did he get out of the car and not just run the real Sa-eon over?? That was Hong-jo from Destined with You levels of stupid.

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I'm not familiar with firearms, but I'm guessing that the car didn't have armoured glass windows, so a bullet could have penetrated the glass. So running him over would have been a risk, as the psycho would definitely have pulled the trigger first.

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IIRC, there was quite a long moment before he reloaded the gun that would have been the perfect opportunity.

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Even the father didn't die from being shot by that one shot rifle. The villain was not mentally sound and would never have hit any target anyway. As an adult he completely lost his ability to kill humans. He even hit himself when he was hitting Dong-jae he was that uncordinated.

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My feeling is exactly the same. The last episodes undid everything that had happened to that point. The show milked YYS's angsty expression dry because everyone knew he did it best. But too much of a good thing is bad, and by ep12 I didn't care anymore, even the bed scene.

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So the phone has stopped ringing..but they courted an online war by having an unnecessary, insensitive 10 second scene. They should’ve stuck to Argan.

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Another discussion board that I am on were speculating that what the psycho whispered to Sa-eon was "are you sure your father didn't do anything with her mom", implying Hae-Joo could be related to Sa-eon, which would have made for a much better reason for him to disappear so she wouldn't find out! Of course, that could have been easily resolved with a DNA test without any shenanigans in a war-torn zone, so what was the fun in that?? But it my mind, I will believe that it exactly what he said, and the shock of it made the ML do all the crazy things afterwards (until he remembered about a DNA test, but by then he was already stuck in the war zone)!

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Tbh, his expression turned so devastated and anguished after psycho Sa-eon whispered to him, my heart sank (side note: his acting reached its apex here)

I actually experienced a *real* moment of fear that the writer would go rogue and turn this into Greek tragedy with an incest curveball!

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Love and being taken hostage in a war-torn country like Argan share a surprising number of parallels, especially when experienced beneath the sheets. Both scenarios are fraught with intensity, unpredictability, and a mix of ecstasy and terror.

Love, like a hostage situation, can feel overwhelming and consuming. When two people come together, especially in the intimacy of a bed, emotions run high, and boundaries blur. The sheets become a battleground where vulnerability is laid bare, much like a hostage stripped of control in an unfamiliar and hostile environment. In both cases, the heart races, not knowing what the next moment will bring—pleasure, pain, or a complex cocktail of both.

In Argan, the jungle's dense, oppressive heat mirrors the suffocating intensity of love's grip. Both environments strip away facades, revealing raw humanity. Beneath the sheets, lovers confront their deepest fears and desires, much like hostages confronting the stark reality of their situation. The power dynamics at play—whether in the tender dance of affection or the brutal struggle for survival—are strikingly similar.

Yet, amidst the chaos, there is a strange beauty. Love and captivity both offer moments of clarity and connection. For lovers, it's the deep bond forged in intimate moments. For hostages, it's the poignant realization of life's fragility and the enduring strength of the human spirit.

Ultimately, both love and captivity in Argan test the limits of endurance, revealing the profound complexity of human experience beneath the sheets and beyond.

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You kill me! So funny.

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Thanks!

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Oh, wow. Just wow. This is the kind of analysis that leaves me staring at my screen, equal parts fascinated and horrified. It's like someone took a Jane Austen novel, tossed it in a blender with a Tom Clancy thriller, and added a dash of... Fifty Shades of Argan? I don’t know whether to applaud the bold metaphor or question all of your life choices as well as mine (like, watching this show).

First of all, can we acknowledge the sheer audacity of comparing love to a hostage situation? I mean, yes, love can feel intense and overwhelming, but "fraught with unpredictability and a mix of ecstasy and terror"? Who hurt you, Seon-ha? I feel like there’s a backstory here involving ill-advised relationships and possibly too many late-night K-drama marathons - although I can’t entirely disagree with the idea that love, like the jungles of Argan, can strip us down to our raw, vulnerable selves. But maybe not in a way that requires a SWAT team intervention? There’s a difference between navigating emotional vulnerability and, you know, actual life-and-death hostage dynamics.

The sheets-as-battleground imagery, though? A+ for dramatic flair, but it’s giving me flashbacks to Descendants of the Sun - except if Song Joong-ki’s character had a hidden dark side and the bed became a metaphorical demilitarized zone. And while I get the power dynamic comparison, let’s maybe not romanticize captivity? Love is about mutual respect and trust, not survival instincts. But you know what? I am and always have been here for the chaos, even if this particular connection feels like it needs a safe word and a rescue mission.

Final verdict: This metaphor is like watching a melodrama at 2 a.m. after too much caffeine - over-the-top, occasionally cringe, but soooooo compelling. Just don’t try to sell me on the sequel.

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I was really hoping for a whispered suggestion of incest in episode 11. I looked forward to an episode 12 that had the desperate waiting for the DNA results, the breathless reading, together, of the contents of the delivered envelope, and then the passionate grappling love making session when the results were negative. (Or who knows—the show could have had them kissing after reading the DNA results, but have left us in the dark whether their familial relationship was confirmed or not! That would have been a cliffhanger!)

But, deep down I knew that wasn’t going to happen. In fact, after the first episode I said to my wife—“Oh, no—I’ll bet by the end he’ll be heading to war-torn Argan to punish himself.” And she said: “Again?”

But despite this predictability, I have to give the writer credit. Because moving the action to the fever heat of tropical Argan finally escaped the frigid sex environment of Korea, and allowed the main couple to awake without sweaters after sleeping together.

My one objection to this last episode, however, was the ending repeat of the phone conversation, which Sa-eon already had earlier, with distorted voice Hee-joo, where he begged again to be dominated. I just don’t think she’s that kind of woman, so I’m afraid this relationship, which began so promisingly with 3 years of non-communication, is not going to be a happily ever after!

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Real Sa-eon provided enough incest so captivated he was by his uncle's smell and then whispering sweet nothings in his ear. Hong Hee-joo is kinky and in control. She is even fine letting him have a work wife boytoy who tried to murder her as a treat.

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If the kidnapper was still alive, he would vehemently disagree that Hee-joo can't take on a dominant role. He was certainly absolutely traumatised at the end because she simply never played the obedient kidnap victim.
Poor guy.

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He got a very strict aunt. Poor boy.

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My God. My most crackpot, makjang ass theory before ep. 12 was that Sa-eon and Hee-joo are somehow related. Wouldn't be the weirdest thing about these families. I thought for sure Candidate Baek had an affair with Hee-joo's toxic mom or something.

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Oh my goodness, your comment made me laugh so hard: "moving the action to the fever heat of tropical Argan finally escaped the frigid sex environment of Korea, and allowed the main couple to awake without sweaters after sleeping together." I'm dying.

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@Hacja,

By God, you might just have stumbled upon the next trending kdrama trope of 2025!

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Also, now I'm thinking that we should consider every single Kdrama that could have had its ending improved by the characters taking a trip to the war-torn country of Argan.

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What an interesting Drama Challenge this would be 🤔

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Men will go to a warzone and look at sunsets deep within rebel territory... Instead of just talking to their wives.

In the middle of ep. 12, I was just so confused. Yes, the whole story is very makjang, very Wattpad... but WHY is this lady now GI Jane and sneaking into a war zone... Dodging rebel patrols while dressed like she's in a fashion show.. ??? Why are they being chased by gunmen, what is even going on??

Also, wow. They consummated their marriage after 3 years... In his random bamboo shack in the middle of a tropical jungle... within a country in the final stages of a civil war/insurgency. Yes, it's wild, but tbh I expected nothing less from this couple.

Anyways, I'm obsessed with the nation of Argan. diverse and multiracial, everyone speaks English, with enough resources to be important to the S. Korean economy, if not the world's. A bit European coded tbh. But also tropical jungles, Third World yellow filter, and blackclad rebel groups. Interesting. At least they didn't go with an African or Latin American or MENA country, like they usually do in kdramas for this sort of thing. Win?

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Argan is an island in the south seas where mysteriously anguished men go to punish themselves. They have a staff that cos-plays as guerillas, and also pay children to come and pretend to learn sign language. Think of it as kind of a Club Med for noble idiocy.

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It is literally and metaphorically a "theatre of war".
Or an Escape Room game, writ large lol
Head scarfs sold separately.

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And, of course, we also know that Argan is the primary exporter of Argan oil

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It's very amusing to me that you can't trust Sang-woo with private stuff. Tell him a secret and he'll go home and immediately tell his wife EVERYTHING. He just told Yu-ri, like, two decades' worth of Hee-joo's closely guarded secrets 😭😭

I also didn't know that Yu-ri was so close with Heejo... And wow, all of coworkers from the Blue House AND the sign language center showed up for the search... Hee-joo had so many people who cared about her, she didn't even realize 😭😭

Shoutout to the most iconic duo of WTPR: Hee-joo and falling down a cliff, rivalled only by Hee-joo and getting kidnapped.

Speaking of Yu-ri and Sang-woo, I was shipping them super hard and we didn't even get a kiss? Just a rushed marriage announcement? Yes, they're just second leads but I would have loved to see an actual date or even a confession. Instead of wasting precious screen time on the Argan subplot.

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Are they even second leads? I love the 2ml actor so I was expecting more but they didn't have much to do. They are token second leads for having a crush on the leads in the past. Take away the characters and nothing changes. The real 2ml is the kidnapper and the 2fls are the two secretaries(ML's work wife and the nosy halmeoni advisor).

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that's also true, I don't think they moved the plot forward in any tangible way. They really should have given their characters more to do.

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YES for final episode: more Yuri and Sang-Woo, interactions with sign language center and spokesperson office friends, a little more family drama and denunciation OR reconciliation, either one. Plenty of alternatives to the Argan f---ery.

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All their dates are doing double duty as either work dates or orphanage dates LOL

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I am so freaking relieved that you all found the ending as bad as I did. But my question for myself is, why? Why was I willing to suspend disbelief for fully 11 episodes of makjang ridiculousness, but the school for the deaf in a country called Argan (!?!) was a bridge too far. I was just cringing through the entire last episode. I had to fast forward to finish it.

But it was hardly as though the previous episodes were tethered to reality in any way. Did they hire a special last episode director to slow down the pace of the story? Was I merely annoyed by the whole "war torn fictional country with vague terrain" ish?

Also, what is up with Korean screenwriters and deafness these days? I read that Chae Soo-bin learned two different sign languages, KSL and ASL. Because she didn't want to suck! She didn't want to literally hand-wave the issue of there being real Deaf people who might watch the show and get pissed off. I really appreciated that!

Anyway I also thought that cliffhanger at the end of episode 11 was going to be about consanguinity and incest. Like, maybe Hee-joo was his sister! But no. They were separated only because he was an idiot, no other reason. He felt guilty because of who his dad was? Like he had any control over that? You know what he should feel guilty about: not caring who his mom was.

Was that ever discussed in the original book?

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I don't think it's so far-fetched that he feels guilty for who his father was. It's a strange thing to me personally, but isn't it a recurring theme in kdramas that the children have to suffer for what their parents did?

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Yes. True. Yet at the same time, for her to reject him for this would be totally out of character. Wouldn't it? Did we need one more kidnap and rescue before these two MARRIED people who have declared that love each other, no one else, can finally consummate?

It also bothers me so much that he never looked for his mother! His grandfather gave birth to him parthenogenetically? No, because that would be unrealistic. 🤣 Did I just miss that his bio mom was mentioned earlier? What the heck.

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Okay, I was literally snickering to myself at the end of ep. 11 that maybe the whole plot twist is that Hee-joo's awful mom had an affair with the chairman and HJ is SE's half-sister. Like yes, give us a Luke and Leia sitch. 😆 But yes, I wondered why there was no thought given to his bio mom either!

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I was cheering when Hee-joo actually told her abusive mom to stop gaslighting her. To stop acting that the abuse was done in the daughter's best interest... I really thought she would cut off her toxic mom. I was happy we would get a kdrama where the child would have nothing more to do with a parent who hurt them... And then the show just went back on that, with Heejo and her mom slowly rebuilding their relationship or at least on the path to it. That's the sense I got at least.

the mom never once apologizes for what she did... she doesn't even recognize what she did wrong. Meanwhile, Ina sincerely apologized for what she did and didn't do, and tried to make amends. That I really respect... truly Ina was the best person in the Hong family.

OK. that's my final comment on this drama.

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The mother does repent and cry and tell the other family members that she regrets what she has done! That did happen, right? (Or was I hallucinating?) I think the only person who apologized properly was Hong In-ah though.

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Yes, the mom does repent and cry--alone in her room, but witness by Hong In-ah--episode 11, 24:22 to 25:39. They finally make up, kind of, at the very end of episode 12. She goes to visit her parents, the father mentions that her mom was sad that she never smiled (but still no apology!) Then, Hee-joo, like the badass she is, refuses to give her parents her address right away! She says, let's take it slow. She really is a great character.

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Oh those tanned muscled arms of Sa-eon in that tropical location of Argan (which looks suspiciously like Thailand), clutching our heroine like this is a book cover of a steamy dime-a-dozen romance novel! *swoon* THAT ALONG was worth a visit to that mythical country, I say!

Back to reality:

"Hee-joo doesn’t quite say what I want her to: that by leaving without an explanation he’s been punishing her, not just himself "

OR, or he could tell her he needed personal space to process all his trauma, which would have worked just fine in my opinion.

Listen, in lesser hands, this noble idiotism would have worked terrible, but they pulled through with this, emphasizing that he's leaving her (actually, "taking a break") to concentrate on processing all of the guilt and whatnot, instead of tripe "to protect her." I only wished they emphasized it more, because, actually, it totally makes sense that a man so guilt-ridden and traumatized would seek solace in his far-away work to "find himself anew."

I experience such a joy having watched this drama. It gave me just enough escapism and entertainment to suffer through the grayest darkest days of this winter.

Favorite moments:
- Tanned muscly arms of Sa-eon in Argan;
- Intense conversations between his 'mother' and Sa-eon showcasing a gripping battle of wits, as they try to outdo each other in the creative pain they can inflict. A brilliantly executed psychological game of cat-and-mouse;
- The new warm house of our main couple;
- The baby-making shenanigans;
- Tanned muscly arms of Sa-eon in Argan;
- Final conversation between a mother and her monster son -- "All I wanted is to protect you, not banish you." As perverted as it was, this mother did it in her own to express love.
- Argan sunset landscape as a backdrop of consummation of our OTP love (though I still miss the sizzling scenes of garters and accidentally falling onto the beds in cold luxury apartments);
- Hee-joo taking things slowly with her mother, who doesn’t deserve forgiveness for essentially abusing her child and silencing her voice;
- Sunsets as a metaphor of Hee-joo. "My phone is full of your images in my phone."
- Sa-eon muscly tanned arms in Argan;
- Final call where that cattiness and pull-and-push chemistry is re-estblsihed between the husband and a wife, which I welcomed to see, as our couple was getting too vanilla for my taste.

Enjoyed it more than I thought. Wished they went less vanilla in the last 4 episodes and less thriller-esque. Argan was absolutely unnecessary but I appreciated the tanned muscly arms of Sa-eon, am I repeating myself. Overall, all t's were crossed and all i's were dotted, culminating in a clear and satisfying ending. Good job, Show!

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You have forgotten a favourite moment in your list: "Tanned muscly arms of Sa-eon in Argan". ;-)

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The most MOST favorite moment -- those gorgeous tanned muscular arms of Sa-eon in rolled-up black shirt sleeves against the backdrop of danger and palms!!

Once I turned on my reptilian part of the brain, I knew I was going to enjoy Argan. Even Hee-joo's Grace Kelly get-up while she was hobnobbing around the rebel-infested jungle didn't distract a bit from the joy I experienced from watching the last episode. It worked for me!

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Comprehensible. Hee-joo wearing a headscarf was so obviously deliberately over the top that it was clear that the makers knew how absurd the scene was and that they were visibly having fun with it.

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I love your favorite moments too.

My only complain now is, Yoo Yeon didn't get to see her mole in her lingerie (irl not just in imagination nor that hot picture). I really wanted to see it. LOL

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I am choosing to ignore that the trip to Argan ever happened and that everything that happened in the beach house was part of their honeymoon. I can live with that. I enjoyed the ride and maybe would have felt differently, if I hadn't live watched it.

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Sequence of episode 12-related reactions at my house:

1--denial [I am hallucinating that a Vietnam war movie has leaked into this show]
2--crushing disappointment
3--wait, what will they say about this at Dramabeans?!
4--[reads recap and comments] Feeling better
5--attempt to assess whether WTPR ending messes up worse than
Do Do So So La La So.....

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As I recall, the Beanie reaction to the finale of DoDo was the first time I read multiple F-bombs on this platform. To those who stuck it out (I dropped at ep 10) the ending was a flagrant act of utter disrespect for the audience.
Hoo boy, some Beanies were mad.

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DDSSLLS' ending was infamous. I think viewers felt it was a violation of the implicit contract between a show and its audience.

WPTR, on the other hand, was largely canon in the first 6 eps, it only started to be substantially canon-divergent from ep7 but it stayed canon-adjacent (think of it as apocryphal text) and never veered into heresy. Even the Argan foray (that felt like a narrative and tonal whiplash to many) is canon.

I just feel maybe the writer didn't have enough time to sufficiently set it up (like the source novel) or writer could have crafted an alternative drama ending that vibes well with the new narrative pathway she has already created in her adaptation and break away from source text.

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Your never-quite-heresy explanation makes sense to me. I was dumbfounded at WPTR rather than spittin' mad as at DDSSLLS--so the latter still has the most messed-up ending I have seen so far.

More set-up would certainly have helped. If we'd seen more of the ML's perspective and tie-ins with his time abroad, if those notes had been sounded in between the first and last episode, we might have been more prepared....

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Re: I am hallucinating that a Vietnam war movie has leaked into this show]
🤣🤣🤣🤣
I nearly did a spit take.
If nothing else, the Argan plot beat is "the gift that keeps giving." The gamut of responses - from the sublime to the mortified - is comic GOLD lol

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Here I was thinking that WTPR had the most bonkers spiralling I have seen in the final episode of a kdrama but no, now that you mention it Do Do Sol Sol La La Sol still takes the cake.
At least the WTPR finale was dare I say entertaining, it seemed they leaned into the campness of it all. And while some things like the separation or Argan or the nth kidnapping were unnecessary, the way things turned out between the couple was okay and not infuriating. Dude was gone for 6 months as opposed to 5 years and she knew the whole time he was alive so that makes it infinitely better no matter the shenanigans on screen. DDSSLLS just made my blood boil, I’m mad again just remembering it.

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Yeah, these last two episodes were all over the place. Not the tight closure of plot threads I was expecting. I'm a little disappointed, but still enjoyed it. Here are my gripes:

1) Who in the heck was the old fisherman that raised fake BSE?

2) I recall in one of the first episodes, fake BSE was noted as having worked with both the FBI and the CIA, so his resistance efforts in the jungles of Argan was not out of the realm of possibilities, even though far-fetched. What really raised the eyebrows was the missed courtroom drama fake BSE would have had to endure in order to testify against real BSE's mom (Shin-something?), Mr. Min, and perhaps testify for PDJ? I feel like those scenes would have been more suspenseful than the slightly unbelievable "jungle love".

3) How in the world did PDJ pass security clearance after his crimes in order to work with now BYY in hostage negotiations? I would have enjoyed some heart-warming scenes of PDJ working his way back into now BYY's good graces.

4) I also would have enjoyed HHJ being at least a bit traumatized by the knowledge that grandpa BJH (to now BYY) was responsible for the car accident, needing a little time to recover, and now BYY being sad, lonely, jealous of any men around her at work, but also working his way back into her good graces.

I feel like the writer-nim missed some emotional opportunities. But, whatever ... I'm still a kdrama fanatic.

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Every charbol family has one of those shady middle aged men who handle all the dirty work and whose name is signed on every dubious asset they want hidden like that mansion. Usually they are gangsters but sometimes they are a poor person who are in some debt to the tycoon. In the fisherman's case since both the father and son loved fish he must have been their daily fish supplier who was saddled with the illegitimate baby one day. I'm surprised that despite cutting ties with his blood family the male lead chose to keep his surname instead of taking the fisherman's if they really wanted to show he was the true surrogate father.

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PDJ walked into the office one day to seemingly thank Mr. Kang and when the staff were gathering food and drinks to celebrate his release he used a nice government computer to hack and clean his profile. And maybe get some blackmail data on some top officials using his famous stalking skills so no one can say no to him.

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i'm so glad i have this community to make sure i wasn't just being an a-hole kdrama critic XD

my overall thoughts:
the good
- the chemistry
- eps 1-8ish
- parts of 9-10 - sangwoo and park do jae identifying the orphans *sobs*, and the press conference
- i did not expect that paik mom actually killed the grandfather
- HHJ actually fighting back when getting kidnapped
- YYS in his soldier gear
- YYS in bed

the bad
- ep 11-12 - yikes
- shoehorning argan plotline last minute
- the amount of times HHJ was kidnapped in the last 4 episodes
- the frustrating amount of miscommunication (although only slightly forgivable plotwise considering who their parental figures were)

my other thoughts that i need to tell people who are not my not-kdrama watching sister:
- is it just me or is the red cheek/sunset thing not as romantic as they make it seem? like HHJ was slapped in the face prior to him saying this?? and then he's obsessed with sunsets because of it?? why is this being romanticized?
- how is park do jae not barred from any work involving international and government-related things considering he's an accomplice to many many many crimes
- how is fish dad not in jail? he concealed and buried the bodies of 4 ORPHAN CHILDREN?!

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The orphan children were never going to get justice by trial because the statute of limitations was up due to the crimes being committed in the early 2000 and because their murderer was a minor under 14. The police and the two orphanage boys were the only ones who closed the case for the victims and received closure. The fisherman should have had to go to jail for tax evasion but his fine wouldn't be hard to pay for his "son".

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I think he was obsessed with sunsets before HJ got slapped. When HJ remembers it at the end, she is remembering 'oh yes he is obsessed with sunsets'. Because yes, the sunset/red cheek comparison is a bit weird.
Do Jae is off in war zones being a fixer. He might be released subject to staying out of SK. They are going to get the person they want for a delicate foreign affairs job, irrelevant to that person's past. And DJ is skilled in a lot of communications areas, as well as having a good working relationship with SE. SE has already said the crime against HJ was the only one he cared about. You can bet HJ knows and is comfortable with it, SE wouldn't be working with him again otherwise.

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Re: is it just me or is the red cheek/sunset thing not as romantic as they make it seem? like HHJ was slapped in the face prior to him saying this?? and then he's obsessed with sunsets because of it?? why is this being romanticized?

*Disclaimer: I hope this is not considered a spoiler since the drama has already ended but I just want to do justice to the original source text.
The drama adaptation left out quite a bit of context to this pivotal scene.

1. Her name (her surname "Hong" means "red" and her character "Joo" mean "vermillion"), so the rosy hue of sunsets calls up the memory of her
2. Her bruised cheek was red from the slap. But he redeemed that episode of pain and humiliation for her into one that is sweet, by distracting her with the beauty & similarity of the red sunset to her red cheek
3. When he was serving as war correspondent in Argan he was shot while risking his life to secure exclusive war footage. Whilst he was bleeding out, he looked up only to see the reddish sunset. To his surprise it was Heejoo who came to mind. Ever since then, he would only think of her when he sees a sunset.

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Wow, they kinda left out some important details in the drama. The ending would have made more sense if they showed him being shot in Argan previously.

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I just thought of another complaint: the death of the real Sa-eon was incredibly unsatisfying. His last moment is getting his ultimate revenge on fake Sa-eon (and fake Sa-eon fell for it hook, line, and sinker) and then he just dies. So, like, he was happy when he died! What the heck? Also, I wanted Hee-joo's stepfather to get to deal with him.

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Sa Eon pretty much killed Sa Eon in the novel. They thought too hard on how to fix that. By the end they realised he hadn't done anything villain worthy since everything he did failed so they gave him a paltry win but kept the politician alive to show 4% still votd for him.

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And when I say Sa Eon killed Sa Eon it is the reason Argan came into the picture. An uncle dragged his nephew to Argan on a trip.

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Re: Also, I wanted Hee-joo's stepfather to get to deal with him.

Yeah, hell hath no fury like a bereaved father duped.
Plus, at least viewers know he *won't* miss with his rifle shots.

p.s. the number of fake-out duds fired in Ep 11 in the manor (with zero body count to show!) is astonishing

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The two lead actors and their amazing chemistry stole the show, not their respective characters or wacky, illogical plot.

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Well. This is exactly what I wanted from the finale of this ridiculous show: total nonsense delivered with searing intensity, requiring the characters to dodge and weave around plotholes as if they were landmines, and a bedroom scene steamier than that jungle. It's a nice touch that it starts by panning around the outdated radio and encryption equipment - right before the ML breaks out the ultimate marital communications technology.

I thought the tone and the plotty-plot-plotting of both episodes, especially 12, was perfectly in sync with the rest of the show. It's dumb, improbable, illogical, laughably dramatic, generally *way too much* all around, and collapses with the slightest puff of air. I was howling with laughter through every minute (except Crying Mom crying, which, enough already, but it gave me plenty of time to wonder why she has a nicer TV in her prison cell than I do). Once again credit to YYS's complete commitment to his preposterous dialogue, and this time to Chae Soo-bin for rising to the same challenge. There should be some special prize for both for staying in character long enough for each take, and I'd bet the reason there are so many camera cuts during their pre-kiss palaver among the palms is that they couldn't.

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It reminded me of the overblown dramatics of the American evening soap operas of the 80s, Dallas or Dynasty. It was all a dream!

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The first part of this drama was just amazing, ep 1 to ep 6.I can go back and rewatch them other and over again, without getting tired.The quality of the show, particularly the writing and pacing, took a hit in the second part.The actors were never the issue, they all did a superb job, with YYS being head and shoulders above everyone else.For the life of me, I still do not understand how the cops figured where Heeju was after the kidnapping.Was the footage on Mom phone ? I am not sure.Second, I do not get why BSO got out of that car.Dude, if an armed psycho jumps in front of your car, just run him over.Total self defense.As for ep 12, I cannot condone the noble idiocy of disappearing just like that, even because you feel guilty.Up to now, BSO had been a pretty rational character so it just does not make sense for him to run away like that.No drama is perfect, but this one came close to it.Even the weaker episodes have flashes of brilliance, like BSO confronting the mom in the interrogation room in ep 11.If you remove the whole Argan plot, that finale would have been way better.You do not bring up rebels and a war torn country to settle the matter in a few minutes.I am glad they finally comsummated and what a scene it was.The lighting in that bed scene was beautiful, their skin was glowing, kudos to the light director and crew.As usual, chemistry between the couple is off the charts, that was hot with a capital H.I have a bone to pick with the director.Why have YYS with a sheet wrapped around his chest ? We know dude is riped, show us tha abs, lol.I loved the housewarming party with their friends.I am happy they moved out of that dark, gloomy penthouse and and now living in a bright, airy house.A perfect metaphor of how their relationship has evolved.Is the finale perfect ? No, but it was me closure for the most part.Just could have done without the noble idiocy.

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Welp. Just finished ep 12 and I have to say, for as nonsensical and overblown as the ending was, I didn't really expect anything else. Eh, it was a fun ride! The whole show felt like a webtoon set to reality and sometimes you just need some classic-trope-insanity for drama world to feel right again.

Stuff I liked:
- Bad guy (real) Sa-eon getting his comeuppance, as with Mom and Dad Baek.
- In-A being a solid ally, plus actually apologizing for her past actions. Bonus: Mom Hong and Hee-joo both making overtures towards a better relationship in the future. Boundaries & kindness ftw!
- Do-jae being back on the team. *happy fangirl noises*

Stuff I didn't like:

- Baek Sa-eon's career change from political spokesman to...guerilla vigilante in a third-world war zone? LOL WHAT. Why was that his first chioce. Like dude.
- Hee-joo is truly his perfect fit since her first response to "your husband is in a war zone" is "I should go there and visit the nice rebels with guns." All my brain cells stood up and left the room (with hers).
- Sa-eon's name change. If my boyfriend/fiance/husband ever changes his name to the equivalent of "Lover Boy™", I am breaking up with him on the spot.
- Not showing the death of the real Sa-eon. The dude literally killed kids and harassed our couple the whole show, and we're supposed to be happy with Hee-joo's confused memory of her husband being shot instead? Please.

Oh well, it was a good run, everybody!

On a fashion note (because I get all my outfit inspo from k-dramas like any normal person), I noticed that high-neck chiffon tops under light cardigans seem to be having a moment :3

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But Lover Boy™...is not a man or machine, he's just something in between, all love, a dynamo...lovin' every minute of it 🎶

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This made me go look the song up. Love it. 😆

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- Sa-eon's name change. If my boyfriend/fiance/husband ever changes his name to the equivalent of "Lover Boy™", I am breaking up with him on the spot.
🤣🤣🤣🤣

- Not showing the death of the real Sa-eon.
Show did. Right after Sangwoo + Yoori's scene at orphanage and she said: "Yes, BSE died."
Then they cut to a flashback of her presenting the breaking news of the kidnap and shootout.
And the dead psycho BSE was carried out in a stretcher, with the shot focusing on his hand (it has no ring, unlike in Heejoo's nightmare)

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Yeah...I just felt cheated that we didn't get to see the *moment of death.* Like just seeing/hearing the aftermath felt kinda hollow, ya know? (Not to mention confusing...)

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It's only now I suddenly understand why King the land or Queen Of Tears worked for so many. I finally found my kryptonite with When the phone rings.

The plot plotholed into shoootcking black hole, war zoned into ridiculous before lurching back to pink fuzz and fade out like a drunk wired up with too many mixed cocktails.

And in the end, I was so drunk on the *plot* that I didn't care.

If being kidnapped was a job however......

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I am not sure I can say I hated the finale because that seems like a betrayal to the actors and the original amazing direction. The actors still acted as well in every bizarre situation as at the start.

But why not bring back the fated phone devise but flip it? There were many uses of phones at the end, but I was waiting for a brilliant use of one that matched the start. I could have taken him disappearing and calling her on 604 if he used it to say what he couldn’t say in person, about his secondary guilt or ptsd or finding out his grandfather was his father. All the time he’d drop clues and she would use them to find him, while they get over everything. She stays honest and yells at him for disappearing. Again the phone becomes what bridges the distance. She finds him in a cute Korean fishing village he went on vacation once with his foster dad and they have the bed scene to a sunset there. Then cut to their cute newlywed home.

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that would have been *so* much better. Petition to add abalyn to the next writer team!

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