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Hometown Cha-Cha-Cha: Episode 3

An impromptu outing causes our leads to spend more time together, and one villager’s stubbornness pits their two very different perspectives against each other. But in disagreement there’s an opportunity to arrive at a place of mutual understanding, as long as both parties are willing to listen to what the other has to say.

 
EPISODE 3 RECAP

We open to the sounds of Gongjin: seagulls, Chun-jae’s guitar, people greeting one another, a bell on Gam-ri’s porch, fish frying, and so on. Meanwhile, Hye-jin’s sound is her running to the door to receive a package. As she opens the door to Doo-shik, we flash back to the other day, when she had found him at his fishing spot and slipped while trying to climb the rocks, and he’d caught her in his arms.

Now, she acts shy as she accepts the package and learns that he’s filling in for the regular deliveryman, who has a broken arm. When she asks if she needs to sign for the package, he says her face is signature enough, since it’s a rare sight in Gongjin. Whether that’s an insult or a compliment is up to her interpretation. She counters that his face is as common as gum stuck to the street in Seoul or fresh-caught squid in the Gongjin harbor, but he doesn’t give her the satisfaction of a reaction.

Hye-jin tries on the clothes she ordered, telling Mi-sun that they’re armor she’ll wear into battle. A fellow dentist is getting married, and she knows all of her former classmates will be there gossiping about her small-town clinic. She worries that this outfit won’t be good enough to impress them, and next thing we know, packages are pouring in.

Doo-shik, who has to deliver all these packages, goes from calling her name at the door to singing it shouting in annoyance. And no wonder, as he goes from carrying one or two boxes at a time to a whole mountain that’s almost as tall as he is. When he finally asks what on earth she’s buying – and then why she needs so many clothes – she says a “fashion terrorist” like himself would never understand. He protests that clothes are supposed to be about functionality, wondering aloud how she’ll manage to save up enough to go back to Seoul. Hye-jin snaps that she’s actually going to Seoul this very Sunday, making his face light up in sudden interest.

The morning of the wedding, Hye-jin gets ready nervously. As she heads out the door, she pauses to apologize to her lonely shoe for losing its other half in the ocean. To her surprise, Doo-shik is standing outside her door again, looking all dapper in a dress shirt. They trade exclamations over how different the other looks. She says she’s not expecting any packages today, but he’s here to ask a favor instead, and motions to the three grannies behind him. Since they all have errands in Seoul, he figured they could carpool with her. Hye-jin holds out her hand to stop him, annoyed that he didn’t even ask ahead of time, but he just cheerily high-fives her and says, “Let’s go!”

They all pile into the car, where the grannies start handing out snacks. They offer her a potato cake, but she declines with the excuse that she’s driving and can’t use her hands. So Doo-shik stuffs the cake right into her mouth. He notices that Gam-ri isn’t eating, and when she takes a bite to appease him, she immediately winces in pain, fussing that the cake is undercooked and too tough to chew. The other grannies say it’s her teeth that are too fragile, urging Gam-ri to visit Hye-jin’s clinic. Hye-jin agrees, but Gam-ri doesn’t seem to like the idea.

Just then, a car swerves into their lane, cutting Hye-jin off so she has to slam on the brakes. Everyone is thrown forward, and Hye-jin instinctively stretches out her arm protectively in front of Doo-shik. Before he can recover, Hye-jin stomps down on the gas pedal, saying, “He needs to know what he did wrong.” She pulls up even with the offending car and rolls her window down to yell at the driver, who claims it doesn’t matter since no one crashed or was hurt. Hye-jin’s passengers all look embarrassed as she lectures the other driver, but when he insults Hye-jin, Mat-yi pokes her head up between the front seats and curses him out. He quickly rolls his window up and speeds ahead. Mat-yi sits back demurely as everyone reels in shock. Then they turn their attention to the potato cakes, which have all spilled on the floor, so Hye-jin tells Doo-shik to get the wet wipes out of her glove box. As he does, he notices the wedding invitation.

They take a break at a rest stop, where Hye-jin waits impatiently while everyone uses the bathroom and Doo-shik buys snacks. Just when the grannies come out looking ready to go, they’re distracted by the sound of music – and can’t resist buying a CD to take along for the ride. Hye-jin endures the dance party for a little while, but finally asks if they can turn it off because she prefers driving in silence. They reluctantly agree, and instead start up a conversation about Hye-jin’s hometown and family. Eventually, their questions lead Hye-jin to reveal that her mother passed away, and Doo-shik looks affected as they apologize for asking too much.

After many more bathroom breaks, they finally make it to Seoul and drop off the grannies at their respective destinations. Doo-shik is surprised when Hye-jin doesn’t start scolding him the minute they’re alone, but she says that she does owe him a favor, after all. But she does want him to admit that it was rude of him to push this on her without asking first. He points out that it would have been hard on the grannies to take a bus since they need to make so many stops, and that his truck would have been uncomfortable. Hye-jin warns him not to let it happen again. He asks her to let him off at the next crosswalk, dodging her questions about what he’s here for. As she drives away, he heads into a medical center.

At the wedding reception, Hye-jin eats with her fingers while the others at her table poke at her for being late when she always used to be so punctual. She deflects the conversation by asking how they’ve been, and chokes at the amount another dentist is paying in taxes for opening up a clinic in Seoul. The dentist in question not-so-subtly flashes an expensive diamond ring as she sighs that sometimes she envies Hye-jin for her “simple and cute” village clinic. In response, Hye-jin pastes on a smile and says that this is why people say Seoulites are narrow-minded. She extolls the opportunities of opening up a clinic in rural areas, citing that article she read before about doctors in rural areas make more money than those in the city.

As she leaves, she passes by the mother of the bride bidding farewell to the couple as they prepare to leave on their honeymoon. Hye-jin watches them with longing, but her thoughts are interrupted by Doo-shik. He’d left his phone in her car, and remembered the address of the wedding venue from seeing the invitation earlier. He doesn’t understand why she’s horrified that someone might see them together, and she practically drags him away. But it turns out someone did see: one of Hye-jin’s former classmates snaps photos of them through the window.

Back in the car, Doo-shik tells her to just drop him off at the terminal. She snaps that they already passed it, so he settles in, all, well, I guess I’ll just have to let you drive me back, then. He offers to take turns driving if she gets tired, but she refuses. As they pass the Han River, Hye-jin sighs that it would be nice to drink wine by the river. Doo-shik counters that it’s better to drink Makgeolli by the ocean, and it turns into a full-on competition: pasta at a particular restaurant vs snow crab on a boat. She’s disappointed to leave civilization; he feels suffocated by all the skyscrapers and can’t wait to get back. When he asks her to turn on the AC, she tells him to do it himself, but then slaps his hand away because she doesn’t want him touching her car’s controls.

In Gongjin, Hwa-jung and Eun-chul stand exasperatedly over a pile of garbage bags underneath a “do not litter” sign. Hwa-jung vows to punish the culprit, upset that Doo-shik isn’t here to deal with it. Eun-chul is surprised to hear that he went to Seoul (which he’s apparently been doing a lot recently), and that’s when Mi-sun happens by. She’s surprised to see that their first patient is a police officer, and he smiles shyly as she exclaims how different he looks in uniform. But his smile fades when she says he seemed terrified that day, and he stammers that he wasn’t nervous at all. As Mi-sun heads off, Hwa-jung notices a young woman walk by in the distance. She seems taken aback, but decides she must have been mistaken about whatever she thought she saw.

It’s dark by the time Doo-shik wakes from his nap. Hye-jin is irritated that she’s been driving all day (he reminds her he offered to drive) and that she was bored with no one to talk to (he reminds her she likes to drive in silence). In the middle of their bickering, he gets a text from Hwa-jung about the trash pile, and asks Hye-jin to drop him off at her restaurant for a meeting.

Finally home, Hye-jin is getting ready for bed. To her horror, her old classmate sends the picture of her and Doo-shik to their class group chat. None of her attempts to deny that she and Doo-shik are a couple can stop the others from talking about her handsome boyfriend, and she puts her frustration on hold for a moment to zoom in on the photo and ask herself if he’s really all that handsome.

Doo-shik is also home by this point, and smiles thinking about the car ride while he pours wax into a candle mold. Later that night, he wakes from a nightmare and gets up to take some pills.

The next day, Hye-jin stops by Chun-jae’s café and finds Doo-shik giving him a coffee-brewing lesson. Among his many other titles, Doo-shik is also a certified barista. But he has somewhere to be, so he tells Chun-jae how to finish up the drip coffee he was making (she asks for a latte instead, with extra syrup) and heads out the door.

Doo-shik’s errand turns out to be helping Hwa-jung carry some of the smelly bags of trash into Village Chief Young-guk’s offices, protesting the lack of security camera – which they’ve already requested nine different times. Young-guk claims his hands are tied because he’s already put in a request at Town Hall, so they threaten to rip open the bags right then and there and launch their own investigation. Suddenly, Young-guk remembers that he conveniently has business at Town Hall today, and announces that he’ll head over there right now and demand that security camera. Doo-shik and Hwa-jung happily remove the trash bags and congratulate each other on a job well done.

As Hye-jin and Mi-sun prepare to open the clinic for the day, Hye-jin notices that Mis-un is taking extra care with her makeup. And she doesn’t have to wonder long – Eun-chul walks in right on time for his root canal operation, and Hye-jin clocks the obvious shyness between him and Mi-sun with a knowing smile. After the operation, she leaves Mi-sun to finish up with Eun-chul, and Mi-sun stuns him by understanding everything he says with his mouth still wide open.

Doo-shik runs into Gam-ri at the market, and catches a ride on the back of her motorbike so they can have the fish he’s just bought for lunch at her place. While he sets the table, she puts on a VHS of a TV broadcast with her in it. He asks about her visit to Seoul, but her son was too busy to really spend time together. Then he notices she’s not eating much – and also wincing as she chews.

As Hye-jin and Mi-sun walk home, Mi-sun confirms that she likes Eun-chul, and admits that she peeked at his chart to see how old he is. Hye-jin rolls her eyes and starts to scold her for reading the chart, but they’re interrupted by Bora, who wants to see the hedgehog. Hye-jin brings her inside to see it, but wrinkles her nose when Bora advises her to hold it and take it for walks to establish a bond.

Today is Yi-joon’s birthday, and both Hwa-jung and Young-chul are there to celebrate with cake and presents. However, their efforts to outdo one another in terms of who knows him best quickly devolve into an argument. Poor Yi-joon watches them sadly for a while, and then says they don’t need to force themselves to celebrate together like this anymore. That stings both of their consciences. Hwa-jung prods Eun-chul to agree that celebrating as a family is important to them despite the divorce, and Yi-joon lights back up again. They eat, and Eun-chul even remarks that he sometimes misses Hwa-jung’s cooking.

A commotion breaks the clinic’s stillness: it’s Doo-shik, piggybacking a vehemently protesting Gam-ri in to have her teeth looked at. Hye-jin does an X-ray, which reveals that Gam-ri must have been in a lot of pain, but that her teeth are healthy enough to get implants. Gam-ri recoils at the price, saying she’d rather just have them pulled. That angers Hye-jin, and she tells Gam-ri that pulling teeth can be dangerous – even life-threatening. She asks bluntly if Gam-ri is short on money – angering Gam-ri right back – and then tells her to just leave if she simply doesn’t want to spend money on her treatment. So Gam-ri storms out. Doo-shik, who has been trying to calm them both down, runs after her, and then comes back to yell at Hye-jin for being so rude. But Hye-jin stands by what she said about the seriousness of getting one’s teeth pulled, and doesn’t see a need to have said it more gently. Doo-shik shakes his head in disappointment over how quickly she’s “changed.”

The next day, he goes to the hardware store to check on an order that hasn’t arrived yet, and sits down to count out some bills and put them in an envelope. Then he heads over to see Gam-ri, who is peeling potatoes. He tentatively asks if she’s mad at him, explaining that he took her to the clinic out of concern, and offers to pay for the implants since she fed him for so many years. He shows her the envelope of money, and she counts to three before chucking water in his face. He retreats behind a wall and promises to come back tomorrow.

That night, Doo-shik calls Hye-jin out to meet him near the harbor. He points to some lights glimmering on the horizon and says they’re squid boats. He tells her that Gam-ri has been working with squid for decades, yet it’s still her favorite food – but she hasn’t eaten any in years. Hye-jin thinks he’s selling her a sob story, but he says he’ll pay for the implants. He wants her to tell Gam-ri it’s a different kind of (cheap) operation, but Hye-jin won’t lie to a patient about their treatment, so he suggests she give Gam-ri a discount and he’ll pay the rest.

She asks why he’s pushing when Gam-ri doesn’t want it, but he says it’s not that she doesn’t want it – it’s that she can’t. She doesn’t know how to take care of herself, because she believes that means being a burden to her loved ones. Hye-jin thinks that’s a selfish way to live, and tells him with angry tears in her eyes that a good parent should put greater priority on staying healthy for a long time than on saving money for their children. Doo-shik looks at her with new understanding as she gets up to leave.

Once alone, Hye-jin thinks back to her childhood when she’d had plenty of pocket money to buy snacks, but come home to find her mother hunched over the toilet in a bout of sickness. Doo-shik remembers how Hye-jin had watched the mother and daughter at the wedding, muttering to himself that she’s not okay even though she said she was.

The next day, he shows up at Gam-ri’s again. She doesn’t let him sit down until he swears he didn’t bring any money this time, and he insists on taking over washing her laundry. He’s annoyed that she accepts money from her son but not from him, though he quickly takes it back when she threatens to throw more water at him. She’s distracted by the sound of her porch bell (which he hung up for her), and he says he wants her to enjoy good sounds, views, and food for a long time. He repeats Hye-jin’s words that the best thing a parent can do for their child is to stay healthy, which seems to strike a chord.

As Hye-jin eats lunch, she suddenly notices how tough each different piece of food is, especially for someone with sensitive teeth.

Gam-ri calls her son on the phone, and after small talk about the crab she made him (which he hasn’t had time to eat yet), he says that Doo-shik told him all about the implants she needs. But instead of urging her to go ahead, he makes it clear that he has no means (read: intention) of paying for it right now, and that she can always just get dentures later.

After work, Hye-jin can’t stop thinking about Gam-ri, and finally decides to go see her. Gam-ri invites her in for dinner, and Hye-jin pleases her by complimenting her cooking. While Hye-jin eats, Gam-ri again turns on her VHS, explaining that she was interviewed for the broadcast because she had a letter proving her father fought for Korea’s independence. The letter was written in Chinese characters, and Gam-ri could never read it until Doo-shik came along and read it for her.

After a long evening of talk and laughter, Hye-jin thanks Gam-ri, remarking that problems with one’s teeth are a pain that’s invisible, even to one’s own children. She extends another invitation for Gam-ri to come get the implants, and says that she can’t do it for free, but that she’ll only charge for the materials used. She says she heard that Gam-ri’s favorite food was squid, adding that her mother’s favorite was sundae, and that she wants to help Gam-ri enjoy eating squid again.

Elsewhere, Doo-shik is fishing, and sees something that makes him jump in alarm.

The next day, Gam-ri arrives at Hye-jin’s clinic with a big smile and announces she’s ready to get her implants. She wants to pay right away, and pulls out a huge stack of cash. She says she’s been working all her life, and that she’s decided she deserves to eat as much squid as she wants. With a warm smile, Hye-jin advises she enjoy it in moderation.

Young-guk proudly shows Hwa-jung and Doo-shik the new security camera. Hwa-jung nags him for not getting it done sooner, but hands him a bag of her homemade cucumber kimchi, and Doo-shik grins at them. Just then, he gets a call from Gam-ri asking for porridge, and hurries to bring it to her. He’s worried until she explains that she got the implants after all and tells about Hye-jin’s visit. “I thought she was a sly fox, but I was wrong.,” Gam-ri says. “On the outside, she’s as cold as ice, but she has a soft heart. She must have been through a lot in her life.”

That night, the lights in Hye-jin’s apartment shut off while she’s in the middle of washing her hair. She calls Hwa-jung to report the power outage, and soon Doo-shik shows up to have a look. After he nags at her for not having candles and they playfully blind each other with their flashlights, he checks the fuse box (which she didn’t know where to find). That’s not the problem, so he calls the power company and learns that they’re working to fix a power supply issue. Since Mi-sun is out and Hye-jin whines about having to wait in the dark, Doo-shik offers to stay with her. In response, she gives him gigantic puppy eyes and asks if he wants to eat ice cream. Because she’s worried it’ll melt, you see.

They sit awkwardly eating their ice cream until the hedgehog rattles its wheel, startling Doo-shik. Hye-jin asks why he didn’t take it in when Bora asked, and his face turns dark for a moment as he says he doesn’t take care of living creatures. Then he blinks it away and says she reminds him of the hedgehog – spikey on the outside. He apologizes for judging her so quickly, and says that Gam-ri would never have gotten the implants if she hadn’t visited her. Hye-jin brushes off the praise, and tells him not to get the wrong idea – she’s still planning to make a lot of money and move back to Seoul. He wishes her success in doing so, and wraps a tissue around the bottom of her melting ice cream bar as he heads out the door.

He texts her to open the closet again and check the fuse box, and she’s overjoyed to see her missing shoe sitting next to its match. She runs out after him to ask where he found it, and he says he found it on the street. As she happily puts on the shoes, all the lights come on at once.

 
EPILOGUE

The thing that scared Doo-shik while he was fishing was a pole with Hye-jin’s shoe stuck on the end. In the dim light, he’d thought it was a human leg, but then he’d recognized the shoe. He’d searched online for how to dry it, and put it in the closet while she was getting the ice cream. As he rides away on his bicycle and she spins around admiring the shoes, they both smile from ear to ear.

 
COMMENTS

Aw. They’re cute. Much as Hye-jin and Doo-shik got off on the wrong foot (shoe?), it’s clear that they’re starting to understand each other a little better. And it’s telling that their bickering is starting to lean more playful than argumentative. I’m glad that Doo-shik apologized for misjudging her, but I appreciate that this isn’t a case of one person “fixing” the other. Instead, they’re clearly two people with very different ways of interacting with others, and both can stand to learn from the other’s perspective.

While I’d feel the same as Hye-jin did if someone invited himself and three others along for my road trip, I can also see how that feels like a normal thing to do for Gongjin residents, since they’re such a close community. And while Hye-jin didn’t sugarcoat her advice to Gam-ri at the initial clinic visit, it’s clear that she truly cares about giving her patients the best care possible, and about upholding her professional integrity. She may be in this for the money, but it’s also her passion and way of making a positive difference in people’s lives.

I briefly mentioned it in the first episode recap, but this show really feels in a lot of ways like culture shock. In the first episode, everything was new and fresh. Like Hye-jin’s (intended) day trip, it was a little adventure, and small hiccups were more easily brushed aside or seen as charming. Then, in the second episode, when Hye-jin officially moved to Gongjin, the reality of life there hit her hard. Suddenly, everyone (including Hye-jin herself) became a little more difficult to get along with. But it also became clear that compromises would have to be made for life to go on. Now, we’re settling into a more comfortable medium, where sometimes things are great, sometimes things are frustrating, and overall everyone is learning to accept things – and each other – for what they are.

While I had an inkling that Gam-ri would act as a bridge of sorts to help bring Doo-shik and Hye-jin closer together, I wasn’t expecting it to happen quite like this. Hers was an emotional hurdle that hit surprisingly close to home – as a recovering people-pleaser myself, I know how hard it is to overcome the ingrained yet unconscious notion that going out of one’s way to take care of one’s self = selfishness = wrong. And I can’t imagine how much harder that would be for someone who’s lived with that belief for so much longer than I have. I wanted to both cry and cheer when she announced that she’d decided she deserved to enjoy that squid she’s worked so hard for all her life.

Speaking of internal battles, it looks like Doo-shik has some kind of trauma that he’s dealing with. I’m assuming it probably has to do with his grandfather’s death, but we’ll have to wait and see for sure. Given how much he cares for everyone in the village, it’s sad that he doesn’t seem to have even one person he feels comfortable talking to about his own treatment. Though I’m not surprised he feels the needs to put up the appearance that everything is okay even though it’s not. I can’t help wondering if maybe Hye-jin’s point about Gam-ri being selfish by suffering quietly hit home for him a little bit, too. Now that we’re past the setup and are starting to delve a little deeper into the people of Gongjin, I expect we’ll start to see a lot more quiet sufferings brought out into the open, and many more long-held viewpoints challenged and even changed.

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Oh I was hella annoyed by Doo-shik with that carpool request. You just can't do that right there and then. Letting her know about it beforehand is fine. That pissed me off.

It's a good thing, he enjoys delivering those packages and does them with alluring eyes.

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He could at least have told her in advance and warned her to leave early to allow time for the extra stops.

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And no it wasn't normal for them to just do that spur of the moment. Those grandmas did not make all those plans just that morning. Which means that he told the grandmas in advance and purposely did not tell her, to put her in the awkward position of looking mean again should she say no when he brings it up in public. It was low move. But what made it worse was when she pointed out how rude his behavior was, he refuse to acknowledge it and dismissed her.

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Yes, he has improved since first ep but sometimes he acts that way again, this was one of those moments. When she asked him to agree he had made a mistake and he dismissed her, it was worse than doing the act itself.

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Is Doo-shik sick? Subtitles didn't help much :(

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I'm thinking he might be.

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Du shik is likely to fight long and hard against his attraction to hye Jin. And when the capitulation finally comes I hope is quiet and full of feels and doesn’t include all the village folk. I’m hoping for it to be really emotional and not played for laughs

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So how long till Gam-ri gets tired of eating squid?

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Apparently- never.

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I am glad a spent half my life in a small town and half my life in the big city that I could really understand the 2 sides of every scene and not get annoyed. When you leave in a small town it is perfectly natural to hitch a ride when someone goes to the city without being asked first because it just is, but it is also natural for this to be a culture shock and even a taboo if done in the city. So recapper is right that this is actually about compromises, getting over your biases in order to adjust to a new way of life.. and it has to be both. Townsfolks and HyeJin both.

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I grew up in a small town as well and I would have to say this depends. They weren't hitching a ride down the street. This was going to be a long drive and they (Hong & Grandmas) clearly planned for it in advance. It's also very clear that he asked her last minute in front of them so that she couldnt say no (that's what is annoying). He knew to ask first, he just didnt. He also didnt come early enough to include the stops. He came right when she was leaving for her own errand. If you're asking for a ride into town when noticing your neighbor is headed there thats one thing. But basically traveling to another state, most people would ask. Especially someone you havent known for years. Especially since people try to get multiple errands done when in the main city.

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I think this is really culturally dependent and so it's difficult to make a call. In my country of birth, this would be seen as rude in most circles, but not in all; in my current country of residence, this would be completely accepted by most (and rude to show any signs of not being totally on board with it) but a minority would still be offended. It's hugely context-specific. Although I'm pretty sure Doo-shik was using this to press her buttons at this point, I couldn't say for certain, so I'll admit I don't have enough knowledge of the situation/culture to call it.

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100% Agree that this is indeed culturally dependent.. and that is difficult to decide whether its ok or not. So since the lens that we use when watching dramas is based on our own experiences too, i do respect that each one of us will have different reactions.

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Exactly. It's common to ask for a ride from a friend not a newcomer and not like that.

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This drama is so fun!

I love their bickering and their honest conversations.

It's nice to see that Hye-Jin is very professional and not ended there because of a professional misconduct for once. She was right about Granny's treatment, she can't lie to her. I'm happy that Granny has Doo-Shik because her own son...

I'm curious about Doo-Shik's trauma and the fact he won't take the hedgedog in his home. I wonder if it happened when he was in Seoul and it's why he came back.

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Yes, when his first girlfriend broke up with him and left her pet hedgehog at his house. She came back after a year but apparently broke up again, this time taking the hedgehog with her. He’s never been able to have another pet after that.

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Lol

At which point did he make a fortune then help new start-ups?

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Lol, in KSH's AU, all his characters are related, lmao! xD

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Somewhere along the lines, he also had a short stint as a subway cop 😂 No wonder in the next episode, the station seemed like his home.

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You guys forgot his food delivery startup!

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Well, i’m thinking that happened before this. After investing in multiple startups and helping orphans, he decided to take a break and focus on his art - this was when he met hedgehog girl. After the gf dumped him a second time, he decided he’s had enough broken heart (his first love did reject him for a poor tech nerd) and promptly moved to gongjin for a further scaling down of lifestyle.

I don’t know why they keep saying he’s unemployed - he’s got like a gazillion job and talent.

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Before all things, he was a trainee under Chief Kim at TQ Group Company for a while. Seemed like he had a crush on a woman also working there, but it’s obvious it didn’t work out. Having had one-sided crushes all his teenage life, he decided that money is everything and invested in multiple start-ups while also trying to be a philanthropist.

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Omg you guys made me laugh so hard! Yes! Perhaps his first love broke up with him (again), and this time brought her hedgehog with her (referring to You Drive Me Crazy). Somehow he left his lofty house in Seoul and lived in Gongjin. 🤣

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Architecturally, it's a similar layout and style too! xD This ff is too believable! T_T

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I think it's attachament issues on a more personal level,saw it as him giving emotions to another for it to leave him in the end so that's why he doesn't take any living things inside his home...Curious if it has anything with his Grandpa as he looks like he had only him while growing up family wise.

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I watched this episode and got the impression that that's exactly what this show is one person "fixing" the other. From the first episode with the squid and his line about hard earned money being valuable to this episode and his line about "I guess people dont change that easily" I have been given the impression that he wants to "fix" or "change" her. His behavior is very much "I am teacher and I know better". Even little things like her saying no to the potato cake and his shoving it in her mouth anyway gives me that impression. It doesnt matter what his intentions are behind it, he believes that she should do things his way. He may have learned something from her about the selfishness of not taking care of oneself. But look how that was done. She wasn't preaching at him nor forcing him into a behavior. Whereas when she is supposed to "learn" anything from him it's because he's set up a "lesson" or he's busy telling her what about her is wrong. Im just glad that in this episode at least he's stopped calling her dense and stupid.

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Did you completely skipped over the part where he apologized for misjudging her or. The point of all that was that both leads made mistakes at the start but they took effort to apologize and understand each others POV.
Neither character is perfect, but if you prefer to focus only on the flaws and never forgive them for that, that's up to you I guess.

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No I did not skip over that part. I am aware that he apologized for misjudging her interaction and intentions with the grandma. It's why I did not include the incident with the grandma in my comments. His apology did not address nor negate the behaviors that I commented on. I think it's telling that the fml is shown apologizing after each of her mistakes, but he apologizes once for a specific incident and it's suppose to cover all of his other problematic behavior. It's three episodes in and each episode he's tried to coerce her into behaving how he thinks she should. 1st ep. the squid thing, 2nd ep. the snacks and money, 3rd ep. he offers her time and vehicle without asking her. The writer has spent the past three episodes using his behavior to show that he thinks she needs to be fixed. While an apology for misjudging her is a start, without any evidence of change in behavior (as he would say) it comes across as insincere. If he stops trying to "fix" her in the future then great, but for now since the apology was literally at the end, his behavior in the past three episodes is all I have to go on.

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Yes, he improved but he is still very preachy. I wonder how people would react if genders were reversed. How much of this is stuff he can get away just for being male?

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It’s refreshing to see a dramaland doctor who actually behaves professionally with their patients and maintains proper conduct - both when it came to Grandma Gam-ri and when telling Mi-sun not to access private information for personal use. Shockingly rare for fictional doctors. Good for Hye-jin.

I was irritated by Doo-shik’s carpool stunt. You don’t just do that to a person, especially if that person is a newcomer to your community and still isn’t used to customs like these. But man, does he have a nice smile. One day, these two will smile at each other with those gorgeous dimples and I will go feral.

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In Gongjin, Hwa-jung and Eun-chul stand exasperatedly over a pile of garbage bags underneath a “do not litter” sign.

And... now I'm halfway expecting a cameo by those unpleasant litterers from Racket Boys.

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The expansion of the story to include more depth to the other town folk and Mi-sun is really working for me and my wife. We got to learn a lot about Gam-ri in this episode- and even a bit more about our other grannies.

It is interesting to see that the writer saw a need to highlight Doo-shik's trauma by having us see him visiting a clinic in Seoul.

It appears that we may be treated to a secondary romance between Mi-sun and Eun-chul, the handsome young police office. Even if this is a head fake by the writer you have to admire Mi-sun for sheer spunk- wasting no time mourning the lost relationship with her cheating ex-boyfriend and getting right back out there. I hope it is not a red herring. Eun-chul seems like a nice young man.

In the meantime I like that our leads do seem to be starting - bit by bit- to understand each other. This of course includes Doo-shik being reminded that he indeed did step over the line in springing the carpool on Hye-jin out of the blue.

I also appreciated that Hye-rin refused to abandon her professional ethics when dealing with Gam-ri's problem. We should not forget that it was her professional ethics and the fact that she cared about her patient that caused her to have to leave Seoul. At this point she still feels like she has been punished for doing the right thing but in time she will understand that the exact opposite has happened.

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I feel uneasy about Eunchul, but I think it's because the same actor played a psycho in DDSSLLS. Hopefully not the same here!

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That's what I thought when he first appeared in the clinic as well but I don't think he'll be the same here xD

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He's acting in Lost (Human Disqualification) too!

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Yes! When he appeared in the clinic I was like was he a murderer? From where I did watch him in that he was a bad person?

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Thank you for the recap, @mistyisles!

I enjoyed how this episode was focused on Doo-sik and Gam-ri realizing they were mistaken about Hye-jin, and how Hye-jin's words were the final push Gam-ri needed to get her well-deserved implants. Like you mentioned, I'm glad this show is moving toward compromises and learning from each other, rather than "fixing" anyone.

It was heartbreaking to see Gam-ri finally call her son, only for him to discourage her from getting the treatment. Even though it reveals her son as being the uncaring one, I worried she'd instead take it as a confirmation that she was being a burden (leading to a vicious cycle of being even more self-sacrificing). I'm glad that she ended up going to the clinic at the end, and she has people who care about her nearby. Self-sacrifice tends to be glorified, so it's great to see this show touching upon how self-destructive it can actually end up being.

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I am probably the only one who does not find any criticism for this show. 😅 I am loving this show little too much. The slow and warm feeling while watching this show was needed after watching all those dark revenge and psychological dramas. Also I am biased towards dimples tbh 😏

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Me too :) Loved it . I also find some sceneries very much real life like . I used to work a company which has a golf hotel in the countryside .The hotel stuff was all from surrounding villages . Small community and i had been named as a'cold city girl' behind:) It was not even in Korea :) Anyway I cant wait to next episodes .There has been many disappointed chick flick dramas this year . I hope this one is going to keep giving :)

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I like it too! I was curious seeing a lot of critiques on this site but after watching I could understand how some things can be annoying but I feel like the positive things overpower all the cons by miles. It's very refreshing to watch, perfect for this season.

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I actually like it too especially the warm feeling it leaves me after. Felt the same thing with Racket Boys. Something light that does not need to be over analyzed actually.

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Yes! I agree with Racket Boys. It was such a warm and precious drama. Since I am gearing up to lose my mind while watching Nam Goong Min in 'The Veil', I will calm and gather myself by watching this drama.

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I'm enjoying the drama even though a few things annoy me. but they're not what most people comment here so I'm always surprised with some criticism people point out here bcs they didn't even cross my mind lol

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I've been wondering about what I'm missing from the near universal praise the show's been getting because to me this is a fairly prosaic generally unconvincing/wishy washy script that's attempting to cover territory that's been done better before. It's a relief actually to see some pushback on the show's writing choices because I've been thinking perhaps my interpretation of it is on the needlessly critical side. The road trip to Seoul is a really good illustration as to the problems I'm having with this drama. While it was at times laugh-out-loud funny, the messaging around its set-up was contradictory and disturbing. Du-sik could have asked ahead of time and tried to persuade her like a normal person would. Instead he disrespected her agency, put her on the spot and badgered her into submission. He could have talked her into it like he talked her into helping Gam-ri later. But he obviously doesn't think much of her because he is blinded by unfounded prejudice. She is someone who has to be shamed into good deeds. However, in so doing, he is doing the very thing he accused her of previously. I don't know if this is deliberate and if the writing is capable of such nuance. I am also left wondering what it is I'm supposed to understand from that. That Du-sik has terrible manners and little consideration for other people's privacy and space? That it's acceptable to put pressure on someone to bend to your will regardless of what their rationale might be. Is this supposed to be a criticism of Du-sik or Hye-jin? Are they saying that his behaviour is somehow justified because he's trying to help the old ladies and force Hye-jin to try and fit in more with the townsfolk?

I'm inclined to think that this is all about generating de facto conflict to push the narrative forward.

It seems to me too that a lot of this hinges on the casting of Kim Seon-ho in the role of Du-sik. I suspect that a lot of the character's actions would be viewed much more negatively if someone else far less charming was delivering the goods (metaphorically). For some reason he seems perversely programmed to channel his inner jerk whenever Hye-jin is around while he's nice as pie to everyone else. I would even venture to say that he's throwback to a particular type of tsundere male that used to be a trope staple from when I started watching K dramas about a decade ago. All of this seems to emerge only when Hye-jin appears and he goes into some kind of weird autopilot mode of bad manners.

Moreover I don't entirely know what to make of the show's propensity to construct Hye-jin as the de facto villain when all she is is flawed like everyone else. It's certainly a much better show when she makes connections on her own rather than when nagged/pressured by Du-sik in patronizing fashion.

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I agree with your assessment. But be prepared. Kim Seon-ho is such a protect class that there was a whole petition to make him the male lead in his last drama. I do agree in that my impression is that the actor is what makes so much of the character's behavior acceptable or forgiving. The same thing happened in his last drama where his character was the classic tsundere male. Tragic childhood, wealthy, cold and rude to everyone but fml and her family. I think it's also an indication of what viewers say they want vs what they actually desire. I've seen so many complaints about the classic tsundere male, but when the character comes packaged in an actor like Kim Seon-ho, suddenly his behavior is acceptable. Viewers will go so far as to create plot lines or reasons that are not given in the show to make it forgivable. I too am disturbed and confused by the underlying message of Du-sik's behavior towards Hye-jin when he repeatedly ignores her agency.

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I like Kim Seon-ho which is one of the few reasons why I'm still watching so I should say I have no problems with his acting. He's a fine actor and that's why Du-sik is more likeable than he probably should be. :D The writing is what I find problematic and it seems to me that he's written to be somewhat mysterious in his motives but it comes across as murky.

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I like him as well. I've been rooting for him since Strongest Deliveryman (I literally ended up skipping most of the show except his scenes). I was hoping this would be his moment, because Catch the Ghost was a struggle (because of how the fml was written). Honestly at this point I just hope the writer just drops this line/plot point.

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I've liked him since Two Cops. I persevered through Catch the Ghost because the story was good but yeah, I didn't understand why they had to take the approach they did with the FL. Strongest Deliveryman had a good premise but I didn't enjoy the execution and ended up also doing a lot of FF.

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Ooh fascinating. Its interesting b/c his moment in terms of relevance in the public eye (aside of 2D1N) was Start Up. I've seen him in Delivery Man (where he played a role that only he made endearing), & Catch the Ghost (his role here tho!!). Each of those roles + YDMC showed me this guy is a charismatic leading man. He's just a likable presence. Imo, I think this role is well suited for him, & has many mysteries to unravel. Its a potentially rich role for him, wouldn't be shocked if he gets a Baeksang nom for Best Actor next yr. That being said, I eye that Sad Tropical (where he might play the villain there) is his true sign of his talents beyond the friendly/guy next door vibe we associate him heavily w/ now.

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Kim Seon Ho reminds me of Joseph Gordon Levitt in his prime. As in, both are charming and likable actors. However, the criticism I hear is that some people feel like there constantly turning up the charm. As in "I'm charming but I'll show you I'm." Its like "Ok, we know lol." If this was played by any other actor, his character wouldn't be as liked. Even KSH knows this, he said before the show aired that Du-shik is cold/prickly to her, but to wait and see and be patient, b/c things will add up.

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I find it very worrisome that critique or commentary on movies, shows and books has all become about analysing the morality of the behaviour of character's - whether what X did is morally good or bad and whether the maker chose to glorify or paint that in a poor light (though mostly everyone is upset at the mere depiction itself). Its no longer about showing people as they are or analysing the way in which the story is being narrated, visualised, the real-ness or poetic nature of the dialogues etc. Why can't Doo-shik not be both adorable and nosy? Thats how most people are- a bit good and a bit bad. Why should all his badness be met with punishment or censure by the FL or the writers of the show?

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Become? This is not new. So much of literature and cinema is literally an analysis of human behavior and morality. Your comment is also confusing because the initial comment tread is questioning exactly how the story is being narrated. The writer's narrative shows aspects of Doo-shik's personality that makes us question how he is intended to be seen. Of course characters can have duality. But the way Doo-shik seems to be written would suggest that parts of his duality is unintentional (thats a sign of poor characterization). As for punishing or censuring him, I'm confused as I don't know who's called for this.

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While I understand your underlying point, that's not really what I'm trying to get at. The seemingly inconsistent way he's being written is what in dispute here. If he was just being nosy, I'd have no problems because that's actually consistent with who he is and with everything that goes on in the show. It's the fact that he's inconsistently rude to the point of hypocrisy that bothers me. My point is that Kim Seon-ho is really the spoonful of sugar that makes the medicine go down. In some ways Du-sik no better than Hye-jin but his initial holier-than-thou attitude is rather grating.

As to your original point all I would say is that there's a moral universe in every story that invites interaction. This show is no different. I don't see how we can avoid taking moral positions when the show practically hammers them home. Du-sik makes deeply moralistic judgments of the people around him constantly. Mostly I'm in agreement with him but when it comes to Hye-jin, he turns into a less likeable version of himself.

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I'm gonna take that Doo-shik doesn't really know how to act around Hye-jin, exceptionally. He's smitten by her but at the same time it seems he has this prejudice against city women like her. By the end episode 3, Doo-shik further sees that Hye-jin doesn't really conform to his prejudice. By episode 4 he treats her the same like the other villagefolk, even adding some special treatments bcs he likes her (applies shipping fee discount to her coffee, piggybacks her although he knows she's acting drunk, cooks tteokbokki for her for free, rescues her on his day off).

As for Kim Seon-ho, he often has his own "agenda" by adding depth to characters he play. I saw an article that in his 2nd drama "Strongest Deliveryman", the writer even pondered what direction is this actor going for by acting certain ways, while his character is supposed to be this chaebol jerk. The result is his chaebol jerk character is more layered than it supposed to, and for many audiences and beanies here, his character relatability outshines the male lead.

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Wow. Kim Seon Ho fan girls need to chill with their reactions to so-called criticisms to his character in the show.

You guys have turned the comments here into a totally different argument when they were just pointing out the character’s traits as it was portrayed in 3 episodes thus far and speculating as to how his character is intended to be portrayed in the drama. It’s no different to how other comments here speculate as to what his real background is, whether he is a rich chaebol, what happened to him during his childhood etc

The way people with contradicting views are being censored here and ganging up on the minority is off-putting, to be honest.

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Seon Ho went for audition for a minor role in strongest deliveryman. Director saw his potential, offered him 2ML, the character at that time do not have narration n as a good actor, he gives some meaning to it hence the writer then write better character development for 2ml. It's like given a job, Seon Ho wants to do it well for the role given. Both leads acted well in their roles. Is just that acting wise, Seon Ho shines in his role.

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Adding onto this! In Start Up, Ji-pyeong was written as a cold/old character. However, he broke it down, & made the dialogue/speech more matched w/ the younger actors/vibe of the show. He adjusted his role to fit w/ the tone of the show. Tbf, I'll say most/if not many actors do break down their roles and add their own special touches to it. But he's also a long term theatre talent, so this is something he's used to doing. Also, I notice the writer gives Du-shik two great monologues which immediately make people team Du-shik than Hye-jin. When she gave a monologue that was quite good, its more cynical and realistic which some people found cold, but I dig her pov as well. If you listen to it, both of their views/thoughts on each others situation isn't wrong if you look at it closely. Just their way of saying and presenting it is diff.

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But all humans are hypocrites, this one characteristic unites us all regardless of identity. Why can Du-shik not be one? He actually acknowledges he was hypocritical or quick to judge- thats more than what many of us do in our lifetimes. We all love to see fault in others and are blind to our own. Hye-jin is no different, she thinks she's fair and righteous but is quick to judge the lack of success in Chun-jae, does not acknowledge that her success might just be because she's born smart and has been lucky in many ways. She keeps mentioning she's an elite. Everybody is a hypocrite. I do not think the character has to be morally consistent or non- hypocritical to be likeable or worth qualifying as a hero. Good storytelling is when you show some really basic flaws of the human condition and still depict humans forming deep loving bonds- sometimes ignoring, sometimes embracing and sometimes correcting the flaws.

Every story has a moral universe, agreed. It also has a technical storytelling/visualising universe, a psychological universe, a social universe. My point is not that no critique of moral universe should happen or that it has never happened in the past, but that increasingly nearly ALL critique is being made in this realm alone. We are increasingly becoming very morally exacting of all characters (and maybe even of our fellow humans in life). People and characters should be allowed some leg room to mess up or not be consistent.

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Couldn't agree more. This drama is just on episode 3, not episode 14. the characters are being introduced and layers are still being peeled off, otherwise, how else will it last 16 episodes then? Both leads were depicted as flawed, so there is room for development, right? (Jeeez, and I have seen complaints about other completed shows where there was no character development,LOL). And why even do a team FL vs Team ML? This is a romance drama, they are supposed to fall in love with each other and not best each other in an "I am better than you" game.

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Couldn't agree more. This drama has just started. Lets see what it brings in the later episodes and maybe then we can tear it apart? Besides, as it was mentioned by several commentators that both Hye Jin and Du-shik's characters are flawed. They both have serious issues they need to work on as shown on episode 2 and 3. I was hella annoyed with Hye Jin when she badmouthed the townspeople and hastily apologized. Same way I was annoyed with Du-shik for hitching a car ride without Hye Jin's permission. I was also wondering if he did that purposefully so that Hye Jin can have better communication with the grannies. But still lets just wait and see what happens right? I'm sure there will be many opportunities of character development the the rest of the 13 episodes.

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"It seems to me too that a lot of this hinges on the casting of Kim Seon-ho in the role of Du-sik. I suspect that a lot of the character's actions would be viewed much more negatively if someone else far less charming was delivering the goods (metaphorically). "

I agree with your above statement. The character might have been disliked in the hands of a less experienced actor, but Kim Seon Ho is making it work, despite the consensus that he was completely rude with respect to the carpooling incident.

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Many thanks for helping me figure out why I am so conflicted about Hometown Cha Cha Cha. I agree with everything you have written above. For myself:

1) There are moments in this show that are so well written that they move me to laughter or to tears. But there are other times where the writing doesn't seem as tight. As you allude to above, it is my impression that random plot devices are inserted that make no sense just to move the plot forward. But since they don't really make sense, they pull me out of the moment. As one example, in the first episode, Hye-jin is stranded because her car won't start. Du-sik takes a look at it, and tells her that the problem is that she drove for too long with a warning light blinking and that drained her battery. But, in actual fact, warning lights on cars don't draw enough power to drain the battery. I suspect that this moment was inserted in the script to make the larger point that she is cool but clueless and careless, and he is competent and "crusty". Plus they needed a way to strand her overnight. But, although you should certainly address warning lights when they come on, the warning light itself is not really a problem. So when she is treated as clueless and careless for something that is not really a problem, it rubs me the wrong way.

2) Du-sik has a big heart. He is generous, thoughtful, protective, caring and surprisingly empathetic. But he is also bossy, entitled, pedantic, high handed, often condescending and even mean sometimes. This is most obvious in his interactions with Hye-jin, but he's that way with other people too. (Check out how he treats the guy who runs the hardware store.) Now, there was a time when guys like this used to be thought of as "a good catch" because of their warm and caring heart, and people would ignore or explain away the other stuff because even while they were steamrolling over everybody in their path, they were doing it for your own (or the greater) good, and they ultimately meant well. Romance novels before the year 2000 are full of guys like this. But viewed through a modern lens, it feels disrespectful, and like the relationship power dynamic is unbalanced in his favor.

3) Kim Seon Ho is an actor who conveys complexity and humanity in the characters he portrays, and usually when I see a character/person in all their complexity, I connect with their humanity. So even though I am pretty ambivalent about Du-sik, I am really drawn to the character as portrayed by Kim Seon Ho. (And when KSH plays characters that I don't feel ambivalent about, like Han Ji-pyeong, I find myself feeling about those fictional characters like I feel about real people that I know in real life.)

So, I really like Hye-jin, and there are moments in the script that I really love. But there are also moments where it feels to me like she is getting a raw deal because I don't feel like they have convincingly established her character as careless, thoughtless or clueless, and I...

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I am commenting only because I am hopelessly pedantic 😔 but your example in point 1 is incorrect.

The warning light didn't drain the battery - it was for tire pressure. Hye-jin's tire had a nail embedded in it but she didn't realise this in spite of the warning light and drove all the way to Gongjin like that. He wasn't saying the light drained the battery but rather that she was risking her life by ignoring the light and driving a fair distance on that tire. It's why he asked if she had nine lives when she just wanted to drive back with the same tire.

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Thanks for that. Glad to be of service. :D ;)
But I know exactly what you mean when you say that you feel yanked out of the moment. In my case, I just cringe inwardly wondering why we're still subject to these sorts of tropes in 2021.

If they weren't trying so hard to depict Hye-jin as a "villain", it wouldn't bother me quite as much. Maybe it's just Du-sik's flawed perspective at play but at this point in time I don't have clarity on that. Frankly it feels to me as if she's just a victim of bad luck more than anything else. (Or fallen prey to clumsy writing)

Obviously she has cultivated a kind of survival-of-the- fittest materialism which perhaps rubs Du-sik the wrong way because he somewhat attracted to her. But as he himself acknowledges later, there's a whole lot about her he doesn't know and he's jumped to conclusions far too readily. If he were 15, some of this behaviour would make more sense but even the older boys in Racket Boys are more mature than this.

There are things I like about it which is why I'll keep watching but the approach to the main romance is a bit of a head-scratcher.

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"So, I really like Hye-jin, and there are moments in the script that I really love. But there are also moments where it feels to me like she is getting a raw deal because I don't feel like they have convincingly established her character as careless, thoughtless or clueless, and I..."

IA. Its also the fact that cold FL's aren't as beloved by viewers. Its a shame, but it doesn't help when they make our ML perfect. So in comparing the two, the FL sticks out like a sore thumb. Even though her character is more deeper than what appears, I feel like if SMA wasn't playing this role, it wouldn't work as much. Its always the case w/ cold/tsundere FL's in dramas, there's a journey that shows their transformation in the end. But the journey in getting there can be a bit painful at times, & given a backseat at times.

The script writer here was under Noh Hee Kyung's ship/teachings, & I can see her trying to follow in her foot steps in this show. However, Noh Hee Kyung is probably more versed in these type of shows as she has proven time after time. But since this is a K-drama, I suspect the full story of what she & the PD have been cooking up/forging will all make sense by the end. I'm intrigued/excited to see by Ep 16, b/c by then, everything here and before will start to make sense.

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Liking the different points of view so far: from Hye-jin's perspective and Du-shik's--btw, bf and I have named him Douche-sick instead (because he's acting like a douche and also because he might probably be sick because of that doctor visit in Seoul)--especially on granny's treatment and how self-care is also important for parents than selflessness. Douche-sick is also very observant on how he noticed Hye-jin's reaction to that mother she saw.

I see growth in his apology during that black-out and I really hope writer wouldn't drag out the bickering. It's immature and they're in their 30s.

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Genuinely curious is there an age limit to bickering? Does the saying "Bickering like an old married couple" only apply to married couples under a certain age?

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Haha I guess not. Bickering is just an unhealthy form of communication. Can't they be kinder with their words instead of riling each other up?

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I was so anxious Hye-jin would be late to the wedding and the marinated crabs would spill all over her car and get all over her clothes. She was surprisingly calm with everyone eating in her new car. On their umpteenth bathroom break, I begged Hye-jin to just drop them off and they take the bus. (Then felt bad when Doo-shik explained why the halmeonis can't take a bus.)

I wished Gam-ri-ssi had only paid for the materials and Doo-shik tried to pay the rest only for Hye-jin to refuse because she really meant it. "People don't change so easily" sounds like they knew each other from the past.

Before the epilogue, I was confident Doo-shik bought Hye-jin a new shoe because I'm still of the theory that Chief Hong is rich. Thanks lots for the recap, @mistyisles!

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Same, I was expecting a scene where Hye Jin was going to be mad about the spilt crabs, but the writer/director gave us a twist.

For instance, I too thought Hye Jin was going to yell at the grandmas for dropping the potato cakes in the car, but instead we got one of the grandmas supporting Hye Jin. Also, I expected grandma, Gam Ri, to avoid implants after her call with the son, but they showed us the importance of self-love/care.

Loving all these twists.

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Honestly this drama is just what I needed. Cute yet it has a warm, cozy feeling. Can't wait for new episodes

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The ending of this episode was adorable!! Had me smiling from ear to ear.

Doo-shik was really annoying in this episode. We usually associated busybody behavior with elderly women, but Doo-shik is the nosiest, most thick-skinned villager in the village. I suspect that's way he hasn't gotten hitched yet and there are no village ladies crushing on him like Hyun-bin's character in CLOY. I'm on Team Hye-jin for this episode, and I was with her seething for the entire ride to Seoul. Doo-shik is aware enough of city behavior and Hye-jin's boundaries that he could have tried to meet her halfway. I'm glad she called him out on his rude behavior. However, as annoyed as I am with him, if I were an old granny, I would also really appreciate having a young man help me out by shamelessly hitching rides for me.

And wow, speaking of nosy villagers...I guess big-shot city dentists are a nosy bunch too. Can't even be seen with a member of the opposite sex before it becomes gossip you're dating him.

I'm glad that Hye-jin was the one who convinced Gam-ri to take care of herself and not village golden boy. I'm also glad that this drama isn't about fixing people. Hye-jin was always a warm-on-the-inside person even before moving to the city and I like how the drama isn't trying to change her so much as they're showing how she and the villagers are existing happily alongside each other while living out their true selves.

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Thank you for recap. I have been eagerly waiting for :) Love every bit of it and loved that it is not only a story for the main couple also town's people. I do have a same kind of teenager at home :) I hope it will keep that level and we are not going to have a weird last episodes . I quit many rom-com's this year with a huge disappointments . Please, pleaseee no Do do sol sol la sol ending :)

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I love how this episode brings up parenting issues! We see how the divorced couple Hwajung & Youngguk are still there for their son's birthday, and the son has matured beyond his age! Even much mature than his parents. He clearly sees that his parents barely stand each other and he's brave enough to say that they don't have to come to his next birthday.
Also how Hyejin's past trauma and her wishes for parents to not sacrifice their health just for their kids' sake resulting on Grandma Gamri and Dooshik change of heart and perspective. She indirectly be the one 'teaches'/'help' with her own experience and perspective, kinda lessen their 'cold city girl' prejudice against her. GO GO HYEJIN!

I really like how 'annoying' Dooshik can be! I would also be annoyed if someone tries to hitchhike without telling in advance, but it also make a good entertainment to watch. He probably predicts Hyejin will likely refuse them if he's ever telling in advance.
I believe Doo-shik (most likely on purpose) left his phone in her car (after reading the wedding's address) so he has an excuse to meet her again. Doo-shik is definitely not a sentimental type of person, so he tries to pay her back by nonchalantly offering to drive her car so she can rest :'D
I also love how Hyejin kept contradicting herself along the ride. She dislikes him and grannies having a party in her car but she wishes to spend the ride back talking to Dooshik nonetheless.

I love how imperfect Dooshik is despite the skills, intelligence and licenses he has. He kinda acts like he has the best IQ & EQ although without bragging, Hopefully we'll see him 'grow' and 'heal', out of his traumas, prejudices and cynical views on things, and that's the thing I'm looking forward to see in this 'healing drama'. I wonder how the writer will paint the contrast between Doo-shik and the second lead.

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Thanks for the recap, mistyisles! I also have the people-pleaser disease. Over the years I'm finding more balance. It's great to do stuff and make sacrifices for family and friends, but I have to remember that I'm not doing them any favors if I'm making myself sick because of it, or enabling their bad behavior.

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exactly I stumbled upon a viral twitter post about not wanting their child to remember their mother as always working, sacrificing and grinding to survive but as a mother who was happy, warm and having fun and it spoke to me that we really need to nourish ourselves first before being there for others!

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I love this show because it actually makes me feel uncomfortable. It took me a while to place it, but I think it feels like a gender role reversal. Usually the "city snob" character with a prickly personality is the male lead, and usually the female lead is the country girl with a good heart and is caring to everyone. As a woman, it felt weird seeing the roles reversed. I think a lot of the criticisms about how Doo-shik keeps trying to "change/fix" Hye-jin wouldn't be happening if the character's genders were reversed. I wonder if anyone has had any similar thoughts?

I also think that while Hye-jin's "flaws" may be more obviously shown, the drama also depicts Doo-shik's flaws, perhaps a bit more subtly, though.

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This is such an interesting insight! I did notice a lot of gender-reversal scenes like the ones that took place in the car scenes. You're right that it's usually the optimistic down-to-earth poor gal who has to "fix" the tsundere cold exterior but warm inside rich guy.
But after watching 4 episodes, I didn't get the feeling that this drama is trying to have the guy "fix" the girl like so many people here is trying so hard to push. Maybe in the first 2 episodes but after the 4th one I could see they are trying to make the 2 meet in the middle despite both having stubborn personas and different outlooks on life.

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I actually do not see why people are saying that DS is trying to "fix" her. I have never seen that at all.

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That's an interesting and valuable perspective that you've added to the conversation. I'm also a woman, but grew up with American tv so this doesnt feel like a role reversal. A classic example of this city vs small town trope is "Sweet Home Alabama" or older "Overboard" and in both cases the "city snob" is the female. Maybe I havent seen enough city to small town kdramas. The only ones I can think of right now are: Top Star Yoo-Baek, Sweet Stranger and Me and CLOY (does 100 days my prince count?).

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Yes. I've been loving the gender role reversal.

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I agree with all the people annoyed by the way Dusik sprung the carpool request on Hyejin. However, I think it's good enough for me that 1) Hyejin stood up for herself and asked him to admit it was wrong, and that 2) he eventually apologised to her at the end of the episode. I would draw a parallel to Hyejin in the previous episode, where she could have (and probably knew she should have) apologised at the town hall but didn't. In the end, we didn't see her apologise to any of the villagers she insulted or alienated, except for Chun-jae. Similarly, Dusik didn't apologise the first time Hyejin called him out in the car, but did apologise at the end of the episode. I think they are both imperfect and that's okay at this point as long as they show some growth soon. That being said, I wish the conflict was more natural. I would rather Dusik have asked her in advance to give the grannies a ride to Seoul, they bicker about it, but Hyejin finally got convinced to take them after hearing his reasons. The actual carpool scenes could have stayed the same, with Hyejin running late due to the frequent bathroom breaks and slightly uncomfortable with the loud music and personal questions - the grannies and Hyejin's countryside vs city differences would still have shown.

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These are just my two cents but...

Doo-shik said he didn't ask for a ride in advance because he knew Hye-jin would say no. And while I agree he should respect her wishes, we're also still at that point in the story where she's (relatively) a stranger to him, and taking care of the literal people who raised him is probably going to be his priority. Of course, you can already see that start to change by the next episode.

They are both flawed, nuanced characters with different priorities, but I think that's exactly why I like them both 🤷

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The whole lack of privacy and respect bothers me. It’s one thing to ask her to help out the elders so she can plan her trip and time, it’s another to just force it on her. He clearly didn’t care of her time.
I am glad it’s not all about about village life is the best. I want to see more of a middle ground. Yes, it’s great to have a well meaning community but not everyone is ready for it.
HJ seems like the kind of person who needs time and space. The two things she did - apologize to the bar owner while still being honest about her opinion and talking to grandma- were her own actions. That is her. She needs the time to process and act on what’s right. I hate that Do Shik keeps pushing her and judging her.

Finally I see some understanding between these two. And clearly they are more curious about each other. Also, they are the only people in their age group :)

goodness. What is those magic shoes. That can survive ocean and salt water and remain in shape. What a great PPL :))

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Maybe those shoes really are worth the $2000 US price tag? 😮

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In real life I would be bothered by Du-sik’s behaviour (putting Hye-jin on the spot with the ride), I agree, it's rude. But this is a drama and I see it as the writer’s means of putting them all together into a car for several hours, leading to all comic situations and getting to know them all better. I just had a smile on my face during the whole ride, the bathrooms stops, loud music, rude driver incident, potato cakes flying and all. I know I should be more PC, but I like to watch dramas with my rose tinted glasses on.

As more layers are added to the story through the episodes, Hye-jin’s character starts to show and she reveals herself to be honest, loyal, hard-working, caring and warm. She does need time to open up, but when she does, she is lovely.

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I am going to say it Team Hye Jin. Doo Shik is very cute but only aesthetically. The rest of the time he is incredibly annoying, rude, and nosy. His treatment of Hye Jin is not kind and he needs to be better. It is obvious he likes her and this is made more obvious in the next episode, but it doesn't excuse his childish rudeness. He needs to be better. The rest of the cast is shaping up really nicely though.

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Hello BB LOVERS here comes Mommy! 🤣🤣🤣

I think somethings so wrong with me I literally couldn’t find anything bad about Du-shik character at all. When BB appeared on screen I went OMG and melted. Every. Single. Time.

*happy sigh*

Thank you for blessing my screen in this lovely show. I’m sure there’s more to DS (Omo! The initials DS reminds me me Do-san from Start-up!) and he will grow up, too. The ML and FL are there to teach the other and I’m happy that with them being together, both are becoming slight better persons.

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My only question is why the CG is so bad it’s so funny here? Look at that CG train in ep4 (?) and I didn’t know how I should feel. (If you want to know, I ended up laughing. Nothing can be wrong with this show so it seems.)

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The train was pretty bad but who cares when DS was next to it 🤣
I laughed at the surfing scene. There’s no way that was him surfing M. 2D1N has ruined his cool image for me. But i still swoon.. then i laugh..

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Me too! 🤣🤣🤣 It’s very evident that it wasn’t him in those scenes. But who cares? I was so willing to enjoy the ride, and find this show very heartwarming and relaxing. 🤗

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Glad you are enjoying the drama because earlier you mentioned the drama din't capture your heart😅

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*whispers* shooo that was my mistake. Perhaps I had a bad day or the show didn’t turn out to be what I had expected it to be; but guess what? I fell for it during my rewatch! 🥰

I think the show is gonna be great emsel. I’m quite positive about this.

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Oh yes. Quite a bit of editing went it that and the segue from waves to flat sea 🌊 strained my credulity.

But as @mmmmm says, "Who cares?" I'm prepared to sit back and enjoy.

Tbh though, I am worried that he might have a terminal illness and we might suddenly find ourselves in a melodrama.

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Take comfort that a happy ending is waiting for us at ..well, the end..

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I’m pretty sure it’ll have an HEA ending!

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I don't think we've mentioned dimples, the dimple duo or double dimples enough in the recaps yet for @leetennant.

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Pretending this outpouring of profanity never happened and wondering why this hasn't been added to db's list of 'inappropriate words' yet.

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😆 *imagines what you'll use to try to persuade the minions*

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The merit of my argument speaks for itself.

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I have dimples, too, LT.

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Aaaagghhhhhh.... make it stop!!!

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Double Dimples need to produce shining pretty Dimples Babies and take over the world with their Dimply smiles.

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I can fit in as BBs Mommy because I have dimples, too! My dimply dimples are simply gorgeous. I wish I could post this comment under LT’s comment but I was afraid her brain would blow up like an erupting volcano!

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@mmmmm i’m so confused do u wanna be his literal mommy or the other mommy (of the r- rated variety) 🤣

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I have always wanted to be Mommy in the traditional sense, but now that you mentioned it should I be both? But that will be ***censored*** so I’ll go with the first option.

Mommy M and BB

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Both would be so wrong @mmmmm! And not suitable for DB. 🙈

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But Chuna, I’m confused, too, actually. Sometimes, I like BBs butt scenes. The other times, I also love him in white shirts. I need a consultation session.

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Chuna it’s your fault! I haven’t thought about this question before, so I haven’t had this problem until now. 😢

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Well there is something esp appealing about white shirts and hot guys. Go get that consult M.

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LOL I don’t need a consultation session, I’ll be Mommy M for BB whatever that means. 🤓

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@ndlessjoie See.. the recap comment also acknowledges that DS has some ongoing issue that he hasn’t told anyone about. Perhaps this trauma made him move back to Gongjin and devoted himself to helping others. It might be that he considers his past behaviors selfish and that caused something bad to happen, which, ofc, is a misperception on his side. I think in the end, both of them will set up mode appropriate and healthy boundaries form themselves.

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I have been enjoying the show really well. Its refreshing and delightful. I liked how they are giving growth and development to the side stories too. I like how the characters are realistic. I had the same thoughts as one fellow beanie here who pointed out the gender reversal here. Had it been a girl in place of the ML I wonder if the charcter will get same amount of criticism. People in real life are flawed and that's how the leads are portrayed here. The ML lead wouldn't apologize for crossing the boundary whereas the FL too didnot find it necessary to apologize to the coffeeshop owner in front of the town hall. I mean she insulted him literally in front of the whole town. It goes both ways. It will be interesting to see the growth of these two together.
PS : The final shot was simply awesome. I didnot know what was more adorable, the childlike delight of FL or the puppy face of ML.

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I loved this episode. I was smiling like an idiot when the lights came on as Hye-jin put on the shoes. This is the kind of cheese that made me fall in love with k-dramas.

I really like both Hye-jin and Doo-shik and how the relationship is progressing. The carpool stunt was rude and inconsiderate but Hye-jin called him out on it, so I'm good. Both characters have flaws and to me both are kind of annoying in a realistic way, but they have good hearts. I enjoy their bickering.

Gam-ri's story reminded me of my late great aunt who was the most selfless person in the world. My mom had such a hard time convincing her to get dentures and then hearing aids. Really heartwarming scenes between Gam-ri and Doo-shik and Gam-ri and Hye-jin.

Poor Yi-joon is more mature than his parents. He's such a sweet boy.

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I wanna add that I absolutely love the car ride scenes in the episode. When the guy shouts that women shouldn't drive, silent Doo-shik quickly fires back to defend women in general (yay!).

Shout out to Grandma Mat-yi and her violent shouts lol, if I was in Hye-jin's shoes Grandma Mat-yi defending me like that is already a payback for driving them to city.

I also love the music score while Hye-jin is driving back to Gongjin with Dooshik. I wish they release it in Spotify soon.

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I would also like to know the title of the song / music score.

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Love the way the show is progressing. The episodes are nearly over an hour, but you don't catch yourself watching the time. This shows how well the drama is balancing the cutness with the growth of the characters. For a change, it is nice to see the side characters being fleshed out with backstories instead of being props for the leads.

Comments on this recap is providing us with new insights (cultural differences, role reversals etc) and for me, this makes the drama all the more interesting.

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I like how Hye-jin seems to hold firmly to her boundaries, even when the boundary will potentially cause social discomfort. It might be why her being used as a car service with no notice came off incredibly rude because Doo-shik had to almost corner her in order for her not to turn down everyone.
I wonder if Hye-jin's being uncomfortable in social settings in one way or another was a planned thing.

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About DS not telling Hye-jin about inviting the grandmas for a road trip. In the first episode, Mi-Sun tells Hye-jin that for as long as she's know her, Hye-jin's rule of life is that she looks out for herself first. I am certain that DS had picked up on this and his inviting the grandmas was his trying to show Hye-jin that you can have fun by helping others. Takes her a while to pick up on this but then, she begins to think of Gam-ri, her feelings and needs, and alters her opinion of her and gives her the help Gam-ri needs. Sometimes we need help with that first step.

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I like the progress and development of this drama touching on parenting, selfless love vs caring for oneself and there is no toxic character just cute n adorable fun people.

From the way hyejin looks at dooshik, collecting the delivery to coming out to get the delivery meant for her friend, she is displaying interest in dooshik. The way they blicker wittyly shows they now do not dislike each other now. I smile when dooshik delivers packages after packages calling her name n even singing her name...ah he has this playful side. They are in friendshio level knowing her objective after earning $$$ shows to go back to seoul. When hyejin told him Sunday she is going back, he stood there for quite sometime probably thinking so fast why how.
When he show up with 3 grandmas, i was like ah i see naughty side of dooshik. His way is unconventional, he is nosy n wants to know is hyejin going back to seoul for good, so got 3 grandmas to come along (i am sure he always drive them in his truck). Hyejin finds it rude and cross the line, i agree but yet find it cute as they talk like a couple) but she was not offended to the point of disgust as seen on the way back, she smiles after she had lowered the seat for dooshik to sleep comfortably n she also wanted to dooshik to keep talking to her. It's what friends do for each other.
The best part of the car ride was dooshik n the grandma defended hyejin, feel so good that she's got people to side with and supported her. Doishik feeding hyejin is like couple do n she does not mind.
What the son and divorce couple says to each other is touching n so true.
But i was so disappointed wit gram ri son. And i am glad that dooshik agrees with hyejin perspective of parents taking care of themselves well instead of stingy on themselves to spend or save up for their children is good n enlighten gram ri. They are learning from each other. And dooshik also realise hyejin is not okay about her mum passed on although she said she is okay, it shows he cares for the feeling of people.

I think children will feel less stress if they see their parents being happy n care for themselves too. When hyejin says gram ri is not her grandma n she do not have to care n why dooshik is caring for someone not related, dooshik said "people don't change easily" i find it normal n true people do not change easily also had the feeling could they had met before briefly not romantically.
Good to see that hyejin begin to care when she visited gram ri who shower so much warm to her.
I was also started when dooshik was started at night fishing (never happen to me must be good acting) n i was like hooray the shoe show up.
Hyejin n dooshik smile n the lights lighted up is so charming n adorable.
Love this warm simple relatable non toxic no fixing of anyone drama.

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the dentist gossip network!! at first i thought Hye jin was being too cautious trying to hide Dushik but damn! She was right to be wary after all!

Dushik is soooo nosy and yeah not caring about boundaries a bit but Hye Jin knowing she is owed an apology and demanding it! kind of grinds my gears for Dushik to shrug it off so I hope in the later part we see some realization on his part that not always his way is the right way.

I love their teamwok yelling down that dangerous driver and the grandma!! yeah!!

Hye jin telling grandma not to tell about the discount is awww.

Dental should be part of standard medical insurance grrrrrr.

That shoe .. this feels like little mermaid/cinderella. the whole light thing was awkwardly filmed but a little quibble.

homcha as other ppl call it is sweet relaxing fluff with slice of life honey tartness like honey citron tea.

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I love this show!! But can someone please tell me what exactly the potato cakes are? I’ve tried to google but cannot find a recipe, they look so delicious I want to make them :D

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