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No Gain No Love: Episodes 11-12 (Final)

As reluctant as we are to say goodbye, it’s time to send off the show that has provided us with so much joy and laughter for the past six weeks. Our finale is a bit of an emotional rollercoaster unlike the fun we’re used to, but No Gain No Love wraps up on a happy note with decent resolutions to its plot points.

 
EPISODES 11-12

We resume post Hae-young’s discovery that Ji-wook was her mom’s foster child. Ji-wook explains that Mom made him promise to keep it a secret, and Hae-young storms out of the house, upset that Mom had no qualms taking in another foster child even though fostering cost Dad his life. On the other hand, Ja-yeon is relieved that Mom wasn’t alone in the house after Dad died, and she assures Ji-wook that Hae-young will understand. She just needs time to process things first.

We come to learn that six years ago, Mom went to see Ja-yeon to apologize for blaming her for Dad’s death. At the time, Ja-yeon was wallowing in guilt, and Mom tells her that it’s not her fault — and that she kept the murderer’s identity a secret from Hae-young because Dad insisted that Ja-yeon should never be branded as a murderer’s child. Since then, Ja-yeon has been operating under the assumption that Hae-young doesn’t know who killed Dad, and she moved back home to be with — and take care of — Hae-young in place of her parents.

Ji-wook traces Hae-young to Mom’s old house in the countryside and shows her a video of Mom in the nursing home which indicates that she (Hae-young) is alive in Mom’s memories despite her assumption that Mom no longer remembers her. They talk about his foster days, and he mentions that they once ran into each other outside the house — she was flirting with a pack of cigarettes and impulsively asked the high-schooler passing by for a lighter. Hae-young is surprised that Ji-wook was the student she met that day, and we come to learn that it was her first time smoking. Now I see why we had that “you never never forget the person who taught you how to smoke” dialogue last week. Lol.

On their way back to Seoul, Hae-young is uneasy because Ja-yeon is not answering her calls. Hee-sung is also unavailable, so Ji-wook calls Gyu-hyun to check up on Ja-yeon. This turns out to be timely because Ja-yeon’s father has broken into the house to attack her! Thankfully, Gyu-hyun swoops in to save the day — and just when I’m thinking I’ve not had a good laugh since this melo episode began, Gyu-hyun whips out Hae-young’s glow in the dark dildos to beat the shit out of the crazy dad. Ladies and gentlemen, I died!

No Gain No Love: Episodes 11-12 (Final)

Hae-young and Ji-wook arrive home in time for the crazy dad’s arrest, and Ja-yeon slinks back when he loudly announces that he’s her father. But Hae-young grabs the dildos and smacks him across the face because he has no right to claim parenthood. LMAO! Ja-yeon realizes that Hae-young has known all along, and Hae-young replies that she kept Ja-yeon around because it was obvious that she (Ja-yeon) was having a hard time. Hae-young didn’t want to lose her sister alongside her dad, even though she admits that she sometimes felt that living together would make Ja-yeon suffer even more. But Ja-yeon replies that she hung in there because of Hae-young, and I’m already tearing up at this point.

We pan over to the Bok half-brothers in the middle of an educational discussion about the number of ~bananas~ in Hae-young’s bunch. Lol. After thanking Ji-wook for giving him the chance to protect Ja-yeon, Gyu-hyun addresses him in an informal brotherly tone, and Ji-wook is touched. But I wonder if that is supposed to make up for Gyu-hyun’s lack of apology for calling Ji-wook the son of an adulteress and for demoting his wife. Aaanyway, now that the cat is out of the bag, Gyu-hyun assures Ja-yeon that he loves her despite everything, and the couple share a kiss.

No Gain No Love: Episodes 11-12 (Final)

In our final episode, Mom passes away, and Hae-young and her foster sisters grieve. Ji-wook assists them to arrange the funeral proceedings, and Mom’s other foster kids arrive to bid her farewell. It’s a bittersweet send-off for Mom, and from her foster siblings’ stories, Hae-young learns things about her mom that she never knew. She ends up acknowledging that Mom lived a fruitful life, and didn’t suffer a loss. After the funeral, Ji-wook tells Hae-young that he made a promise to Mom to hold on to her — but at this point, Hae-young has had it with him and all the promises he has been tasked with.

Earlier on, Ji-wook mentioned that he disappeared after their fake wedding because he was worried he wouldn’t be able to keep the promise not to tell her he was a foster kid. He also never went to visit his mom because he wanted to keep the promise he made to his grandmother. Now he’s staying by her side because of yet another promise he made to Mom? How stressful! Hae-young tells Ji-wook that he’s no longer bound by obligation to stick with her, and that he needs to make himself a priority. “I don’t want to be the reason and purpose of your life,” she says, before taking off his wedding ring and walking away. Oof!

We could have had Ji-wook assure Hae-young that he’s choosing to be with her of his own free will and not because of some darn promise, but no. Show somehow forgets that it gave us an OTP with healthy communication skills, so it sends Ji-wook abroad and leaves Hae-young — and we viewers — to wallow in misery for the majority of the episode. Sigh. This is why I have trust issues.

Fast forward to six months later. Hee-sung is doing well with her voice acting, and she’s keeping the pregnancy — and raising the child with her boyfriend after they break up and get back together. Ja-yeon no longer hides her spicy writer self, and she even gives a guest lecture at a university. Of course, she’s still happily dating Gyu-hyun — who has surpassed his father’s expectations and taken Ggulbi to the number one spot in the industry. Ggulbi has also revised its policy to include equal benefits for single and married employees.

Unfortunately, Woo-jae still thrives at the company and reaps the benefits of Hae-young’s hard work (ugh!) so she quit to launch her own startup. Hae-young poaches Ha-joon to realize his dream of writing code, but all roads lead back to Gyu-hyun to secure an investment in their startup. Tsk. Why did the show have to make them indebted to him? Gyu-hyun agrees to invest in “Traitors One and Two,” and he had better cut them a large check because he’s the reason why they quit.

Ji-wook returns to Korea with a lady, and Show tries to convince Hae-young that they’re getting married. But no worries, the only thing between Ji-wook and said lady is English dialogue I struggled to hear — and sibling DNA. Lol. Apparently, Canada was one of the destinations in his world tour and he’s now close with his mom’s family. Good for him. Ji-wook informs Hae-young that he’s not getting married. “I came back to where I left my heart, so you’ll just have to bear it.” Okay, sir. Hae-young tells Ji-wook she loves him, the rings are back on their fingers, and we get the obligatory kiss to end the drama. Whew!

We were so close to getting a perfect show, but like clockwork, K-dramas will always K-drama. It’s almost like logic was buried alongside Hae-young’s mom because I don’t get what happened to my beloved show after the funeral. Okay, I get it in theory. Hae-young wanted to set Ji-wook free from promises and obligations, but I promise you, Show, it did not have to be so complicated. There were better ways to reunite Ji-wook with his mom in Canada — and give him space to figure out what he wants to do with his life — outside of a forced separation.

No Gain No Love: Episodes 11-12 (Final)

I was totally looking forward to Hae-young and Ji-wook’s real wedding, and while I can understand — lies, I can’t understand — not getting a wedding, I absolutely cannot believe we spent the entire final episode of a rom-com without a single lovey-dovey moment between the lead couple! And no, an ending kiss doesn’t cut it because a last-minute OTP reunion had no business in this show in the first place. I’m upset because we had a good thing going on. I mean, we could have been up there as one of the rom-com greats of dramaland!

But thinking about it again, No Gain No Love is actually up there. I mean, the show utilized nearly all the tropes in the book and still managed to subvert and make them feel fresh. And despite feeling a little letdown with the finale, I have to hand it to the drama for eleven episodes of peak rom-com excellence. Show gave us a healthy romance, lots of laughter, fluff, heartwarming found family moments with the sisters — and of course, Hae-young, who is one of the most wonderful and best written female leads I’ve ever seen. So what if it wobbled a little with its landing? The show is still a solid 9/10 in my books, and that’s pretty good, too.

No Gain No Love: Episodes 11-12 (Final)

 
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Thanks so much for your recaps, @Unit!

형부 (brother-in-law)
I’m late commenting on this, but Ja-Yeon referring to Ji-Uk as 형부 is just THE CUTEST THING EVER! I love it. The way Han Ji-hyun naturally delivers the line shows how seamlessly Ji-Uk fit into the family: that he is family in so many ways. It may also be because KYD and HJH have already worked together that their on-screen chemistry as in-laws works so convincingly.

Keeping promises
At first I thought Ji-Uk’s obsession with keeping his promises to people was a convenient plot device to throw him into Hae-Young’s life. But, the reality is much sadder as well as realistic. When you need to keep a promise to someone, it means you matter. It means your actions affect others around you (think It’s A Wonderful Life where the impact of George Bailey’s life is shown through the ‘what if he had never been born’ scenario). It means you are connected to the person you promised something to. For Ji-Uk who never belonged anywhere or to anyone, it must have been a way to feel connected to those in his life.

The angelic puppy
Another puzzlement throughout the entire drama was how well-behaved Ji-Uk is. For someone who has never known the stability and warmth of a real family, he always seemed a bit too well-adjusted. He was the ‘angelic’ puppy of Hae-Young’s neighborhood, a defender of justice at the job interview, and always met Hae-Young’s crazed ideas and temper tantrums with even keel responses, or counters.

But, after Hae-Young mentioned how children who have temper tantrums are confident that they will never be abandoned it dawned me in that this puzzling personality trait dovetails seamlessly with his painful personal history. Many times people who are well-behaved are those who fear they have to earn people’s affection by being pleasant and undemanding. He was that angelic puppy because he feared that was the only way he would be accepted and not abandoned.

The perfect ending
Wow, this show really did not disappoint. That was the perfect ending. I really loved that what Ji-Uk really wanted in the end (to hear that he is loved) closed out the drama. The drama wasn’t just about Hae-young’s journey of discovering and appreciating the family her mother built for her through her foster siblings, it was also about Ji-Uk finding he has a true family, a place to call his own home. The fluttery moments, the banter, the skinship, the kisses - they weren’t just throw away events for the sake of a rom-com but were convincingly building the emotional and intimate history between our two leads.

(to be continued in comments)

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The perfect ending - continued
Narratively, I understood the necessity for Hae-Young to let Ji-Uk go. Although it hit against his fear of abandonment, it was important for him to discover his own life free from obligations, but more importantly relationships only built on obligations. This made Hae-Young’s confession “I love you” even more poignant: for her because she was finally vulnerable and honest about her feelings towards Ji-Uk, and for him because her love is freely given without condition or obligation. He can know confidently that he is hers, and she his.

Throughout this show the writing and editing have been outstanding. The best example of this was the scene with the convenience store closure. I seriously felt Hae-Young’s own grief, especially during all the flashbacks of her interactions with Ji-Uk at the convenience store.

I also love just how prominent their wedding rings played in the whole series. There were different shots of Ji-Uk’s wedding ring throughout the episodes, and the emotional punch came from the fact that the charade was actually real (for him) such that the wedding ring always seemed right on his hand because it reflected his real love - and it was painful when Hae-Young took it away at the funeral. But, I loved the last scene where it was revealed he had slipped the rings back on, the truth of the relationship fully realized finally.

So, again, when did Ji-Uk fall for Hae-Young?
That being said, though, I’m still scratching my head over when Ji-Uk fell for Hae-Young. In Episode 11, he tells Hae-Young that he disappeared after their wedding (Episode 3-4) because he had fallen for her. I can see how their petty bickering in the convenience store (Episodes 1-2) could be him trying “too hard” not to like her. So, despite himself, the bickering was really bantering (I guess). It would also explain why he would go through the effort to propose to her (after looking at her like a weirdo when she first asked). But, when he fell for her remains a mystery. The flashbacks at the convenience store when he observed her with her various boyfriends seemed more off-putting than propelling him towards her.

Even in flashback to their first meet-cute, the core of their characters shone through that small interaction, but there is no hint of attraction or chemistry. This is probably a minor detail, but I’m a stickler for this sort of thing. I need a real reason for the K-drama male lead to fall for the female lead. I like all the fluttery stuff, but the show needs to convince me that their love is grounded in something believable and substantial. Some Beanies have said that he fell for her gradually over the years, and that is a reasonable theory, but I saw none of the reasons in those flashbacks.

(to be continued)

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I think he started to fall for her when they were at the dress shop. Except for their first meeting, all of their interactions were just annoying clerk/annoying customer, but there's gotta be a lil passion that goes into bickering all the time, even though it's fueling dislike. After having some real conversations and getting to know each other, that "dis-" was outta there lol

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I think he fell for her or at least he started his descent at the dress shop when she was being considerate of him. She was willing to wear that attention catching dress just so he wouldn't be remembered and associated with her in public so he could live as normal as usual.

Then again when they were at the drink store and she was teasing him. He was charmed by her.

Then the hotel room when he opened up to her and finally at the airport when she said they were family and she was on his team/that he was a priority to her

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Fiancée is younger half-sister
The show really got me for a moment - for a hot second I was actually worried that they would end up apart and that the girl was Ji-Uk’s fiancée. That was silly of me, because the #1 drama trope that cannot be violated is the OTP. But, I was scared! Part of that is because as painful as it was for Hae-Young to tell Ji-Uk to leave, as hurtful as it was that Ji-Uk was not just abandoned but rejected and cast out of his home, there was a part of me that felt the decision was correct. Ji-Uk longs for nothing more than a family, a home, to call his own - to belong, to be accepted, to be loved. But, the reality is that such a fear (how ever normal and reasonable given his personal history) was still holding him back. Hae-Young wanted him to know the freedom of being able to strike out on his own to know his own dreams and hopes apart from emotional trauma. The real question would be, once Ji-Uk is able to see the world, would he want to return? Would there still be a place for him in Hae-Young’s home? Of course the answer was yes, but it was necessary that both needed to risk losing the person in order to obtain their beloved with unwavering confidence that they are fully one another’s.

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I was very disappointed that the leads didn’t get enough screen time. Did the writers forget who the leads were in the last episode?? I needed more. A lot more happy moments with them so I felt denied. I have to go and watch the early episodes again.

I can get behind Hae Young wanting him to be free and to live his life in his own terms without any obligations. (And dude clearly can’t live without making promises. Tsk tsk). I think Ji Ukie needed that time for himself. To figure out what he wanted to do in life.
But somehow it didn’t translate well on screen. Especially the resolution. I was left with more questions. And they could have done this 20 minutes earlier and given us some happy moments and conversations with the couple and also added more scenes with sisters as a family.

We needed another two episodes to wrap up the chaebol arc, manager Ahn arc etc. Didn’t care for the Fok family till the end.

Anyway. Minor gripes aside, it was a solid romcom and I loved it. I have to give it a 9/10 because of the last episode. I was hoping it would be a 10/10.

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Totally agree - so many loose ends just left blowing in the breeze....

And not nearly enough squeee in the finale for our supposed leads... I was shipping a new wedding with a dress that wasn't deliberately hideous 🤣 and/or a bed scene that wasn't fully clothed.... sigh

Did we not make enough offerings to the k-drama gods or something?? 👀

(I have vented my frustrations at length further down!)

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On the upside, one set-up that was absolutely paid off was... dildosabers!!!

A bizarrely brilliant moment - albeit one that made me want a 'director's cut' i.e. uncensored version - because the real things have heft (!) and can definitely hurt someone, but those weirdly pointed air traffic control rods that they substituted would not have made a dent on that evil murdering scumbag...

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I enjoyed these two final episodes. However, I started to feel a bit lost and disappointed by the second half of episode 12.
I wasn’t a fan of the break up, and the reunion felt underwhelming and kind of confusing. But now, the more I think about it, the more I’m okay with it.
I guess I really loved this show.

Hae Young said that pretending to not know what happened with Ja Yeon was a selfish choice. She said she didn't want to lose someone else in her life. She didn’t know if she was really helping her or if she was hurting Ja Yeon more, but she didn’t want to let her go.

However, with Ji Wook she chose to lose him, to let him go, to give him a chance to find himself. It was heartbreaking when she cried because Ji Wook isn’t the type of kid who can throw a tantrum just because. He doesn’t know how to ask for anything, because even before he could do that people would deny him everything and force their own answer on him. For this reason, Hae Young just wanted him to find an answer himself.

When it came to Ji Wook she became so vulnerable, forgiving and was ready to suffer any loss. That was her way to love him, and I think that makes her final decision of letting him go instead of letting him live keeping another useless promise that wouldn’t let him be and express himself.

And then Ji Wook… I thought that when he decided to stay last week that meant that he was done with all the secrets and promises and sacrifices. However, he wasn’t done. Dude was ready to tie himself to another two new promises in less than one minute—I guess people really don’t change de un día para otro. We know that he loves Hae Young, but he couldn’t comfortably express that. Instead, he made it sound as if he was going to be by her side as another mission-like-promise. Which means that even if he gets sick of uri Son-nim he would stay with her till his death because, you know, “promises”. He was making their relationship about duty and sacrifices again. So what he needed was the confidence to choose himself and what he wanted instead of what others need or expect from him.

For the reunion I wanted him to say exactly that, and tell us how much he changed but he didn’t so I was kind of confused, but then I realized that he technically did. No one told him to go to meet his mom and her family. The promise was not to do that, but he broke it. And then he came back to Hae Young to tell her that wanted to be with her. His heart is with her. And that if she finds that too heavy, she can deal with it! LOL

And now that he’s promises-free, she can love him without hurting him, and he can do the same. So, yeah, it was a Zero Losses kind of ending for our main couple. And I’m okay with it. Did I want more after that? Yes, but I won’t resent the show for it.

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Now, there are things that even if I want to be positive, still don’t work for me.

The secondary couple went from just boring/not interested in it, to very uncomfortable to watch in episode 11.

I liked Ja Yeon’s storyline as any other storyline meant to give the character depth, and as a way of summarizing who is Hae Young as a person and explain the type of relationship these two sisters have. But I also hated this storyline because I felt like it threw Ja Yeon back to her teen years full of traumatic experiences a bit too hard. So everytime she was on screen I saw her as a “child” who needed “help”. And right then the kissed/confession happened. Right after she relieved her trauma and she was all hurt and vulnerable, and saying things like “how can anyone/you like me?” to people like Bok Gyu, the least likable person here. That irked me.

Episode 12 pretty much tried to erase all trace of that, and they just wanted me to pretend they didn’t make Ja Yeon too childlike and unstable one episode ago, and that she shouldn’t get professional help and build some self-love. Well, breaking news, the bad memory eraser is a scam and I remember too well how the drama made it seem like Bok You, of all people, was doing Ja Yeon a favor by dating her. No. Just, no.

I did like Hui Seong’s storyline tho. I would’ve liked more of that. I'm sad she never got a backstory :(
The show really made me like and dislike and then like her boyfriend a thousand times. I kinda like that, it feels more realistic.
And at the end I was happy with them together because he seems like he will do his best to always be a better person... Dang. They should've been the second couple. I hope they have a happy life.

But what happened to Woo Jae and Jin Yi???

And YES, I love that they implemented my ideas (#delulu) of making Hae Young start her own company, and the Hae Young x Ha Jun duo where they start a revenge plan against Bok You. At first I thought that the disappointing part was that they needed Bok You’s help, but at the same time, knowing Hae Young, I feel like her plan is to use Bok You as an investor to have a smooth start (like we say, mejor diablo conocido que santo por conocer), get big and then go against him. She did say something along those lines, and it’s pretty clear that she can’t stand the guy, so I’ll be rooting for her revenge.

And the final thing I didn’t like was the Boks. They were more pointless than Ji Wook's expired promises. We could’ve had the set up of a sexist company = our fake marriage plotline without any of them. And Ja Yeon could’ve had a less problematic storyline where she actually gets treatment and becomes more confident and free and maybe even goes to self defense classes and tries to help other kids like her. Or, you know, just date anyone but Bok You, because she deserves way better and this time—thanks to the professional help—she would know.

Anyway, I loved this show. It's the first romcom I...

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Anyway, I loved this show. It's the first romcom I liked this year from beginning to end. Not that hard, huh? It's not impossible kdramaland. I'm not asking for perfection, just, something like... This? Haha.

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I get what you're saying, but I also don't really love the implication that being traumatized makes Ja-yeon child like and requires us to infantalize her. She's an adult woman, and even writes erotic stories. I wasn't thrilled with the decision to have a kiss the exact same night as she was retraumatized, but I've seen far worse, like when romance stories often have the male lead save the female lead from sexual assault, and then they have sex afterwards.

I also think that a lot of her growth happened through the story and even the romance. Challenging avoidance and negative or unhelpful beliefs can happen organically, you don't always need professional assistance with that.

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I didn't find her childlike because she's traumatized (that would mean kdramaland is a kindergarten LMAO), but the way her character came across. Maybe it was the actress portray plus the writing. But she really felt like Hae Young's little sis. Emphasis in "little". At least for me anyway.

Okay...

It can happen organically. That's what dramas do 100% of the time because no one goes to therapy in kdramaland. But I never saw that with Ja Yeon. I just saw a time jump and then the show was over. So... yeah.

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The relationship between Hae-Young and Ja-Yeon was my favorite thing about this show. That moment when Ja-Yeon found out Hae-Young had known the murderer's identity all along really got me.

I also thought Bok-yu and Ja-Yeon were the cutest, and I'm glad we get to see a little more of them. I have loved Lee Sang-yi in every show I've seen him in. I wish they would give him lead roles. He isn't the hottest actor in dramaland, but he's always so charming and funny! Even when he's being kind of assy, as he was in this show.

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As I have said multiple times, this drama made me realize how much I underestimated and underappreciated Lee Sang-yi. And I think he is MUCH hotter than I gave him credit for, too.

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Overall, I really liked and enjoyed this show. One thing I didn't like was how there were no consequences or even acknowledgement of wrongdoing from the Bok family. Does it count as lampshade hanging that Ji Uk referred to the fact that Gyu Hyun had THREATENED him and just went on being comfortable with him like nothing happened? Same with the chairman showing up at the airport to see him off. Like WTF? What was I supposed to think or feel about him being there? And then he rushed over asking "what did he say about him?"
I swear something must've gotten lost in translation but Frm Manager Jang's retort and reaction to him kinda makes up for it. I liked when the chairman did that gesture like he was gonna do something to Jang and reflectively Jang shrunk back but then he had his moment of remembering he doesn't work for the Bok family anymore and he doesn't have to cower to them and then rose back, making the chairman shrink back.

I did not notice that Gyu Hyun had taken pictures of the rings throughout the day haha. I really would miss a dancing gorilla in a crowd haha. I just thought that it seemed kinda full circle or a callback to when Hae Young was taking those pictures of herself for her proposal video/story. I thought that's why it ended with the video of them exchanging the rings.

I was also a bit confused or thrown by the fact that Hae Young started her own company only to have to get an investment from Gyu Hyun and his company. If he's an investor, doesn't that mean he would be (a) profitting off her business and (b) would have some entitlement in having a say in it? I honestly thought Ji Uk was gonna end up being an investor. Like maybe the chairman would give him a lot of money, as an apology or something, or maybe his mother had alot of money and that would be used to invest in Hae Young's company.

Again, I felt like No Gain No Love was used to springboard the spinoff. Gyu Kyun suffered zero consequences for how he treated Ji Uk and Hae Young. He was never seen standing up to his parents. There was a sign in an elevator that said equal benefits regardless of martial status and that's it. Not even a shot of him having a female secretary. He got to be called Hyung and he got the girl and everything just worked out for him.

Whatever; it's nice and light but it did leave me kinda feel like it was setting the stage for the spinoff.

He did get his hero moment of dual wielding light saber sex toys so that was certainly something haha
I did some blinky blink when I saw that because I couldn't believe what I was seeing haha

And the actor had to film it twice apparently haha
Once with the light sabers and once with the toys I guess haha. Those lights reminded me of what is used at airports haha
And it also made me laugh/chuckle that he innocently asked Ji Uk what they were and why was there so many haha.

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YES! Depending on crowd opinion, this may be a hot take.
Low-key, the 2nd couple getting together the way they did does not sit well with me

1. No consequences whatsoever for how he ruins the marriage & career of HY or threaten JU into exile. Nada.

2. No apology. Zilch.

3. That lame "I thought things like these are implicit between us...." only to be brusquely cut short by Ji-Uk's paggro snark: "I thought explicit threats would trump 'implicit' understanding, no?" Bleeding, that one.

4. and then, he continues to brandish a sword over the heads of HY & HJ as the No.1 player in the market & potential investor and calling them Traitors 1 & 2 (without IRONY. seriously?)

5. Show was just frantically virtue-signalling in the last mile to salvage goodwill for the character of Gyun-hyun so that the viewers don't retch (better employment benefits, no gender & marital status discrimination blah blah) Too late, sorry

6. The Bok family just reminds me of the ending of The Great Gatsby.

"They were careless people, Tom and Daisy. They smashed up things and people, and then retreated back into their money and their vast carelessness."

Tom & Daisy - that's you. The Bok Family. That's you.

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Someone on Reddit said that they think this drama had two main couples, and I agree with that take. They got way more than second leads usually do. It was more like A Business Proposal, and even then it was probably more. I write romance stories for fun, and there was one time I was writing a primary couple and secondary couple. As I wrote the story, I ended up liking the secondary couple more and more and they became way more than secondary. I wonder if that's what happened here. I mean, they were even inspired enough to make a spinoff.

I am not happy with how they handled Gyu-hyun's character, because I was convinced he was going to get redemption (beyond that moment in ep 11, which was awesome). I apologize for my overconfidence in previous recap comments in that realm. It baffles me how the writers decided how to handle this. Sure, you want Hae-yeong to start her own business. I get that. But would it have killed them to show one scene of Gyu-hyun to offer Hae-yeong her old position and she turns it down, and to tell Ji-uk that he doesn't have to leave apart from starting to say it and being interrupted? And then to see her ex succeed in her place... Like I was saying on the fanwall, it's realistic but not what I want to see in a romcom. Also, like, what about his wife? Are they fine now?

That being said, as weird as this might sound I'm not gonna fault Gyu-hyun for bad writing. Maybe it's because I'm a Gundam fan, but I'm very good at disregarding things as canon. So I'm just gonna ignore that problematic aspect and enjoy his scenes and interactions with Ja-yeon. The drama clearly doesn't see it as problematic, so I am choosing not to as well. I will view it as he's still kind of a snob and entitled and elitist, and the most he'll go against his parents is implementing policies for his employees. I would be much, much happier with this ending if I didn't have to make that choice, but c'est la vie. But it was weird how they just kind of, like, dropped his parents. His mom stopped being vengeful? His dad finally accepted Ja-yeon? Who knows? And I REALLY wanted to see a scene of Ja-yeon and Gyu-hyun's mom interacting now that Ja-yeon and Gyu-hyun are together. Still, I did enjoy the blind date scene, and that actress should win an award for portraying such a believable version of the HPL art gallery owner's sister.

Lee Sang-yi did SO much heavy lifting for this character. I am glad, though, that he had this role where he got to be funny and dynamic and romantic. I also think he and Han Ji-hyun had fantastic chemistry and I hope someday they get to be in a drama where they are the main leads and, uh, are not controversial.

Also, like, he was just giving her couples' rings, right? Not proposing marriage? Because people online keep saying it was a proposal. And the dialogue made it sound way bigger than couples' rings. But it was just couples' rings, right?

Someone else on Reddit said that Hae-yeong is...

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Someone else on Reddit said that Hae-yeong is everything, and Ji-uk is just Ken. I think that perfectly encapsulates why the main romance just never really grabbed me. Ji-uk had this incredibly snarky dynamic with Hae-yeong in the early eps that really intrigued me, but then the drama just dropped it. I also think that they had him fall in love too early. That's a complaint I have about Kdramas in general lately, mind you. Give me tension! Give me uncertainty! Give me repressed feelings that come out in stolen, longing glances!

Still, I enjoyed the angst of ep 12. A lot of other people have written good analyses on why they broke up, and I don't disagree, but I think they got back together too late. I also think the half sister thing was silly. Was there not enough tension already? Did not enough happen with Ja-yeon's father and then the mom dying? Why do dramas not let us have one episode of fluff?

My biggest complaint is that ep 12 just felt so... puritanical, like someone else was making this drama. Someone who hadn't just staged a sex toy fight, lol. Gyu-hyun and Ja-yeon are dating for SIX MONTHS, and they act like it's a big deal when she kisses him and also apparently sex is still completely off the table (even more hilarious when you think about the upcoming spinoff). Hae-yeong's and Ji-uk's kiss was... soooo chaste. And the polyamory thing turned out to be a lot of nothing. Granted, it's okay for polyamorous couples to choose to be with each other, but it felt a lot like a return to the status quo for me. I also felt like Hui-seong was being a bit ridiculous. I get the concern that he wasn't communicating with her, but he's allowed to have doubts, too.

I love the sisters and the resolution of Ja-yeon's story. I hadn't realized that she thought Hae-yeong didn't know about her father (also, like, how was that supposed to work? Wouldn't the police have told her??) Some people were talking about how invalidated Hae-yeong was throughout the series, never really allowed to be angry with her mother because her mother was doing such a great thing. I do understand that criticism.

One thing I really appreciated, looking back, is how many things were setup throughout the story for eventual payoff. The sex toys, the constant circuit breaker tripping, etc.

Anyway, I don't think it was the best ending. There were so many loose ends that weren't tied up and, as I already said, some decisions that struck me as tone deaf in terms of audiences' reactions and, honestly, even within the internal consistency of the fictional story. But, I still think it was miles ahead of HPL and that shows that this writer is improving. If nothing else, she gave me another beloved secondary couple to rewatch scenes of. Either way, I look forward to her next work.

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I should add that my interpretation of how the polyamorous couple's story resolved is being colored by the polyamorous character in DNA Lover, who also decided that she only wants to be with one person. How convenient, huh?

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@vienibenmio: I agree that the quick witted banter and tension in the relationship between Hae-Young and Ji-Uk in the beginning somehow got lost.

I still like them as a couple, but their dynamics would have been improved had the Show explained more convincingly how Ji-Uk fell for Hae-Young, and if we had more of that tug and pull in their relationship throughout the whole series.

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Random question: @unit @mayhemf @vienibenmio - was this show pre-produced? Is this a silly question?

I got into Kdramas in 2016 when production was merely days (even hours) before airing. It was a big deal that Moonlovers: Scarlet Heart Ryeo was pre-produced. Then, I got out of Kdramas because they took up too much time. Has the industry changed since then so that most Kdramas are pre-produced?

With No Gain No Love I noticed the different seasons, especially winter in some of the scenes with snow. So, did primary shooting happen last year?

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according to shin minah in her recent interview, they started filming at early october last year.. so it's been almost a year..maybe they filmed until spring.. coz in the latest eps, they didn't wear thick coats..
so yea it was pre-produced..

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I think there maybe something lost in translation because it makes little to no sense Ji Uk would be house shopping and giving out wedding invites to *his* friends & aquaintances for a wedding for his "stepfather's relatives"

If that was suppose to be a misdirect 실패!

I think it's heartbreaking/heartrending/something with heart the fact that Hae Young's mom said she was gonna lose all the bad memories, leaving only the good ones and the last place we see her is thinking about her daughter. It's also kinda a tear jerker that all the moments she was lucid or fairly lucid were the wedding or when she congratulated Hui Seong on becoming a mother. That wedding really did have multiple benefits.

I didn't personally mind Hae Young breaking off things with Ji Uk because I understood her reasoning and it was in line with her character all along. What I did feel a skotch disappointed by is Gyu Hyun and Ja Yeon getting the bulk of the sweet moments in the finale. Hae Young and Ji Uk got the emotional moments so it still works out but yeah, that was a tiny bit sad to me.

I wonder if Ji Uk traveled the world on the chairman's dime. Again, I love that for him because he never got to do anything for himself; he was ALWAYS living for and in consideration of other people.

While I liked the ending and the end credits makes me wanna rewatch the series again, I did have a moment of thinking I can see the appeal of having 2 more episodes because I want more of Hae Young and Ji Uk.

One of the things I liked most about their last moment is the full circle aspects. The first time Ji Uk came to the house, Hae Young's mom hugged and welcomed him and now it's Hae Young doing it. Also she went from not wanting to share "her" space and resentful of the foster kids to opening her heart to them, especially the last one.

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I love to collect interesting words – you may have heard of these, for example: 🧐

Tsundoku (Japanese) the habit of buying books but never getting around to reading them. As a noun it can also be the pile of unread books that keeps growing…👀

Or Kummerspeck (German) – literally ‘grief bacon’. Binge eating as a result of emotional pain (we might say ‘eating your feelings’). 🤣

So, I think we need a Korean word (or maybe one exists that I don’t know about) that means ‘that feeling when your fave k-drama couple finally get together and you check the time left in the episode and it’s only 3.5 minutes and you feel completely robbed!’. 😬😬💔

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Hui Seong's boyfriend wearing the pregnancy belly and taking classes even though they were broken up?! Sweet! I really liked that and I wondered if that's a thing guys really do; volunteering wear bellies or take classes to better understand the mothers.
I know there's classes about the actual baby related stuff (labor, delivery, and handling them, etc) but I never considered it was classes to help men better empathize with pregnant women. (Aside from youtube challenges haha)

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I adored this show, and the female lead was one of my all-time favourites. But why can’t k-dramas get the no of episodes right??

I feel like a disappointed Goldilocks💔. We either get too many eps – with ridiculous filler flashbacks and montages, or, as in this case, too few, and key elements are not tied up or we don’t get to revel in couple joy the way we were made to wallow in couple sorrow/frustration…😬😭

Our FL, Hae-young, was an intelligent, inventive and amazing career woman who deserved to be a girl-boss and to get her elevation at the expense of the petty CEO.

Lest we forget Gyu-hyun’s very un-finest hour - he not only demoted her simply because she was connected to his new half-brother, but also promoted her slimy ex, who stole all her ideas!!! And, as far as I can tell, he never apologised or was forced to compensate her for that (them having to ‘face heart’ him into investing in their company just added insult to injury).

Re her mother storyline, I thought the idea that she never got ‘closure’ from the mum was pretty realistic to their relationship dynamic, so I didn’t have an issue with that (although it was sad).

But the fact that NO ONE, especially Ji-wook, validated her perfectly reasonable anger at being the one child who felt abandoned by her fostering mother, rather than supported by her was incredibly frustrating to me. You can agree her mother was doing an amazing thing, whilst also accepting that it robbed Hae-young of a lot of maternal affection.

And of course, as Unit said, even the romance left us wanting in the final ep – no passionate kiss, no bed scene without full clothes, nothing….

A whole bunch of other threads were left dangling in the wind, but those were the FL ones that bugged me the most…

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Firstly, let me say this to get it out of the way before I start my work day:

1) Bruno and Chris officially need to be credited in the cast list! Yes, those awesome glow-in-the-dark Jedi light sabre sex toys doubling up as weapons-to-apprehend-potential-murderer/intruder.

Well played, Show. That Chekov Gun finally went off in the finale - in the most hilarious way 🤣🤣🤣

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P.S. Also glad I got my plot prediction right!

Hae-Yeong & Ha-Jun really become partners-in-crime, broke off and started their rival company (Royal Jelly 🤣🤣: "we would never deign to fraternize with a bee!!!" THE IRONY)

I am just sore they had to grovel before a certain power-tripping, no-backbone, entitled and vainglorious chaebol man-child just to get their investment bloodline.

My narrative wish was to have Ji-Uk coming back to back them up cos *HIS* maternal family also runs an educational empire. Ha!

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No Gain No Love had a lot of wonderful, amazing parts and most of its run was great, but it wasn't perfect. It needed some tweaks. The humor from beginning to end was a highlight. Dry humor? Check. Wacky humor? Check. Funny sound effects? Yes! Graphics and details that made a moment pop. EP 11 had me crying so much THEN cackling when the trash dad got beaten with dildos LMAO. It was a hilarious way that instantly broke the scary tension and gave me time to breathe, haha.

Son Hae Young is one of my top heroines ever. She was consistently awesome, brave, and caring. LOVED Shin Mina in this role. One of my favorites she's done so far.

The sister trio and seeing their bond were big highlights as well. I like the callback to the box of gifts during their celebratory party, heh. Their love, concern, support for each other was so palpable. Their bickering, their teasing, their hugs. 💗

I appreciated the candid sex talk and sexy, natural skinship. It was good to see grown adults flirting and acting with desire. I liked both couples, but more development and communication was needed and then by the end, I was more supportive of Hae Young and Ji Wook than of Ja Yeon and Gyu Hyun.

Ji Wook had to drink alcohol to bolster his courage to voice his feelings and face Hae Young. His soft, mellowy self balances out her fierceness, but I wanted a stronger response from him when they reunited (a second time lol). Still, his line "I only came back to where I left my heart." got me good. T.T

Her earlier point of view was a compelling one when she said she did not want to be his reason for living. That it would be too much of a burden. I don't often see that perspective in kdrama romances so that was refreshing. I understood that she wanted him to live his life without holding himself back. They could have explored their relationship while trying different experiences on their own or together.

My heart broke with how Ji Wook easily accepted that he would be abandoned and be alone after the funeral scene. He was used to it. He didn't fight back when Hae Young wanted them to part ways.

One random bit that distracted me was when she took away his ring and left him.... I kept thinking that he bought that ring himself! LOL. Of course, I knew he would come back. It was just an off detail that could have been left out of the script or something.

The finale had too much screentime of the second leads. Gyu Hyun and Ja Yeon had cute, swoony scenes I enjoyed in the past and this time (and last week), they were cute and convincing.... However, in the back of my mind, I couldn't help but think of his moves that messed up Hae Young's career. He approved her project idea and had it moving forward without her. He never apologized or show remorse to her, not even saying sorry to Ja Yeon. His parents sucked and were underdeveloped.... His mother could have been interesting. Manager Yang snapping back at his father in the finale was very...

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Manager Yang snapping back at his father in the finale was very funny though. And all his snarky comebacks. Good that he's free from their demands!

The show really hindered Gyu Hyun's likability and his relationship with Ja Yeon when they made him go too far by firing Hae Young. He could have only went after Ji Wook and kicked him out of the company. Then there could have been a scene where after Hae Young learned of his actions, she could have loudly announced her resignation to his face or her team/department/etc. and started her own company without his help. It was unbelievable that Gyu Hyun would even give funds to her startup when they were both in the education business.

They missed a point when they showed her visiting the other Ggulbi education location and they left a mark about the education materials helping an elderly woman. I thought they were going to go with Hae Young leading a whole new department or new project helping senior citizens.

They was blessed with Lee Sang Yi's casting. If Gyu Hyun was played by a less amicable looking and less talented actor, things would have been a bigger fail. And they shouldn't have bothered announcing a spin-off so early when it doesn't even match the current relationship... Now my view is already biased. (I plan on checking it out though.)

Tae Hyung: "I didn't love you because I saw you as a future mother of my child.
I fell in love with the person you are."

What a line.

The ending of Hee Sung's story was pretty nice. Tae Hyung was convincing with his desire to be with Hee Sung with his fake baby bump and mention of his pregnancy education classes, etc. This time, I wanted to see a slightly stronger response from Hee Sung. Their scene ended without much emotion or excitement, maybe due to her calm and cool persona and because they had known each other for so many years. I wish their relationship had more development and early in the show because I wasn't sure how much he loved her back then. Now she said she liked his humor, but I didn't even catch that (if he had ever said a joke or something memorable?). Their few initial scenes were kept vague and mysterious, but we should have gotten more of their conversations/dates (did we see any dates at all???).

I'm still fond of this drama. Thankfully, the main couple did not have major issues. I haven't had this much fun in a long time. It was good spazzing with Beanies and reading the recaps! Thanks all! 💗💗

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That ring thing got me too haha. It was sad, but I was just like "omg, wait, wait! he bought that!"

And +1 to everything else too. I so loved that soft,mellow/bold,fierce dynamic the leads had. And Manager Jang! It was so nice to see him again and throw another excellent jab at the Chairman

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Sic’s Shortlist of Reasons for Hating No Gain No Love, as requested by the Beanies @vienibenmio, @pineapplegongzhu and @jossie4cheryl

1. It was boring, almost the entire time. And rarely funny.

2. I found the themes in general, but especially the central theme of Gain and Loss in Love and Relationships, very poorly developed and very poorly executed when it was bought up at all. For a show literally named after said theme, I expect a lot more.
The only main way this theme is truly developed is in regards to the FL and her mother and foster sister, and even then, I don’t think it was that well executed.

And the drama so poorly develops this theme in relation to the main OTP and their relationship, that I am tempted to say it doesn’t at all.
It appears a lot at the beginning and then they seemed to forget about it until Hae Young is apparently already in the middle before she began, and realises she would suffer loss for him, but without ever truly exploring that change or how we got there or why we got there OR what the consequences of that are. And then it forgets about it until the ending with her mum’s funeral.

I do not agree that the FL’s opinion on suffering no loss in relationships or life is correct. I do not believe that is merely a way of protecting herself from being taken advantage of either.
But the drama never challenges her on this properly.
In fact, it seems more intent on rewarding her for this (Ji Uk’s line at the dinner with the Chairman and co. and her realisation that her mother did not suffer losses in the same way she feels her foster sister is a gain) than anything else. We get one brief line about her being willing to suffer loss for Ji Uk, and almost nothing besides.

I can’t even say the OTP’s ending even brings it up again because it seems more intent on exploring everything else BUT what it means to be in a true relationship with someone and suffer gain AND loss.

Relationships aren’t transactional. At some point, there will be loss and sacrifice in relationship that you cannot get back. And there will be grace and love, undeserved, and unmatched, both given, and received, because all is NOT fair in love, and life, and war. And, respectfully, that is the entire point.

But this is instead thematically perfunctory and performative rather than actually thematically well written. It presents an idea, it has a brief conversation or two about the idea, and then the idea has no or very little farther consequence on either the story or the characters.
And, more often than not, the ideas contradict each other as well.

And then the show does this same exact thing with every other storytelling component as well.

3. I dislike the FL.
I find her patronizing and arrogant, and as per the lack of development for the main theme, I don’t really think she grew very much throughout the show, with the exception of the arc with her mother.

She pushes him away because...

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... everyone has always left her. He challenges her about her feelings for him (one of the only other times she is in fact challenged about anything), and they sleep together instead of actually working this out (one of my least favourite tropes of all time). She immediately finds out he was her mother’s last foster child, she pushes him away again, and runs away again. Her mother dies. She then takes it upon herself to be the voice of worldly reason about relationships and breaks up with him for “his sakes”, seemingly pushing it back on him and hiding behind the idea that he needs to escape from making bad promises, but more importantly because that would be a burden to her.

Are you sure this is truly about him, love? Or are you just afraid of commitment and someone sacrificing for you? Because you still see relationships as transaction of loss and gain.

Don’t get me wrong, I actually do believe he made 2/3 promises in the wrong way/for the wrong reasons, but the answer isn’t “don’t make promises at all”, and then use a separation trope as a stand in for either of these two growing from this.

Love is about “sacrificial gain” when it’s your mother and you caring for abused and lost children, but when it’s a romantic relationship that I am supposed to believe will stand the test of time once the credits role, any and all kind of promises become a burden†.
No!
Do I need to repeat myself? Okay then.

Relationships aren’t transactional. At some point, there will be loss and sacrifice in relationship that you cannot get back. And there will be grace and love, undeserved, and unmatched, both given, and received, because all is NOT fair in love, and life, and war. And, respectfully, that is the entire point.

And love being duty and promise and commitment is not the negative thing that this drama weirdly seems to think it is – but only half the time.

(†Personally, I am very, very, tired of stories wherein the final point, or one of the main points of the drama, is the elevation of the Individual and the Ego. The self-love drama. The unchallenged protagonist/s where whatever the individual decides is right. There have been at least 3 probably more just this year alone, and I find this approach to theme, moral, relationships, “the pursuit of happiness”, whatever, very boring and self-centred. Idk, die for something worthwhile, why don’t you.

If you want more of my thoughts on selfless love you can read my Her Private Lyfe Essay, which definitely not coincidentally, was written by the same person. Oh bitter irony.)

Back to the FL, I also find her treatment of the ML to be quite weird and there were many times where I did not find them at all romantic, negative romance in fact. This is because,

4. the ML himself is more often a Fantasy than he is an actual character. Which is why he’s so bland and boring all the time, so the viewer can...

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project with the FL onto him.
This is shown through the fact that for most of the show he basically only exists to be a. a fake marriage plot device b. a chaebol birth secret device and then c. a childhood connection device who isn’t even needed for the FL to make peace with her dead mother.

And then when they do try to give him some depth outside of the above it’s at the expense of proper relationship development AGAIN and follows the same conventional patterns of every other kdrama.

5. Which brings us to 5, because just like the themes and the characters, the plot is ALSO contrived and poorly written.
This drama is actually very conventional. And I mean that in the same derogatory sense that the themes are perfunctory:
The fake marriage plot goes nowhere and has no consequences in and of itself, and is superseded by the chaebol drama, making marriage itself a plot device that the show isn’t interested in exploring in relation to the themes, or the characters (which is very weird as it’s the entire premise of show).
But the chaebol birth secret supersedes it only to also have no lasting consequences, except for the FL’s demotion, which is never later properly addressed nor apologised for, not for any fault of the characters actually, but because it is a symptom of this greater writing flaw: the show has no interest in taking the chaebol birth secret and its faux conflict to a natural conclusion wherein the correct people are held responsible for their actions, nor is it interested in giving these plot elements greater narrative weight and meaning. They exist only to serve their immediate function of temporary clichéd conflict, and then die.

And this is the same with almost every other major plot point in this show. The arc with her ex and his wife, the fake divorce, the angst over him “leaving”, the sleeping together instead of talking, the end of show separation, the get back together with no true lessons learnt (as much as they might like to tell you otherwise), frak even the polyamory goes nowhere, and even her job itself and the politics therein is a plot device; there’s no true exploration of any of that, it just kick starts the action and then disappears when it is no longer needed.

This is the same with plot, theme and character. Flashes in an otherwise bland landscape, that die as soon as they are born, a quick and easy enticement that goes nowhere.

Bringing us to our final point,

6. This drama seeks to grab its audience through supposed subversion, “risqué” jokes, and a presentation of progressive ideas that are not common to see in dramaland, but in doing so it hides the fact that besides this, it has little else to offer, and little else to offer that hasn’t been done far better before.
This is a distraction. This is a veneer. To hide the contrived and conventional writing the plods along behind this. To make you think it has more to say than it really does.
No wonder it’s a bore.

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Word Count sicarius essaius minusculus: 1549

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@sicarius

On my goodness, I love your critique so much! Incisive and devastatingly accurate. I agree that the central theme was not explored in depth in a satisfactory way given the title of the show makes it a fundamental element of the plot.

I agree that the gain/loss in relationship between the OTP was not fully explored, nor the FL’s distorted and bitter paradigm for relationships properly challenged.

I also agree with you that relationships are a complicated experience of sacrificial gains and unrecovered losses which must be forgiven because the deepest relationships are not transactional.

I am very, very, tired of stories wherein the final point, or one of the main points of the drama, is the elevation of the Individual and the Ego. The self-love drama

Oh my goodness, I love this! I completely agree that many dramas have this self-love, self-centered, and selfish focus on the leads. It’s also rather antithetical to more eastern cultures that prize the good of the family or community over the individual. I wonder if this is just western influences onto the Korean drama sphere.

I’m really repeating myself now, but I agree the plot is conventional, and pretends to be subversive through risqué language and actions. But, you totally hit the nail on the head - many plot elements are introduced but never developed into something meaningful in the drama. It is perfunctory and then cast aside when no longer useful. Many of the consequences of people’s actions are not explored, explained, or resolved in a satisfactory way.

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Ngl NGNL, I didn't love the last episode. Forced separations in the finale will always be my ToD, even though I think it made sense here. It just would have been nice if it was a mutual decision made after they had a conversation, and if we didn't have to wait until the last 5 or so mins for them to reuinte. It just felt like that whole episode could have been condensed into the first 30mins and then we could have had cutenes n' fluff and some time to better tie up most of the loose ends.

But! I'm not super salty about all that anymore. I will gladly take a series where all but the last episode is consistently awesome, over one that runs out of battery midway through. This show gave us a darn adorable, heart-fluttery OTP (one of my favorites), one of the best FL's ever, a wonderful found family (the sisters have my heart), and so, so many laughs. And I love how even though she had a rocky relationship with Mom, Hae-young gained her dearest people thanks to Mom's foster work. Thank you for the recaps, Unit!

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I stand by that break-up being the right idea. He needed to live life for himself, and make decisions for himself, and his future. If they stayed together, they would've just grown to resent each other because he always lived life for other people, and not for himself. He needed to be free, from both his relationship, and his promises, as both were also very much tied together. That way he was finally able to make decisions based on what he wants, decisions that are influenced by his own feelings and nobody else's. He made the choice to reconnect with his family, and he ultimately made the choice to return to Hae-young. Now, I certainly didn't expect the break-up to last the entire episode, but I'm okay with it, because it was ultimately the right thing to do.

I also loved our second couple, and I love that they had plenty of screen-time. This is a rom-com, the more well-developed couples, the better. There's nothing more frustrating than a second couple having potential, but never reaching it because they don't get any meaningful screentime. Their development happens pretty fast though, and probably could've used additional time, but it still works, so it's not a big problem.

Fork-gyu is... Well, he's a giant mess that's incredibly flawed, and I like him because of it. Big credit to Lee Sang-yi, because I don't think the character would've worked without him. But the reason I like him also has to do with the show treating him like a flawed character. I never had the feeling that the show was trying to pretend he was perfect (which, imo, is one of the worst things you can do with a flawed character). His flaws are always there, and you either love him or hate him, and I very much understand both sides.

Hae-young was fantastic, and her relationship with her sisters was another highlight, especially with Ja-yeon in episode 11.

Now, the show certainly wasn't perfect, and neither was the finale (which I really liked, despite it also being my least favorite episode), and there are certainly some loose ends. Like, did the show just forget about Woo-jae's wife? Where the heck was she? I also think the polyamory storyline with Hee-sung should've been handled better, but at least it wasn't problematic? Small victories I guess, but I'm still pretty satisfied with her ending.

All in all, this is by far my favorite rom-com this year, and I will miss it a lot. But anyway, we still have the two-episode spin-off! Bonus round, let's go!

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