The Story of Park’s Marriage Contract: Episodes 11-12 (Final)
by DaebakGrits
As our time-traveler’s days in 2023 come to an end, she bids a bittersweet farewell to her friends and to the man who’s extremely reluctant to let her go. Surely with a little magic — and a lot of plot holes — our heroine can find a way back to the future and a time where she feels more at home?
EPISODES 11-12
My gut told me this time travel romance would end poorly, and — woo, boy! — this finale had more holes than a sweater knitted for an octopus. But before I get into why I feel like the drama gods did our adorable OTP dirty, let’s speed run through The Fall of the House of Kang — because that’s exactly what the drama did. In fact, Grandpa’s downfall is so simple and rushed it could be one of Hemingway’s six-word novels: Hit on head. Lives in delulu.
You see, during the skirmish between Grandpa, Myung-soo, and Tae-ha, Grandpa sustained a severe head injury trying to protect Tae-ha. Although I’d argue Grandpa deserved to share a jail cell with Myung-soo following his latest kidnapping stunt, Grandpa is cosmically punished to live the remainder of his life in — wait for it — euphoric delusion. Yeah, the knock to the noggin’ scrambled his brains, and now he’s eternally happy with no memory of Tae-ha. If you think that’s a cruddy punishment for the evil mastermind behind most of our OTP’s conflicts, then you aren’t the only one.
While there are several four-letter expletives I’d like to string together to express my frustration with how the writers chose to close off Grandpa’s story arc, I’m contrarily pleased with how they handled Hye-sook’s self-imposed punishment. From start to finish, she’s always been a gray character — as much a victim as she is a perpetrator — so I appreciate that she relinquished her greed and took the initiative to step down from the company.
Was there a part of me that thought she deserved to be CEO, especially after being Grandpa’s scapegoat for so many years? Absolutely, but I also feel putting some distance between her and the Kang family empire is how she will actually find her happy ending and build a relationship with Tae-min. Not sure they will ever have a proper mother-son relationship, but at least the resentment is gone, and Tae-min can freely love his brother without feeling guilty that his mother will disapprove.
With the door firmly closed on all of our modern day villains, Tae-ha begins focusing on his own happy ending — and if that “ending” is his literal death in a few weeks’ time, he’s fine with that so long as Yeon-woo is by his side. The man is deliriously happy despite the ticking time bomb in his chest, and even though I find his self-sacrifice a bit idiotic given the big picture, I adore watching him be in love.
If there was ever a character that made me feel exactly what he’s feeling, it’s Tae-ha, so when Yeon-woo finally confesses that she will be returning to Joseon, I’m crushed when Tae-ha’s dimples disappear. And the following scene when he visits his doctor hyung and begs, on his knees and in tears, for him to fix his heart? Ugh, the feels!
Yeon-woo’s unilateral decision to return to Joseon also distresses the recently engaged Sa Wol. She’s mentally prepared to travel back with Yeon-woo, but the truth is that she doesn’t want to leave Sung-pyo or give up the freedoms of the modern world. Unlike Yeon-woo, who’s compelled to return to her original timeline in order to save her parents and both versions of Tae-ha, Sa Wol has fewer reasons to return to Joseon. Because — lest we forget — she’s a slave.
But is it even possible for Sa Wol to stay behind? Apparently — although it’s unclear how Yeon-woo knows — the answer is: yes. Sa Wol and Yeon-woo can, independent of each other, decide whether they want to stay or return to Joseon — except Yeon-woo doesn’t really have a choice because she’s being blackmailed into returning to the past. Wait a minute… If Yeon-woo’s presence in 2023 is enough of a disturbance in the universe that it causes Tae-ha’s heart to magically and rapidly deteriorate, then shouldn’t Sa Wol’s existence in the future also have negative consequences or — at the very least — be tied to Yeon-woo’s fate? (No? Oh look, a plot hole.)
Eventually Tae-ha sets aside his selfishness and acknowledges that his fear of letting Yeon-woo go is less important than her desire to save the people she loves — including him. In sync once again, they begin making the most of their remaining time together, and two weeks pass by in a blur of dating montages until it’s time for Yeon-woo to say goodbye to the people she’ll leave behind in 2023. The parting between Yeon-woo and Sa Wol is especially bittersweet because Sa Wol somehow faked her way through obtaining an identification card, and she chose to adopt Yeon-woo’s last name as her own. Even though they are sisters at heart, Sa Wol choses to call Yeon-woo “her lady” as she brushes Yeon-woo’s hair one last time.
Yeon-woo and Tae-ha spend their final night together in domestic bliss, cooking ramyun, watching television, and brushing their teeth together. Nothing extravagant, but the simplicity of their actions allows them to be completely in the moment with each other. That night, they finally consummate their marriage and fall asleep in each other’s arms.
When Yeon-woo awakens the next morning, she’s back in Joseon. It’s ten days before her wedding. Sa Wol has been (conveniently) erased from everyone’s memory, but Yeon-woo is still wearing the butterfly necklace Tae-ha gave her on one of their final dates.
Yeon-woo immediately sets out to undo the wrongs of the past. She warns Tae-ha that the tonic Hye-sook gives him is poisoned, but when Tae-ha (seemingly) dies despite her warning, Yeon-woo ensures her parents and some armed guards arrive the night of her kidnapping to arrest Myung-soo and prevent her death. At Myung-soo and Hye-sook’s trial, a very alive Tae-ha appears — surprise! — and reveals that he faked his death so he could prove Hye-sook plotted to murder him and Yeon-woo. And why would Hye-sook do such a dastardly thing? To reap all the benefits of having a daughter-in-law die a virtuous woman, Yeon-woo answers.
With her attempted murderers punished, Yeon-woo makes it her mission to ensure no other woman is unjustly killed for the sake of a virtuous woman title. She appeals directly to the king, asking him to abolish the virtuous woman award, and as she bows before him — with a crowd of women pleading behind her — it becomes clear that this was the real reason she needed to return to the past. Too bad this rather poignant moment felt like an afterthought.
Speaking of romance, this is the part where Yeon-woo lives happily ever after with Joseon Tae-ha, right? Wrong. Lest we forget, both Yeon-woo and Tae-ha have insisted that past and future Tae-ha are separate individuals. Under different circumstances, I would be fine with this logic, but this particular story established expectations that directly oppose the characters’ feelings on the matter.
Instead of showing how different life experiences molded Tae-ha’s modern reincarnation into an entirely different personality, the drama repeatedly highlighted the growing similarities between past and present Tae-ha. Those shared traits, which became more profound the longer Tae-ha was around Yeon-woo, were a large factor in why Yeon-woo initially fell in love with him. She couldn’t love the modern Tae-ha without first knowing and loving Joseon Tae-ha.
So when Yeon-woo traveled back to Joseon, I fully expected her to experience an adjustment period while she learned to accept that both men were two sides of the same coin. Is that what happened, though? Nope, she straight up friendzoned Joseon Tae-ha, and he remained (platonically) by her side until he died naturally from his heart condition. Tae-ha was his own second male lead — what an unnecessarily cruel fate.
After Tae-ha passes away, Yeon-woo lives morosely until Myung-soo escapes prison and kidnaps her (because revenge). She is able to free herself from her constraints, but as she flees Myung-soo she becomes cornered on the edge of a cliff. She looks down at the water below, and she somehow knows that the way back to Tae-ha is by jumping off the cliff. (Cue: dramatic, slow motion backwards dive into the darkness).
Meanwhile, back in 2023, Tae-ha’s heart has magically healed (*jazz hands*), and he’s relinquished control of the family business to an outsider — a man who just so happens to be the reincarnation of Yeon-woo’s father. Sung-pyo and Sa Wol get married, and for their wedding present, Tae-ha gives them a whole building so they can open their own business. Skip ahead a year, and Sa Wol is expertly and efficiently managing a restaurant, where Sung-pyo occupies one of the tables and composes a romance novel based on Yeon-woo and Tae-ha’s story.
Sung-pyo struggles to find a way to reunite the characters, and when his sister and Sa Wol chime in on whether his novel should have a happy ending, I can’t help but imagine that a similar conversation went down in the writer’s room for The Story of Park’s Marriage Contract. Except, at some point during the debate over a happy or sad ending, someone chimed in, “Porque no los dos?” and that’s why poor Joseon Tae-ha was denied romance before he died. He had to have a sad ending so that his modern counterpart could be reunited with Yeon-woo.
And, sure enough, after many, many days of waiting by the crepe myrtle tree (which he now owns because he bought the whole hotel), Yeon-woo appears before Tae-ha and tells him that his prayers changed her fate and brought her to him. Reunited, they get married for real and presumably live happily ever after.
So how do I feel about this dual sad-happy ending? Well, in case it wasn’t already apparent: I’m not a fan. The reality did not live up to the hype, because the writers backed themselves into a corner that they could not escape. From the beginning, the drama emphasized that Yeon-woo must return to the past. At first, she wanted to return to rectify wrongs and save her parents, but after falling in love, the want became a need when Tae-ha’s heart condition magically got worse — supposedly because of her mere presence in the future.
With the stakes riding so high, we were led to believe that Yeon-woo’s return would have a significant impact on not only the past, but the future as well — except it didn’t. In 2023, aside from her grave disappearing, there were no changes made to the future. The Kang family seemingly retained political power and influence despite the absence of the virtuous woman award (which we were previously led to believe would save their family’s reputation), and a scandalous murder attempt. At the very least, Yeon-woo’s actions in the past should have altered the Kang family’s fate so that all the players weren’t reborn to live out the same makjang tragedy.
And as far as Yeon-woo’s fate in Joseon, it was equally anticlimactic and unnecessarily prolonged and bleak. What’s the point of returning to the past to save Tae-ha from being poisoned if Yeon-woo’s not going to reciprocate his affection and he’s just going to die anyway? Why prevent her own murder and spare her parents the tragedy of losing their only child if she’s going to jumped from a cliff and end her life again so she can return to 2023? Arguably, Yeon-woo’s greatest achievement upon returning to the past was her appeal to the king, but even that felt like an afterthought that was over overshadowed by her depressingly platonic relationship with Tae-ha.
In my opinion, if the writers weren’t going to give meaning to Yeon-woo’s return to the past, then they would have been better off using the “magic fixes all plot holes” bandaid to cure Tae-ha’s heart problem and keep Yeon-woo in the present. If Sa Wol can stay behind in 2023 and have her existence wiped from Joseon history, then Yeon-woo should have been able to do the same.
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- Lee Se-young
- Bae In-hyuk
Tags: Bae In-hyuk, Joo Hyun-young, Lee Se-young, The Story of Park's Marriage Contract, Yoo Seon-ho
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1 Lalla32
January 8, 2024 at 10:23 AM
"Tae-ha was his own second male lead — what an unnecessarily cruel fate." This really made me LOL.
What a terrible fate Joseon Tae-ha... I just felt very very sad for him. Oh yeah, he was so very happy to spend time with his beloved... and then die all over again. Woah, that was not necessary!
DaebakGrits, I totally agree with you on everything. Even the final scene felt very rushed. Flowers, no more flowers, flowers again... TADAAHH! Wedding, the end.
What a messy drama. Could have been an okay drama with a cute couple but ended in a mess.
What I particularly didn't like was the handling of the family tragedy. Did evil grandpa kill or not Tae Ha's mother? And did his father just ignore everything that was happening? I mean, wasn't that murder? Why was everyone so ready to forgive the grandpa? That left me really confused...
In the end I'm glad it was a short drama. And I got my bean... so okay.
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kiara
January 8, 2024 at 4:09 PM
Incoherent mess! I will only recommend it to my worst enemy.🦹♀️😂
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2 rlg07
January 8, 2024 at 10:37 AM
I think this one goes down in the disappointing category. What the heck was that ending about? I think I am simply not smart enough to figure out the point of going back to the past. Actually, there were a lot of plot points that did not fit together, and not just the time travel. (I normally love time travel, problems and all.) But by far the biggest disappointment was the insistence that Joseon Tae Ha and 2023 Tae Ha were two different people. I had hoped that she'd spend time with the one in the past and then when his heart ailment took him, they'd both be consoled that they'd see each other when she returned to the future. Nope! Just cold shoulders and no point.
I also felt like the second leads had more personality than the main leads (who did have some traits but who also largely existed to serve the plot). It made it harder to emotionally attach to them. In contrast, there are other dramas where the characters are so well drawn that you could pluck them out and drop them in another storyline and still know how they would react. I think this is a writing thing, not an acting thing (you can only act out the scene on the page, after all), but still.
Overall I was pleasantly entertained--until the last couple of episodes. A plea to writers: figure out the ending first, and then engineer the preceding story to fit that and make sense.
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jerrykuvira
January 8, 2024 at 11:01 AM
But by far the biggest disappointment was the insistence that Joseon Tae Ha and 2023 Tae Ha were two different people.
Exactly. The man committed no wrong. And I thought I remembered they had a loving relationship together. So I don't know where all that initial memory disappeared to. Selective amnesiac delulu perhaps...? It was unfair. Their worlds blended and merged. And inasmuch as they were trying to separate past from present Tae-ha, they shared so many similar moments.
Was it that they were trying to say she can't love both of them? What if she had no way to return to modern world, was that how she'd have passed years after Joseon Tae-ha passed, spending her days holding a touch for a man she'd have to live for some 200+ years before she can set her eyes on him again. That was so unrealistic.
Live your life. In the moment. She was married to both individuals and in different timelines so technically there's no extramarital affairs here. I don't know the kind of pickle the writers felt they had written themselves into that they couldn't figure out a way for everyone, Yeon-woo, Joseon Tae-ha, and Modern Tae-ha to be happy.
They could have had Yeon-woo helped Joseon Tae-ha marry another wife since Yeon-woo has intended to friendzone him out of her choosing M-Taeha, and then she magically returns to M-Taeha after the cliff experience. Since her memory will be erased from everyone and everywhere a la Sa-wol, it'll be as if she never left. And perhaps, her lookalike Dad in the modern day will always have this tingling feeling that he shared a deep connection to the Yeon-woo he sees in 2023.
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TAS-Mania
January 8, 2024 at 6:51 PM
Not sure why the writer felt the need to spend so much time in the final episode on Yeon Woo repeatedly rejecting Joseon Tae Ha and then killing him off.
I would have been much happier if she had discovered that she loved the Joseon Tae Ha since he had the same soul as the current day Tae Ha and they then lived happily ever after with her never returning to current day.
As it relates to current day Tae Ha, since it seemed that everyone from the Joseon era storyline reincarnated to the current day, Yeon Ha could have also reincarnated. The reincarnated Yeon Ha could have met the reincarnated Tae Ha and they could have lived happily in current day timeline.
It certainly would have been more enjoyable then the mess we got instead.
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dkb
January 8, 2024 at 7:31 PM
This was my main thought as well. She would have reincarnated anyways, since seemingly everyone she knew or had been around in Joseon period was there in the modern world.
I thought she would live and fall in live with Joseon husband and have a long happy life, then in 2023 when Tae-ha turns around one day, there's modern day Yeon-woo standing in front of him.
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pliplipli
January 9, 2024 at 7:21 AM
I was sure this would be the ending. in a way, the drama surprised me but it was not pleasant lol
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3 emsel
January 8, 2024 at 10:41 AM
@daebakgrits Thanks for consistently making us laugh with your funny recaps. As much as I agree with your points, from the beginning the plot was bromidic, so I never cared about logic.
I only watched this drama for the main and the secondary leads, so the tie-ins in the finale left me feeling content.
I am slightly miffed that Joseon Tae Ha (whom I did not even like as much as modern Tae Ha) had to go through so much suffering for the OTP to get a happy ending. That's just dirty writing. This is one show that has miscalculated the "reincarnation" trope because viewers would have been happy with the FL frolicking around with Joeson Tae Ha. Lee Se Young is always great, but Bae In Hyuk did a good job of differentiating both the versions of Tae Ha.
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DaebakGrits
January 8, 2024 at 11:41 AM
I have to laugh, or else I'll cry from disappointment because I'm more than a little miffed about Joseon Tae-ha. lol
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DancingEmma
January 8, 2024 at 4:11 PM
@daebakgrits: Thank you for this beautifully written and witty recap which threaded your justifiable frustrations at this colander of a plot. I wholeheartedly agree with literally (I’m using it in its original meaning) everything you said and wish I could (gently) throw a bouquet of your favourite flowers your way to say brava.
While I enjoyed the OTP and the other non-evil characters, the story made very little sense at the end even within the confines of its supernatural setting.
I have said this before and with each passing day I’m becoming more convinced that the commercial pressure to produce so many dramas in such a short time is undoubtedly one of the main reasons we have so many half-baked stories.
Like you and others, I found it egregiously unfair that the scheming, morally bankrupt and sinister chaebol grandfather evaded all accountability because as you wonderfully put it “Hit on head. Lives in delulu”. I know that the dramas shouldn’t do the heavy lifting for the country’s reckoning with its brutal ruling class but art - even in a commercial context - shouldn’t stoop that low. It was appalling. So the ‘delulu sentence” should rightly go down in infamy. If only.
The formula for these kinds of romances is that social and political commentary can’t be allowed to take centre stage even if it would strengthen the shaky foundations of the story. As you said, they had the perfect vehicle here to not only condemn the systemic misogyny of the “virtuous woman” award but to develop and organically connect it to and animate Yeonwoo’s advocacy in a much more substantive way.
Last but not least, the Joseon Taeha was such a pitiful figure and it was sad to see his part of the story cave in on itself even more than the other bits. It was cruel and served no purpose at all to kill him off if Yeonwoo was going to be transported back again to the modern Seoul.
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4 Kafiyah Bello
January 8, 2024 at 10:44 AM
A sweet ending to a sweet drama. However, I felt so bad for Joseon Tae Ha. I was crying so hard when he asked to come back to be loved by her.
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Seon-ha
January 8, 2024 at 2:39 PM
Question for @kafiyah-bello, who's always paying more attention than me.
Did it seem to you that modern Tae-ha had to come to some sort of internal decision/conclusion in front of the (not-flowering) crepe myrtle tree before it would flower again?? That's how it seemed to me...He stared at it, had a thought, and then turned around to slowly walk away (and show us his exquisitely tailored coat) before the flowers started to fall. It was like maybe he had to give up on her coming back or something before she'd actually come back??
What are your thoughts on this?
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Kafiyah Bello
January 9, 2024 at 4:04 AM
I fully agree with this. He definitely came to the decision either to stop coming back or to come back less often. His shoulders were hunched as he walked away. So I think you may be right, he had to be on his last leg before she showed up. Maybe a full circle moment from the beginning when he needed to marry as a last resort.
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5 hacja
January 8, 2024 at 11:08 AM
I'm just going to say it, at the risk of offending fans of this show (of course, I'm always offending fans of shows, so I guess I'm always taking that risk). Despite the beautiful Lee Se-young, and attempts by the writers to make a strong feminist statement, this show was not very good. For me, it wasn't light, fluffy, or funny enough to be enjoyable mindless entertainment, nor did it have any coherent premise that might make me think, beyond the fact that the FL was a strong character who fought for her rights in the Joseon era. I appreciate characters like that, but having seen Matchmakers, where the evil mother had exactly the same motivations, and which was enjoyable, AND somewhat thought provoking, this was a dud in comparison
One big problem besides the writing was Bae In-hyuk's acting. It is really weak. He had one sort of shocked expression that he resorted to time and time again, whether it was in reaction to trauma or surprise. Near the end, when the presumed love of his life disappeared, he could not convey any sort of depth of regret. In fact, he actually was smirking at times. The performance was so devoid of any charm or charisma that I've vowed to avoid anything that he is starring in from now on, unless he's playing one of those Joseon villains that laugh evilly every moment of the plot. I think he could handle that.
However, one thing occurred to me: Why exactly did the FL refuse to sleep with her Joseon husband? He was the same guy as her contemporary husband, they were centuries apart, and they were married. In fact, speaking somewhat clinically, it could have been an interesting physical experiment, and might have provided some evidentiary depth to the show, especially if she discovered, as I would hope, that her modern husband was the superior lover, proving that Joseon patriarchy not only oppressed women, it denied them physical pleasure.
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DancingEmma
January 8, 2024 at 4:19 PM
Bae Inhyuk is beautiful to look at which is not an insignificant reason to be cast and was endearing given Lee Saeyoung’s charming and grounded portrayal but he needs to improve his acting as his deer caught in a headlight look always took me out of the moment without fail.
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6 Kurama
January 8, 2024 at 11:22 AM
The issue with this drama wasn't her travelling back in the past but the reason she travelled in the future in the first place... She tried to change/handle things in the present to change things in the past and it never worked, so she needed to get back in the past.
The fact there was no valid reason to come in the present made the past story completely bland. She could just have died in the past and was given a new chance and the story would have been her learning to live in the present. What she did really way to easily for my taste between the fact she had no issue to wear miniskirt, to understand how everything worked (when I still have difficulties to explain some things on the phone to my parents...), etc.
Tae-Ha's story was the usual family/chaebol thing that becomes boring.
The drama's strength was completely the couple and their chemistry.
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7 tabong is ironing the crosswalk
January 8, 2024 at 11:23 AM
I'm gonna miss this show. It made me laugh, cry and squee a lot.
The good.
The characters.
1. My April and Yeon Woo were great. They were always ready to protect their people and themselves, they weren't scared of anything. I loved their strength and their boldness.
2. Joseon Tae Ha was adorable in episode 1, I thought I was going to miss him a lot but oops! I forgot about him.
I was surprised to see that "new Joseon" Tae Ha wasn't a rude rich guy that acts like he's superior. And, after little time, it wasn't just about him being "decent unlike other chaebols", it was about him being the cutest guy with the cutest dimples and the most devoted husband ever. I'm so glad I didn't "have to feel bad for him" to be able to like him.
3. Then we had Tae Min. The guy I called creepy at the beginning is gone. Watching him appreciate the care and attention Yeon Woo gave him, and then giving it back to her was really sweet.
4. I liked that CEO mom wasn't after meaningless power but that she wanted to protect what was important to her even if it meant to let it go.
And I like that Tae Min gave her a chance to make things right (dude is a saint, I wouldn't have done that).
5. And I liked all the different relationships and how they kept growing.
I loved Sa Wol and Sang Pyo's constant flirting and silliness.
And I liked how Yeon Woo would always scold Tae Ha and then say "don't ever do that again!". I also liked how Tae Ha and Tae Min got closer and the sisterly bond between Sa Wol and her sis in law.
The bad.
...I feel like it's better to just think of excuses: at least she saved her parents and her honor got restored! She gave OG Tae Ha a beautiful goodbye. She also saved Joseon women after a two minutes talk with the king, right? RIGHT!?
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tabong is ironing the crosswalk
January 8, 2024 at 11:24 AM
The Ugly (the bad).
1. The characters.
Yeon Woo: Twinkling Watermelon flashbacks. What's with this thing about artists that don't do art and designers that don't design???
I got the impression that one of the reasons the show decided to be about time travelling to the future was to give Yeon Woo the possibility to be free and do what she loves??? But why did the show totally forgot about that at the end? After the gala it's like she just forgot to made and wear modern hanboks, and she really didn't care about her clothes after working with Midam.
That interview she did felt like "oh, I did my part of the deal. Take these clothes, I'm going back to Joseon". Then she didn't make more clothes for a year and people wear like okay??? Did people even buy her clothes?? I don't know. Maybe I skipped something because it's like being a designer wasn't one of the "big things" of the show and Yeon Woo as a character. But OK.
Sa Wol: My dear April. Yes, I'm happy they gave her an ID and a building to do business (Tae Ha, I want a wedding present like that), but they could've explore a little more why was she feeling lost and out of place, and how liberating this new life should be for her. Her dynamic with Yeon Woo could've change a bit more too, and they should've go all the way with the "unnie" imo. Till the end.
Tae Ha: this is just completely my opinion and preference, but I wanted him to just chill. When he told haraboji he didn't care about the company, that he only wanted to protect his wife, it made me happy. He never seemed to have real interest in the business. He could've found what he really wanted to do outside that world. Or if he only wanted to support Yeon Woo and her designs, that would've been fine too. But there wasn't anything really clear about what he wanted to do with his life.
Haraboji: I want that man in JAIL. PRISON. LA CÁRCEL. LA GUANDOCA.
Tae Min (the good): no complains. He's probably the second lead with least screentime in kdramaland, but I'm really satisfied with his development. I love the kid. A happy ending with his family is everything he wanted and he got it. And he seems to enjoy his work so I'm happy.
2. The story.
They were trying to make this story about girl power I guess? But like I said before, it didn't work. It's like they wanted to "save women" in both timelines but failed.
I think they should've stayed in one world and just let the girls have a proper story there.
Instead of trying to fix the past in two minutes, they could've let the girls learn from it and use it as motivation to live their better lives in new Joseon.
I'm sad I didn't get to see a proper story of freedom and empowerment for Sa Wol and Yeon Woo.
It would've been nice to also see how them having this great "girl power experience" and then face some of the hardships modern women have to face.
Idk, that's just me.
Anyway, I saw the show as a "romcom",...
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tabong is ironing the crosswalk
January 8, 2024 at 11:26 AM
Anyway, I saw the show as a "romcom", and I had a great romance and many laughs, so I guess I shouldn't complain much. I love it for that. I'll just ignore the rest.
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Seon-ha
January 8, 2024 at 2:36 PM
It was disappointing that we saw Tae-min "coming into his own" in the gallery by being a jerkhole to one of the employees. That's not what real power looks like, dude. Also, he put aside his dreams of being an artist because "working at the company is fun." Newsflash: working at the company is never fun...I guess unless you are permitted to behave like a jerkhole?
I wanted him to go live free--actually, now that I'm typing this, Joseon Tae-min had the same fate, right? He was an artistic soul who ended up with the responsibility for the family when Joseon Tae-ho died.
Hmm. Yeah, now I'm irritated.
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tabong is ironing the crosswalk
January 8, 2024 at 3:23 PM
I don't find it weird that after working in Yeon Woo's project he found the job fun or got interest in this line of work and decided to stay there.
He's also the ultimate nakasan/maknae on top. So I think he's probably having a really chill time in that office.
I just hope his "I want to be like my brother (Aka. Kang Jerk2)" phase doesn't last.
I feel bad for the Joseon Tae Min tho.
Seon-ha
January 8, 2024 at 3:52 PM
Ooh! Please tell me which corporation gave you such a good impression of that kind work! I'll quit where am now and follow your lead!!! 😉
tabong is ironing the crosswalk
January 8, 2024 at 4:16 PM
😂 Ah, no, I meant that he started liking fashion or marketing.
And I said "chill" because of his "special" circumstances I'm the company, not the work itself.
8 LookieLooWho
January 8, 2024 at 12:03 PM
When are we (any society that has a history of slavery) going to stop romanticized slavery? Sa-Wol didn't want to go back because she wanted freedom. She wanted her own identity and one that didn't involve a life of servitude. Also, Sa-Wol's death didn't change the course of history because, like so many enslaved people before her, her life was deemed inconsequential.
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DancingEmma
January 8, 2024 at 7:22 PM
Very good point. Romcoms seem to be constitutionally unable to deal with the issue of slavery. It is always about the one good owner/mistress and not that it was trafficking humans as chattel, torturing them as they wished and reminded them how lucky they were that had a nice owner. Reminds you of anywhere?
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LookieLooWho
January 9, 2024 at 10:42 AM
I kept thinking of 'Gone with the Wind' and Mamie while I watched this drama. Sa-wol got an opportunity to make her own way and initially her only thought was to find her master. C'mon!
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DK-Drama ❤️🎄 Giffing n Space Cadetting 👼🏻🌟
January 9, 2024 at 2:30 AM
Yes, it was embarrassing how she held on to being a servant, like she rahter wouldn't have any other role.
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LookieLooWho
January 9, 2024 at 10:46 AM
What tripped me out was how unaffected Yeon Woo was when she realized Sa-Wol had not returned. One heavy sigh and it was "Oh well." No real emotion either way.
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9 john
January 8, 2024 at 1:02 PM
@daebakgrits, thanks for the final recap.
The lesser of the two Joseon contract marriages shows comes to an end.
"Tae-ha was his own second male lead — what an unnecessarily cruel fate." 😂
I have about had it with Joseon era curses, fates, time slips, aigoo.🚫
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10 Enjoy the Day
January 8, 2024 at 1:35 PM
I thoroughly enjoyed this show. For 6-7 weeks this busy mom was able spend 2 hours a week laughing, crying, and figuring out a mystery that well... wasn't. Aside from the last episode being rushed, I am glad that the story wrapped up the characters in a healing way.
- Sawol and Secretary Hong got married - yay
- Taeha and his family, I didn't like the whole grandfather resolution, but I am glad Taeha decided to forgive his grandfather as well as build a relationship with Taemin.
- Taemin and Ceo Min, glad to see Taemin was the family savior in the past, so it didn't change the future. I would have hated to see our main couple as reincarnated strangers or worse alone in their timelines after everything they went through.
- will always love Sawol and Yeonwoo, that final scene of them made me smile and cry when Sawol calls her my lady for the last time.
- Josean Taeha, I'm glad we got to spend some time there. He didn't get a chance to confess his love for YeonWoo before. Even though it was sad, he got to spend some time with her even though he got friend zoned. The subs didn't do good job of translating his final journal entry. In it he states he dreamt he was waiting for YW in a different life and she never came so he longed for her. He asked if it was greedy of him to wish to be reborn so he could meet her again. Loved the final montage going backwards until it shows their first meeting in Josean.
- Yeonwoo and Taeha were such a sweet couple, I'm glad they changed their fate and she didn't waver in her commitment and love. Everyone can continue to debate on whether Taeha is one or two different people. :)
It's been great reading everyone's comments. Until the next Kim Tae Ri, Lee Se young, or a Hyan Hye Joo show comes out, I will look forward to reading your recaps and opinions then.
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11 Lord Cobol (Kdramas, like water, flow downhill)
January 8, 2024 at 1:42 PM
Go ahead. That silly inappropriate word filter won't mind. And no, I'm never letting that go.
Does the new outside manager pay himself a huge American-CEO-style salary with stock options and rob them blind?
Do two Tae-ha make a Two-ha? A Ha-ha?
Sa-wol! :)
Meanwhile, trying to imagine Matchmakers with the virtuous woman award in full effect.
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12 bunnylita
January 8, 2024 at 2:00 PM
I think it was the leads that made this work for me, because as time went on it made less and less sense. I haven't been able to find the webtoon in English, so I don't know if all the problems originated there, or in how it was adapted for the screen. Either way, I cannot wait to see these actors in other, better projects.
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13 Violabelle
January 8, 2024 at 2:18 PM
I really enjoyed this drama and the ending was more enjoyable than I expected. Now that you point them out I agree with the plot holes but they didn't really bother me at the time as I wasn't really expecting Shakespeare. I think I just enjoyed the leads together - they seemed to have great chemistry.
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14 Seon-ha
January 8, 2024 at 2:31 PM
Eh. It was fine! I said over on the review page, it'd have been especially "fine" if I'd never seen any other k-dramas ever. Also board game PPL has my whole heart. We finally had a drama where one (Tae-ha) truly had to die so the other (Tae-ha) could live. TROPE WIN.
I took it personally, though, when Sung-pyo "spontaneously writer-ed" himself and suggested that one must have a sad ending if you want your drama to sell globally. I say absolutely not to that thought, even if the writers of TSoPMC have market research to prove it. Beanies are "global!" Let's push back on this insidious narrative!
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Minnie🫘👩🏻🚀Pioneer and Teacher 👩🏻🏫🌱🏹
January 8, 2024 at 6:29 PM
I am particularly antsy about this insidious narrative. I have seen Oscars promote this nonsense year after year after year awarding movies that make you feel like crap.
Parasite is a case in point (not taking anything away, brilliant movie but I want know who came out saying - I want to rewatch this movie so bad! Not.)
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rlg07
January 9, 2024 at 3:49 AM
Pretty sure I wrote in the comments on Viki that GLOBAL AUDIENCES DON'T WANT SAD ENDINGS! lol
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rlg07
January 9, 2024 at 3:51 AM
(At least not nonsensical ones. Global audiences may love dramas like 2521--UNTIL the nonsensical sad ending Because the Writer Said So hits. Then yes, it's a much talked-about drama--but for the wrong reasons.)
You don't wait until the last chapter to decide if it's a sad or happy ending. That's a knowledge you should START with, so you can build it into the story and have it make sense.
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Seon-ha
January 9, 2024 at 4:35 AM
Or start with sad...and end somehow mysteriously "happy" like My Dearest!!
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15 Kathryn51
January 8, 2024 at 2:56 PM
That was a great recap for a drama that I never began because I'm not a fan of the fantasy/time-travel aspects. I don't mind knowing the end of that kind of drama because I really don't have the bandwidth to invest in something that is "iffy". It's one thing to begin a drama and drop - but as you clearly described, the story was intriguing. . . up until the very unsatisfactory (to you) ending.
I appreciate your effort - thank you.😊💕
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16 Britney
January 8, 2024 at 2:58 PM
I had never seen or heard of euphoria being used as brain damage.
From start to finish, I was never really invested in this show but man, the final episodes just left me confused as to whether I really just wasted time on this. It's not like I had anything better to do or watch but it was just so unaffecting to me.
Yeon Woo makes the appeal to the King & Queen Dowanger (I think that's what the position is called) and all that happened was him saying they're gonna look at those virtuous woman cases by the law and make sure it was legitimate (or something like that). That wouldn't stop the deaths! Women killing themselves after their husbands die would still be encouraged or rewarded. If someone does kill a woman for the virtuous woman rewards and it's revealed, sure they *might* face some kind of punishment but the woman is still dead.
Continuing with the expendable nature of women, Myung Soo targets Yeon Woo for revenge when Tae Ha's grandfather orchastrated the whole situation. Why not target him?
Ah nepotism (I will be mentioning you again in another post). Tae Min became a deputy (or a director) in just about a year's time. Following in his brother's footsteps. It's nice I guess.
I liked that Yeon Woo was able to contribute something for Sa Wol's wedding.
I don't know what to think or feel about Joseon Tae Ha. At least he got to be with the woman he loved for the rest of his life even if they couldn't be romantic. It really is too bittersweet if I think about it too much.
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17 LaurenSophie
January 8, 2024 at 3:18 PM
I completely agree with everything @daebakgrits said in the recap, but also, I didn't care that much about this show. This isn't to say that I didn't like it (I did) or that I think it's a terrible show (it's not) but that it never truly engaged me. In fact, I'm very surprised that it got such high ratings domestically. It's pleasant enough, with very charming leads, but there's nothing special about it, which is why I didn't give the ending too much thought. It's hard to be disappointed in something that was never that interesting to begin with.
That said, I'd love to see Bae In-hyuk in another romantic drama, but one with more depth. I agree with @hacja that this wasn't his best performance--he seemed lost and uncomfortable in a lot of the scenes--but I've found him to be very good in other roles. So maybe with a heftier script he'd be a compelling romantic lead.
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18 bbstl 🧹
January 8, 2024 at 3:23 PM
Thank you for the entertaining recaps, @daebakgrits! They will be my best memory of this forgettable show!
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19 Mrs Buckwheat
January 8, 2024 at 4:14 PM
Thank you daebakgrits for hanging in there and recapping this show as the writing went off the rails and led to an underwhelming finale.
I agree with everything other beanies have already mentioned.
I had to laugh at the way the show ruined a touching moment between Yeon Woo and Sa Wol with PPL and that love heart hair brush. What a way to take me out of the moment.
Also, justice for Yoo Seon-ho who played Tae-min. His character started off so weirdly and then almost disappeared from the show.
I appreciated Bae In hyuk's dimples and forehead appearance in the final minute and felt sorry that the show did this to his character -"Tae-ha was his own second male lead — what an unnecessarily cruel fate."
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20 Samdong
January 8, 2024 at 4:51 PM
I was really REALLY hoping that they do differently from the webtoon and do Joseon Taeha justice, but nope! Also disappointed for Grandpa's ending tbh. I still love the main leads, Sungpyo and their chemistry, but the lazy ending take my enjoyment a bit. I guess they are expected to stay loyal to the source, but since they made some changes anyway, I kinda help but wonder the what-could-have-been
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21 jillian
January 8, 2024 at 5:26 PM
I feel really bad for Joseon Tae Ha. At least he shouldn't be relegated to SML when Yeon Woo loved him before she met Chaebol Tae Ha. The resolution to the timeslip was an incoherent mess. The only important thing that happened in the past was the fight to remove the virtuous woman award. But in all intents, it didnt seem to impact the Kang family at all since they were still powerful and influential in the present.
What I did like are: (1) how the Kang family relationship improved between them. (2) An outsider took over control of the family business, (3) YW's father took over the Kang family business and met Mi Dam through Tae Ha. (4) SaWol got her happy ending. (5) Tae Ha is cured of her heart ailments. (6) Tae Ha and Yeon Woo got their HEA.
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22 TAS-Mania
January 8, 2024 at 6:15 PM
I agree that the ending was a complete mess. Why emphasize that the two Tae-ha's share the same "soul" just to have Yeon Woo repeatedly reject the Joseon Tae-ha. Isn't loving the "soul" a basic k-drama tenet? It's like the writers didn't even try...
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DK-Drama ❤️🎄 Giffing n Space Cadetting 👼🏻🌟
January 9, 2024 at 2:24 AM
Also, Joseon Tae-ha from the beginning had much more moxie. If it's the idea that you get more able by living several times? I know that IRL we often lose energy and courage we had as young, but generally in a comedy, you'll let people evolve. Tae-ha evolved in a downward spiral from a fun, interesting, caring man to something definitely less.
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olive
January 9, 2024 at 9:44 PM
because she fell for modern TH. They made clear since the start that she views them differently.
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23 ar_arguably romantic
January 8, 2024 at 6:35 PM
Wow, that ending. I had low expectations since time travel and inter-temporal relationships have like a 90% chance of a disappointing ending, but that ending was more disappointing than I expected. I would have rather they did the Rooftop Prince ending where modern Tae-ha meets a new modern-day Yeon-woo and leave Yeon-woo in the past.
My gripes with this one :
-Poor Joseon Tae-ha. "Tae-ha was his own second male lead — what an unnecessarily cruel fate." -- it was such a cruel twist for the viewers as well. My heart was breaking for every moment Yeon-woo rejects him. That last scene with him wishing he could be reborn as the modern-day Tae-ha had me in tears. Bae In-hyuk is great at the sad scenes. Was Yeon-woo not in love with Joseon Tae-ha in the first episode? I'm surprised some of those feelings didn't come back after spending a year with him.
-Yeon-woo returns to the past to right an injustice, but she dies in an unjust manner again! ARRGH! What's the point of the first time travel then?
-Poor Yeon-woo's parents! They have to endure the loss of their daughter again through a traumatic death.
-Why did Yeon-woo reappear with a beautiful new hanbok instead of the one she died in?
-Why did Yeon-woo insist on continuing to stay in that cottage in the middle of nowhere?
-The virtuous wives thing was awkward. It wasn't presented as a social issue in the beginning of the drama, so having that big scene at the end and the king deciding that they should do something about it felt like it came out of nowhere.
-Modern Tae-ha's heart problem, which was a genetic issue, magically heals, but Joseon Tae-ha's heart problem (which seemed more related to the poison) kills him? But there was an antidote? Did he forget to eat the rest of the antidote?
-Grandpa in both timelines got away with being terrible. I'm surprised married Yeon-woo was able to go wherever she pleased considering how daughter-in-laws were pretty much the husband's family's servants back then. And it didn't make much sense that the evil servant would go after a widow that the Kang family felt was already expendable. He should have gone after grandpa or Joseon Tae-min.
-The ending wedding. WTF was that? An empty wedding hall? Felt like it was a scene added in last minute. Like they called the actors in 2 weeks after the shoot ended and was like "can you drop by for 10 minutes to get this in?"
-Tae-min being Deputy CEO. I'm glad he has grown in his professional life, but it feels utterly unbelievable, especially given the actor's age.
The best part of the ending is really Sa-wol and Secretary Hong. Some of the Joseon Tae-ha and Yeon-woo scenes were pretty sweet, though tinged with heartbreak. I loved the fishing rod prank and the convo where Yeon-woo reveals spoilers about the future and about the moon rabbit.
For the most part, despite its flaws, I really enjoyed the series. It reminds me of kdramas from 10+ years ago, just...
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ar_arguably romantic
January 8, 2024 at 6:47 PM
...without the final quarter lag because it's only 12 episodes. I think the acting and directing really elevated the story gave it a lot of charm and emotional heft. I really enjoyed the instrumental music too.
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24 et865
January 8, 2024 at 7:59 PM
I really enjoyed the first 10 episodes, so what a big disappointment it was at the end. Felt so sad for Joseon Tae-ha. But seems like this was the same ending as the web novel?
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25 Bunny Sonaki
January 8, 2024 at 8:45 PM
There was a classic drama by the name "Rooftop Prince" that pretty much shares the same premise. In the final episode, Ml returned to joseon times but at the same time he left so the past remained pretty much the same. The changes happened in the present day timeline and it was all finalized before the travel back to Joseon. I remember the Fl getting together with a look alike of the male lead but I didn't like it as I believed she was in love with the crown prince who came from Joseon to investigate his wife's sudden death.
Here, I pretty appreciated how they treated the two Tae-has as two different people. But I can see where @daebakgrits comes from as the similarities were profound, not just the same name and face. Yeon-woo was reminded of modern day Tae-ha when joseon Tae-ha asked her to stay by his side. So, yeah they were two different sides of the same coin. I am a little on the fence here as the male lead for me was modern day Tae-ha and I still feel like joseon Tae-ha deserved better. It is ironic how the same character was both the main and the second lead. And no matter whom Yeon-woo ended up with, there was someone who will get heartbroken.
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Bunny Sonaki
January 8, 2024 at 8:47 PM
Now I think about it perhaps Tae-ha getting magically cured and Yeon-woo staying in the present was a plot hole I would gladly get behind and much better than this dual ending.
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26 panshel
January 8, 2024 at 11:02 PM
The ending was bittersweet. I shipped Yeon-woo with Joseon Tae-ha. It hurt me to watch her crush his heart over and over. Was this before or after their meeting at the bridge and his saving her from the guards? Because in his point of view, their feelings were mutual. She'd even asked him to marry her, but now she's acting hot and cold.
It made zero sense how Yeon-woo just warned Tae-ha about the poison, yet never talked to him again until their wedding night. She had ten days. She should be hounding him every day to take the antidote. The only reason she left the man she loves was to save his life, and yet she didn't do anything other than talk to him once? Unbelievable. There should've been a rule that if she didn't save Joseon Tae-ha, then she won't save New Joseon Tae-ha either, so she at least would've had a sense of urgency.
Then Yeon-woo wishes to go back to the present and cries to a Tae-ha hallucination about not knowing a way, yet she never once seeks out Cheon-myeong to ask, "How do I go back?" Why didn't she go back right away after jumping off the cliff?
I thought that Chef John (Park Yeon-woo) would have more to do. I didn't understand why Manager Do disappeared in the story when Yeon-woo worked at Midam, so to all of a sudden see him again as a Joseon judge was jarring. I really did love this drama and our OTP up until episode 8, but the evil Grandpa plot line made it fall off for me. Thanks lots for recapping till the end, DaebakGrits!
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Midnight
January 8, 2024 at 11:19 PM
I was forcing myself to click play on episode 6 when I read this. Wow! I guess I can drop it with a clear conscience then.
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27 Scottie
January 9, 2024 at 12:12 AM
I never expect a satisfactory ending for a time travelling drama and this one proved to be no exception, that was my only disappointment.
As others have mentioned, Rooftop Prince was a similar drama. Both did extremely well with the funny side of a time-slip from Joseon to modern time, I just rewatched the first few episodes of Rooftop Prince and they are still so funny.
I am happy that the servant stayed in Joseon, not so happy that she never really became a friend, but stayed a servant who brushes her lady's hair at the end.
Maybe the lesson here is to drop these dramas at the half way point or at least before the last two episodes and read the wonderful recaps instead!
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Bunny Sonaki
January 9, 2024 at 1:55 AM
I think I will start to agree that time-travel dramas don't give satisfactory ending. I can't even think of one that did that.
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Isa is always time travelling
January 9, 2024 at 2:12 AM
I was happy with the endings of The Best Hit, Someday or One Day, Live up to your name (I would have done it differently, though), Blue Birthday, Miraculous Brothers... I'd say almost all the time-travel dramas I have seen gave me a good ending.
However, I didn't like the ending in Rooftop Prince.
And Park's Marriage Contract had a good finale episode, but I agree about the disappointing ending.
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Bunny Sonaki
January 9, 2024 at 3:02 AM
Now that you have mentioned it, I agree about Blue Birthday. I haven't watched The Best Hit, Someday or One Day and Live up to your name. Miraculous Brothers was disappointing so even if they tied the time travel somewhat nicely, it was too late.
The point about Park's Marriage Contract is there is no purely happy ending except for Yeon-woo to stay in the future and joseon Tae-ha remain dead the way he passed out before. Any other ending will leave one of the two Tae-has miserable.
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TAS-Mania
January 9, 2024 at 10:35 AM
Queen In-Hyun's Man had a great ending. A few other time-travel dramas with good endings were: Go Back Couple, Someday or One Day, Back to 1989, Splash Splash Love, Live Up to Your Name, Don't Disturb My Studies, Nine: Nine Times Time Travel.
The winner of the absolutely worse ending to a time travel drama (and I agree that there are a ton of contenders for this title): Marry Him If You Dare
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Isa is always time travelling
January 9, 2024 at 11:58 AM
I had forgotten Go Back Couple. I liked its ending too.
About Splash Splash Love... I'd say that was bittersweet.
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Scottie
January 9, 2024 at 8:40 AM
Correction: I am happy that the servant stayed in modern times!
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28 KDFL
January 9, 2024 at 1:13 AM
Well that was a disappointing ending... Joseon Tae-ha deserved so much better. The first episodes in the Joseon era were by far the best, and one of the major reasons for that is Joseon Tae-ha, a man in the that era who was the biggest supporter of Yeon-woo's career and passion to travel the world. That in itself without adding in his sweet personality says so much about him.
Yeon-woo's and Sol-Wol's quick adjustments to life in 2023 was completely unrealistic, and if not for the Joseon era flashback, I would have forgotten that they were time travelers. Yeon-woo's quest for career independence and freedom, Joseon Tae-ha's supportive nature, and Sol-Wol's spunk, all in an era where this was not the norm for women was the greatest asset of this show and the most enjoyable part. So, I wish that the writers had stuck to that era. With such a story and such chemistry between the entire cast, the time travel would not have even been necessary. Even if in that timeline, Tae-ha later dies, we still get to end things with Yeon-woo as a modern day entrepreneur who lived on after Tae-ha's death and who traveled the world just as Tae-ha would have wished.
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DK-Drama ❤️🎄 Giffing n Space Cadetting 👼🏻🌟
January 9, 2024 at 2:12 AM
I agree mostly; The personalities, especially of the main couple, of the first few episodes where far more interesting than what happened later.
How come FL was suddenly such a whimpering lost sheep? And that Tae-ha who made fun of her by going looking for himself with her, and then helped hide her ... when did we ever meet him again?
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29 23new2kdrama 🌱🎄🎅❤️
January 9, 2024 at 9:09 AM
Once again the Beanies and @daebakgrits come through for me! I have been waiting to start this show. It seemed to have so much promise. After the first 4 episodes I felt betrayed. It seems the show was mapped out first to see how many cliche "Kdrama" moments they could put in. Then a story with plot holes everywhere was inserted. The ML , whom I have never seen, was ok but none of the rest of the cast could keep me watching. I loved Jin Kyung in Attorney Woo and the 3 Romantic Dr shows but she was so off in this show- because of the bad writing. I felt sorry for her to be stuck in this show. A bean is not worth my time for this one. DROPPED!
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30 sailorgirl
January 9, 2024 at 10:12 AM
My frustration with this drama and every drama since Red Sleeve that features Lee Se Young is due to the utter waste of her talent. I want her to pick better scripts because I find myself disappointed, yet again.
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31 ladynightshade wants her own ryu sunjae
January 9, 2024 at 10:44 AM
Everyone's (very rightfully) very upset about the terrible arc of Joseon Tae-ha, but I'm honestly even more upset about the egregious ending for the vile "grandfather"? What is it with dramas condoning incredibly awful behaviour by handwaving it away with a medical condition? Losing his memories shouldn't automatically make him lose his megalomanic tendencies - it's just him getting brain damage, no ifs and buts about it. Illness/physical injury should never to equated to morality, it's a gross trope and needs to be retired forever.
There were more plot holes in the time-travel rules to trigger my trypophobia, sure, but I'm less concerned about it than usual because the plot was pretty nonsensical to begin with; I was just here for the leads (second leads included!). I almost wish we had two more episodes just to flesh out the Joseon timeline and make it make sense without resorting to making Joseon Tae-ha into an even more tragic figure of Korean courtly love. They really, really needed to emphasize the two Tae-has as different people and failed utterly at that and the narrative as a whole collapses for that reason. Establishing them as actually two distinct people with their own personalities, histories and quirks sounds like the obvious answer, but that could never happen because drama logic requires our female lead to only have one true love and only one man she could truly fall for. If that seems misogynistic, that's because it is. For all this drama's undertones of feminist empowerment, the romance still rigidly adheres to a patriarchal belief that a woman only "belongs" to one man, forever.
Anyways, I got my bean. I got the required dosage of my beloved LSY and BIH dimples. Goodbye, overly long title!
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ladynightshade wants her own ryu sunjae
January 9, 2024 at 10:49 AM
Forgot to mention this: I need Lee Se-young and Joo Hyun-young to work together again. And in a better written drama/movie.
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32 darwi
January 9, 2024 at 11:25 AM
Thanks @daebakgrits for the ride. As too often, this drama was fine until it was not. It started to fall apart with the scheming chaebol family, and ended in mix-up.
How paradoxical to be sad because of the "happy ending".
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33 Olivedreams
January 9, 2024 at 1:59 PM
Completely agree with the review. The writers should have healed his heart in the present and sorted it out from there. The ending was beyond bleak, not enjoyable and full of holes bigger than the size of the moon. By the time they were reunited in the present I was like whatever. Yet another drama that couldn’t stick the landing.
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34 Qingdao: likes scented candles
January 9, 2024 at 7:34 PM
The ending of this drama was a "hot mess!" It was as if a different team of writers kidnapped the beginning of the drama and couldn't decide what to do with it in the second half. I really don't think they had to "paint themselves into a corner," but it sure seemed like they ran out of time and intelligence.
The beginning was cute when it was tropey, even though it relied heavily on the antics of the mermaid in "Legend of the Blue Sea."
The ending was a fake-out or trick, my least favorite technique in Kdramas. By saving the wedding scene until AFTER the credits, the writers/editors/producers just played a trick on the viewers who remained with the show through the last episode. That is just RIDICULOUS. I was as angry as I was when I watched "Because This Is My First Life" and felt as betrayed as I did when I watched "Do Do Sol Sol La La Sol."
So much potential just wasted...but the dresses were gorgeous.
Thanks DaebokGrits for a spot-on review.
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35 olive
January 9, 2024 at 9:40 PM
The female lead said during her confession scene that she views both guys as different people. Also, she fell in love with modern TH, meanwhile it was just a crush with joseon TH who she barely spent any time with.
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36 Jingbee
January 10, 2024 at 5:20 AM
At the end of the day, Sa wol was right, to go back to Joseon, Yeon woo has to have her wedding night 😉
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37 chillichocolate
January 11, 2024 at 3:58 AM
I enjoyed this drama till the 8th episode but then it became a mess. Both the leads had a very cute and lively chemistry but poor writing was a big let down. Last two episodes had really weird pacing and the plot REALLY didn't make sense. The catalyst for FL's journey back to past was a WTF moment. The end didn't made sense logically, it was as if the makers wanted a HE and they made it a HE but ignored everything else
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38 sakuradaydream
January 11, 2024 at 4:57 PM
Honestly I couldnt be bothered to watch ep12 as I just lost interest. After reading this weecap & thinking back, they really fumbled the plot badly.
Like that was the best ending they could think of for Tae-ha's Grandfather????? Seriously???
I also remember thinking "wtf thats not how it works??" when Sa-wol got to stay behind.
And that ending overall was just...sigh.
People were raving about this drama online and I have to admit I couldn't relate at all.
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39 Semma Vetti
January 11, 2024 at 10:16 PM
This show was like some others I don't want to mention. Fine until the final week. Is this some kind of 'finull' jinx?
What was that pacing? Grandpa, waddahey! If the guy was friendzoned and died anyways, why spend so much time on them together? I mean, I would have preferred to see Sawol packing catered platters! And that final wedding scene, like why???
Thinking back on it, I realize it was so bad, it was funny. 😁 so that much to the good, I guess.
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40 Danny
January 13, 2024 at 10:01 AM
Even though I didn't watch the last two episodes because of my punishment the drama touched my heart❤❤❤
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41 Charlotte
January 19, 2024 at 11:08 PM
I stopped after one episode, but came back after hearing good reviews, but then still resisted the female lead while she was in Joseon because her modern-day perspective there didn’t play authentically for me. Her impatience to “be free-to-be-me, do what I want, go where I want, and design low-cut &-thigh-high hanboks for the rich” made her seem spoiled and entitled when other women weren’t in any position to do the same. Only because she was high-born could she flout tradition and societal norms, but then wasn’t really using that position to help anyone but herself. Once she was in the present I enjoyed her much more, especially when we saw her shocked gawking reactions to this new world. Quite funny. Yet Yeon-woo adapted so quickly. Wish that culture shock could have been strung out over more episodes instead of making us wade through the angsty last three. I was won over by Tae-Ha right from the start as the cool indifferent chaebol because whenever I see that, I KNOW his red flag will be turning green soon. That part was also fun. Supporting characters were a joy to watch, especially considering the caliber of the many well-known actors we were treated to in this drama. I liked how Jin Kyung made the transition from Tae-ha’s wicked stepmother to finally in the end, stepping into her role as Tae-min’s mother. As for Grandpa…because Jun Ho-jin is such a well-loved actor, I refused to allow myself to call him ‘suspicious’ as some were saying early on. Instead I insisted on thinking of him as ‘mysterious’ lol….but wow he delivered greedy & evil in spades. And maybe because I love the actor so much and enjoyed the happy Grandpa vibe we met at the beginning of the drama, I didn’t hate that he ended up in Euphoria. I liked watching the actor him play ‘happy’ (that makes me shallow right? ) It was a good concept but not an awesome or memorable drama to begin with, but in the last third it got almost laughable when plot inconsistencies, ridiculous side-scenes as filler (did we have to see her ride a horse and shoot arrows to make her a strong heroine?) Worse still it all began to obscure the main love-line, making me question the allegiance that I had originally felt for our OTP. Like you said @Daebakgrits…”Tae-ha was his own second male lead”. Frustrating tension for the viewer. And then the answer to that question? A very sad....happy ending.
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42 Charchar
January 24, 2024 at 10:53 PM
I wasn't a fan of the ending either. It felt a bit rushed, especially for Joseon Tae-Ha. I genuinely feel sorry for him. I think Yoon Weo could have developed her love for Joseon Tae-Ha after their wedding, maybe even have kids in Joseon, grow old together, and eventually pass away there.
Then, Yoon Weo could appear after her death in Joseon, reincarnated, making her way back to the present in 2023. The past could have been just like a vivid dream for her.
After all, Joseon Tae-Ha and Modern Tae-Ha are essentially the same character and soul.
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43 Chesca
January 28, 2024 at 5:18 AM
I am glad to see that I am not the only one that was uneasy about the ending. Thank you for a well written article. And the other comments echo my own disappointment at the ending. I enjoyed the story up until the last episode then I was left feeling unfulfilled.
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