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Moving: Episodes 12-13

It’s time for part two of each of our past storylines, and like always, it gives us both joy and heartbreak. Our couples expand their families and spend some blissful, peaceful time together. But those happy moments feel bittersweet as we know tragedy is lurking around the corner, and our superpowered families are never fully safe from those who wish to exploit them.

 
EPISODES 12-13

Moving: Episodes 12-13 Jo In-sung, Han Hyo-joo Moving: Episodes 12-13 Jo In-sung, Han Hyo-joo

We now jump back to where we left Mi-hyun and Doo-shik a couple of weeks ago. Agents storm Mi-hyun’s apartment and pull them apart. Doo-shik fights and goes for his gun… which Mi-hyun is now holding and has trained on him. (Given that Deputy Director Min threatened her sick father if she didn’t cooperate in bringing Doo-shik in, it’s understandable. But no!) Doo-shik immediately stops fighting and lets the agents take him in.

However, he’s not ready to give up yet. When he’s brought to Deputy Director Min, Doo-shik snatches him up and holds him hostage in the sky for maximum dramatics. As the entire agency gathers outside for the spectacle, Doo-shik yells at Mi-hyun for all to hear and then shoots at her. In the nick of time, Joo-won shields her by taking the bullet in his arm.

While I was ready to believe Mi-hyun could have chosen her father, I knew there was no way Doo-shik would’ve intentionally shot her. And sure enough, everything was planned from the start. When they were hugging back at Mi-hyun’s apartment, Doo-shik told her to take his gun and asked her to pass his knife along to Joo-won.

By this time, Joo-won and Doo-shik have become trusted partners after completing numerous dangerous missions across the globe. They’re the kind of partners with their own codes and signals, so when Mi-hyun gave Joo-won the knife, he knew exactly what to do – it isn’t the first time he’s used that very knife to fish a bullet out of his arm. You’ve really got to trust your partner if you’re willing to shoot at your girlfriend based on a couple of vague clues to a plan.

Now having ensured no one will target Mi-hyun to find him, Doo-shik deposits Deputy Director Min in a tree outside the Blue House (ha!) and takes off. In the aftermath of this whole debacle, Deputy Director Min gets demoted and the agency loses its power. Mi-hyun transfers to another department, living a peaceful but lonely life. Her father died shortly after Doo-shik disappeared, so she has no one left.

Moving: Episodes 12-13 Jo In-sung, Han Hyo-joo

Mi-hyun looks for Doo-shik outside every window and frequently watches the sky, hoping for him to return. Then, on a snowy day, Mi-hyun turns around to find him standing behind her. Next thing you know, they’re doting (exhausted) parents living a normal life. That is, until little baby Bong-seok starts floating. They float-proof the house and keep Bong-seok out of sight, terrified he’ll be discovered. Worried that he’ll feel isolated as he grows up, they plan to move to the outskirts of Seoul when he’s older and run a restaurant.

One day, toddler Bong-seok sees a butterfly and chases it outside. Mi-hyun, always calm and calculated, completely panics when she can’t find him. Doo-shik has an idea and flies into the clouds, finding Bong-seok scared and crying with no way to get himself down. Doo-shik comforts him and brings him back home, exactly like in the memory dream Bong-seok has in the future.

Meanwhile, cockroach Deputy Director Min rises again, taking the position he holds in the present at the NIS. And he’s ready to bring back his old agents whether they like it or not. After Principal Jo (not a principal at the time) scouts the place out, Deputy Director Min sends dozens of agents to surround Mi-hyun and Doo-shik’s house in the middle of the night.

Mi-hyun is loath to let Doo-shik meet the agents head-on while she and Bong-seok escape, but their first priority is keeping Bong-seok safe. Doo-shik wants him to have an easier life than he’s had and reminds Mi-hyun to keep Bong-seok’s ability hidden no matter what. He promises to find them before going to fight the agents and buy his family time.

Doo-shik gets shot in the arm but still puts up a fight, including against Gye-do’s father (who has the electrical power). There’s no way he can take out 30 agents, but he holds out until he sees Mi-hyun drive away with Bong-seok. Then, he calmly lets the agents take him in once again. Thus begins Mi-hyun and Bong-seok’s new life without Doo-shik.

Now let’s circle back to catch up with Joo-won. When the agency goes under, he scrambles to get into another government department since losing his job could mean prison time. (He was granted immunity for his crimes in exchange for his service.) Joo-won isn’t built for stuffy office life, but he sticks it out for benefits like subsidized housing that he and Ji-hee depend on. Joo-won and Ji-hee are married and living well, but Ji-hee can tell Joo-won is struggling in his new job. She encourages him to do whatever makes him happy, content so long as they have each other.

Day by boring day passes for Joo-won at work until Deputy Director Min comes to see him and offers a return to the field. Joo-won misses feeling useful and being active, so he can’t say no. His first mission is to accompany soldiers searching for North Korean spies who have infiltrated the country.

Deputy Director Min is using this mission as a stepping stone to reassemble his superpowered team. There’s a rumor that the North has been training their very own supernatural team, which could serve as the justification he needs. He sends his hunting dog Principal Jo (although he’s still not a principal yet) along as well since he’s great at tracking people.

Cold and opportunistic Principal Jo and soft-hearted Joo-won immediately clash. Joo-won is horrified after he learns Principal Jo sent the soldiers knowingly into an ambush so the two of them could earn more accolades by saving the day. Joo-won rushes to save the soldiers and ends up fighting North Korean superpowered soldier PARK CHAN-IL (Jo Bok-rae). Like Gang-hoon, he has super speed and strength. After some tussling, Chan-il leaves with a Terminator-style “I’ll be back.”

Deputy Director Min now has proof that the North is indeed training supernaturals, so he assembles his second-generation Black Team (which includes the three supernaturals Frank murders in the present storyline). Joo-won, as only original member, is the team leader. His new role keeps him away on missions a lot, leaving Ji-hee lonely and scared he one day won’t make it home. Ji-hee has been trying to be supportive and holding a lot in, but she finally tells him she’d really like a baby. She’s been worried since she hasn’t yet gotten pregnant and breaks Joo-won’s heart when she cries that it feels like karma over “how I lived” (being a prostitute).

Next thing we know, they prove that flawed theory wrong and end up with little baby Hee-soo. Ji-hee is less lonely, and the three are a happy family. So of course, tragedy strikes. One day, Joo-won calls home before flying out for a mission. That’s when he gets the news about the accident that kills Ji-hee. Joo-won is devastated, barely even able to go into the funeral parlor. We end as he says goodbye to Ji-hee and vows to take care of Hee-soo.

Moving: Episodes 12-13 Ryu Seung-ryong

Everyone in this drama has their fair share of tragedy, but Joo-won truly can never catch a break. He spends all his time getting nearly killed over and over – they added grenade explosion to his survival repertoire this week – and when he finally finds someone who gives him joy and starts a family, he loses her.

Now as for Doo-shik, I’m going with him still being alive. I can’t see Deputy Director Min sacrificing one of his greatest superpowered assets, so I’m guessing Doo-shik has either been coerced into working for him or is on the run. Mi-hyun seems to still be waiting for him, seeing as she made sure to start that tonkatsu restaurant they talked about and named it after where they ate on their first date. It’s like a beacon to guide him to them in case he’s still alive.

If he is alive, now would be a great time to come back since all the kids are getting discovered and Frank has been murdering all the superpowered adults. I’d love to see Joo-won and Doo-shik as a team again, pettily squabbling yet remaining utterly loyal like brothers as they fight side-by-side to protect their kids.

Moving: Episodes 12-13 Jo In-sung

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Moving
The strangely named drama is moving my emotions. Be still my beating heart.
I thought I loved this show, but now I’m struggling to find a word stronger than Love.

EP 1-7: we get the backstory and we fall in love with adorable Bong-Seok and Hui-Soo. I didn’t think it was going to get better than this. I was hooked and already liking the show.

EP 8-9: It got better and this is when the show went from a strong Like to a Love. We get the absolutely breathtaking backstory of Bong-Seok’s parents Doo-Sik and Mi-Hyun. EPIC story. Phenomenally written, acted and directed. Absolutely jaw dropping.

EP 10-11: another tonal shift, but this time to an equally EPIC story with Hui-Soo’s parents Ju Won and Ji-Hee. This was full of action sequences - maybe a bit much as I was starting to miss Bong-Seok and Hui-Soo. I wished we got to know Ji-Hee a bit better as it was focused more on Ju-Won’s power. We got to see why he was the one to beat Frank.

EP 12-13: The Perfect Episodes. I thought the show wouldn’t succeed if it strayed away from Bong-Seok and Hui-Soo for too long. We saw none of the Bong-Hui couple and yet the show managed to turn it up one more notch. How the heck did it find another gear? I got my wish and we got so see a lot more of Ji-Hee. Ji-Hee is soo relatable and attracts soo much sympathy. I adore her. I love how we got to see a more human side of Ju-Won who was the complete opposite of his nickname “Monster.” We also got to see Ju-Won and Doo-Sik as partners. I love how Mi-Hyun is always wearing purple and there’s a purple lens tint in all of her scenes alone. I love how Doo-Sik uses a ladder to portray an ordinary life. These episodes were a masterpiece and I have to applaud all four of the “parents” as this was some of the most brilliantly acted and touching episodes ever.

Bravo👏🤌

I’m running out of superlatives as this show is now the absolute singular front runner for best Kdrama of 2023. The ambition of developing and portraying so many unique characters and doing everyone justice has been breath taking.

I’m already sad that we’re 13 episodes and over the 1/2 mark. We haven’t even seen a glimpse of Bong-Seok and Hui-Soo for the past 6 episodes!
I initially thought 20 episodes were too many episodes but now I realize that I never want this to end.

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👍 very well written... agree with each and every word you wrote. Initially I picked up the show for Go Youn Jung following her work after Alchemy of Souls 2. Perhaps it is the original webtoon's writer (Kang Full) working his magic but despite disparate storyline for each episode batch release we have been drawn further into the world of Moving (yes strange title). Looking forward to the backstory of Kim Sung Kyun and then the joint story of the parents and children.

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It's named "Moving", because prior to this webtoon, the author had another webtoon called "Timing" which was about characters who could manipulate time & foresee the future.

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Well, at least I don't need to worry when Joo-won walks across a street.

Anybody else think it's "interesting" that the N.K. super-agent seems to have the same powers as Gang-hoon? Is there something there that might help explain his sunny personality??

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Joo-Won >>> White truck of doom

The White Truck of Doom has finally met his match.

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It made me think that his father is a NK defector. That is why the NK reacted when they saw that video. He must be one of their top agents.

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Ah, this seems incredibly plausible. I’ve been wondering why we’ve not been paying as much attention to (what is clearly going to be) the sad backstory of Gang-hoon’s dad as we have to the families of the other two apexes of our teen love triangle.

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US: More of Doo-shik and Mi-hyun, please!
MOVING: Be careful what you wish for.

I'm almost afraid to wish for more of the kids now.

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‘…cockroach Deputy Director Min’; I laughed and admired how well your description suited the character!
Moving, achingly poignant … that’s what I feel for the entire series ..

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Thank you, @quirkycase, for the weecap! I haven't seen these last two episodes yet but your weecaps keep me informed. Now I know why Mi-hyun is so protective of Bong-seok and like what she said before: I don't want you to turn up like your father! After that, I thought Doo-shik has passed. I'm so glad he wasn't.

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One of the most poignant moments in the show was Doo-shik pausing to look at his son when he realized Bong-seok had inherited his superpowers. Beautifully done.

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These 2 ep are so Moving. So sad, when I thought it couldn't be sadder. 😭😭😭
But I laughed when they didn't give Joo-won parachute, just drop him from sky, knowing he won't die anyway 🤣. And I wonder how to kill someone like him? Not that I want him to die. But the prospect of living forever scares the heck of me.

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Frank had the same powers as Joo-won. It seems Minki's hunch that a big hole in head would kill him, which was similar to how Joo-won Killed Frank, was right.

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i don't want this drama to end!! every episode gets better and better... such a fabulous ensemble cast, such a great story...

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So where the hell is Doo Shik? He wad captured but not killed, no wonder Mi Hyun says nothing. The poor woman is heartbroken. As for Joo Won, what an insane Teddy Bear of a man, his sobbing journey to the funeral hall was so sad, I just wanted to give him a hug. We have 7 episodes left, there is so much story to tell.

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Yeah, Joo-won sobbing with his back to the camera was already heartbreaking (how can a person's back be so sad?!). When his face was shown, oof. No words, just tears.

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Your @ name is WONDERFUL!!!

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Haha thank you 😊😅

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Doo Shik is still alive somewhere. I am waiting for him to be reunited with his family and Joo Won. Bong Seokie needs his Dad now as he tries to control his superpowers. Also need more Mi Hyun and Doo Shik.
Joo Won's scene at the funeral parlor was absolutely heartbreaking.
While baby Bong Seok and baby Hee Soo are adorable, I hope we get back to the present time next week to know what is happening.
I

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I had to watch part of the episode including the funeral parlor scene on silence. (Don't ask.) And even without the volume, it was so very moving. Perhaps even more so than with volume? Well done.

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It was more so with the audio and bgm. RSR gave his all in that scene.

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The wailing is too much to bear.

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It seems from the memories that even if his dad didn't want him to be found out, he also wanted him to fly. He is more reckless, she is more calculating. I don't mean "like a villain" ... you can call her "levelheaded", if you want. Or something similar that includes the notion of being afraid when there is a reason for it. Cautious, maybe.

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Yes she is more cautious since she wants to ensure the safety of their child.

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Both parents wanted that, they were just on different levels of cautiousness.
She was always the one who put more emphasis on the practical side of matters, and he just love doing things with bravour.
Apart from that, of course it will have been terrifying for her to be alone with a boy that could end up unreachable somewhere at the edge of the stratosphere and she would be unable to help him. Also, while she would be early aware of someone approaching, she would not by herself be able to quickly grab the boy and flee (but in the time they lived far away from others, maybe she could have trained that with him).
Anyways, I am not blaming her at all, but with both parents maybe Bong-seok would have achieved a better balance between flying and fleeing.

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She wouldnt have been able to train him since her husband is not around to teach how the power works.
Yes no one is blaming her. She is doing what she thinks is best given the situation.

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So what is Lee Jae-Man's backstory, the father of Kang-Hoon. It looks like father and son are strong (fast, jump high, etc.).

I'm little confused with their powers.

Joo-Won seemed running very fast during the attack, but is it his power to regenerate? Not being strong or is it both? Kang-hoon didn't seem to regenerate like Hee-Soo.

Mi-Hyun and Do-Shik know their son can fly but did they ever think about his earing? A baby with super earing could be very sensitive and cry more often...

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My assumption per your last paragraph is neither of them thought he got his mother's powers because his floating was the scarier one for a growing boy. However it seems he does have heightened senses like his mom, but she doesn't realize it.

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They didn't really develop this side. I remember the scene when he was in his bed and could describe what her mother was cooking by the noises.

But it's weird they never adressed it, like she didn't think it was a possibility?

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It is weird. That is so funny you mention that scene, because I realize it didn't occur to me until much later that he had heightened senses. I realized it when Hui Soo called him during exam time and he zoomed in on her, but you are correct they pointed it out way early in episode 1 I believe that scene was in. Maybe Min Hyun didn't think about it. All the scenes of her worrying about him are of him floating away, so it probably hasn't occurred to her at all. It would have have solved Frank knowing about BongSeok if she could have just whispered for him to stay away.

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They have communicating issues what is pretty funny given their power :p

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No battery 🔋 No probelm

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My take is that Mi Hyun doesn’t want to develop the son’s special abilities - suppressing rather than growing them. The parents do not want people know about it at all costs for obvious reasons.

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@PYC, that makes sense for his dad's abilities, but not hers. It is easy to hide hers and for her. his safety was paramount, so heightened senses would keep him safe. I can understand not developing it for him as a child, but as soon as he is a teenager, developing those senses so he sees, hears, or smells danger is paramount.

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There is nothing as to how the older generation have grown up, if their parents were completely surprised by their abilities.
It reminds me of "Wolf Children", a beautiful and heartbreaking anime about having werewolf twins.

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Jae-Man and Kang Hoon - super strength and speed

Joo-won and Hee-Soo - regeneration, and they're maybe a bit stronger than regular people, but not as strong as Kang-hoon. Hee-soo lifted that huge rock she placed on Bong-Seok's lap quite easily.

Bong-Seok - definitely got his mom's powers, but they don't realize it as it needs to be intentionally activated, unlike the floating ability. Aside from the clues shown in the present timeline, his parents talked about how he was still very sensitive at 200 days old (not sleeping and crying all the time). Perhaps then it was on all the time.

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What I loved about this pair of episodes was how they focused so intently on the complex and different stories of these two families as they decided to have children…and, eventually, how they began to confront the ways that they would have to raise these children, given their supernatural capacities.

For Doo-shik and Mi-hyun, once they became a couple (once he "came in from the cold," so to speak), it seemed simply assumed that they'd have a child and that child indeed arrived easily. They were not shown thinking through how that child would or would not inherit some or all of both of their superpowers, they just went ahead with it because, of course, children! Bong-seok then arrives, and we see how he is loved (oh) so dearly.

But for Ju-won and Ji-hee, children apparently were not so assumed, and not so easily created. Their relationship is different from Doo-shik and Mi-hyun’s: not only is it not made up of two people who both have superpowers, but these two are also much more verbal about how ambivalent they are about their own past compromised behaviors, whether they were driven by his superpowers or her desperation. Ji-hee wants children desperately and works towards that goal on her own for years. It seems that this is both because she is lonely, but also because she wants to share something viscerally necessary with her extraordinary Ju-won—she wants to create a child with him and to share something directly with him. Once she expresses this desire to him (which it seems he never had on his own), he easily gets it—what a guy, not a monster!—and we get to meet young Hui-soo. She, too, is loved (oh) so dearly.
[…]

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[…] I find myself then alsosimply enthralled by the variations in attitudes that, once the children have arrived, the parents of the two families display towards the eventual reveal of their children's powers and how they should be reared.

Doo-shik, when he decides he needs to separate from his family for their safety, enjoins Mi-hyun to hide Bong-seok's abilities at all costs so that the son doesn't have to live the way his father lived. It is heartbreaking to see how used and betrayed Doo-shik feels by his agency and his country. He didn't ask for these powers, after all, but he is now responsible for passing them on to Bong-seok. And his clear and unshakeable conviction is that they must hide his son’s extraordinariness, because his difference is closer to a curse than a gift. Mi-hyun certainly takes him at his word and does just this, as we have seen. She teaches Bong-seok every day that he has to fight his natural desire/capacity to feel the lightness of his emotions.

Ji-hee, on the other hand, during the conversations that she and Ju-won had about wanting to try to conceive Hui-soo, was simply so thrilled to think that she could co-create a daughter—she always wanted a daughter—who would share her father's invincibility. Once Ji-hee dies, though, it appears to have been Ju-won who unilaterally decided to hide Hui-soo's capacities both from the world, and...from her. We might assume it is for the same reasons that Doo-shik expressed, and that is very possible. But this also means that Hui-soo grew up with a father who was wholly dedicated to her safety and protection (she says this quite clearly in earlier episodes), but who actually needn't have really done that at all, as she is just as invincible as he. What she didn't have was her mother--someone who would have been thrilled every day to see what her daughter could accomplish, someone who would have been amazed and proud of her abilities.
[…]

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What she didn't have either was the naivity of her father; his experience of the world was to be misused and let down.
He did better when he was united with the sharp wit of his wife, and Hui-soo had that, too. Even if she didn't do well in school (except for PE), she was clearly a smart girl.

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[…]
Both of these children were then smothered and/or held back--kind-heartedly, and with their best interests at heart--but smothered and held back from what they could really do. They now clearly need to be encouraged to fly (literally in one case!!).

But who is there to help them with that? To reflect something @jillian has said above, Bong-seok needs his dad, sure...and I bet he’ll show up. But Hee-soo also needs her mom, who clearly loved her so, so very much and who could offer her a different take on her abilities. This latter relationship will never be possible, and right now, here at the end of Episode 12, that is what I find myself centering in my experience of the show, and what I find truly heartbreaking.

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This writeup made me tear up, this is so well said. Yes to everything you said!!!

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Thank you, my friend. If I’m to be honest, I was crying by the time I was done too.

Moving, with all of its flaws, is so, so very poignant (this is me trying not to use the adjective “moving.” 🥹). It might even be the case, as I started to wonder last week, if the outrageously exaggerated violence is there to hide and/or distract us from these very heightened emotions, so that we perhaps stop feeling anything but fear and disgust for while…just in time for us, again, to be “hit back over the heart” with more affective force in these quieter times. So, we are toggling between both a physical and an emotional violent intensity.

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I actual think they are trying to ground the show in some sort of realism because unfortunately if overpowered people existed this would be the kind of thing happening with governments using them and insane amounts of violence. The family stuff I think is to show they are human at the end of the day with human things and feelings, no matter how super-powered.

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I thought several times that this show was *clearly* moving.
Or touching, but that would have had the wrong connotations.

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I thought a lot about the government misuse - and it is extreme in that it is for their whole lives, but at the same time, in a way being called in for military duty just takes someone else's body and time, and mind to a degree, in somewhat the same way. If you are drafted, sent to war, and dies, it doesn't matter so much whether you could fly or hear the flutter of a butterfly before the fact.

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I was, of course, terribly moved. (It's near midnight. I have no energy for the thesaurus.)

Only one thing triggered by your comment. Ji-hee was so kick ass in the early episodes, as her daughter will be too. What happened to her after her marriage? It seemed to have erased all her fire. Guilt from her past, not having children? I didn't quite buy it.

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Hmm. Well, I certainly don’t need to persuade you to “buy it” if you aren’t inclined. However, I guess it is my stance that Ji-hee didn’t really want to be a highly-defended prostitute with a chip on her shoulder. She wanted to be accepted/acceptable, and for better or for worse, that means a stay-at-home wife and mother in this context.

You’ve got me wondering now—I don’t know why I made this leap, but I did—if we’re going to eventually find out who was driving the white truck of doom caused the car crash that killed her.

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Ji-hee's fire didn't seem diminished to me at all, just changed color. Yes she was weighed down by her guilt from her past and her belief from the start that she doesn't deserve love (the way she didn't believe at first that Joo-won would pay a ticket just to talk), but her strength showed through when she encouraged Joo-Won to do what he wants. She knew it was going to be difficult, but she still pushed him.

Plus, I think she guided him home everyday... she was always there when he got off the bus from work.

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Ah well, perhaps it’s just me who found the arc of the “fallen women” lacking.

Also, I did wonder about the accident as well. What a cruel way to test if the second generation had the same generative abilities. And not beyond that agency at all.

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@Iindyfan
Andwae (screaming loudly) ... but I guess your suspicion about the agency is not misplaced. Sigh ... can't bear to see / hear Joo woon's reaction to that.

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@indyfan
joesonghamnida ... sorry I couldn't correct the auto-correct earlier.

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@seeker No worries. Don't we all have mistakes in our comments and wish for an editing feature.

I make a lot of typos, and they used to kill me at first but a 1,000 comments later...🤷🏽‍♀️

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The bliss of marrying a good man in Jun Woo was something that Jin Hee would not even have dreamed of. Her becoming a good wife (and mother) is the utmost priority - we don’t get to see her day-to-day life but I can picture her fiery and energy in market bargaining and cooking up a storm for her hubby.

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Two more strong, but tough episodes.

Nice to see the family life of the parental units, but bliss can only last so long in k-dramas.

Joo-won wailing at the end of episode 13 for his dear loved one was very heartbreaking. The actor, Ryoo Seung-ryong, was outstanding during these last scenes, and had me totally believing he was mourning the loss of his loved one. Well done.

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I had goosebumps all over and was shaking at the end of ep 13 … we all knew it was coming but seeing his visceral reaction was like a punch in the solar plexus. Kudos to the actor but very very very hard to watch.
Korean dramas do grief very well … Jin Ki-joo‘s reaction in Perfect Stranger was powerful but Ryu Seung-ryong … oooff … I’m getting goosebumps even now.

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Same. If you'd told me an actor could play a scene where he struggles to pull on his trousers and falls down and I would cry instead of laughing, I wouldn't have believed you. He makes the most improbable situations truly moving.

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Yeah, the trousers scene - in a drama consisting of "best moments", this was one of the "best best moments".

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Ahh maybe he will die if he is beheaded, or he can also grow a new head 😂. And I still Frank will resurrect

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I have wondered if he was parted in two parts that were important enough, if they would both grow a new half of him?

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everything hurts I wont ever be able to recover

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Hmmm,

I find the insertion of Juwon and his story arc really brings out the flaws in the focus balancing of Moving.

Focus balancing is when there are plots and subplots and the editors , directors et al balance them .i.e - the main plot has the adequate focus that a main plot should have and a sub plot is noticeably sub to a main plot.

Now , Moving understandably has a holistic take on the anthology and all plots are actually main plots but I can't shake the feeling that there are plots that are better done and in hindsight ,too consummate to be a parallel to Juwon i.e the kids and Bong Seok's parents.

The fact that my emotional desires set up by the balancing of the show are being fulfilled elsewhere makes me find Juwon's plot , I hate to say it , tiresome.

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I'm really loving this show but there is one thing I don't understand. Maybe I missed it but does anyone know why the Deputy Director framed Doo-Shik in the North Korea assassination? What was his plan and why did Doo-Shik have to run after completing that mission?

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"It’s like a beacon to guide him to them in case he’s still alive."
The more so for actually having a shining sign as high on the building as possible.
There's a rare family name in Denmark; Ryk-ind meaning "Get in". This stem from a forefather owning an inn by that name (an inn in Danish is called a kro , so no pun there) .
Mi-Hyun's restaurant might as well be called "Come Home!".
( Danish stuff @enriquequierecagar @turtuallySarcastic )

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