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Unlock the Boss: Episodes 11-12 (Final)

Our team enacts a plan to bring their adversaries to justice once and for all — one that’ll take bravery, cunning, teamwork, luck, and a bit of technological “magic” to pull off. Ready? Action!

 
EPISODES 11-12 WEECAP

We start with the sad news: Ma-pi is dead (*sob*), still clutching the choco pie he bought for Min-ah. They hold a private funeral for him in the woods, and In-sung makes sure to get Ma-pi’s real name, Jang Ju-seong, inscribed on the headstone. They also continue to make a point of referring to him by that name, though of course he’ll always be Uncle Mafia to Min-ah.

Later, In-sung is approached by DETECTIVE CHOI (Han Ji-sang), who’s dying to pick his brain on all things Bumyoung Group. Considering this is the same guy who handled Sam-soo’s case, In-sung isn’t eager to cooperate. But Detective Choi sets him straight: the person in Young-geun’s pocket is his superior. Detective Choi, on the other hand, is doing everything he can to bring down both Young-geun and Mi-ran.

The next person of interest to investigate is Min-ah’s nanny, but it turns out her only suspicious activity was selling off old clothes and toys that Min-ah’s outgrown. Instead, Mi-ran’s mole in Sun-joo’s household is the butler, manipulated by Mi-ran dangling his son’s career over his head.

With said mole identified, it’s time to set a trap to find and rescue Sun-joo’s unconscious body. In-sung announces the “completion” of BARO 4.0 and negotiates an exchange with Mi-ran: the program for Sun-joo. Of course, neither side trusts the other to just give them what they want. In-sung and Se-yeon bring a police escort to the rendezvous, and Wi-je clears out all evidence and kidnaps In-sung and Se-yeon while the police search the now-empty building.

They’re taken to the building that houses the BARO 4.0 servers, where both parties move forward with the hostage-for-AI-program exchange. Se-yeon hands over the USB, and Wi-je points them to the truck where Sun-joo’s body still rests in its gurney. Se-yeon hops in the driver’s seat, but before In-sung can join her, he comes face-to-face with Wi-je’s gun again. Through their earpieces, In-sung begs Se-yeon to leave without him, and Sun-joo agrees it’s the best she can do. Wi-je makes it clear In-sung will die if she leaves, but if she stays, they both will.

Se-yeon chooses neither option. In a stroke of brilliance, she summons her inner Truck of Doom and floors it backwards, straight toward Wi-je and In-sung. On Sun-joo’s signal, In-sung drops to the ground. The truck passes harmlessly over him, clips Wi-je on the arm, and crashes into the BARO 4.0 servers. In-sung and Se-yeon make their escape with Sun-joo’s body, but as the servers catch fire, Sun-joo’s voice on the phone starts to glitch.

Realizing what this means, In-sung slowly and sadly switches off the phone’s BARO interface. The ensuing silence confirms his suspicion: Sun-joo’s soul was never inside the phone — all along, they’ve been communicating with an AI version of him created by BARO 4.0’s data.

They’ve only recently explained to Min-ah that her father is inside his cell phone, so they fall back on the old excuse that he’s too busy with work to talk to her while they figure out what to do now. Ultimately, they decide to continue with the plan to take down Mi-ran, since not even recovering Sun-joo is evidence enough that she tried to kill him, especially after she makes Wi-je turn himself in and blame everything on Young-geun.

Their plan has multiple stages. Stage 1 was announcing the completion of BARO 4.0 and handing over the files, which AI Sun-joo infected with a bug that’ll surface later. Stage 2 is finding Wi-je’s weakness (Mi-ran preyed on his loyalty, engineering for him to take the fall for a military superior so she could swoop in and “save” him) and convincing him to give up evidence of Mi-ran’s crimes. This stage also requires Hyun-ho to channel his inner Yoo Ah-in to convince the hospital director he’s one of Mi-ran’s cronies so he’ll hand over the evidence. Then Detective Choi nabs the actual minion sent to kill the director.

As for Stage 3, In-sung doesn’t interfere as Mi-ran prepares to launch her self-driving car with BARO 4.0 tech. But he does show up at the launch to ask in front of all the reporters if the car is safe. Taking the microphone from her hand (so smooth!), he invites her to join him inside the car for its test run.

That’s where AI Sun-joo’s bug comes in. Mid-test drive, the car takes off on its own, running a red light and heading away from its programmed destination. Since the test drive is being livestreamed via a built-in camera, Mi-ran tries her best to pretend everything is under control while In-sung calmly tells the world that she pushed the launch through despite Sun-joo’s warning that it wasn’t safe.

The police corral the car, but as soon as In-sung steps out, Mi-ran slams the door shut and sends it speeding away. But in a fabulous bit of technological trickery, the windows become screens that make her believe she’s escaped to a helipad when in fact she’s been delivered to the police station. For the final nail in her coffin, Sun-joo’s butler steps forward to turn himself in and incriminate her. In-sung makes sure everyone knows the names of each person she’s killed, including Ju-seong/Ma-pi.

Mission complete, AI Sun-joo decides it’s time for him to sign off. They break the news (and the truth) to Min-ah as gently as possible, but both she and In-sung are devastated as they watch AI Sun-joo trigger his own uninstallment from the phone.

One year later, Mi-ran rots in prison and Bumyoung Group goes down the drain while In-sung flourishes in his natural habitat — he’s gotten back into acting with Hyun-ho as his manager. In-sung and Se-yeon make their relationship official, and who should pipe up to interrupt their beach date but AI Sun-joo (aww he’s back)! The real Sun-joo is still unconscious, but when Min-ah pops by his room for a quick goodbye on her way to visit Ma-pi’s grave, his eyelids flutter.

If I could add one thing to this finale (aside from letting Ma-pi live), I’d love to see Sun-joo actually wake up and acknowledge everything In-sung and team have done for him. But we were given enough hints to suggest that might happen next, so in my head that is what happens.

While I’m not 100% sure I understand what Unlock the Boss was trying to say about technology, I think a lot of it boils down to that conversation In-sung and his mom had about his dad’s old car. Objects — hi-tech or otherwise — can’t and shouldn’t replace people. But when we pour some of our own souls into them, they can become something beautiful and meaningful. Like AI Sun-joo, initially driven solely by cold logic, learned from In-sung’s warmth and emotional intelligence. Whether he can be considered a person is a whole different question, but he was definitely a dynamic character within the show, so I’m glad he got his happy ending, too.

 
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@mistyisles Wonderful summary of what I agree is the show's theme. While the A.I. appeared to be calling the shots, time after time it was in fact it was In-Sung and Se-yeon making the decisions. Even the "wisdom" of the A.I. in deleting itself not to confuse the daughter was anticipated by Se-yeon, already telling Min-ah the truth.

I actually thought this show was perfect light entertainment--intrigue, action, romance and yet actually pretty thought provoking. Its message, as @mistyisles captured it, is actually an excellent take on the issues that are being covered daily with the controversies surrounding chat-gpt. I'm just sorry that the show didn't get more attention, but thanks for discussion on Dramabeans!

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I like and fully agree with your statement: "I actually thought this show was perfect light entertainment--intrigue, action, romance and yet actually pretty thought provoking. "

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The revelation that the final car ride was actually a virtual-reality illusion was just fabulous. I have no idea what the rest of that ending was because I was completely distracted during the last 10 minutes by all the callbacks to Alchemy of Souls - from Im Chul-soo making a cameo saying he had switched souls to the leads quoting Wook/Naksu dialogue to setting up a parallel "remembering a past life" scene. What the heck? I mean, it was funny but totally out of place. Was it making the point that any convincing magic is actually advanced technology at work?

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What happened to Silver Lining and all its employees In-sung fought to save?
What is Se-yeon doing with her life besides snarking at In-sung?
What happened to the butler? Was he really guilty of any crime?
Why is Baro 4.0 back? What's it good for now? Is it just to keep Min-ah company?
How are they paying the bills?

I really enjoyed this and found it funny and thought-provoking, but I have SO MANY QUESTIONS.

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Sooo many questions and no real answers. I'm very unsatisfied here.

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If I was to rewrite this, it would have In-Sung spurn a return to actual acting and remain as acting CEO, re-employing BARO-4.0 as a wise-guy companion or, alternatively, an AI-CGI creator for fantasy shows. That would really have blurred the lines between reality and illusion. But I think they were determined to drive home the point about the proper relationship between humanity and technology, and also, the writers were trying to keep it light.

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For a while this show had me wondering if that butler might actually be a good guy. Should have had more faith in the power of kdrama typecasting.

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Little known fact: 85.732% of kdramas are actually written by Baro 2.0 while the official writers are unconscious and v 3.0 is off on vacation in Tahiti.

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While the butler did some of it, Miss Scarlett actually employed Colonel Mustard to do the murders. (I hope you've played Clue--otherwise this comment will seem nonsensical which would be completely out of character for me!)

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I just felt a little emotional disconnect when I expected a more "angry" or "emotional" reaction from In-Sung and Se-yeon to fuel their determination to catch the bad guys. Some form of outpouring of grief and anguish for his death after they had grown close to one another as a tag team, and to then channelling these emotions into action. But their muted emotional response made me feel as if Ma-pi did not emotionally mean more to them than what the scriptwriting told me to feel.

But otherwise I enjoyed the light-hearted entertainment provided by this drama, particularly all the little warm-hearted moments.

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I think that's a fair criticism of the way In-seong was written, but not as much Se-yeon. Her relationship with Ju-seong was always a fraught one, and even though it was improving it still wasn't a friendship by the end. She even had a moment where she acknowledged that other people might have found him a good person, which sort of implied to me that she understood how others could feel that way, but was not at that point herself. I really liked their realistic depiction of her complicated feelings about his death.

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If I can hazard a guess, I think what the show is saying is that we need technology to remain technology. Once it crosses that line into imitating humanity than it loses its functionality.

What interested me about this show was the implication in that position - that we see technology as essentially a slave and we're scared that at some point it will start acting like it's not a slave.

Technology that can think for itself is therefore not just terrifying in an existential sense. It's terrifying in a pragmatic sense. Because it stops being useful.

Of course with Korea's technology optimism, the AI basically bowed out conceding that a real person was better. But imagine for a moment that it didn't...

Anyway, despite a really rocky start I enjoyed this show a great deal. At least until the ending, which I found unsatisfying. I'm left with a lot of questions about very basic things like - does the company still exist and who is running it? And those are questions a finale should answer.

But overall, this turned out to be much more enjoyable than I had originally thought it would be.

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Alternatively, again taking off on @mistyisles summary, the show might be saying we need the humans creating and running the technology to be sympathetic and considerate of others. When Sun-Joo creates the technology with his "driven" mindset, the bug (it thinking for itself, choosing the shortest route, consequences be damned) is deadly. When In-Sung gets a hold of it, the bug turns the AI sympathetic.
Now, I'm not in total agreement with techno-optimism, but I do think this is an appropriate message for AI creators!

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Or for a counterpoint, the Baro 4.0 self-driving car AI was considered to be flawed. Not because it hit kids or accelerated out of control (to use completely imaginary and not at all real-life examples from a certain company) but because it showed autonomy.

That autonomy was then the reason it could completely and convincingly impersonate another person. And I think the show came down really strongly on the side of that not being a preferred option for technology.

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I did successfully finish this while multitasking. I really don't care about the company shenanigans, I just feel sad for the little girl has to have her dad brain dead since 6 y.o with no mother and any close family member 🥲.
Anyway who then run the company at the end?
As for people who are not a people person, AI really offers great relief for the future ha ha
I really want all the AI that K drama has offered from AI speaker in Start up to Baro in Unlock the Boss to be happen 🫠

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For me, the message the drama wants to convey about technology isn't clear but thanks to @mistyisles's interpretation as well as fellow beanies, I got a better understanding of it.
The ending was bittersweet for me since they chose to kill Mapi which was entirely unnecessary for the plot. I liked that the drama didn't sideline him as a thug who was there to bring the leads together so why after this great arc of redemption, kill that interesting character? Writers please enough with what seems like last-minute decisions for sake of shock and ratings as it leaves us infuriated instead.
I wanted to see Sun-joo wake up and apologize to Min-ah for being busy all the time and making her his top priority. Maybe also some bromance between him and In-seung but we got nothing on that note.
Overall, it was a good watch but still, it could have been better.

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I'd prefer if In-seong remained as acting CEO or Sun-joo took back the reins of Silver Lining or at least a professional is employed to pilot the company. The fate of the company, leaving it with a head is not open ended, it's irresponsible to those who work the day and night for the company.
In-seong becoming an actor doesn't sit well either. Was that the only way he could find satisfying happiness? It's seems irresponsible to me with the kind of ambiguous uncertain stakes he was leaving Silver Lining in.
I understand the need to take a break or exit a particular aspect of life that seems to suck life out of us. But I do not encourage it when it is done without putting things in place.

I like what I watched. But I'm very unsatisfied with the way things went.

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I don't think there is any indication that In-seong just dropped his leadership role immediately, and I'm sure he felt the responsibility of it too much to just walk out of the company the minute the plan succeeded. I think it's reasonable to wonder what happened to Silver Lining after that, but my assumption was that he probably stuck around until they could find someone else, likely a professional manager or someone lower down in the company, to take over until such time as Seon-joo would recover and be ready to step back in.

I really love the fact that he went back to acting. He was always clear about that being his dream, and every time he had to do something uncomfortable in the President position, he would treat it as an acting job. I don't think it's that he found the Silver Lining job terrible, but it wasn't what he wanted to do and I was elated that he found a way back to his own aspirations.

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I absolutely *LOVE* allusions and callbacks so I was absolutely giddy when Im Chul Soo appeared and referenced 3 of his roles (does anyone know which role/drama involved him being an insurance salesman?)

I liked that this had a happy ending. Even though I was curious what happened with Silver Linings after In Seong stopped being the president but it wasn't enough to gnaw at me or for me to feel unsatisfied. Same with AI Sun Joo's return; I just figured the AI got swayed by Min Ah's crying and everyone just decided to be as honest as possible about things: he's an AI but he can still give her time and conversation which is more than the real Sun Joo did. Min Ah even said there was no difference considering he wasn't around, claimed being busy, and just told her to use technology.

All I could think when Young Geun walked into the ocean, all I could think was "if only he had teamed up with In Seong, when In Seong tried to get her removed from her position in the first place rather than betray him, would things have reached this point?" But then again, didn't want him get the company either and he did try to ruin In Seong so I didn't feel about his loss either.

Overall, I just thought this was an interesting premise and I'm glad for the happy ending.

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(does anyone know which role/drama involved him being an insurance salesman?)

That was Crash Landing on You. He was the agent who had issued a policy on Se-ri's life and tried hard to prove she was still alive.

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Thank you haha

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I think there was a moment, right before the time jump, that the uninstall status bar froze somewhere in the 80 range. I couldn't be sure if they froze the frame before the transition or if that was the AI freezing and undoing the uninstall, but I leaned toward the latter option. And that would mean that Min-ah's crying probably did influence it.

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I really enjoyed the show despite the many questions in the end. I am glad In Sung and Se Yeon are doing well. I am glad SE Yeon has people around her. I am hope they are still keeping in contact with Mi Nah.

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That Im Chul-soo cameo made my life. I had to pause so that I could stop laughing and collect myself before I moved on. And! It was a rare instance of my having seen all three dramas that he was referencing. Is this how well-watched Beanies feel all the time? It’s amazing.

I loved this but as ever, I wanted a little more time at the end to wrap up. I’m so glad that In-seong was able to return to acting (maybe his fame as president helped him overcome that waste-of-space-director?) but I wanted to know what happened with Se-yeon’s career too. Did they keep in close contact with Min-ah? I’m guessing yes, but I wanted to see our beloved found family having a meal or something at the end. I respect the show’s preference not to wrap everything up too perfectly - Se-yeon’s mom is still comatose, but now she has reliable people to watch over her and hang out with her, Seon-joo has similarly been unconscious during this time, but signs point to him waking up any minute. But I also did want to explore what real Seon-joo would think of everything that went down while he was unconscious/held hostage. Would he come around the same way the AI version of him did? Would it take him time to adjust to the idea that these people have been acting for him? Is this really what he intended to happen, or was that guess a bit off?

Still though, I really enjoyed this drama. In-seong is one of the best drama heroes I’ve seen in a while and I hope we see more like him (although there will be few-to-none who have as great a smile), and I loved Se-yeon’s journey from cold and untrusting into warmth and acceptance of help. I also loved our AI’s journey into recognizing the value of “nosiness” and supposedly superfluous acts of kindness and therefore recognizing the value of In-seong.

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Is the drama good or worth to binge? Chae Jong Hyeop is okay? I am still in scarred after his Sisyphus performance. He seems escalating super quick in stardom and already being cast in new project.

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Chae Jong-hyeop is always okay. 😆 I don't know on other type of role, but the type of role he is playing in Unlocked the Boss is perfect for him, the young and carefree character. I love his fresh and effervescent voice

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A reunion with Park Eun-Bin could be nice!

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I thought he already get the spot with PEB. Plus another drama with Kim So Hyun.....he must be good then for landing many project. Hmmm, interesting

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They said he got the script but it's all for PEB's drama.

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I thought he was great. The show is an easy, enjoyable watch. It has both more and less depth than one might want, but it hangs together well and features enough humor, romance, and suspense to keep things interesting.

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This drama joined the list of Sci-fi Kdramas that didn't know how ending their story in a good way... I thought it will be a comedy, so I didn't care about the fact it was a sci-fi, but they decided to make it serious and completely failed... To be honest, I didn't really follow the scheming part, so the ex-soldat or butler's motives are still not clear.

They killed Ma-Pi to add a new cop from nowhere to be the muscles. It was weird. I missed him.

In-Seong is happy, I guess it's enough.

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I really enjoyed this and thought the child actor was adorable. Course Chae Jong-hyeop fits this category too. And, I liked the actors a lot. It was so fun to see Kim Sung-oh as a soft heart cause he really scared me in one of his roles. The title fails me but a snake remains in my memory.

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Does this have enough romance to make someone like me, who only watches dramas if they have romance in them, happy? I didn't watch it because I didn't think there'd be any, but now I see I was wrong.

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There's barely any - a couple of scenes with the leads interacting romantically, and a few more where they're feeling awkward about it. It fits nicely into the story but is definitely not the main focus.

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If you look for drama with romance as main focus, this isn't it. Too much time spending on company power struggle that's not that interesting, at least for me.
But can I recommend you drama focus in romance, if you have not watched it yet, with Chae Jong-hyeop in it which is Love All Play? I enthrone him as The Prince of cheesy jokes from that drama 😅

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Yeah, I still need to watch that one! It just came to Hulu in the US, I think.

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The show could have used an extra 15 minutes to answer some questions and I wonder why they did not do just that when other sillier and totally overrated shows would average 1.5 hours without plot movement.

That said, this was still an enjoyable watch for me, the corporate struggle was the trigger for the story so I did not mind it. In fact, without it, there would be no reason for the protagonists to band together.

As to who is running the company, I thought it would naturally be the acting CEO who temporarily took over from In Seong when he was dismissed. And in fact, it would be the natural succession if the company was run like a non family owned organization - i.e. the most senior and qualified takes over. In Seong's heart may be in the right place but he was under qualified and not trained to run an actual company.

Debates about the ethics of AI is a slippery slope but at least the show tried to handle it simply without being preachy and heavy handed.

Overall, a fine watch. Pity this did not get high ratings in SK.

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Since the ending to Unlock My Boss seems to have left everyone (including me) unsatisfied, I decided to have a go at crafting my own ending starting from ep 11:

In Seong calls 119 and the paramedics are able to save Mapi. Mapi has put a tracker on Seon Ju's hospital gurney so they are able to track his location.
Blah, blah, blah... stuff happens and Oh Mi Ran gets arrested thanks to In Seong, Se Yeon, Mapi, and AI Seon Ju's teamwork.

Two years later, In Seong, Se Yeon, Nanny, and Mapi take Min Ah camping for her birthday. They light the candles and sing Happy Birthday. Minah blows out the candles and makes a wish. As she opens her eyes, she hears footsteps approaching the campsite. A shadowy figure approaches the fire. As the firelight flits across his face, Minah's eyes light up and she shouts in delight "Daddy!"

Two months ago:
Kim Seon Ju woke up in a strange room. What time is it? Had his alarm not gone off? It was broad daylight. He should have been at work hours ago. Who was this guy sitting by his bed?
"Boss! You're awake!" the young man cried. Boss? He didn't remember hiring this kid.
"Allow me to introduce myself. I'm Park In Seong."
"Who are you, Park In Seong?"
"Well, sir, I've been taking care of the company while you've been... in a coma."
"Coma? How long have I been in a coma?"
"About two years, sir."
"TWO YEARS?!?"
"Yes, sir."
"And /you've/ been running my company? How did you end up doing that?"
"Well, sir, that's kind of a funny story..."
Seon Ju didn't speak but somehow he heard his own voice.
"Yes, it's rather a long story too. Shall I call Se Yeon so the three of us can explain together?"

In Seong, Se Yeon, and AI Seon Ju explain everything that happened to real Seon Ju. Seon Ju watches all the videos of Minah's interactions with AI Seon Ju over the past two years so he can see what he missed.

Seon Ju decides to surprise Minah by showing up to her birthday party in perfect health. He receives rigorous physical therapy for two months to prepare for the big day.

Minah's birthday:
Montage of fun camping scenes: making smores, telling scary stories around the campfire, singing songs, etc.

Epilogue:
Seon Ju returns to his rightful place as the president of Silver Linings.
Seon Ju hires Mapi as Minah's personal bodyguard.
In Seong returns to acting and becomes very successful.
Se Yeon continues as Seon Ju's secretary.
In Seong and Se Yeon get engaged and ask Minah to be the flower girl at their wedding.

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I just watched this little gem and I'm so sad about Uncle Mapi :(

I'm also in danger of falling into a Chae Jong-hyeop-shaped rabbit-hole.

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The AI kept reminding me of KITT from Knight Rider. Too bad there was no talking self-driving car because both the phone and the cars ran on BARO 4.0. And they could have called the car KIMM.
That old series from 1980-something was way ahead of it's time as it addressed AI interface and ethics that we deal with today.
Like how the BARO suddenly made it's own decisions and even learned a form of emotions. Those questions happened with KITT and their evil twin KARR and later there was that supposed upgrade on the KITT software that didn't turn out so good because of ethics parameters.

If there would be a rare case of season 2 or spin off from Unlock My Boss with a car named KIMM I'll be sure to watch it.
What could KIMM stand for? Karma Industries Multi-Million?

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