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My Sweet Mobster: Episodes 15-16 (Final)

There’s a dramatic shift in tone as we head into the climactic finale of My Sweet Mobster and our hero comes face to face with his past. If he wants a happy ending for him and his lady love, then he’s going to have to fight for it — literally.

 
EPISODES 15-16

Melodrama hits My Sweet Mobster with the force of a Truck of Doom souped up on steroids and dangerously caffeinated energy drinks. In other words, it hits hard, fast, and with a greater risk of heart palpitations among viewers, but the stakes would inevitably need to increase if our story wanted to give some credibility to the horrificness of Ji-hwan’s upbringing. However, because our plot has been more “sweet” than “mobster” up until this point, the shift in tone is a little jarring — despite all the signs last week that we were headed towards a bloody and violent finale. Maybe I was naive in thinking this drama would pull its punches, but — c’mon — have you seen Yang-hee’s outfits? That man’s too fun and fashionable to go full baddie. Or so I thought…

Although it appeared Yang-hee had turned tail after his goon hit Hyung-woo with the brick, he lingered at the scene, waiting on Ji-hwan to arrive so he could pull his knife on his perceived mortal enemy. The sight of a bloody and unconscious Hyun-woo laying in Eun-ha’s arms triggers the dormant instincts that were beaten into Ji-hwan as teenager, and when he comes face to face with Yang-hee, he lets loose, funneling all his emotions into his barrage of punches.

Eun-ha looks on in horror, and when the police finally drag Ji-hwan away from Yang-hee, he’s clearly mortified by his uncontrolled violence. And, along with the shame is the hopelessness of not being able to protect Eun-ha — a feeling that’s later exacerbated by Hyun-woo, whose head injury turns out to be a mere flesh wound.

Hyun-woo ignores doctor’s orders to stay for observation so he can go to the police station. Here, he gives his witness statement and confirms that Ji-hwan — not whiney Sir Yang-hee of the Blackened Eye — is a good guy. However, when they’re alone, Hyun-woo lays into Ji-hwan for not being there to protect Eun-ha when she was in danger. (Excuse me, Hyun-woo? But weren’t you the one who okayed Eun-ha’s little jaunt to the dumpster by herself in the dark even though you could have escorted her there?)

As the morose and chastised Ji-hwan exits the police station, he’s greeted by two individuals: his father and Eun-ha, who was not put off by his heated aggression. Unfortunately, Hyun-woo’s hypocritical lecture combined with the unexpected presence of his father is putting everything into a bleak perspective for Ji-hwan. He decides that Eun-ha would be safer if she stayed with Mi-ho and her family. Thankfully, even though this situation crushes Eun-ha and has breakup vibes all over it, it’s more of a temporary physical hiatus while Ji-hwan tries to get his shit together — both in terms of his evil daddy and his company.

As you can imagine, the Thirsty Deer is struggling now that the majority of its executives have abandoned ship. Company morale is at an all time low, and Ji-hwan’s attention is split between damage control and thwarting his father’s plans for underworld domination. Unbeknownst to Ji-hwan, while he’s colluding with his father’s scar-faced minion to obtain his father’s ledgers, Eun-ha is teaming up with Ye-na to help his company.

With Marketing Deerling’s assistance, she and Ye-na sneak into Ji-hwan’s house to utilize her studio to film a company-saving video. Ye-na is appropriately jealous of the space that Ji-hwan (and his deerlings) so lovingly prepared for Eun-ha, but by this point in our story there’s very little bite or pettiness to her, as the drama has been trying to shoehorn a budding romance between Ye-na and Marketing Deerling into the plot. Honestly, they’re kind of cute together, but it’s definitely a too-little-too-late kind of situation. It’s a shame, though, because Ye-na is kind of adorable — when she isn’t coveting a man who has no interest in her, of course.

After filming the video, Eun-ha runs into Ji-hwan as they’re leaving the house. He initially gives Marketing Deerling gruff orders to take Eun-ha home (to Mi-ho’s place), but then he decides to escort her himself. Eun-ha, however, stands her ground and tearfully explains to him that she doesn’t want to be sequestered somewhere else — safe but alone. She’s scared that he isn’t by her side, and she wants to be with him no matter what. Ji-hwan’s already weak resolve crumbles and he grasps her in a tight embrace.

Later, when he escorts Eun-ha to Mi-ho’s house, he admits that he’s afraid she will get hurt because of him, but despite his confession, he’s not ready for her to return home. Instead, he vaguely asks her to give him a little more time.

During said time, Eun-ha and Ye-na’s joint food challenge — think the Tide Pod challenge from a few years back, but infinitely more wholesome and less moronic — goes viral, and single-handedly boosts all the Thirsty Deer employees’ spirits. Unfortunately, this uptick in happiness is short-lived because everyone’s favorite cat-loving deerling is summoned by Ji-hwan’s father. When he’s reunited with his former gang boss, our deerling begs Gangster Dad to leave Ji-hwan alone, but he’s beaten — repeatedly — for his perceived insubordination.

Ji-hwan is unaware that his deerling has been captured by his father, so after he finally receives the intel he’s been waiting for, Ji-hwan is caught offguard when he arrives at his father’s warehouse and discovers it’s a trap. His father is waiting on him, and our Cat-Loving Deerling hogtied and gagged — a hostage he uses to leverage Ji-hwan’s compliance. Gangster Dad has his goons beat Cat-Loving Deerling — with a promise to stop if Ji-hwan accepts his role as his rightful heir. Instead of bowing to his father’s demands, Ji-hwan steps in to protect his deerling and take the blows on his behalf.

This scene is rough to watch, pushing harder and further with the violence than I’d expected this drama to go, but the stakes were high enough that I was decidedly invested in the outcome of this situation. I was legitimately concerned that our (beloved but expendable) deerling wouldn’t make it through to the end of this drama, but that’s when Yang-hee — recently released on bail and aiming to kill Gangster Dad — comes slinking out of the shadows, stripped of his usual fashionable flair and wielding a knife.

Ji-hwan sees Yang-hee first, and despite the horrors his father has inflicted upon him, he uses his own body to shield his father from Yang-hee’s knife. As he collapses to the ground and bleeds profusly from his wound, he imagines seeing Eun-ha and hearing her tell him that she will wait for him. He whispers her name painfully. (I’m not crying! I swear!)

Shortly after Ji-hwan is stabbed, Hyun-woo (who Ji-hwan tipped off ahead of time) arrives on the scene and — in a move I didn’t think he had in him — disarms Yang-hee and wrestles him to the ground. The police arrive a moment later, and while the baddies are arrested, Ji-hwan is rushed to the hospital and into surgery. Annnnnd cue: coma. (I’m not joking.)

Ji-hwan’s extensive blood loss causes him to fall into a comatose state, but, thankfully, he’s not unconscious for long. Cat-Loving Deerling’s magical gray hair plucking technique is the fairy tale “kiss” that not only wakes Ji-hwan but heralds the return of our drama’s light-hearted tone. And once Ji-hwan awakens, our characters all live happily-ever-after. No really, it’s smooth sailing from here on out because our bad guys have been neutralized.

Yang-hee (presumably) will be locked away for a long, long time — what with all the attempted kidnapping, breaching his bail conditions, and stabbing charges on his rap sheet. Likewise, Ji-hwan’s dad, after watching his son risk his own life to protect him, has given up trying to mold Ji-hwan into his image. He claims he’s disowned Ji-hwan, but he’s obviously had a quick change of heart and is signaling that Ji-hwan is free to live his life how he pleases. And, obviously, that life is with Eun-ha. (Nothing like a near-death experience to rid a man of his fear of physical intimacy, amirite?)

Skip ahead to the 100-day celebration for Mi-ho and Il-young’s baby. The house is overflowing with happiness, and over dinner we get mini-updates on the status of Thirsty Deer and Eun-ha’s content creation. Spoiler: Both are extremely successful. The biggest takeaway from this party, however, is Ji-hwan’s realization that he wants to marry Eun-ha. All it takes is seeing her holding a baby and having one deerling mention marriage, and — kapow! — Ji-hwan’s brain short circuits so bad that the deerlings have to carry him out of the room pallbearer-style.

What follows is a series of scenes reminiscent of Ji-hwan’s early romantic pursuit of Eun-ha. At first, he’s scatterbrained because his mind has no room for anything other than thoughts of marriage — and how he completely botched the conversation the last time Eun-ha brought up the subject. And once he’s committed to the idea of popping the question, he prepares to jump in feet first without a plan. He’s woefully clueless when it comes to these matters and completely forgets that a classically romantic proposal includes — at the very least — an engagement ring. But with a little assistance from his deerlings, he’s able to pull off the perfect proposal.

Eun-ha’s day begins like any other, but her “Hyun-woo oppa” — not to be confused with prosecutor Hyun-woo who’s still kind of crushing on Eun-ha from afar and across the interwebs — is “too busy” to pick her up from a work event. His absence is noticed by one of Eun-ha’s associates, which is such a sweetly subtle way of revealing how attentive he’s been during the time skip.

When Eun-ha arrives home, the yard is dark. But then string lights abruptly sparkle to life and draw her attention to the hole in the yard — the hole where Ji-hwan has placed the time capsule he and Eun-ha buried when they were kids. Eun-ha opens the tin and reads the sweet but simple note from Ji-hwan asking her “Play with [him] always from now on.” After she reads the note, Ji-hwan appears looking extremely dapper — and totally matching Eun-ha’s aesthetic — in a pink (penguin) suit and white bowtie. He tells her that she makes him want to become a better person and that he wants to “subscribe to her” for the rest of his life. And then — omo! — he pulls out a ring box. Eun-ha accepts his proposal, and they kiss. (Not me clutching my chest and dawwwwing.)

Our deerlings rejoice from the balcony where they’ve been spying, and then we say goodbye to our lovable characters in one final scene — which is sponsored by Audi and whatever company supplies pervy neighborhood flashers with their trench coats. All jokes aside, it was nice to have approximately thirty minutes of our finale dedicated to the fluffy happy moments and milestones that have happened to our characters since the bloody and violent climax of our story. Far too many K-dramas skimp out on their epilogues, and I’m glad My Sweet Mobster didn’t.

However, even with thirty minutes of fluff time, we are still left with a few loose ends (like, whatever happened to Ye-na? Or Yang-hee?), but the ending is kind of on brand with this K-drama. My Sweet Mobster has always been more about the in-the-moment fun and experiences than about how well the story holds up with time and under intense scrutiny. I’d never argue that this was the best drama of 2024, but if you asked me which drama has (so far) made me giggle the most or put the biggest smile on my face, then I’d point to our awkward penguin, his sweet lady, and their collection of goofy deerlings.

 
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That was such a sweet ending for Eun Ha and her Hyun Woo-oppa! 🥳 The deerlings provided such a sweet support and the matching trenchcoat was cute. I knew they were not up to something nefarious. They did gloss over some storylines which I didnt mind as much since the gangster storyline was my least favorite. Also it looks like Man Ho and Jae Soo are bound to be the cool uncles for a little bit longer. They need to find women who would love them as they are. Yun Byul is really cute and its good that Mi Ho and In young got together in the end. I suppose Ye Na and Hong Ki didnt get together. Dong Hee will go to college. I wish them all the best.

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While not everything was tied up neatly in a bow it was sweet.
If only fake Hyun-woo would have finally paid attention to his pretty coworker. 🙄 I really liked her and it would have been nice to see Kwon Yul in a happy ending. 😂

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It wouldve been nice if he moved on in that time jump. But fools in love like him does not move on so easily it seems. If not the pretty coworker, it would be nice if he hit it off with someone in a blind date at least. A cameo with Cha Joo Hyun perhaps, the eldest daughter in My Unfamiliar Family, would be a nice touch. 😊

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That would have been a really nice touch after the other cameo really played the part for the blind date for Eunha that would have been way better than the blind date/bad hair day for the two Deerlings.

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Absolutely. Something poignant to anchor his story and potentially another blind date as memorable as Lee Joon's cameo. 😁

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Beanies should definitely write dramas. This is a brilliant idea. 👌💛👏

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What can I say?

So glad that they stick the landing and it goes out in an aptly Sweet Mobster way with truckloads of laughs, sweetness, and heart.

When I went back to review my earlier post where I laid out my wish-list for the 2nd half of the series, I realised they fulfilled just about every one of them (couple goals, marriage, they conquering the meat market, EH rebooting her career, beating the bad guys, deerlings completing their GED, except the baby is from our second couple, not OTP). SO, no complaints. My heart is full, and I am a happy man ❤❤❤

Notable highlights for me:

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1. very very short angst (thank God they didn't go rogue on us, and knock him out in a year-long coma!)

2. NO noble idiocy (this series must be applauded for clear comms between couple, no stupid gratuitous misunderstandings)

3. Proper epilogue with considerable time given to wrap up even the auxiliary plot-lines of supporting or minor characters (like Dong-Hui going to school and passing his GED; Officer Song still pining for Jang etc)

4. Mi-Ho & Il-Young's post-wedding married life / parenthood: I really appreciate this (too many romcoms conveniently skip over this and cop-out with HEA, cue curtain drop) If you can survive a screaming baby and the in-laws to still have sexy-times, that's true romance!

5. Redemption arc of Justice Jang: we have come a long way with this man I say. From being a vilified SML we all love to hate, to one who rose to the occasion and gallantly step aside, bow out with blessings to our OTP, it has been an engaging arc to follow. I love how the last episode comes full circle echoing the first encounter on the road at the traffic lights (hint: go back and watch the original early ep it gives so much more layers when you re-watch this clip again in Ep 16)

6. The irrepressibly positive vibes from our favourite Deerling found family and that bulldog married couple! ❤❤

So many more, but suffice to say: MSM will be sorely missed. Definitely one of my all-time fav romcoms with a high re-watch value. Best ML discovery of the year for me: UTG. What a gem💎🐧

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Random (after)thoughts:

#1: Most criminal under-developed character award goes to....*drum roll* Lee Kang-Gil!

(I know I know. A bit left of the field, and a real dark horse, and THIS is after beating off stiff competition from Yang Hee and Ye-Na).

But in the last few episodes the mysterious cipher called Kang-Gil has sorta grown on me, like mushrooms and mold in a dark damp place. Unlike the Deerlings who have crossed over, and the hardcore mobsters like Yang-hee who still elect to stay on the wrong side of the law, Kang-Gil is in that pregnant and liminal grey zone which makes him so intriguing and riveting. Cos he is the swing state we all want to win.

#2: Wow, this must be the first time I watched Kwon Yul play a wholesome upright character with a (somewhat) happy ending... all his other outings thus far (at least the ones I watched) have been evil or murderous 😆🔪 [Frankly Speaking doesn't count cos I can't even recognise him]

#3: Casting director deserves a raise - especially for the pairing of our leads. A coup indeed. And a career-making one. Kudos 👏👏👏

part grouse/part wish: I know many of the films UTG appeared in went to Cannes blah blah, but who cares about those? This underrated gem deserves to be loved by the masses of millions! (not by a handful of cinephiles) We may be drama-watching cultural philistines, but we love UTG! Give him back to us!

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The only (slightly) sour note for me is that there is no happy ending for Hyeon U. He still hasn't moved on, only moved aside. His colleague is obviously smitten with him. I wished the show had given us a crumb. He turned into such a good decent guy. And he cared so much for both our ML and FL, that I wish he could be part of their lives at some point and an uncle to the little ones who are soon to come.

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Wow ... you're a soothsayer!! Your crystal ball turned out to be gosh darned accurate!! 🔮 😍👏

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how come not one company took advantage of the heavy advertising of trench coats? Burberry hello????

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Exactly! And that was the longest Audi commercial I ever saw.

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Lord Cobol’s right, dramas do flow downhill. But that’s everyday stuff. What I truly find outrageous is that after getting rid of Mi Ho’s logic, Ji Hwan’s cuteness, the deerlings’ screentime, and Eun Ha’s entire individuality, they even took Cat Boss’ perm and jackets from us. Heol!
My first thought while watching episode 16 was “what’s Eun Ha doing in this show” and the second thought was “wait, what is any woman doing in this show…” Like, for real. What did Eun Ha or Mi Ho or Ye Na did in the drama? Eun Ha waiting forever for her possessive and disrespectful boyfriend till he bothers to tell her anything, Mi Ho making how many babies the nation needs, and Ye Na doing… nothing, because she has nothing to do except stalk Ji Hwan and eat the food she’s allergic to. Okay. Brilliant.

Was this drama written by two different people? Because I don’t want to believe that whoever wrote these characters in the first half is the same person that wrote the second. Particularly, Eun Ha’s character regression and the way she was treated by other characters in these last two episodes was low-key insulting.

Just another one that was good until it wasn’t. I'll add it to the pile of bodies we call romcoms these days.

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Yes! Eun Ha had no story arc - she was the same person from start to finish, sweet, bubbly and forever loving and supportive. His reward for being a good boy.
Mi Ho started out as the coolest girl in all K-Drama and now … well, at least she seems happy.
The baby had the most critical look I have ever seen in a child like "WTF have I been reincarnated into now", and I agree. I see a great future for her.
Well, I came for the fluffy pink silly romance and the pearls and Chanel, and I got bloody violence in the end. To the pile with it!

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LOL Maybe the baby knew she was used as a plot device to get those two together.

Tbh, I found it hilarious how the show treated pregnancy like magic or something. We never saw any changes on Mi Ho, no one really talked about the baby again, and after a time skip she was already a 100 days old. Super chill.

But what's really funny is that at the end, even the baby propaganda was less annoying than everything they did to Eun Ha.

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that might be the case actually. every drama has many writers and if some female writer got too bold with like, Mi Ho´s lines, they might have removed her to cater to the conservative bosses

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That sounds better than someone ruining their own characters for no reason. Sad, but still hopeful for the future.

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Not talking of the scriopt process but technically it is written by two different people since a good part of the story still follows the original Girl Who Plays web novel the webtoon is based on with some improvements(play ground scene/milk carton), and some bad modifications(the freezer scene which was lighthearted. The scene in the drama brings to mind their factory's flaw of not having safety measures). The more things diverged, the more original it became and the characters became different, it unravelled even though it was done better than so many generic webnovels and Kdramas. But the biggest flaw as many point out is the decision to completely ignore the FL having character arcs and family issues. Her parents were harassed by gangsters for years so even if you don't make them rich like in the original since the gangsters were harassing it opened a possibilty for issues to come up. Even her bff's parents got chill too fast.

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Cat Boss too came to the warehouse with a gamble in mind- either he stabs the old man and wins or he stabs the old man and dies. And he came with gloves for murder but also dressed for his own funeral. I really admire the Cat Boss's élan. The slicked back hair made him look like a cat instead of Cruella+Frankenstein. His movements remained cat like, darting.

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You're right! He looked like a cat! 😂😂

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I don't have much to say..it was sweet. They wrapped up everything in a sweet way. The drama was overall average.

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Gosh you're tough - "overall average". 😂 Sadly I'd have to agree but c'mon the good bits were really good. 👌😍 Also *ahem* new ML alert. We all got to meet Uhm Tae Goo. Surely that's a win. 🖐

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Hahaha..average is good for me..Yes we got many good things from this and ML. I don't regret watching it, it was a good watch just last few episodes were not entertaining for me.

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It was definitely a whiplash. Frankly if not for the initial sweetness we would have dropped it long ago. We just continued hoping that it would get back on track. The darkness was advertised from day 1 so can't say we were blindsided but the disjointed first and second halves were definitely jarring.

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Yeah , I think the mobster dad storyline should've happened way earlier and their relationship didn't develop, they just stuck on initial stage or should've developed more before they became a couple and the childhood connection was really off putting for me. I like the present them.

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💯 If they really wanted to develop the father’s story the time was earlier. The whole searching for Oppa plot could be done away with and didn’t really add anything to the story. 🤦‍♀️

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Yeah exactly 💯

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Thank you for the mobster sweet 🍬 recap.

I'm just glad the drama didn't off fake Hyun-woo. Although the way he talks to uri Sweetie I want to off him myself. 😠 He doesn't deserve to be a Deerling. 😤

It's a no-no 🚫 from me to the Marketing Deerling and his Miss Cold. I get no feels. 🤷‍♀️

I teared up a bit when Eun-ha effectively said she wants to be with Ji-hwan for better or for worse. 😢

I confess to have ffwded the Dad Mobster scenes a bit - I didn't sign up for the torture. 🙈 I legit screamed when Ji-hwan took the hit for his father. But then it was so much in-character. Sigh.

The way Jae-soo woke up Hyungnim, 🤣🤣🤣 I hope he never tells anyone about it unless he has a death wish. 🤪 But then he did ensure that fairytale ending and Eun-ha didn't throw him out. Molla.

The way Ji-hwan still zones out thinking about Eun-ha is freaking adorable. I wonder if a man who has marriage in his mind would act like that. But his Deerlings are incredibly supportive. The proposal was 💯 dreamy. The short and meaningful words and Ji-hwan looking with the eponymous Prince Charming. 🤩😍🥰❤💕 Now that's how you propose. 👌👏👏👏

The Trenchcoat and White T-shirt uniform of uri Sweetie Mobster and Deerlings is so cute. Eun-ha looked the best of course and Ji-hwan what was that I Love You in the car!? 👌🤣 I loved it. 🙌 ❤💕

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Re: "The way Ji-hwan still zones out thinking about Eun-ha is freaking adorable"

1. Today an epiphany suddenly struck me regarding that scene (especially when he gets hauled off by his men) ... just like a Ken doll!

Show really brings that Barbie analogy & poster playset aesthetics home in the last episode. Suddenly JH's V-neck sweater game made sense (if you recall, Ken was dressed in sweaters like that too).

So whilst I am not too enthused about his last proposal outfit (the pink tux and *hideous* bow-tie) I get where they are going with the overarching Barbie aesthetics and how it dovetails with his proposal and their love language of "play": "Thank you for playing with me all these time. Will you play with me for the rest of my life?" ❤❤

2. Jae-soo and a comatose Hyung-nim: Again, Show is totally self-referential in making all these cheeky callbacks to the beginning eps (where Hyung-nim was comatose and they all pretended to cry, whilst making preparations for his funeral)

Except this time round, they were really bawling their eyes out when they thought they were going to lose him. But some things never change of course. Jae-soo being an overwrought drama-mama, and an ever stoic JH telling him to "dial it down" in a hoarse whisper🤣

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Gosh you are so very right. He is indeed the Ken doll. Even the posters told us so. 🤦‍♀️🤷‍♀️

Jae-soo being Jae-soo - he definitely knows how to stir the pot. 😂

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Oh! and apparently Ji-hwan is not the only one who wants to play Barbie.

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I'm now waiting to see if it makes an appearance on Netflix like LOVELY RUNNER did after it wrapped up.

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good news, it’s coming on Netflix Korea this August. But not sure if it will air internationally in August or maybe not at all.

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Great!

But seriously - Netflix seems to be constantly late to the party with some dramas.

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Let me start by saying that I really loved this show for thw first10 episodes. It struck a great balance of comedy and heart and the acting was superb. Um Tae Gu’s breakout in this drama was no joke and a revaltory gift to dramaland. Han Sun Hwa also brought a depth to her sunny candy carrying character to make this drama feel like more than fluffy sweetness. And the deerlings felt like family, the comic relief, and Greek chorus we didn’t know we needed (the deerlings commentary during the petty shower/happy singing fight was everything).

Then . . .the show just decided to go all in on the men’s story. I felt Castaway Diva’ed with the whiplash tone when the show got brutally violent making the sweet hard to enjoy. The show decided that the women who at the beginning had spark, minds of their own, and savvy all were going to be stripped of all that and only live for one man—Eun Ha and Ye Na for Ji Hwan and Mi Ho for Il Yeong. After the “Aegey-ya Ga Ja!”scene, which I both liked and hated, the show put Aegey in a drama corner ostensibly for her safety and had her do nothing and have no raison d’etre other than wait for Hyun Woo Oppa. This scrappy, hard-working, having a calling for helping kids play woman all of a sudden just was seen being kept in the dark about the various threats to her safety so the men in her life could argue about her safety and vaguely hang around and not hang around in pursuit of her safety. In the last couple of episodes, when Ji Hwan who frustratingly did not tell her anything other than go to Mi Ho’s house and stay there with a necklace with a faulty clasp that had more of a dramatic arc than Eun Ha in the episode, Eun Ha was literally fluffy pillows and not much else. The show had officially flattened Eun Ha to be nothing other than a Mobster doll who had one defining experience in her life—Hyun Woo Oppa— and nothing else, Ye Na similarly who started off as a successful and hard working but jealous of Eun Ha’s authencity kids content creator was reduced to a “Seo Ji Hwan saved me once and I can’t forget him” girl. When Eun Ha and Ye Na collaborated for the sausage challenge (a metaphor for how many different ways can we make this show more about the men?), there was no resolution of their previous rivarly or even apology for Ye Na’s bad behavior; instead, it became a given that the two women whose characters now only existed for Ji Hwan would do this one thing together for him. And Mi Ho—a woman who started out a woman who unapologetically lived and called out Il Yeong for being a coward was turned into one who would take a man back just because he was unapologetic, good-looking and rich. (I really disliked Il Yeong by the end. His smug smile and advice giving when his own relationship worked ONLY because he was rich and good-looking was no longer cute but maddening.)

The darkness of the return of father and gangworld into Ji Hwan’s life also made the 4 episode hand-holding level of Ji Hwan and...

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Eun Ha’s romance seem like childish and weird. The depth of their romantic relationship became dependent on their childhoold connection with the child actors getting more interaction scenes than the adult Eun Ha and Hyun Woo so that by the end, their romance had turned into a sibling feeling more than romantic partners. What had made their relationship swoony at the beginning was the sense of these two complete human beings who had a child-like quality with a very much adult understanding of the world (Ji Hwan with his responsibility and mobster background and Eun Ha with her scrappy, emphathetic but with a sense of self to stick up for herself and what was right). When the show flattened Eun Ha out, everything became more superficial and even the sweet and the comedy felt more flat and even a little forced. And on that superficial level, the pink tuxedo was a crime when the one thing the show had done consistently right was the clothing arc of Ji Hwan.

The magic of the show for 10 episodes carried me through to the end. However, there is a sense of a real missed opportunity with this one. It made feel that the writers and the director started getting advice from Il Yeong about how to deal with the women and just expected all of us to swoon because the show looked good and was sponsored by Audi. It really was all about the Sweet Mobster and not about the Woman who Plays. So sincerely, good for Um Tae Gu as it really showcased him. And I will go back and watch the first 10 episodes from time to time.

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sausage challenge (a metaphor for how many different ways can we make this show more about the men?)

OMG. 🤣 Thank you. Nominated for Comment of the Month, and 'Sausage Challenge' needs to be added to the DB lexicon.

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This is a good analysis. I was trying to identify why the show got less satisfying toward the end. It's true--Eun-ha's arc was all about finding the boy whose kindness shaped her life and her ambitions. What would have been interesting from a romance POV would have been for the two of them to share more with each other about both their childhoods and the way they muddled through young adulthood creating found family. We as an audience do learn some things about the ML's traumatic childhood, but he doesn't share these things with the FL, so she's not able to give back to him the way she wants to. Also, he never asks her about her childhood after they were forcibly separated when he was kidnapped by his father's henchmen.

Really it seems like we witnessed a writer's room where one vision was ascendant at the start of the show and a different one came to dominate at the end. I get why action sequences are more interesting than talking sequences, sure. But they really failed to exploit the emotion of the big reveal (that he was Hyun-woo Oppa) and the two lead actors' strengths in conveying feeling.

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I'm still shocked that after Eun Ha almost got hurt, no one bothered to explain her anything, she got kicked out and JH ignored her, so she literally only got a little info after eavesdropping on the deerlings and her conclusion was "because of his dad he's lonely. I should be there for him"
I couldn't believe my eyes because I can't imagine the Eun Ha of the second half accepting this BS. Like you said, they turned her into a Mobster doll.
And it's brilliant that when she was talking to HW she was like "I have lots of things to do today... Like wash my shoes" because she really became a doll that only plays when it's beneficial for her owner.
We only saw her work once at the end and it was just to help him.

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I didn't see it that way. There was a lot of subtext there. It was an extension of his declaration to Ji Wan that he wasn't giving up. He thought that maybe now that she had moved out after he gave Ji Wan an earful, he had a chance. He asked her out, and her reply was the equivalent of "No, I have to wash my hair" which was a turndown that was firmer than all her previous ones. That's why his face fell when he heard her response and he said, I won't bother you anymore. And she added, "don't get hurt", acknowledging that she knew he loved her, and he had to stop because he would only get hurt.

I don't get the doll bit.

And at the end, it was shown that her channel had grown very popular and she had tons of subscribers and was very busy with her career

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I didn't mean it in a literal way either, haha. I know what that scene was supposed to mean, but for me it just emphasized how little the show gave her to do.

And like you said, everything about her career was mentioned at the end. The show didn't bother to give her a real storyline where she could grow and achieve anything for herself.

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I disagree. When she started, she was undervalued and working in a company whose values did not match hers. She was unhappy. She also was frustrated by her failure to find her childhood Oppa. By the end, she had reconnected with her Oppa and found a new family complete with an adoring husband and a gaggle of equally adoring uncles. She built her brand and a very successful channel, by herself, and went on to fulfill her dream of making children happy.

If those are not achievements, I don't know what is.

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Miho will divorce Il Yeong someday when she finds another Mr Handsome and she'll take his billions.

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"In the last couple of episodes, when Ji Hwan who frustratingly did not tell her anything other than go to Mi Ho’s house and stay there"
KDrama logic: Go to your pregnant friend's house, the friend whose baby is with the ex-gangster who froze the dad's accounts and both of whom were also photographed. No don't worry, appa has morals. His goons don't but they'll never make bail.

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Hmmm. It did kind of go out with a whimper. But I applaud Show for maintaining its improbable, goofy hilarity for so many episodes. And agree with @empressgirl, I'm so glad to have been introduced to Uhm Tae Goo. Hope he gets more romcoms!

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Marrying into this deer family is like winning a game show, everyone gets a brand new car 😂

I loved the first 10 episodes, along with the 2nd half of episode 16, and assorted moments from the other episodes but the show didn't seem to really know what to do with itself, with all the time it had to fill before the finale. Which then leaned too much into nonsense like keeping the FL in the dark so the plot could set up for the finale week showdown.

But that said, I laughed and smiled so much too, so overall really enjoyed this one. I've only seen Uhm Tae-gu in A Taxi Driver (and Spellbound apparently but i don't remember him there 🙈) and hope he gets more roles like this because he was amazing at the rom and the com. And can't forget, your recaps have been so entertaining @daebakgrits!

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I came out adoring Jae-su, Man-ho, Hong-ki, Yang-hui and Miho and their actors the most. Miho by herself is a riot('the body') and I like how despite the narrative trying the Namsoon propaganda again she comes out confident and strong and in my headcanon would not subscribe for life if it didn't suit her or she lost interest, don't care about Kdrama logic or Audis no more. But something just didn't click with me towards the ending, some spark was lost. I liked it, especially the whole subscribe only to you throwback, but not the same way I did before. I instead adored the final hit like and subscribes merging into one big one, it was the best thing ever.

Seo Ji-hwan was imo a martyr gary sue while Eun-ha, just was there like a devoted wife of decades. Han Sn-hwa has an edge to her that I really like but they didn't utilize it fully. The two's chemistry in Save Me 2 felt better imo. Their childhood age gap was too big and as I have read it was a close age gap in the manhwa. Not ending in a everybody has a happy ending wasn't that bad though. At least they didn't shoehorn romance with Yena or Song at the end considering there was no time to develop it anyway. While I can believe Yena might thaw years from now if Hongki keeps at it and iff Ji-hwan's marriage and children makes her move on, it is time for the quiet and dowdy Song to accidentally meet a dashing Deer with flowers only for her and be swept off her feet. Also they are the prosecution not attorneys don't they keep getting transferred apart every few years?

My probelm with Hyun-woo remains that while he does his job good and has some relaly good scenes, he takes up too much screentime with his non-date dates. And he brought out the worst in Ji-hwan i could have done without. The crosswalk scene was poetic.
The jokes about SML and ML having chemistry and the implication of him being obsessed with Ji-hwan also didn't really ring true to me. They could have easily made him a Javert who thaws but they made him too obsessed with Eunha that it negated quite a lot of things. Chief Oh was a hit and miss but he at least was more open to even ex-bad guys and is a solid family man.

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I could have done with much more of actual Deer backstories I feel didn't make the final cut. Dong-hui was clean as a whistle. They really hesitated to make them appear even remotely bad(how else are they atoning, they sound like persecuted martyrs) other than Yoon-taek and here I am rooting for the much worse Cats with major crimes shown since episode 1 to get a second chance at life even if three of them return to gangstering for life. People don't have to change into good to be seen as humans and its not that pathetic that criminals exist in society. The two violent Pikachu brothers were a miss. It just feels like something the major networks don't want to accidentally promotegrey morality(Save Me 2 was better at atonement/redemption being gritter). Its too clean and childish but instead of staying that way they kill the tone and put in unnecessary noir. A kidnap arc where Eun-ha interacts with the enemies who have an equally poor background and ending with that comical prison scene would have sufficed. Why did Kim Roi-ha retire and appoint a successor ten years ago? Becuase he hit 55? Why tell Yang-hui his true feelings ten years later and not cut him off when he was actually trying to kill his precious son? Why even elevate him to a position he can't handle but fills his head with hubris? The dad is supposed to be dead and Ji-hwan needs actual therapy and meditation after defeating his nemesises. And yet Superman has actually rid all of South Korea of gangsters now the rest are in jail or retiring considering what was initially said- this was the only active gang remaining in Korea.

Most of all though I'm sick of the same old father issues scenario(maybe becuase its the same every manga and manhwa) and while Kim Roi-ha made for a brillaint Korean Don Corleone miss me with the usual loves his flesh and blood deeply. Especially when the writers bury the mom as a nobody long forgotten. And apparently most of his role belongs to Yang-hui who actually is a formidable if they didn't make a joke of his being incompetent. Kan-gil is much younger than him and someone was doing all the work before and also you're telling me he doesnt know a single skeleton in the closet? Also the Don only gets 5 years for a lifetime of running the underworld to retire well? Yang-hui's interactions with him and Kang-gil's relation with Yang-hui were subtle and I understood every unsaid twisted humanity of theirs and honestly I wish they never tell us what happens to the Cats so I can keep imaging they all get happy endings of their own in due time(cats have nine lives). But I wished we actually had background on them too. Adoptive son/taken in as a child by the gang? Or delusional like Yena? Why are so many characters in this drama so delusional or did they chop out so much of the material there are gaps that make the dialogues not follow and have impact? Till that line I fully understood his complexes as a weasely right hand who felt betrayed that...

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Why are so many characters in this drama so delusional or did they chop out so much of the material there are gaps that make the dialogues not follow and have impact? Till that line I fully understood his complexes as a weasely right hand who felt betrayed that Ji-hwan was a nepobaby in his eyes and all the events and interactions with the chairman leading to escalating beyond the point of no return. And while Kang-gil is pretty and looks like a sexy feline with that scar I didn't vibe with his conversation either('to protect'/'not worth it seeing you now'?) nor the ambiguity of his situation with Ji-hwan. Maybe give him a backstory like a younger sibling or such?

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There was so much to like about this drama for the most part. I wish they had made Ye Na more fun and Hyun-woo more competent and left the love rival trope out. Both love triangles seemed forced and turned out rather boring efforts.

They could have made the main couple's relationship more mature and left the childish stuff to the dearlings who did a great job with it.

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@daebakgrits..."Cat-Loving Deerling’s magical gray hair plucking technique is the fairy tale “kiss” that not only wakes Ji-hwan but heralds the return of our drama’s light-hearted tone." Loved that. Thanks for a thorough recap that reflects both the dark & light tones throughout the show and still left us smiling at the end. The last two episodes hit us with the bitter reality of a crime ring's dirty bloody side...which we all knew was coming... yet I felt it never went too rogue on the violence. Yes, it's a comedy but when you joke about the topic, there still comes a time when the piper must be paid, choices must be made and consequences dealt out. After that, we were free to enjoy the fluff & see all our characters living a happy life as the result of their good decisions: babies, marriage, graduation and the best one for me: our two precious bachelor goons having a dating experience! (wishing the drama 'mafioso' orders a 2nd season just about them). I was ALL in for this show's rough & tough but loving 'Goon Gang' bromance' from the start. Such an endearing group of misfits, whose every tough-guy snarl or harsh stream of curses just made me love them more. Why? Because they were only protecting their boss or Eun-ha...our enthusiastic FL, who showed us spunk, but thankfully not attitude (like her more succesful but edgy competitor) Seh-na. Eun-ha worked hard, inspired co-workers, but refused to dominate in order to win....always taking the tough but high road to create her own brand by doing what she does best: interacting creatively with people, especially children. Her battle to get noticed by We-tube viewers, all her wild promotional ideas and the events she staged on We-tube gave me an insight into how challenging it must be to keep vying for a career that so many others are after too. She was a strong presence everywhere she went, imbuing a sense of family into the brotherhood of hoods at home...a great sister/therapist...and also a dedicated daughter for a single-minded mother who still seemed like she still had some growing to do. Best of all, Eun-ha refused to desert her talent in the tough times. She was a one-woman-band of games, education, fun and encouragement, not just for the kids watching her channel, but for adults as well (Prosecutor..looking at you). And when the risk level went up because of Ji-hwan's gang background, she resisted his attempts to protect her and adamantly stayed by his side, which often weakened him, but on even more occasions, tempered his hot trigger anger and saved bad situations. I loved that they talked through awkward or tough times. Mi-ho too was another strong female character who refused to be overrun by her surprise pregnancy and was pragmatically (not emotionally) determined to have the baby without a Dad. She didn't jump at his offer to marry her until she was sure of their relationship, then finally agreed ...but on her terms, all the while managing a busy hair salon AND a very...

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....AND a very authoritarian (but funny) Dad. I loved the way the couple managed to overcome the parents' objections without making her Dad loose face. As for Seh-ya. Her story seemed to be there for second lead conflict and she provided it quite nicely. She was more successful than Eun-ha, but she had had Ji-hwan's help from the beginning. She had an entitled attitude after having worked so hard to make it, so it was nice to see her slowly get over her jealousy and begin to mentor Eun-ha a bit. Her relationship with Marketing-Deer guy was still a work in progress. I liked it. Among the three women, I guess she changed the most and grew from it. I found the women in this drama were all strong & healthy on their own before they met partners, and had no real need to change. They weren't climbing the CEO chain of command to succeed, they were creating their own paths, and instead of living single-mindedly for the vertical climb towards their goal, they chose to live life horizontally, filled with other interests, family and friends. The person in the need of most character-growth and the focal strength of the story, was Ji-hwan, whose biggest challenge wasn't in overcoming the bad reputation in society that he and his gang had because of their past. Instead, the biggest battle was always n his head as he struggled to overcome the violence he believed lived inside him, inherited from his Mob father... a beast which showed its ugly face when Ji-hwan's anger was triggered. His struggle to re-capture the happy innocence he felt as a kid in the orphanage before he met his Dad was the core element in the story for me, and I think it was his precious friendship with Eun-ha from the beginning that kept his innocence from shredding after they were separated. The drama worked so well for me at this level. That plus Eun-ha’s positive, encouraging personality along with her determination...plus those darling 'Deerlings' ....made this a good drama on a lot of levels.

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Not an orphanage, he grew up with his single mom in the basement room of the big house, his mom who ran away from his dad and didn't tell him about his dad till dad kidnapped him to tell him he exists

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Re: "I found the women in this drama were all strong & healthy on their own before they met partners, and had no real need to change."

-- Totally second that. Or rather, whatever character development they manifest are more nuanced and calibrated in response to a new environ, relationship, life season (i.e. marriage and motherhood) or crisis.

It merely brings out more layers to the person but the character trajectory does not change (i.e. Eun-ha already had her definitive character-forming episode in her childhood friendship with Hyun-woo. It would set her life calling and passion for her next 20-30 years. It may manifest differently with different people (Mi-ho, the kids, the deerlings, JH) but her cluster of core values, personality and temperament have never changed.

Also, I do not agree that Eun-ha lost her character arc and has no development in the latter half of the Show. The focus of the Show is SJH, as signaled in the title (there is a reason *why* it is called "My Sweet Mobster" and not "She Who Plays").

This is a gender-agnostic statement; the creative team simply made what they considered the best narrative decision (an artistic call I agree with because that redemptive arc of SJH will be packed with way more drama angst and pathos tbh, simply cos his starting point is -50, compared to everyone else).

In defense of Eun-ha's career, she went from 87 subscriber on the first day, to 10,000 in mere months, then 1 million in a year. (Note: anyone who still wants to cavil on this point, I sincerely hope you have IRL achieved your own career equivalent of what she did. If you haven't, then I urge you to carefully think again before you post)

Eun-ha also finally found her USP and market niche, becoming the market leader in kids' experiential learning / or gamified play-education.

This was something she clearly credited the deerlings with when she told JH: "You brought me into your house, and led me to good people and because of you, I found a good path."

Even when she didn't seem to be doing much (tutoring the deerlings was her way of paying rent and an interim stopgap measure) it inadvertently became the catalyst and serendipitous inspiration for her big career break.

I have read the web-comic, and acknowledge this drama adaptation is a vast improvement of the OG source material. Kudos to the newbie writer -- a very commendable first-time effort!

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The translator made a snappy decision which was fortuitous to avoid the title sounding corny dueto the double meaning of play in english(webtoon title translator chose Playing With the Hot Gangster)

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anyone who still wants to cavil on this point, I sincerely hope you have IRL achieved your own career equivalent of what she did. If you haven't, then I urge you to carefully think again before you post

I'm confused. Are you suggesting we should not comment on a fictional character and situation unless we have greater real-life achievements? (Although I'm not sure how much of an achievement gaining a certain number of followers is, given that raving misogynists and children unboxing toys have millions.) That seems like a high bar for commenting.

My Sweet Mobster is the last-minute English translation of the title, but it aired as 놀아주는 여자 (A Woman Who Plays) in Korea.

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My overall feelings have been summed up by everyone else - it was so good for the majority of the episodes; it had a severe wobble at the landing but kept itself upright in the last 30 mins.

For me, the Deerlings were the MVP. Apart from the oddity that was the blind date - still not sure why that was important to include, but Man-ho and Jae-su laughing at their own dad jokes was truly in character and confirmed that they are basically married to each other, so ok... - they were consistently the part I always enjoyed. And I loved Jae-su's serious moment in ep15, where he explained why he will always call Ji-hwan "Boss" - that was a genuinely moving moment where we grasped just how much Ji-hwan had done for them all and the respect in which he was held. Actor Yang Hyun-min turns up in all sorts of minor roles, but he is a superb actor and absolutely nailed this role.

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The joke was its the real life actor's spouse

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Aha! Thanks for this tidbit. The scene didn't make much sense otherwise and yes, the dad-joke deerlings were another tertiary couple that were underdeveloped in the end.

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Yang-hee could make a comeback in part 2. What made him such a great villain to me is the humor he brought to his character. I love it when the writers find ways to write their villains the way he was written.

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The Cat Boss is incredible! From his camp fashion to his simple character, and dedication to making everything around him cat related was peak entertainment. A bit like some classic comic book villain. Its incredibly hard to make villain characters likeable and they did a real good job of it balancing the absurdity and all. I'm going to miss him.

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Cats going away for at least 25 to life. The prosecutor who sent Dong-hee to jail for 3 years is prosecuting and has an inside track to the victims of his crimes while he can only now get a public defender for attorney. Attempted murder pulling out the knife making it more serious, no remorse, grievious bodily harm, skipping bail on kidnapping and assault charges, those earlier drug smuggling charges he sent Kang-gil to prison over, his long rap sheet of reoffending and for running the actual crime syndicate on his Hyungnim's behalf. If he survives prison that too. He just committed the ultimate betrayal against the man who raised him, a literal stab in the back, the dealbreaker in prison and he'll be locked in with Kang-gil and Seo Tae-pyeong and the others.

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I found the last four episodes very haphazard and poorly written. After reading other comments I realized part of this is the loss of agency for the female characters. Why suddenly did the FL’s channel just go to 10,000 viewers? I was expecting more of the travails of her getting her career together complicated by dating and mob issues. The storyline with dad and other gangsters felt poorly planned by the writers, leaving it predictable and boring, especially the ml taking a hit for his dad. There are so many more interesting options: cat gang leader coming over to the good side, ml finds the cat gang leader's weakness and extorts it, the deerlings work together in the ultimate con to take down dad mobster, and I'm sure plenty of other interesting options. A lot of these would have worked more with the cute tone of the show and could have also included our female characters. I feel like a former mobster leader would have lots of tricks up his sleeve even if he now uses them for good.
My favorite moment in the wrap up was when the deerling told the FL how much he appreciated her accepting him. To me that was the best part of the show, the redemption arcs for former convicts.

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For me the "other options" would've been to just leave the dad in jail (or have Hyun Woo take care of him) while they explored Eun Ha's career, the deerlings' self confidence and maybe a collaboration between both storylines. Like choosing Eun Ha as their model instead of Ye Na.
This drama had at least 10 characters and two couples to develop. So adding the dad to the storyline was such a waste of time, imo. I even feel like they shoot themselves with the message that storyline was supposed to send, because it made it seem like Ji Hwan really had very little trust in his employees (he never told them anything or asked for their help), and his employees had little trust on him (they ran away in a heartbeat). At the end it wasn't about the deerlings and their second chance in life, it was just a weird makjang family drama between Ji Hwan and his dad.

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"I even feel like they shoot themselves with the message that storyline was supposed to send"

The former gang memebers treat Ji-hwan like a mob boss and the company as if its one of those mob run legit business fronts the way they talk of taking sides. He never reassured anyone who wasn't in his inner circle of anything, didn't bother talking and leading. He also ignored his adviser/consigliere Il-yeong's suggestions to do the same. He never had their confidence and I doubt even if Seo Tae-pyeng was handing over the ropes to him so he'd have been running things without being a puppet back then. But, worse is that while some people thought the last few epsiodes with the father was violent I found it generic and if you switch the dad for a Chaebol nothing changes at all. The most gangster thing he did was run a gambling ring and non-violent financial scams and keep a rabid cat and slap adult children around(Chaebol's would use a golf stick). And act like a typical asian dad who wants to chose his son's path in life. To follow the pattern the story should be about how Ji-hwan was was both a victim and a person who made a choice, but he is a bland martyr. Rest of our criminals shunned by society are a man sold by his dad, a battered wife who killed her husband and a boy who is persecuted for an accident he traumatically survived. The drug dealer is the only story that hints at criminality and humanity. The rest a gambler born to poverty, a mysterious delinquent lawyer and a gentle giant who has never wanted to hurt anyone. Kang-gil was the biggest missed opportunity. There was no cohesion by the end with many details lacking about the dynamics among Ji-hwan - Kang-gil - Yang-hui - Tae-pyeong being not as clear as it could have been. Yang-hui and Kang-gil represent the only criminality we see from drugging women to drug running to actual gangster violence and gangster fashion sense to kidnapping and attempted murder but its dogpiling crimes on them while saying Seo Tae-pyeong is a honorable mafia who left the money making methods to their devices in his absence and disagreed with the immoral ideas. And Kang-gil is allowed a free pass out of loyalty to Ji-hwan than any real rationale to wanting to quit that life. A role model can only guide so far. Further the idea of the way to a new normal life is left to honorability in which case the Macron Soft PD is the biggest antagonist by his squandering of his regular life for being evil. And the good CEO of Deer Inc succeeds better because he only knows the successful business model of gangsters, swearing loyalty to the charismatic boss who should act as the father of all. Its like the lesson is being the mafia is good so long as you don't commit break the written law.

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Not to mention anyone employed by Thirsty Deer is automatically a target for rumors of being a gangster even if they are only convicted of gambling, fraud or car accident and they are a sitting duck for being lumped in together to the point they might as well be a separate gang than regular society.

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True.
They never explained how the other employees or the company in general dealt with that.

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"I feel like a former mobster leader would have lots of tricks up his sleeve even if he now uses them for good."
Theres something a little confusing about Seo Ji-hwan's personality. They really lean into Eom Tae-gu's introverted mbti and virgin tropes while showing faint hints of his gangster past in violence action scenes. After I found out there was a webtoon I read chapters I could find and Seo Ji-hwan flirts, is extroverted, shrewd and ready to commit violence if it can save the day.

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I’m afraid I have to agree with the many here: A rather disappointing ending to a fresh beginning. Still, it was good fun with the mobster family at the outset, lovely to see redemption as a theme, and most especially, Uhm Tae-gu fit the role like a glove. 😍

And for that I’ll give MSM a half a grade more than it really deserves and rate it an *initial* B+. (Ratings subject to change once the hearts are out of my eyes. 😂 )

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Ahhhh... Unfortunately for me, as per my episode 8 comment, this did not stick the second half.

*Rubs temples*. Satisfying Thematic and Character Resolution remains the greatest hurdle for Kdramas to vault, I see. Aiyooo...

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I feel like this trait is coming strong this year.
Park's Marriage, Sam Dal, King of Tears and now this...

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I'm late to the party so I'm just gonna say that I'm really annoyed there were two tertiary romances that were strongly set up but didn't actually go anywhere on screen (2ML and his coworker, and Ye-na and that Deerling). Don't bother to set them up if you aren't going to follow through! Apparently we just needed more scenes of poor 2ML looking all sad and explicitly saying that he didn't feel like he could move on.

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possessiveness, immaturity, quick to anger and deciding on things for fl- red flags the writer needs to work on

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I didn't watch this live, but just watched the whole thing. I finished it today. I had not been reading along with all of you, so I didn't realize that this one was based on a web comic. Sometimes, it helps a show make more sense to stick to the original material! All the things that seemed weird or off in the plot of the show seem to have been based on decisions to make things more...dramatic? cinematic? Pfft. Anyway I enjoyed the show very much, even though I think it suffered from some narrative flaws. Also, I'm glad I didn't know about the web comic until I was done! I might like the comic a little better than the show, but since I didn't know about it, I just enjoyed the watch. I'm definitely going to be on the lookout for many of these young actors in the future. Uhm Tae-gu has a lot of potential and I want to see him again.

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This is why we watch Kdramas: ENTERTAINMENT with romance, comedy, drama and intrigue. It is just SO CUTE and fluffy and FUN--a perfect palatte cleanser if you need one--with a satisfying ending. Definitely worth watching.

My LIKE list:
--good humor, with NO bathroom humor
--tropes that are cute and well-done (playground scene is a standout)
--familiar yet fresh set up: "Wendy" or "Snow White" & the Beast
--characters that are entertaining
--rough outside, soft inside mobster
--meaningful childhood encounter of leads
--violence is not cover-your-eyes level
--sweet kisses, male lead's voice!
--new lead quality: husky voice (yes, there is height)
--expressive female leads, especially 2nd female leads
--an ENDING that is satisfying and logical

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