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Frankly Speaking: Episodes 9-10

Our OTP continues to be the glue that holds this K-drama together, but — like duct tape keeping a bumper from falling off the front end of Toyota Camry — it ain’t pretty. There’s only so much a leading couple can do to salvage a rom-com that’s been watered down by excessive conflicts, one-dimensional supporting characters, erratic tonal changes, and gaping plot holes. But on the bright side, it’s almost over.

 
EPISODES 9-10

As suspected, Woo-joo rejected Jung-heon and admitted to him that she has feelings for Ki-baek. Jung-heon is disappointed by her admission, but he also seems to find closure upon hearing her words. Unfortunately, because he’s been running himself ragged since the filming of Couple’s Paradise wrapped up, he collapses from exhaustion. The embrace that I’d previously assumed was a pity hug was, in fact, his body going limp in Woo-joo’s arms.

She looks around desperately for help and spots a frowning Ki-baek in the distance. She calls him over, and with his help they take Jung-heon to a nearby hospital. Together they wait for Jung-heon to wake up after getting some IV fluids, and it’s clear that Ki-baek feels a little insecure as he watches Woo-joo fret over Jung-heon’s condition — her concern a remnant of the feelings she used to have for him. She may no longer feel a romantic love for Jung-heon, but that doesn’t mean she’s stopped caring for him. Now if only someone would just tell Ki-baek that so he stops looking so pitifully disappointed.

That someone is none other than Jung-heon himself. The man got rejected, passed out from exhaustion, was taken to a hospital, and was then chauffeured home by the very man who stole Woo-joo’s heart — and Jung-heon still stepped up to be a good guy. He could have easily played on Ki-baek’s insecurities to drive a wedge between our OTP, but instead he tells Ki-baek that he’s the one Woo-joo likes. To say Ki-baek is elated would be an understatement.

Ki-baek texts Woo-joo that he wants to see her so they can make their relationship official. Her response: I thought we were already a couple. Say what now? I’m with Ki-baek on this one because — aside from their recent kiss — she was definitely putting up walls to protect the reputation of Couple’s Paradise, and as far as I can tell, she never gave Ki-baek the go ahead to sneak past. But, you know, whatever we need to move the story along and get through — yet another — time skip. (Cue: a series of cutesy texts between Woo-joo and Ki-baek to mark the passage of time.)

The last episode of Couple’s Paradise has aired, and it reached double digits! Everyone is understandably excited, and both Woo-joo and Ki-baek feel confident that the show’s success will open doors and carry them to — dare I say it? — whole new worlds.

Ki-baek has seen a boost in his career, as his and Jung-heon’s agency continues to cast the two former love rivals on gigs together. (Excuse me while I cackle wildly at Ki-baek and Jung-heon teaming up to film what is likely the worst commercial to never actually exist.) Sadly, while Ki-baek is booking commercials, getting recognized in supermarkets, and reconnecting with old friends, Woo-joo’s participation as a cast member on Couple’s Paradise continues to bite her in the ass.

Even though Couple’s Paradise was Woo-joo’s idea, her boss wants her bumped from the writing team. Yeon and Ha-young try to fight to keep Woo-joo on as the head writer, but they’re met with an ultimatum: you can either keep Woo-joo or get picked up for a second season. (What a b***h). I wish I could say Woo-joo took a page from Ki-baek’s book and stood her ground, but she backs down. And — not for the first time — I wonder why she’s so passive.

Now the pressure is on Woo-joo to come up with a new concept for her own show or get recruited to someone else’s team, and just when you think the universe can’t kick Woo-joo any more, she’s reunited with her birth mother. You know that mysterious lady who’s been showing up at Bok-ja’s salon and damaging her hair in order to linger for as long as possible? Yeah, she’s Woo-joo’s biological mother, and she abandoned Woo-joo when she was a child.

Bok-ja was on the verge of un-aliving herself when she first met young Woo-joo, but someone obviously needed to feed the hungry kid she’d found wandering the streets. Bok-ja reluctantly stepped up to prepare a meal for Woo-joo, telling herself that she’d take care of Woo-joo for just one day, but like the tale of One Thousand and One Nights, “just one more day” became forever. (Daw, I love this found family.)

Although Woo-joo recognizes her mother from the scar on her hand, she feigns ignorance and chooses, once again, to avoid conflict and confrontation. And because she continues to smile and say everything is fine — even though it’s totally not fine, poor Ki-baek has no idea something is wrong. If it weren’t for Ha-young accidentally spilling the beans, who knows when he’d have found out Woo-joo had been forced off the writing team for Couple’s Paradise.

Ki-baek, who just wants to comfort his girlfriend, tries to get Woo-joo to talk to him about what’s bothering her. Initially, she’s not ready to open up. She dodges his indirect probing with nearly the same deftness as she and Ki-baek dodge fans of Couple’s Paradise. Ki-baek tries to persist, but after observing Woo-joo during her voluntary community service, he realizes that he can’t force her to open up about her feelings. If she wants to smile and pretend she’s fine, then that’s her choice — but, he tells her, it’s also okay for her to admit she’s not okay. (Wait… I feel like I’ve watched a K-drama about this.)

Turns out, that’s all the nudging she needed, and she confesses her professional and personal troubles. She doesn’t want to dwell on her problems, though, so she promptly announces it’s time for bed. But first — she wants Ki-baek to sing her a lullaby. Although I’d argue that Woo-joo should probably see a therapist for her fawning and avoidance tendencies, I’m happy to report that at least the communication between our OTP is healthy.

Unfortunately, the cozy domesticity of Ki-baek and Woo-joo’s community service/camping trip is ruined the next morning by Cho-hui. Her followers started questioning why Ki-baek never made an appearance in any of her videos, so our resident white lotus decided that the best course of action was to go nuclear and post an exposé about Couple’s Paradise that’s more fictitious than, well, a reality television show.

Cho-hui covers her previous lies with even more fabrications and states that Woo-jo was already dating Ki-baek prior to the start of filming and then forced Ms. Former Swimmer to leave the show because she was jealous. And after posting her video, Cho-hui boot-scootin-boogied it to France, where she could be conveniently written out of the plot no one could reach her or force her to tell the truth.

Woo-joo and Ki-baek become public enemies number one and two — not that people liked Woo-joo all that much after she rejected Jung-heon on the show — and the netizens’ ire escalates from nasty online comments to violence when someone throws a brick through Bok-ja’s window and attacks Woo-joo with a maraca. Ki-baek and Jung-heon come to her rescue, and at the police station, Jung-heon learns that Maraca Lady was one of his fans. The revelation shocks him, and once more the strain his career has taken on him becomes apparent.

The violence enacted against Woo-joo also unnerves Ki-baek, so he agrees to hold a press conference to denounce the rumors that he and Woo-joo are dating. It’s at this moment, though, that the on/off switch for truthfulness is inexplicably broken and permanently set in the “on” position. So instead of lying to the reporters, he confesses the truth. Yes, he and Woo-joo are dating, but Cho-hui lied about a whole bunch of stuff. Thankfully, Woo-joo shows up at that exact moment with proof (and a witness) that Cho-hui was the one who blackmailed Ms. Former Swimmer into quitting the show.

All is right in the world again, but Woo-joo is still grappling with whether she should meet her birth mother. On the one hand, she feels nothing will change by meeting the woman who birthed her, but there’s another part of her that’s weighed down by emotions she can’t seem to put into words. Ki-baek lets her lean against him and talk through what’s on her mind, and when she asks him for advice, he tells her if she chooses to do nothing, the feelings will eventually fade. However, if she decides instead to meet her mother, maybe she will understand why her heart feels so heavy.

Gotta say, Ki-baek is really knocking it out of the park with his boyfriend game this week, but for all his successes, he realizes he’s failed a few people along the way — namely, his family, who were on the receiving in of some of his nastiest truth bombs. To make it up to them, he books a fancy resort package so (for the first time in his life) his family can take a vacation together. But because he also owes his friend, Ji-hoo, he has to join his family a day late. So while his parents and brothers load up the car, he, Ji-hoo, and Reformed Asshole Idol (from Episode 1), venture into the woods to film a variety show episode.

The premise of this show has our B-list stars spending the night with a quirky nature guru. The man ties his hair back with a zip tie, has free range chickens, and forages for herbs, but he draws the line at living without his wifi. He’s a walking contradiction, but Ki-baek and company roll with the odd situation, doing their best to exaggerate their actions and ham it up for the cameras. It’s a little sad the way Ji-hoo is really leaning into the overweight funny man archetype, but as he tells the other men, he’d do anything to provide for his sick daughter — including asking the PD to omit his heartfelt (and ratings grabbing) dialogue about his daughter because he respects her privacy.

Despite the oddball personalities of the cast, the tranquility of their setting prompts them to have rather insightful conversations about life. A tree that has been struck by lighting prompts them to discuss how hardships can give birth resiliency — a topic that strikes a cord with Ki-baek, who is now realizing that his uncontrollable ability to speak the truth has made him stronger and happier. Life will continue to blindside us, he thinks to himself, and all we can do is accept it. The way Ki-baek accepts this truth is spoken in a positive, enjoy-the-moment-because-you-can’t-prepare-or-avoid-a-lightning-bolt kind of way, but the way the scene keeps cutting to his family — happily driving to their long-overdue vacation — is super heavy with foreshadowing. Oh no… please don’t. Please, plea– annnnnd, there it is. Truck of Doom.

So, yeah, that happened. On the Truck of Doom scale of needlessness, this one ranks far closer to Why Her? than Lovely Runner. But the unnecessary last-minute grab at suspense and emotional trauma was the least of my issues with this week’s issues. No, my biggest gripe is with our resident white lotus, Cho-hui. She is, hands down, the most poorly written mean girl in the history of K-dramas, and it’s painfully obvious the writers dropped her into the plot without any attempt to provide a logical explanation for her actions. They just needed a character to conveniently cause drama when it suited them.

The drama also made a big deal about her being Ki-baek and Jung-heon’s first love, hinting that she was the vixen that came between them and ended their friendship. But, as we learned this week, Ki-baek and Jung-heon’s falling out was completely unrelated to their shared love interest. Jung-heon, like Ki-baek, cultivated his own false persona to hide the truth that his father, a judge, abused him and his family. After lamenting about the messiness of his home life, Ki-baek — in the interest of fairness — revealed the truth about his family and the debt collectors that are chasing them. A well-intending Jung-heon wanted to help his friend, and told their classmates — without sharing excessive details — that Ki-baek was going through a tough time and needed money. Ki-baek, however, did not respond well to the charity — or to having his public image crumble — and lashed out at Jung-heon. Thus, their friendship came to an end.

When this drama started, I thought Jung-heon would be our token villain character, but now we all know who that ended up being (*gives Cho-hui the side eye*). Surprisingly, he has since evolved into a really compelling foil for Ki-baek. Both men have cultivated facades, but after Ki-baek’s shock to his system, their paths diverge. While Ki-baek has gone on to be liberated and find happiness, Jung-heon has sunk deeper into darkness. Jung-heon is depressed, and hopefully the brief scene of him and his agent at a hospital is a sign he’s getting some much needed help.

 
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I loved ep 10... until the end. Where did that truck of doom even come from??

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Where they always come from?

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I came here just to say this.
I enjoyed these two episodes until that last second. Wtf is going on.

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The foreshadowing was something else. I can't say that I was surprised, it was more like, there is it.

I noticed no previews for next week. Makes a sort of twisted sense. It's impossible to show us a preview without revealing what happened.

I don't mind being teased. But if they kill that lovely family, that show is dead to me.

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Thank you, @daebakgrits, for the weecap! I agree that Cho-hui is the worst character - no redeeming value at all. But I don't think Ji-hoo resigning from his job and taking a chance with the reality show is the answer to his problems. I like that Ki-baek and Woo-joo teamed together to straighten out the news but I like his brother and PD-nim's love arc more. Their problem is much more relatable with a child who doesn't want to share his mother with anybody so I'm wishing Mr. Gym well.

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The plot might be kind of all over the place, and there might be like 50 different subplots going on, but I don't really mind, because I just happen to be invested in all 50 of them.

And my love for entertaining drama, suspense and car crashes doesn't even mind Cho-hui or the truck of doom. It's not exactly original, but it definitely keeps me entertained.

Hopefully we get happy and satisfying ending for our OTP and all 50 subplots next week!

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Oh no you didn't, show.... I cannot believe you truck of doomed us!!! 😲😲😖

If Ki-baek's mother ends up sacrificed on the altar of the drama gods after this car crash, I will be seriously displeased (P&P ref) 

There are a lot of portrayals of toxic, narcissistic, or neglectful mothers in K-Drama land, but this fabulous lady was surely one of the good ones. If they kill her off to create 'conflict' or 'obstacles' for our OTP, or to make Woo-joo realise she 'should' meet her birth mother, in case she gets hit by a bus soon, then no, just no... I am not down with that. 😡🤮

Ironically the FBs to Woo-joo's childhood and the reveal of her relationship with Bok Ja who looked after her after she was (seemingly) abandoned was restrained and moving. Making the ML go through a bunch of unnecessary trauma now is the complete opposite of that. 

Leaves muttering expletives....💩🤐

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PS. There were various things I really enjoyed in these 2 eps (Ki-baek 'dressed' as a magic flying carpet is an image that will live long in the memory - 🤣) but they were all knocked out of my head by the ending, as effectively as that truck knocked the Song family car off the road...

Tonally this was all over the place. It feels like a creative team who are pulling in different directions, rather than sharing the same vision...

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IMO, that ToD's gonna be a fake-out. Does that make it better, though? Or worse???

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I mean, it's not great either way really is it. 😁

Obviously I want them all to survive (although that baked-bean can of a car looked like it wouldn't be able to withstand the impact of stiff breeze, let alone a TOD! )

But if it's just there as a fake-out plot point, it doesn't say much for the imagination of the creative team....sigh

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This drama is so weird... So in Korea kids are like kitten, if you find an abandoned one you can keep it, nobody will ask questions. The kid who can read mind doesn't bring anything to the story. Woo-Joo's passivity after 10 episodes is boring, she let her boss using her behind her back again and again.

Ki-Beak's issue with truth is disapointed, it happens only when it's a good time for the writer and has no rules.

At the end, it looks like Jung-heon is the only one with an interesting arc and acts as an adult.

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I am also surprised that the one set up to be annoying is the one who captures my attention the most, and the best-written character in the show.

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And it doesn't hurt that Joo Jong-hyuk can apparently squeeze emotions from a stone...

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I agree - major props to actor Joo Jong-hyuk for this role. He does a brilliant line in shifting from a seemingly selfish, unlikeable character to someone you really care about and empathise with.

I was genuinely amazed at how my view of him changed in Ex Att Woo, from an archetypal villain to a romantic heartthrob!!

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I made it to episode 5 and I think your comment gave me the resolve to drop it before I get to the truck of doom. It could have been good.

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Your opening paragraph is such a great description of the show, it only shines when our leads and Kwon Yul are in it. Otherwise it is nonsense. Stuff just happens without rhyme or reason. The truck of Doom was so random and oddly placed, sigh. Alas....

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...the netizens’ ire escalates from nasty online comments to violence when someone throws a brick through Bok-ja’s window and attacks Woo-joo with a maraca.

The ridiculousness of where we've come in this drama...encapsulated. A tiny maraca? 왜? Why?

I'll forgive a lot for the "Tree of Damaged, but Stoic, Masculinity" that appeared on the "Variety Show Shoved in Yet Another Plot Point without Justification," though. I shall ever remember it.

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I am not sure why the writers of this thought it was a good idea to make a head writer a person who has to hard sell herself as well as her ideas passive. This makes Woo Joo's character unrealistic for her job.

Neither do I understand why Ki-baek displays body movements that make him seem incredibly shy when he is supposed to be a tv news anchor. He doesn't fit his job either.

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This show is truly a mess and reminds me of the way I used to write papers the night before they were due. Bouncing all over the place without developing most of the points. But those usually came together somehow so maybe this will too

That said, I'm still enjoying it and finding it a laid-back watch. The wilderness guru listening to nature sounds on his iPad along with Ki-beak's reaction took me out 😂 The cuteness of the OTP and liking the characters in their inner circle are enough to keep me invested.

ToD's need to go though. Even if it's gonna be a subversion like this one seems to be, they will always be a frustrating addition. Probably the only refreshing way to use the ToD would be to have the main character run into a parked one

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Scratch that part about everything coming together, I didn't realize there are only 12 episodes 🙈 They'd need about 20 to reel this one in

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It now hits me that this drama moved fast for some plot points, skimming over things. Didn't hit me like the TOD though.

This may be one of the few times I didn't suspect a TOD would make an appearance. It didn't fit the vibe of this show. The happy, pleasant drive was a little too happy so like Ki Baek's mom, I had seconds to react.... "Wait... They're not going there, right???" And then we see the flashing lights. This happened during the day too. Ugh.

Crying at the Why Her? and Lovely Runner mention. 💀 Why Her? was definitely the worse. With only 2 episodes left, I don't think Frankly Speaking will go dark with a death. There's simply no time and a death would REALLY not fit the vibe.

One random observation: I thought one of the sons should have been the driver so the parents could relax.

I liked Ki Baek and Jung Heon's awkward yet unpretentious relationship. The contrasting quips was interesting along with seeing more of their friendship history. I admit I was sympathetic to Jung Heon this week.

I still liked the romance. There were some decent humor and touching moments too.

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Oh @daebakgrits 😏 “ whole new worlds” please don’t think no one saw what you did there! 🧞‍♂️ tee hee!

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ToD, don't you dare kill Ki-Baek's parents!

*Btw thank you for the recap, @daebakgrits , love it how you mentioned Bok-ja's meeting Woo Joo like the Arabian 1001 Nights.. it also reminds me that the story of Aladdin and the Magic Carpet (the characters Ki Baek and Jung heon teaming up to film in the commercial) is also from the Arabian Nights.

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