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The Matchmakers: Episode 16 (Final)

As our matchmaking tale comes to an end, our OTP must make certain decisions: family or feelings, denial or death. It might be “scandalous” to form romantic entanglements outside the boundaries their society deems as acceptable, but for our OTP, all’s fair in love and matchmaking!

 
EPISODE 16

The Matchmakers: Episode 16 (Final)

It seemed like only yesterday when we welcomed Ro-woon and his gat back to dramaland, and now we’re on the last lap of what has been an amazing ride. Last week’s cliffhanger had us anxious about who startled Jung-woo and Soon-deok in the bridal chamber, and to my relief, it was Ye-jin and Boo-gyeom! By the time the suspicious magistrate storms into the bridal chamber, he meets the newest couple in town instead of Jung-woo as he expected, and that’s one problem solved for our OTP.

Now we move to the other problem: Lady Park. She refuses to accept Ye-jin and Boo-gyeom’s relationship, but there’s not much she can do because the ceremony was already held and they are a legit couple in the sight of the joint wedding attendees. There’s always the choice to let everyone know that Ye-jin ran away before the wedding, but Lady Park’s pride won’t allow that to happen. I bet she regrets bringing up the stand-in idea. Heh.

With a slap, Lady Park accuses Soon-deok of trying to ruin Ye-jin’s future by partnering with Jung-woo. Ye-jin is taken aback to hear that Soon-deok is in love with Jung-woo, but she’s not totally against it. What shocks her most is Lady Park’s eventual blurt about killing Lord Jo and Minister Park to keep the family together. Now Ye-jin knows how her father really died. Oops! It must suck for Lady Park to have all her plans blow up in her face like this.

Now that the Maeng sisters’ marriage project is concluded and Jung-woo’s annulment is officially underway, the king praises him for a job well done. He also teases that Jung-woo should take up matchmaking as a career. Lol. Honestly, Jung-woo and Soon-deok Matchmaking Inc. is not a bad idea, and I’ll sign up for their services if they’ve got guys like Jung-woo and Soon-gu among their clientele.

Unfortunately, while Jung-woo is still deciding on his future plans after the annulment, Lady Letter Forger strikes again. This time, she sends a letter from “Geun-seok” to Jung-woo. And when Jung-woo arrives at Lord Jo’s residence, she has him locked up in a room with Soon-deok. Uh-oh! Lady Park then informs our OTP that she has reported Jung-woo to the authorities for violating her daughter-in-law, and the officials are on their way to arrest him. Ha! So this is payback for the groom swap. She really got them good.

Jung-woo and Soon-deok apologize for putting each other in this situation, and Jung-woo insists that Soon-deok denies her feelings for him until the end. He’s fine with suffering alone, and no, he won’t ever regret their encounter. When the officials arrive, Jung-woo and Soon-deok are locked in an embrace, and I love that the officials don’t try to pry them apart. They just stand there watching our OTP’s defiant and comforting hug.

The Matchmakers: Episode 16 (Final)

After Jung-woo’s arrest, the matchmaking base is transformed into the Jung-woo Rescue Operation base with Sam-soon as chair. Shi-yeol suggests a prison break and Du-ri supports her husband by plotting to make the guards drunk. Lol. Their ideas are really sweet, albeit ridiculous, but things take a more serious turn when Soon-gu comes with the news that Jung-woo will be sentenced to death by poisoning. This show really likes its poisons.

Thankfully, the king halts the punishment just in time. Seeing the king, Jung-woo, and a bowl of poison in one frame gave me flashbacks to week one when the king arrested Jung-woo to make him come up with a plan for the crown prince’s marriage. But right now, it’s a more serious situation, and all Jung-woo has to do is admit that there’s nothing going on between him and Soon-deok. Jung-woo chooses death over denial of his feelings, and the king has no option but to carry on with the death sentence. *Browses Pinterest for funeral outfit inspiration*

But it turns out that I don’t need the outfit because… Jung-woo isn’t dead. You see, he was given a small dose of poison, and the king secretly ordered a physician to save him. Phew! I knew Mr. King was going to come through! But while that’s good news and all, Lady Park already goaded her daughter-in-law to suicide after informing her about Jung-woo’s death. And when Jung-woo hears that Soon-deok is dead, he loses consciousness again. What in the Romeo and Juliet is going on here?

Time skip to a month later. Ye-jin and Boo-gyeom are living happily with Geun-seok. Soon-gu has traded his robe of shyness for the robe of shamelessness — which he wastes no time to rip off whenever it’s business o’clock. Speaking of which, Shi-yeol works the fastest because Du-ri is already pregnant! As for the crown prince, well, who needs Jung-woo stuck to your side when you’ve got a smart wife like Ha-na to have intellectual debates with? Their newest topic of discussion is about Sam-soon’s latest release: The Last Agent of Love of Joseon. It’s fiction, of course, but everyone in town can tell it’s the story about Jung-woo and Soon-deok — both of whom are officially dead.

But as we know, Jung-woo is still alive, and he’s holed up in the matchmaking base nursing his hurting heart. With the annulment finally official, the king visits the base to put Jung-woo to work as a secret royal inspector under a new identity. Jung-woo’s task: rounding up all the bachelors and spinsters in Joseon. Ha! We’re really getting that matchmaking agency after all. But Jung-woo isn’t exactly chomping at the bits to get onboard his new assignment. “Round up? [Bachelors and spinsters] are not bandits!” He rebukes the king like Soon-deok did to him at the start of their matchmaking project. Loool. I love these little callbacks to the earlier episodes.

The king has also found a new matchmaker to work with Jung-woo, and apparently, Ms. Matchmaker has been waiting a while for him to recover. Hmmm. Could it be…? “Jung-woo ya, have a good life.” The king says to Jung-woo after a long pause, and now I’m officially convinced that my hunch is right. Said matchmaker lives in Soon-deok’s childhood home, and she’s none other than… Soon-deok herself! Our OTP has an emotional reunion, and I’m in a puddle of happy tears.

The Matchmakers: Episode 16 (Final)

Through a flashback to when Lady Park asked Soon-deok to kill herself, we see that Soon-deok refused to die because love is not proven with death. If she has to die at all, she’d rather “die” as the daughter-in-law of the Jo family — and she slices off the strap of her hanbok to signify the severance of her ties with the family. Soon-deok warns that if she dies, everyone would know Lady Park was behind her death. And she cannot let Geun-seok and Ye-jin live a life resenting their only remaining family member. I’ve never seen Soon-deok look so determined as she dares her mother-in-law to carry out the death threat.

The final scoreline reads Soon-deok 100:0 Lady Park. While Soon-deok moves out and has Geun-seok over from time to time, Lady Park ends up all alone in the Jo residence, unrepentant till the end. By the way, the king sent someone to protect Soon-deok on the night of the confrontation with her mother-in-law, so Lady Park couldn’t do anything funny to Soon-deok even if she tried. Shout out to the best Joseon king ever! He’s not a figurehead; neither is he a tyrant. He’s simply a jolly good fellow with everyone’s best interests at heart. Mr. King is Santa, y’all.

And so, JungSoon Matchmaking Inc. is ready to hit the road! Before arranging other people’s marriages, Jung-woo proposes they get married first. But Soon-deok suggests starting out with a heart-pounding romantic relationship first, and Jung-woo is open to the idea. Our OTP shares a tender embrace as they overlook all the territories they’ll conquer in their matchmaking endeavors, and with this we come to the end of our matchmaking story!

Where do I even begin to express my adoration for what has been one of the most consistent dramas this year? The Matchmakers started out great, had an excellent progression, and stuck the landing. I’m so delighted our OTP got their happily ever after because there’s no one more deserving of it than they are. I liked that the drama respected the relationship they had with their late spouses, and still delivered on a solid second-chance romance between them. The story didn’t even have to jump through hoops to give them a beautiful ending because the foundation for that had already been laid out.

If I had to describe this drama with a word, it’d be “intentional.” This is a well-crafted show with thoughtful writing and plot points that served the story, nuanced characters driven by believable motivations — including prince Jin-sung, whose existence felt real even though he didn’t have a physical presence in the show. Seriously, I can almost picture him in my head. And the cinematography? Chef’s kiss! Every shot was deliberate, and every scene told a story. You could literally just pause at any point to take in the scenery, and it feels like you’re right there in Joseon breathing the same air.

I’m impressed with the show’s consistency at balancing its fun parts and the serious ones. Neither side felt forced, none overshadowed the other, and the drama did not do a nosedive into the genre-switch territory. I need other shows to take lessons because this is how you do a proper balancing act.

The Matchmakers: Episode 16 (Final)

Aside from that preemption that disrupted the flow of the episodes, I can’t think of any downsides to this drama. Okay, maybe Lord Jo and Minister Park. But the presence of Dumb and Dumber served to highlight Lady Park’s character as the “brains” of the household, so they were a necessary addition to the show after all.

In a drama with well-written and non-passive female characters, I liked that the main antagonist was a woman — and such a complex and calculating one at that. Having a formidable antagonist like Lady Park run side by side with equally shrewd protagonists like our OTP will always make for a good story, especially in the hand of a skilled writer like The Matchmakers’.

All good things must come to an end, and this drama is no exception. For a matchmaking show, we got a great OTP and lovely side couples whose romances were equally fun to watch, and the romantic in me is very satisfied. Overall, The Matchmakers was a fantastic watch on all counts, and having its concluding episode air on Christmas day made it all the more memorable.

The Matchmakers: Episode 16 (Final)

 
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Squee.

Sure, there were a few loose ends--like what was up with Jung-woo's no-good brother??--but I'm only mentioning this so that I don't sound like an obsequious fan who can see nothing wrong with their favorite show of the year.

Because that is what this was to me, the best, most beautiful, most satisfying show of 2023. I will be watching it again, for sure, to catch nuances in how colors were used, how Lady Park was fully machinating, how our love birds interacted throughout...knowing that I'll be caught unawares by things I couldn't possibly have noticed the first time through.

What a joy this drama was!! Beanies from the future? Yes, you. The ones reading the last episode's recap to make sure there's a happy ending before starting The Matchmakers...WATCH THIS DRAMA!!!

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What an absolutely lovely culmination of the story, with all threads neatly tied up! I'm in awe of the way the story didn't miss a single beat - one more example is how it made complete sense that SoonDeok's son is happy living with his aunt coz we saw the strong bond between aunt and nephew in the previous episodes.

As expected, HaNa is friend, philosopher, and guide to the CP till he comes of age. The MIL got exactly what she deserved. Wish the kind bookseller had also got together with his monk, but I'm choosing to believe that our Matchmakers will figure it out when they see them together.

I will miss this sweet little show. Hope to see all these actors grow well in their careers ❤️

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That was my one tiny complaint too! I wanted the monk to know how the bookseller felt. But Mr. Bookseller is such a romantic, I'm sure he'll figure out some way to tell him.

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The bookseller and monk deserve a happy ending more that anyone ❤️

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I agree that would be charming, but the monk has since made other vows and promises that might preclude such an ending for them (cf. My Mister)! But it would have been a glorious addition to this ending...for the bookseller to have found his available match!

I think that the sadness and, frankly, gut-wrenching tragedy that befell these same-sex couplings could be read as a horrible consequence of those moments when love suppressed by jealousy and hatred.

Love, this drama asserts over and over, should be allowed to reign freely.

This emphasis on love needing, and even providing, its own freedom happens all over this story--and with poignant tragedy elsewhere as well. Lady Park, for example, has moments when her love is allowed to shine through for us (at her son's funeral mound with Soon-deok, for example) and we saw how her whole essence became lighter and more fully-rounded. On the other hand, when we see her fully ensconced in, and trapped by, her loveless, power-hungry marriage, her scowl and heavy body tell a different tale.

While she was ready to accept her son, and showed remorse that she was not allowed to love him for longer...in the end, she did not choose the side of openness and love, but instead that of protectiveness and revenge. It did not work out well for her.

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Love your comment, especially the bit about Lady Park ❤️

Don't remember the last time a show did such justice to it's entire cast (and what a huge cast). So many if these characters have ended up being memorable - Lady Park, the King, Sam-Soon-Gu.....even JungWoo's butler and SoonDeok's maid had interesting personalities that made them more than just background characters.

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One of my many most-loved things about this show is all the young actors in side characters who we can follow as their careers develop.

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@bbstl They are all so good! I see them all making it big. The middle sister and her husband are the perfect chaebol romantic leads material.

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@KDramaTipsy
I so agree with this comment! Even the donkey was memorable, haha! The supporting cast is all awesome and has great lines. One of my favs has gotta be the physician!

@bbstl
(There's no reply button for your comment, so I'll just reply here.) Yeah, I'll keep a lookout for the young actors! I never thought Sam-Soon would have quite a big role by the time the drama ends! She was said to be ugly (or the least pretty amongst the sisters) at the start of the drama but she seems to become prettier especially after she falls in love! I'm gonna find out the actress's name and look out for her next drama.

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@BedeliaJane Good catch with the Physician! He was such a mood 😄

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Or maybe Bookseller may meet some other guy and have a "love at first sight" moment that a lot of our other characters got - Jung-woo would be there in the background having his "matched pair!" chest pains.

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Perfectly acceptable scenario 👌🏻

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Oh No.. I managed to binge this show and did catch up with the ending. I have one additional bean but I can not just reward this adorable drama a single bean... I need to readjust every thing again. Why drama gods? Why?

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Thank you for the weecap @unit it was fun to read all the weecaps and be part of the beanie The Matchmakers fan club. This really was a consistently good show throughout. Despite the schedule messing up the matching episodes I am glad that it finished on Christmas Day as that is seen as a romantic holiday by many in South Korea.

This is the sageuk that showed that Kings can be human as well as powerful and work with their advisors to solve problems for the people and address corruption. This also made it easy to fast forward through the palace politics if needed and still enjoy the overall story. This is the first and likely to be the last sageuk that I was able to enjoy because all the stories that ran alongside the palace politics were well thought out. It was funny and charming and had characters we wanted to see good outcomes for. The baddies got their rightly deserved consequences and there was a happy ever after for the main couple that made sense in those times.

It was so beautiful to watch. Those in front of the camera and all the behind the scenes people produced a top class drama they can all be proud to have on their résumés.

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I was so relieved as soon as the episode started. Having our leads together in the interview portion and having their conversation be so lighthearted made me sure that we weren't headed for tragedy. Then I could watch the rest of the episode with absolute confidence.

I had considered that faking both of their deaths could be a good way to free them up for another marriage, but wasn't sure how that would work when it seemed like the crown prince needed Jung-woo and Geun-seok needed Soon-deok. But I really like how their situations turned out! The crown prince found a mind-mate in Ha-na (and I appreciate the light hand the drama had for this relationship), and Geun-seok is doing just fine with his aunt and uncle and has plenty of visits with his mom. So our OTP is free to travel the country matching people up! Even though I'm against sequels in general, I would watch a few short episodes of their adventures in a heartbeat.

I don't know when I've seen another drama with as many couples I care about and wished happiness for - and then had it actually deliver that for each of them! They were all so charming and adorable, but obviously there is a special place in my heart for Sam-soon-gu. (Side note: they give me strong Brenda and Gerald Jackson vibes! I haven't actually read any of her books, but I heard her adorable love story on a podcast and now get reminded of them whenever there is a female romance novelist.)

And what a perfect ending for everyone's favorite antagonist! I can think of no more fitting punishment than her destroying the family she worked so hard to protect. But in the end, Soon-deok was right (kind of about everything, but especially) when she said that they never should have plotted against the crown prince in the first place.

And finally, I can't not mention how totally beautiful this was start to finish. The silks, the scenery, the weather, the camera angles, everything was just perfect. I'm so excited to watch again when I can focus as much on everything else as what's actually going on. This drama is one of the best of the year for sure.

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A great finish for the show of the year. It's so fitting that in the end, Mr. Big Brain can’t think his way out of his predicament alone. He needs people who love him to help save him (including from himself and his delusion that he alone can fix everything) - but it’s all his hard work for justice and on behalf of others’ happiness that has brought allies to his side.

Mean Lady Park, alone in the dark - so satisfying. Having to live with the consequences of her lifetime of evil choices and the fall of her entire house of cards is the best punishment for her.

The CP and his Crown Princess (and doesn’t Ha-na look gorgeous and queenly in her royal robes!) getting ready for another all-night debate is the perfect way to show how this marriage will ultimately be a good one. I know a lot of viewers have issues with the age difference and I agree they should have cast an actor who both is and looks over 12, but such marriages did happen historically and this is a great way for the show to defend one of its theses: there are many different paths to love and fulfillment and an ‘imperfect’ marriage can be one of them.

And - not a callback to the Red Hand showing up in the penultimate scene! I was worried for a minute that they’d have to do another awkward confession with both of her hands in front of his mouth like Destined With You episode 14, but I guess they learned from experience (and have a much better director).

My tiny quibbles: there was no non-drama need to leave JW ignorant that SD had survived - just whispering in his ear “she’s waiting for you, hurry and get better so you can see her” would have cut his recovery time in half. Who IS Prince Jin-sung, and what happened to JW’s corrupt/inept brother? Do the bookseller and the monk get together? As I said - tiny.

Best. King. EVER.

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Ooh, I like that framing for the King, very much. Someone who loves Jung-woo and supports him...he saves him indeed, perhaps by even more than 20% ;) And I think you answered your own question about why the King didn't tell Jung-woo that Seon-deok was alive--it wasn't a "teachable moment" per se, but the King had only so much to work with with our Jung-woo: "Mr. I won't back down and ask for help and will instead die alone insisting that this wasn't a trap!!" The King says, "No way, man. You just cool your jets a bit, and let me help you."

And, yes, Ha-na looked so beautiful in her regalia taking over in her wisdom!!! It's going to be an age of light and reason in Joseon soon...just you wait and see.

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For once we had a sensible King. It was refreshing to see this type of a king. I really loved this character and his Queen :)

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This is said perfectly:
“The CP and his Crown Princess (and doesn’t Ha-na look gorgeous and queenly in her royal robes!) getting ready for another all-night debate is the perfect way to show how this marriage will ultimately be a good one. I know a lot of viewers have issues with the age difference and I agree they should have cast an actor who both is and looks over 12, but such marriages did happen historically and this is a great way for the show to defend one of its theses: there are many different paths to love and fulfillment and an ‘imperfect’ marriage can be one of them.”

I love how the show portrays the different types of marriage and different ways to love as equally important.

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Oops I hit send before I was done! I love how you pointed out that Jung Woo needed others to help save him…whether it was his new gang of friends (remember how lonely he was 😢), the king to whom he had been so loyal, or SD didn’t matter to me as much as how he now had people who CARED to rescue him. Sniff.

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Long live the King! And our OTP Matchmakers! And the former spinsters with their husbands!

This drama really is the outcome of the coming together of great effort from the writing, directing, acting, production. Tight writing - nothing was wasted all the support and side characters were developed, no need for filler episode, all plot threads were pulled to form a satisfying story.

The confrontation between Lady Park and Soon-Duk was a showdown between 2 resolute women: SD's "Love is not proven with death" and LP's "I was not wrong" - karma came for both of them, SD and JW are together and LP alone.

Should we hope that the writer-nim does not become happy like Sam-Soon so that she can write another great script? 😉

I'll miss our Matchmakers but I think they'd be happy taking on new matchmaking projects together.

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Probably an unpopular opinion here, but when they teased poison/execution at the end of day 15, it seemed clear to me that it was a fakeout, because:
(a) It had been repeatedly shown that the king was not a jerk (at least not by k-king standards) so he would save the ML somehow. (b) Having a show with this general tone so far end in tragedy would be too much of a twist for even the bravest writer. Peasants have pitchforks, ya know.
(c) It is a matchmaking show after all.
Then day 16 was just tedious waiting for them to reveal the details.

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If by "tedious waiting for them to reveal the details," you meant, "exciting opportunity to see how these expert writers lead us through their beautifully-constructed narrative maze and out the other side," then I don't think it's gonna be an unpopular opinion at all!

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I took pains not to watch the preview at the end of episode 15, so the first I heard of the poison threat was in episode 16 - and immediately felt relieved that we were heading for a happy ending, because the parallel with its use in episodes 1-2 was clear. The King, who is just as smart as JW, would once again use it to force JW to change his identity/role and become a matchmaker, as well set him free from the restrictions of his former role.

I never expected them to end up dead, but I did think there was a chance they wouldn't end up together.

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This is the first drama that made me seriously rethink my preview watching. I always loved to watch them but have been burnt so many times by their misleading elements; see Twinkling Watermelon the serenade scene. So after the mess up with the flow of the episodes I decided with this drama to stop watching them.

I like the epilogues that used to be on a few of the older dramas and have made a comeback but from now on me and previews are no longer friends. It saves being annoyed when I realise I have been mislead or it leads to more questions and confusion especially when it’s the week long wait for the actual real story to be told.

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This is the best approach. No teasers, no previews.

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Yes, I miss those epilogues--good point!

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I agree but I think it's more the fault of football than the writer.

The episodes are written as pair and the 16th should have been aired alone.

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shouldn't*

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Over on Lee Tennant's site InvisiblePinkDragon she has a wonderful essay comparing 2023 K-dramas to souffles.
https://invisibledragon.home.blog/2023/12/21/my-year-in-kdrama-2023-the-souffle-year/
After reading it maybe you will agree with me that The Matchmakers was a completely successful Savory Sweet Potato Souffle. All the ingredients were in perfect proportions, room temperature eggs whipped to perfection and masterful baking technique displayed (read great acting, wonderful script, solid directing, gorgeous costumes, thoughtful camera work, set design etc. Bravo to the best sage in years!

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I like other Sageuks better, but this is one of my favorite rom coms in years. I liked the complications, and the plotting and the unusual concept of Joseon Matchmakers, one of whom swoons when he sees couples in love! 😂

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Agreed.
I don't know if sweet potato soufflé was a thing before now but it's perfect. This was definitely a fluffy, expert soufflé that didn't sag or collapse.

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My favorite couple was happy, everything else was fine.

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To be said in that Love Actually placard way: "It's enough."
as long as our OTP ends up happy together, it's enough I can live with the rest

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Lol, the OTP wasn't my favorite couple. I would have been fine if they didn't end up together, but the sentiment applies for Soon Gu and Sam Soon. I really cared little for the rest of the drama.

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This is probably the only show this year that had both a happy ending AND followed through consistently on its "serious" theme about romantic love, marriage, and family transcending state politics, so I am not ending this show as I have every other one with a scream of WHYYY?

Still let me make 2 small complaints that slightly dampened my enjoyment of this episode First, I think handling the refusal to commit suicide scene in flashback was something of a narrative mistake. Given that this was the last episode, there was no reason to misdirect the viewers in this way, especially since just after showing the scene, they went to each married couple and showed them really happy,and you were wondering why is even the step son enjoying his lesson so much if his step mother recently committed suicide? In fact, if they played the scene out in real time, then it would have been possible for viewers to completely enjoy the scenes from the marriage-- especially of course my favorite, the writers block scene which showed the inspector brother's deadpan sense of humor.

Anyway, besides this minor story telling glitch, I also was dismayed at the total lack of foresight in the ML's noble idiocy. How would just pretending he raped her help his love at all? It wouldn't--she'd be ostracized for life regardless. Also, the king was obviously sympathetic to the fact it was a trap and was offering him a noble and less idiotic route, which he didn't take, because he was more an idiot than noble.

It seems the ML actually wanted to die, had totally given up to the mother in law's treachery, instead of trying to think his way out of it. Or at the very least, accepting the kings deal and then immediately ensuring that his love would be safe. Again the story would have been the same and its resolution would have been the same, but without the nearly deadly noble idiocy.

In fact, I was half-way hoping that someone would have pointed out to him--you are a total idiot--you nearly died and lost your love because of your stupidity in "self" sacrifice. Now that, a final comment on my hated noble idiocy trope, would have been a totally triumphant ending for me!

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Oh, yesssss, Sam-soon-gu's last scene was both comedy AND marriage romance goals.

I've no desire to countermand your arguments about the weaknesses in the plotting of final episode, as I agree with them in the main, especially the one about Soon-deok's apparent suicide (that none of us believed for a minute).

But I will say, since this seems to be how I'm going with it, that you too have laid out in your criticisms the very reason why the King didn't tell Jung-woo that Soon-deok was fine. He seemed to be saying: Get this through your skull, man. There are people out here HELPING YOU. Clearly just telling JW that you are helping him by bluntly asking him to tell you the truth that WE ALL KNOW, doesn't work. How do you solve a problem like Jung-woo, @hacja? How? Emotionally impactful, slightly sarcastic, silence. That's how.

It's not the strongest interpretive argument ever, but it's good enough for government work!!

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Let me say that I totally agree with you about why the king didn't tell Jung-woo.
But did Jung woo learn his lesson? No, and that's why I'm saying the king needed to lay it out for him: "you sacrificed yourself despite the great deal I offered you, and YET the woman you loved still committed "suicide." How does that make you feel? Even more miserable? Good! Remember this feeling!"

And then turning to the camera breaking the 3rd wall: "Do you get it, all you kdrama writers out there? Noble idiocy doesn't work in romance stories, and it should never be used, period, unless you want to poison your narrative just the way Jung-woo poisoned himself!"

Now, that would be a great and wise monarch, who I would follow through multiple sageuks!

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Well, let's you be honest here. None of us know whether or not Jung-woo learned his lesson. Although he might--if Soon-deok plays this courtship they have coming up right!!!

What you really want is effective action in this real world--that is, for the writers to learn their lesson and stop with the noble idiocy.

Not likely, but a boy can hope.

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One more paired 4th-wall-breaking interview, with the King puncturing noble idiocy in 'real life' and Sam-soon the novelist talking about it being a frustrating misstep in fiction, would have been great. But we did already get the latter part of that with SD telling JW (ep. 14) that the line she most dislikes in novels is "I'm leaving you because I love you," so @hacja has a point that if that didn't drive it through JW's well-shaped but very thick skull, nothing the King says would, either.

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Ahh so, the eggs were not organic and the flour not sustainably sourced but, damn it, the sweet potatoes were the main ingredient of this gorgeous souffle. And it was delicious.

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Also, SD herself in their last joint PTC overtly throws shade at Jung Woo's "grand elopement plan to Ming".

She's like "you're the brightest brain in Joseon, and THIS is the best idea you can come up with?! Tsk tsk" (it's a sly and subtle meta-dig by writer at noble idiocy ploy that Jung woo would use as his last resort)

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"It seems the ML actually wanted to die, had totally given up to the mother in law's treachery, instead of trying to think his way out of it."

Yeah, I was hoping for the two leads to put their heads together for the ONE LAST EPIC getting-out-of-tricky situation shenanigan but they went this route... At the least I was hoping for the jeum poison to be playing a more significant role in the series. The tale goes that there are some poisons that if you partake them in small quantities each day you develop tolerance to them, and technically can't die from it. Not sure if this is true but it would be interesting to see if Prince was building tolerance to poison all those past 8 years and when (by some machinations) they gave it to him, he actually survived. Or, for example, by some (mis) fortune Lady Park partook in that poison herself. There was something "shenanigan-y" missing to my taste in the final episode. But it was a heartwarming and satisfying ending, albeit lacking in excitement.

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Yes I agree with you. In my heart of hearts, in a perfect universe - the last episode should top itself with next-level fiendishly brilliant maneuvers as the strategists strike and counter-strike each other - with plenty of hijinks, fake deaths, false identities, fake news (all of which have been generously foreshadowed in earlier eps). That would be a glorious bang.

BUT I am content with the quietly happy ending nonetheless. I think it fits the spirit of the story too :)

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I laughed so hard at this part of the recap because it’s so TRUE : “Shout out to the best Joseon king ever! He’s not a figurehead; neither is he a tyrant. He’s simply a jolly good fellow with everyone’s best interests at heart. Mr. King is Santa, y’all.” I love how their relationship is truly like father in law and son in law! Most of their interactions were so funny with great one liners. Like “everyone lives with an emotional wound or two, right? ”, “I feel disrespected looking up at you”. I want to rewatch the whole series for all of their convos!

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Yes - King's first PTC in the early eps was comic GOLD.

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So many thoughts about this drama!

First, the last episode wasn't my favourite one. I loved the to watch the couples happy :
- Sam-Soon and Soon-Goo : they're always as fun and Soon-Goo learnt fast :p
- Du-Ri and Shi-Yeol : I liked the fact she could marry and still take care of her mother. It was important for her. She has a husband who adores her.
- Hana and the Crown Prince : it never was about love between them but respect. If it's a fusion sageuk, this show always followed a certain reality. The CP needed to be married and because of his young age, it would have been weird even if his wife had the same age than him. In this case, he found a loyal friend who won't hesitate to say when he's wrong.

But for our main couple, they spent way too much time far from each other and half of the time was not a happy moment...

We knew that neither of them would die, so the truth took too much time to get out for me. They have a happy but a little bitter end.
I wasn't surprised that death was the solution for them to be together. But Jung-Woo didn't have to die anymore and accepting death without fighting was sad. It's always Soon-Deok who really fought for them. Jung-Woo was a very lonely character and he helped a lot of characters, so it was nice to see them trying to help him this time. But dying as angry man who raped the woman he loved was not really a nice end, fortunately, Sam-Soon saved his reputation with her book. But I wished he had a plan... Because dying to protect his love, why not, but I'm not sure how his sacrificing was doing anything for her...

Soon-Deok who chose life to love was the best part. I'm sad she lost her son in the process, even if he will be happy with his aunt and he will be able to see his mum, it's just she was his mother, there never were doubts for her.

The King was the best. He really wanted the happiness of everyone and was a fair King.

Lady Park had the best end for her. She fought to give power to her family but she no longer didn't have anyone to give it to. Jung-Woo was right for that. I liked their confrontation in prison.

In general, it's surprising how every character left an impression on me even if their role was small like the Monk, the inn owner, Lady Park's son, the servants O Bong and Gae-Dong, etc. The writer gave them a real identity.

The production of this show was perfect :
- The costumes : the hanbok with the large sleeves, the colors, the special gat, the fans (he didn't need to hide behind them when he met Soon-Deok).
- The interiors : the different houses really looked like home.
- The places : they found beautiful places to film the outside scenes. It gave a simple life vibe to the story.
- The PD did a really great job with his staff with the lights, the scenery, etc.
- The writer did Sell Your Haunted House that I loved and now this one. I'm really excited to watch her next drama! She really chose a theme "Matchmaking" and used...

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...
- The writer did Sell Your Haunted House that I loved and now this one. I'm really excited to watch her next drama! She really chose a theme "Matchmaking" and used it to write a story about patriarchy, love, Joseon customs with a lot of humor.
- The actor : my favourite ones were Rowoon, Park So-Hyun and Jo Han-Chul. They were really great in their role. I was happy to read critics praising Rowoon's acting for this role. I didn't like Cho Yi-Hyun before but I liked her in this drama. I'm not still convinced she's completely ready for romantic roles but her chemistry with Rowoon was cute.

I need a season 2 to watch our couple to do romantic stuff and matchmaking people in the same time!

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Yes I actually wanted to check out Sell Your Haunted House because of the excellent writing on MM - BUT reviews say the show has some serious gore and spooks (something I am not inclined to). How was it?? Since you have watched?

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It wasn't so scary,. There was a lot of humor too.

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"I wasn't surprised that death was the solution for them to be together. But Jung-Woo didn't have to die anymore and accepting death without fighting was sad. It's always Soon-Deok who really fought for them."

Absolutely! To the very last second of the final episode I was hoping that Prince actually was the one who found the solution. But it was King! It just didn't make sense to me that King was all 100% of him saving because for the entire run of series, it was always a collective Matchmaking "gang" getting out of the situations like these (I was glad though that he contributed 20% of saving to FL, not too much and not too little, lol) So it all felt out of character for the show and our ML. I felt a bit...disappointed in him.

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Thank you for the recap! And "intentional" is exactly how I would describe it. Such a very well-done piece of writing, directing, and acting, along with the multitude of details that were so expertly accomplished by everyone on staff. Really a drama that is worth watching again just to catch any little details that may have been missed. And so satifying to look at (and not because of the good-looking people), but in terms of framing, symmetry, and colors.

Another shoutout to the king - love how much he cares for Jung-woo and how he had sent Soon-deok protection (even though she didn't end up needing it). I loved how the ending not only addressed Jung-woo and Soon-deok's romance, but what they're going to do professionally. And they came up with a whole new royal job - secret royal matchmaker! This works out well since Jung-woo would undoubtedly annoy everyone in court and Soon-deok loves matchmaking.

I did find it a little sad that Geun-seok won't be living with the mom he has known for 8 years and Soon-deok can't be with him every day either, but on the other hand, it seems like Geun-seok was already mentally and emotionally prepared for Fairy Soon-deok to fly away and he gets to be raised in his aunt's house with his favorite uncle (sorry, Jung-woo). I'm glad the writer included that Geun-seok visits quite often. I don't doubt that Soon-deok would be making regular trips home too.

I'm glad we got to see a bit of the various couples' marital lives (I don't see how some afternoon delight will help Samsoon since she's struggling with plot not an erotic scene, but who cares!) and a wedding for the real Yeojudaek. I found it funny how 2 out of the 3 brides from the wedding were on top of their grooms during the wedding night witnessing.

I loved how Hana and Crown Prince's had their conversation about sad vs happy endings, which was totally referencing how his drama was reaching its conclusion and the audience is eagerly awaiting to see if Jung-woo and Soon-deok would reunite.

I'm a fan of parallels and callbacks, particularly when they showed Lady Park being alone in the house that was so bustling with people and orderly activity in the beginning of the series. The drama really thread the needle on Lady Park. Putting her to death as she deserved to be would have hurt the family, but letting her go would be wrong.

Another shoutout to Oh Bong - who was ready to gaslight the other matchmakers. The drama made sure there there were no small parts, only small actors.

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What a summary, @asianromance! Each scene/character you highlighted deserved it (IMO!!), and you picked the most amazing phrases to describe them...especially, in case folks missed it:

I don't see how some afternoon delight will help Samsoon since she's struggling with plot not an erotic scene, but who cares!

Who, indeed, cares, my dear 친구!!! Their happiness was infectious. This was a real gem of a drama, was it not?!

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She needs to be in a great mood to write well. Hubby was going for "Great Mood".

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She was saying earlier that writers get inspiration from struggles and times of starvation, but her husband was keeping her in such a great mood, she couldn't focus on writing. I wonder if Soon-gu would leave her on a cliffhanger with the lovemaking and then be like "okay, now we're both starved. Write your chapter, so we can eat!"

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But she used to write when she was happy, and hardly be able to lift a pen when she was sad.

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That's true! Thanks for reminding me of that! I guess there is being happy and there is being distracted by being so happy with her husband. No surprise if he's being so affectionate!

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Thank you, Unit, for your recaps! I didn't intend to watch this drama but reading your recaps for the first few episodes changed my mind!

I really love the cast, the acting is all good and everyone is easy on the eyes (yeah, even the villains like Min. Park, lol).

Rowoon will be one of the emcees for KBS Drama Awards on Dec 31. I'd love to see this drama win many awards!

By the way, can anyone tell me what pen name is Sam-Soon using now? Last I remembered, she asked Soon-Gu to help choose the name.

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As a relative newbie to K drama watching, only my first year, I just found the craftsmanship of this show outstanding. There were plenty of laugh out loud moments and tears shed. The final highlight was in the credits where the Donkey’s had been converted to Rudolph. Go check it out.

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Yes, loved Rudolph the Red-Nosed Donkey! The king with a Santa hat would have been hilarious. I'm wondering how all of the little Xmas touches will age, though.

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I was thinking exactly that for all the people watching it for the first time in June 2025!

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I saw others compare this show to a Shakespearean comedy-- a lively ensemble cast juggling interfering parental figures, mistaken identities, and couple mixups and matchings. I love that we got an ending right out of Romeo and Juliet, minus the tragedy!

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I just love this cute little show! Watching it was truly one of the highlights of my 2023. Not only was it beautiful to look at, the music scoring for this show deserves praise as well. The acting was great and the script was great. I love that it remained consistent throughout and just love how well it balances the funny and serious side. This show is truly a gem.

Also for a show with a widow and widower as its main protagonist, i just love how sweet and innocent their romance is being portrayed. I mean I love my burning, passionate romances but this kind of sweet, innocent romances are lovely to watch too.

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Although I do have have to say that I'm slightly disappointed that we didn't get a marriage ending for our main OTP. Would've loved it more if we actually got to see them happily married :( Poor Jung Woo. His proposals have been rejected multiple times XD But at least we got a fake marriage. I guess it helps a bit with imagining what's to come for them in the future...

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I was rebelling a bit at first against them choosing a “heart-fluttering romance” instead of marriage at the end. But both have already been through a long spell of the downside of marriage and widowhood, after having enjoyed some brief fun and romance during their respective courtships - so I can see that they would want to luxuriate in the latter for a while.

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I also wondered if this was to ensure the curse of the match at her god didn’t fall upon them…

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When Rowoon did not remove the gat, I knew there would be no kiss, plus the lack of a device (stairs, etc.) to equalize their height was another clue. I was disappointed that since they had been married, they didn't pick up their relationship from that point and had a lovey-dovey scene like the other couples.

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KING SAVES THE DAY!

Ugh.

Wouldn't be nice, to have our Matchmaking gang to save the day?

Or even Prince?

Not quite sure why Prince had to go the noble idiot route not once but twice in the series. I am getting convinced that the writers of Kdrama are using this trop as an easy copout instead of actually thinking of an ending that is BOTH exciting and logical. Is it a cultural issue I keep missing? Like the Korean's society need to subjugate love for other "noble" considerations?

Not that the Western shows don't suffer from their own fair share of writing cop-outs (*dreaded final black screen that supposedly explains everything that happened in the end*) but this "noble idiot" trope has to die.

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LOVE it that having the match-making gang come to rescue would/could have been so much cuter.

And totally agree that the noble idiocy trope is so over-used that it must be a cultural issue--if not in expectations of a romance, than in production methods of production. I really dislike the feeling when the last episode starts by wrapping up all the subplots and spending more time on secondary characters. It makes me feel angry expecting a fake-out in the last few moments of the last episode rather than a conclusion. I am of the mindset that Kdramas EXCEL at beginnings but often suck at endings. Sorry for my rant on this...

Overall, the use of humor in this drama was cute, as was the incorporation of a modern mindset in a historical setting (bringing lunch in to the conference room, having a makeup artist and hair stylist for the bride, etc.)

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I found the last episode the most conventional of the series, with a tidy ending you could see coming a mile away. I was disappointed that our three most dynamic characters became passive players in the final resolution. Lady P. was reduced to doing damage control after the wedding switcheroos. Jung-woo was ready to swallow the poison and go down without a fight in order to save Soon-deok. I give Soon-deok credit for standing up to her MIL, but there wasn’t anything she could do to gain her independence or to prevent Jung-woo from playing the martyr. It took outsiders to save our OTP.

There would have been more dramatic tension if these three characters had remained shrewd strategists till the very end. For example: Lady Park could have threatened to harm Soon-deok unless Jung-woo accepted the annulment and took on a powerful government position (and perhaps a strategic marriage) to benefit the Jo clan. Then our OTP could have put their heads together to come up with a clever way to foil her scheme—even if it was just the same fake-death plan.

Overall, I think the show certainly deserves all the lavish praise it’s receiving. But while I could recognize the masterful writing, directing, design, cinematography, et al., I couldn’t make much of an emotional connection. (For one thing, I didn’t feel any romantic spark between the main couple, who felt more like brother and sister.) I give The Matchmakers high artistic marks, even if I’m not likely to watch it again.

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“Passive players” when we’ve been watching for the whole run of the show them being very resourceful and cunning in the way they approached the circumstances around them.

You put into my words everything I wanted to say, especially, “There would have been more dramatic tension if these three characters had remained shrewd strategists till the very end.”

Good show but not on my rewatch list.

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Where do I even begin?

1. Let's get the plaudits out of the way first - I have gone on record many times to say MM is my frontrunner for 2023 -- and together with Aos2 -- became the brilliant bookends of 2023 for me. I am glad the finale proved us all right.

2. Shameless plug: I have only ever *once* publicly pledged to defend the honour of the writer for 5 years (IF they give us the happy ending our OTP deserves) - and that's for AoS2 in Jan 2023. For MM, I would do something else it truly deserves too.

Public Service Announcement: All readers of this site, IF you can only collect one last bean for this year, make MM your choice! Your inner life will become richer, your heart will be fuller, your aesthetics and literary sensibilities will be finessed, and your time & effort duly rewarded.

3. NOW, unto the rest of the nitty gritty (diamonds and dishwater moments)!

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So many eloquent beanies have expressed the gorgeous sentiments and observations I wanted to, so I will leave that to make random comments on the other bits:

a) The writing has been so consistently strong that I once said I could detect no narrative missteps. If I have *one* gripe it would be the one universally vilified story beat at the 34th minute mark -- "Noble Idiocy writ large".

b) The one saving grace is how meta & self-referential the writing has been thus far, as the writer *nudge*wink* roll eyes* at SD's PTC when she disses the grand bailout plan of JW to elope to Ming: "You have the best brains of Joseon and this is the best idea you can come up with?! Tsk" (just substitute with noble idiocy and you get the underlying authorial intent 🤣)

c) I love all the lil details with loaded subtext that build intricate substrata to a consistent universe. Even ostensible throwaway lines like the king letting slip the fact that the fake ID of secret inspector he dishes out to JW was probably the 5th time he was using it lol (this king is one smooth operator...)

d) Or how media (popular culture in the form of pulp romance novels) is used as a leverage to shape (or rectify) public opinion, disseminate *real* news, and reinstate posthumous reps. The peddler's retort: "It is NOT an affair! They are both widowed. It is love" reminds me of another great line in Crash Course in Romance where a character dropped a tide-turning truth bomb on social media: "She's not my mum, she's my aunt. That is not a scandal, it is a romance."

e) Also love to bits the intricate lattice of social ties: I once said beyond a romcom, this is an underdog story of beating the odds and it would take a whole village, if not a whole nation to get them wedded off to each other. One unexpectedly touching beat for me was Ye-jin supporting SD's love for JW, and Bo-guem telling Ye-Jin no they should not run away because this would put SD and her son in a very tough situation. A family should stay on for one another to resolve this together.

It is ultimately a beautiful payback and poetic justice (and symmetry) that the real aunt (Ye-jin) becomes a surrogate mom (to her nephew), while the surrogate mom (SD) reverts to become the real aunt (to her adopted son) with regular visits!

f) last random thought: while this is ostensibly a fusion sageuk and romcom, I really thought they could sell this as a workplace romance! 🤣🤣 Like seriously. FL & ML met at work - both are legally not supposed to be doing the work they are doing (one as a royal in-law, one as a noblewoman) and how they found great job fulfillment and their true calling outside the strictures of social mores, and also love by navigating some fiendish corners in the laws of Joseon.

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Agree with point (f) - it’s very modern!
Loved the meta/self referential parts too - I loved the little interviews in each episode. I also want to rewatch and note all the things that had me cackling throughout because I’ve seen them somewhere else, and writers turned it around. JW fell in the water after being hit by the arrow, and SD rescued him - reminded me of my beloved Bossam.

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I love the female characters of the show even Lady Park. I am happy with how the show ended. Everything is just the way it should be.
I especially love Sam Soon and Soon Gu. And od course, our main leads got their HEA.
Jung Woo and Soon Deok out to pair up the rest of Joseon.

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What an amazing ending! I was nervous because I've watched too many dramas that let me down a bit at the end but they did such a good job!

I love that Soon Doek had so much agency in her journey, she didn't sacrifice herself for society and she still was in her son's life and wasn't ostracized by anyone. I loved the king plotting to save Jung Woo and even though he spent some time in agony, the ending and reunion was beautiful.

Our adorable secondary couples are all happy and prospering, Sam soon gu are as besotted with each other as always and Soon gu helping her research was hilariously cute. Doo Ri being so content and happy with her devoted husband made me feel so good.

Finally, I kinda love the ending for Lady Park. She didn't really get punished in any official way, but her family is gone, there is no honor left, and she's alone pretending to herself that what she did was right. She's punished anyway.

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I felt she was left alive but alone, with no one to manipulate, and that was the worst punishment for her. Typical of the show, it also allowed the “good guys” to avoid the consequences of her evil doings. I loved that!

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@unit Thank you for a lovely review that befits this lovely drama. I am sure whoever watches this drama later will also get to enjoy the beanies' wonderful insights in the recaps. Thanks all!

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This drama is a (misunderstood and underrated, by some people) gem.
Sometimes it was as if Charlie Kauffman and Shakespeare had written a sageuk hand in hand.

This is a story about second chances after tragedies, about morals and living in rigid world where everything is about appearances and rumours are the main distraction.

I loved the immersive cinematography, the lighting, landscapes, village settings...

Even though I think the side couples and secondaries stole the show, all the actors did great.

The songs were not very memorable imo, but the background music is beautiful and I would like it to be released in its enterity.

I will probably rewatch this drama someday, or at least parts of it.

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Thank you for your review above. I enjoyed this series, there was cuteness to the very end.
I have nothing further to add - well - that would be a first!

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@unit A whole lot of thanks for those witty and wonderful recaps that increased my enjoyment for the drama.
If I have a gripe with the drama, it is Jung-woo's noble idiocy and how the matchmaking squad didn't play a role in saving him. In the preview when I saw "operation rescue royal son-in-law", I felt glad. I thought this time it was the other couples turn to save our OTP and come up with a plan full of shenanigans. So, I am a bit disappointed with the turn the drama took. I have no problem with the new identities and the matchmaking agency. It fits our leads well. But how we got there isn't to my liking.

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I lost interest after the 1st few episodes. Jungwoo had the education, ability, and intellect to be a very good government civil servant / king's adviser. Instead he got relegated to just being a mere matchmaker and by the end had a dumb marriage company!!!! It's a waste of his potential and everything he worked hard for and dreamt of in life before that princess 'selected' him as groom. They should've let the him and Song-Deok have their own separate jobs as a married couple.

Anyways, I didn't care after the show left track in first few episodes.

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I loved this. I needed this to have a happy ending. Yay! ❤️❤️❤️❤️ Everyone else said what I want to say but I’m just adding my happy joyful delight at the show! Strong women, lots of love stories, noble idiocy issues squelched quickly…just yippee for romantics!

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The latest scene of last episode is so beautiful with the Joseon scenery as background.

The ending is quite predictable. If we want a happy ending then the only solution is to have a fake death for both of them, I thought they will give other solution but it's not. Well it's not really bad but actually I'm curious if they will give different solution.

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I may be alone in not liking how this ended. With all the clever bride and groom swapping to save the weddings of the 'old ladies' and ensure the best couples ended up together, why was a criminalised reputation, public disgrace, execution, and suicide necessary for our leads to be together?

To me that was plain ignorant, undeserved and excessive. The King had promised to release Jung woo from his dead marriage to the Princess so he could take public office, and then after the 'execution' he saved him and had him nursed back to health, so why not strike his supposed crime from the records on the understanding he had been a victim/scapegoat of the Jo and Park families all along? They were already disgraced and destroyed so why couldn't he have been pardoned?

Then to compound it all by allowing everyone to think Soon deok was also disgraced and had taken her own life was just horrible. I don't care if the OTP apparently skipped off into the sunset to start new lives. Let's not forget that he spent 8 years as an obedient widower that couldn't hold public office out of respect to the King and his own position, and she spent however long as a widow living obediently with her husband's family, so reputation and respect did mean something to both of them. To lose that in such a dramatic and unfair way really sticks in my craw. As a solution for them I absolutely hated it.

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To be clear, the reason they faked their deaths and took new identities was because they could never be together under Joseon law. I was semi annoyed at the show framing the MIL as their main hurdle to be together when their main hurdle was the fundamental role of women in Joseon society.

As a widow, Soon deok was never allowed to remarry. Ever. Her MIL simply represented the brutal application of Joseon law in this regard. Women had no rights. She belonged to her husband's family for life. In the end, the Matchmakers opted to bring this up only in passing and then make it merely subtext with other characters representing those limitations rather than doing a hard-hitting critique on the horrors of Joseon for women. Which is appropriate for a light fusion Sageuk, really.

By mutually "dying" they could stay together in Joseon, which is what she said she wanted. The alternative was fleeing to another country to live in hiding.

By faking her death, Soon-deok found a solution that worked (at least in appearance) to uphold Confucian values by saving the face of her in-laws and remaining faithful to her (dead) husband while secretly freeing herself from those strictures.

It really was the only way it could have ended with them together, unless of course they decided to just have an ongoing affair. And while that's probably more accurate (once her MIL passed away she would have been able to quite easily and these things were extremely common), I can't say it's the solution that a show like this is going to advocate.

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Ah, I did not know widows couldn't ever remarry. All I'll say is what's the point of being the King if you can't change the laws to suit yourself!

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A Joseon king who tried to overthrow laws like the fundamental role of women in society would be a dead Joseon king.

It's possible - and this is where the MIL came in - it's technically possible that maybe if both their marriages were annulled that he could petition her family for marriage as the son of his original family. BUT, bear in mind, everyone knew his marriage was never consummated. Everyone knows hers was. The whole 'newlywed' room ensures there's no question about this very important part of the process.

Since she had no children by her husband, then maybe (I don't have enough italics to emphasise just how unlikely this is) her in-laws could grant her an annulment meaning she was never legally married. As long as her own family took her back (which they seemed willing to do), then she may have been able to remarry.

But, technically speaking, in Joseon, for these upper class families, an engagement is enough to preclude ever remarrying and she was living with a man for six months. Bluntly, she wasn't a virgin and everyone knew it. Even an annulment may not have been enough. Even if it was granted. Which it probably wouldn't have been.

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I didn’t know that either. It now makes sense that they had them both die but in terms of genre and tone this show was going for in contrast with that ending threw me away. I was expecting a light fusion saguek, where the protagonists are clever and take action in their hands to resolve the circumstances but apparently they are still bound by — vaguely explained — Joseon society rules.

This is tricky for a writer, to balance fusion with historical reality. Yet I still think, it could have been done. They could still found the solution were both of them “died” to resolve the “historical” portion without making them look like passive players which is out of the character for the whole previous show. Many beanies suggested many exciting solutions that would preserve the resourceful nature of the show while still acknowledging the historical accuracy. I found that to be not the case.

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In the introduction of the first episode, they said that he can't be remarried or have a concubine because he was the King's son-in-law.

The whole show was about the fact they couldn't be officially together...

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It was a fusion sageuk but it always respected the laws of Joseon and they never were in favor of the women.

We always knew that as widowers it will be complicated for them to be together. The King can help but he can't go against the rules.

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Hello everyone, I agree that this show was very pleasing to the eye.

I watched it until the end but I think I was enticed to think the story would develop another way.

Below, you may find my opinion a killjoy, so you can skip it : )

At the beginning with the 2 older sisters not wanting to marry, with the youngest sister passing as a man to earn money and do what she enjoys, and with the FL challenging the rules of arranged marriage, I thought the show would have as a main plot or as a subplot some critique of marriage (not only the arranged ones) or would root for women wanting to become independant and not marry.

Instead, the show was for me an overdose of marriages with many cringing moments (i.e. the night following the 3 weddings when the 2nd sister had to spend the night with the husband she discovered she had just married).

In this show there were : very little criticism or questioning of marriage for women; young women getting married (the FL married at 17); important age gap between young women and older men; women marrying men they have just locked eyes with, men they barely know or men they've had a crush on for a short time.
For example, I found the way the bachelors found their matches during the festival was farcical.

It lacked some depth and complexities about what love is (not the same as having a crush) and what marriage implies for women.

In the end, it seems the main message of the show was, in broad terms, "arranged marriages are bad but love marriages are good", with a questionable definition of what a love marriage is.

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This drama is a sageuk. It took place in existing rules that you can't change. The drama is about how to find happiness with these rules.

The main characters was Agent of Love. It was a little bit fantastic with love at the first sight. But the story showed it wasn't enough to get together. They had to work hard and took decisions to make things work.

The drama showed the reality of what marriage was with the mothers and why they fought for the daughters got a better marriage.

The drama was a comedy, so yeah, there was a lot of "farcical" scenes.

I think the message was you can't escape arranged marriage but with a good matchmaker, you can still find happiness.

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It’s good to offer an alternative perspective on the dramas that had a huge fan club so later viewers have a full perspective on what to expect so can decide if it’s for them.

I think shows like Divorce attorney Shin, Strangers again and Perfect marriage revenge, or The story of Park’s marriage contract are more in line with the type of questioning of relationships and marriage that you mentioned. Romance genre dramas will always have marriage as the end goal and Matchmaking as a theme would be expected to only show the positives so the way the main leads operated was where they tried to show difference to the other matchmakers in the show.

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I liked the matches. And I really liked this drama overall as well. But yes, I’d have liked it more if marriage hadn’t been the end game for each and everyone, most especially for Ha-na and her little princeling.

It might have tricky. But this was one great writer, and they could have pulled it off. (And if we’re asked to believe someone like Rowoon could go incognito, then anything is possible :).

One match I’d have really wanted to see was the noble/monk and the bookshop owner. (Why does every gay arc end in tragedy?) Perhaps Ha-na could have been the front for this couple while using her position for good as her BFF prince’s advisor. Yup, totally out there. That’s why I’m not a screenwriter. 😀

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Yes, if I counted correctly, the main leads ended up together + 7 couples got married or engaged: the 3 sisters, the FL's sister-in-law, the real Lady Yeo-ju and 2 of the bachelors.
That's some heavy promotion of marriage!

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You're right the drama never questioned marriage but I had a somewhat alternative opinion on it. I feel like the show was mostly about how people in restrictive and conservative cultures move around under the surface to try to get the best outcomes from an offering of bad choices.

Nobody in the show really had an option to not marry. We saw how a number of bachelors and spinsters were viewed socially - as an almost supernatural threat to society. Which, in a way, for a neo-Confucian culture, it was a deeply existential threat to have people choose not to marry.

So, if people have to conform to this social and cultural standard, then how can you best work within those strictures to try to ensure people are as happy as they possibly can be when every part of their lives are deeply constrained?

Most of what our leads did was like duck legs churning away under the deep still waters of strict social and cultural laws and mores. I thought it was an excellent portrayal of the way in which people in Joseon would have had to essentially negotiate and quietly manipulate to get the best outcome possible for everyone - even if it meant externally conforming.

For a better analogy, the state was an abusive father. And we all know that people living under an abusive parent have to move quietly, stealthily and use influence and an outside appearance of conformity to try to do what they want. And, in the end, sometimes, that is no way to live and you just have to up and leave.

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Thank you for taking the time to reply and share your perspective : )

I agree that there is an underlying message that in the absence of choice not to marry, how one can negociate the best outcome for oneself.

What I felt uncomfortable with was the romanticising of all this and the absence of criticism. It was displayed in a very simplistic and superficial way, devoid of consequences.

Which makes me question why and what for this show got made in 2023, completely backwards to the context of young people challenging marriage in Korea at the moment.

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Kdrama year that appears to be promising.

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Wow--all but the last line of my comment was omitted, sorry! I'll try to recapture my thoughts:

First of all, thank you to @unit for the witty, clever and humorous recaps. Your comments were in-line with the show and totally enhanced my viewing experience.

This was my 1st completed watch of 2024 and overall, it was satisfying. Fusion-sageuks provide ample opportunity to poke fun at modern day life and this show was no exception.

And Beanies, thank you for your eloquent, insightful and heart-felt comments. For kdrama closure, I spend my "afterglow" here, reading your thoughts and reacting to your reactions.

2024 appears promising!

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Loved this drama. I missed a bit of the direness of their situation because I didn't understand Joseon views in widowhood quite well. It's a me problem and the drama gave enough hints to make me understand it was at minimum an ostracized situation. Loved all the cute couples, even the side ones from various numbered bachelors. The one thing, I really have to criticize is the casting of Lady Ha Na and Crown prince, to a lesser extent Yeojudaek's son. News to me he was supposed to be 12, I always guessed 9, which is the actual actor's age. No biggie as is not important in the story.

As for crown prince and Ha Na, I don't have a problem with a ten year gap, even though at 14 and 24 is creepy to us, back then they were adults, so I can overlook it. They will grow out of the gap quickly enough anyway. Problem is child actor was 12 and actress was the oldest of all the leading ladies and looked it at 29. So on our screen we don't have a mature looking 14 yo and fresh faced 24 yo, we have a 17 year gap between a 12 yo and someone who is old enough to be his mother. The biggest issue is the kid being prepubescent. Sorry, but no, ick. Could you not find a decent postpubescent young actor? Just no. Too much, my brain couldn't compute although I saw that match immediately when they met, it made sense (thematically, and they had given us hints she thought no man was good enough for her but maybe the future King would be). Casting fail there on both ends. Everything else was excellent.

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I really enjoyed this show!! Happy endings for the characters who deserved one, loose ends tied up nicely, a king and queen I wish would lead every country, lovely cinematography, and a nice balance of romance, humor, intrigue, and lessons learned.

I wish donkey had not disappeared. And that shopkeeper and monk found their happy ever after whether together or separately, but minor wishes here. I'm satisfied with character arcs. And so many fantastic characters!! Wow, not a weakly written one among them.

How adorable our OTP could continue matchmaking together in their new identities gifted by the king! I did wonder about them not marrying right away though - can they travel together unchaperoned?

I am glad MIL did not have a redemption. Smart crafty woman but she only truly cared about other people, including her family, for as long as they did what she wanted. Throughout the show I kept looking at the artwork displayed behind MIL's desk and thinking it looked like splatters of blood. Fitting.

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