12

Again My Life: Episodes 11-12

Things move slowly this week as our hero continues to lay the elaborate groundwork for the next phase of his plot to take down the ultimate Bad Guy, but he now treads more cautiously. Not only did his recent setback remind him that his opponent should not be underestimated, but he also realizes that his movements in this timeline have unexpected — and deadly — consequences.

 
EPISODES 11-12 WEECAP

We open this week to the continuing drama surrounding Chunha Group, namely the identity of Geong-young’s successor. Tae-sub, as always, has an opinion on the matter, and when he visits Geong-young in the hospital, he acts as though he has the authority to appoint Yong-joon as the future chairman. Tae-sub insists he wants what’s best for the company and the country, but — as Geong-young points out — Tae-sub is only looking out for himself. Otherwise, he would want Hee-ah in charge, too.

Since Geong-young doesn’t immediately toe the line, Tae-sub leaks to the media that Geong-young is in the hospital and in poor health, which leads to rumors and speculation about who will inherit the company. With all eyes on the future of Chunha Group, Tae-sub has Seok-hoon put together a team of loyal prosecutors to investigate the succession process of Chunha Group, looking for potential corruption. Sung-joon is arrested for embezzlement as part of the investigation, and it’s a subtle warning that if Geong-young doesn’t back down, Hee-ah will be next on the chopping block.

Except, Tae-sub doesn’t realize that Geong-young has a recording of their 1993 conversation, when Tae-sub first asked Geong-young to join hands with him in exchange for covering up Geong-young’s crimes. Unfortunately, Tae-sub does not react well to Geong-young’s blackmail attempt, and his shady hitman pays Geong-young a visit at the hospital.

As news of Geong-young’s death breaks, Hee-woo realizes Tae-sub must have been involved because, in his past life, Geong-young lived for a few more years. Hee-woo attends the funeral and pays his respects to Hee-ah. He also cryptically offers her his help, and she’s immediately suspicious of his motives (and his ability to help). While she has him investigated, he begins setting the next part of his plan in motion.

I’m not going to lie, Hee-woo’s scheme is a bit hard to follow, but the gist of it is that he intends to drive a wedge between Tae-sub and Seok-hoon while simultaneously weakening Tae-sub’s grip on Chunha. Hee-woo knows it’s only a matter of time before Seok-hoon begins turning against his master, and sure enough, Seok-hoon doesn’t respond well when Tae-sub also invites prosecutor YOON JONG-GI (Choi Beom-ho), Gyu-ri’s boss, to dinner. It’s a not-so-subtle reminder that Tae-sub could easily replace Seok-hoon and set someone else up as the next prosecutor general.

Seok-hoon counters by recruiting Hee-woo to investigate the CEO of Bando Bank, who not only manages Tae-sub’s money but also owns 15% of Chunha Group. Hee-woo does as instructed (because he’s already been building a case against Bando Bank in order to take down Tae-sub), but he also uses the investigation as an opportunity to approach Tae-sub and pretend that he’s on Tae-sub’s side. Tae-sub thanks Hee-woo for the heads up and quiets Seok-hoon’s little rebellion.

Except, Hee-woo knew Seok-hoon was only using the Bando Bank case as a warning to Tae-sub and never intended for it to see the light of day. So Hee-woo preemptively taps into Han-mi’s tabloid connections and leaks info about the investigation. As instructed, the tabloid claims their source is Assemblyman Hwang Jin-yong, and with such a credible source, the investigation cannot be kept hush-hush like Tae-sub and Seok-hoon intended.

After the investigation goes public, Tae-sub decides to retaliate against Seok-hoon. He summons Hee-woo and instructs him to take down and discredit Seok-hoon by investigating his son KIM YOUNG-IL (Han Gi-chan), the managing director of JQ Construction. It’s also worth noting that Young-il owns another 5% of Chunha Group, which was paid for using a loan he obtained illegally from Bando Bank. When Tae-sub finds out that Bando Bank is connected to Young-il’s illegal activities and that Young-il owns another 5% of the company he’s plotting to take over, Tae-sub tries to put a halt to the investigation he initially green lit.

Hee-woo calmly agrees to stand down, but what Tae-sub doesn’t know is that Hee-woo has already handed off the JQ Construction case and evidence to Gyu-ri. Hee-woo has also instructed Sang-man to liquidate his assets and begin acquiring stock in JQ Construction as part of his plan to set up a legitimate investment company. I can only assume, given all the talk of Chunha Group’s stock, Hee-woo plans to purchase a percentage of her company and help her maintain the managing rights.

The investigation into JQ Construction moves forward under Gyu-ri, and her boss, eager to take out his competition for prosecutor general, encourages her to arrest Young-il. Tae-sub, of course, orders him to back down, and after briefly protesting, he eventually cowers to Tae-sub’s demands.

Not Gyu-ri, though. She continues forward, despite her superior’s wishes. So Tae-sub sends his hitman out to discourage her and GU SEUNG-HYUK (Lee Gyeong-min). Hitman, pretending to be a witness for their case against JQ Construction, lures Seung-hyuk out to a secluded location and tries to “discourage” Seung-hyuk from continuing his investigation. Despite the beating he’s given, Seung-hyuk stands his ground, so Hitman pulls out a syringe of his favorite drug cocktail.

Luckily, Hee-woo knew Gyu-ri and Seung-hyuk would be Tae-sub’s next targets and had Sang-man and Yeon-suk follow them around to protect them. Sang-man calls Hee-woo at the first sign of trouble, and Hee-woo (wearing a mask) shows up just in time to hear Hitman threaten to kill Seung-hyuk and make it appear as though he’s a disgraced druggy prosecutor who took his own life.

Hee-woo ridicules Hitman’s familiar and outdated speech — although, wouldn’t it technically be ahead of its time? — and introduces himself as one of Hitman’s former victims. Hitman boasts that he never fails to kill his target, so Hee-woo vaguely explains he was “resurrected,” creating an aura of mystery that’s a bit laughable when you remember that Hitman has absolutely no idea that he killed Hee-woo in an alternate future. Even so, Hitman seems intrigued, and this week’s episodes end with Hee-woo getting in his fighting stance.

I’m disappointed that the scene cuts off before we get to see any of the action because this week’s episodes were otherwise a major snooze fest. Logically, I understand that a villain like Tae-sub needs to be strategically taken down because he’s well-connected and a master at covering his tracks, but there has to be a more interesting way to thread everything together and reveal it to the audience bit by bit.

Plus, the more we are dragged into this behind-the-scenes world of insider trading and hostile company take overs, the less villainous Tae-sub becomes because his crimes are now too high collar to be relatable to the average viewer. Maybe if the story had done a better job establishing Hee-ah’s character, I’d care that Tae-sub was plotting to take over her family’s company and steal her father’s legacy away from her, but as it is, I don’t. Instead, Tae-sub is starting to feel like just another corrupt — albeit better connected — politician. Yawn.

 
RELATED POSTS

Tags: , , , , ,

12

Required fields are marked *

i binged ep 1 to 12 in two days and all i can say is hanmi is a scene stealer. give me more of her please!

2
0
reply

Required fields are marked *

Show hasn't really been worth the time I've spent on it, but I'll have to tune in next week to see how the fight turn out. I'm a bit afraid they'll punt somehow and save the assassin's defeat for the final week, but I really want to see him injected with his own brew.

2
0
reply

Required fields are marked *

After 10 long episodes, Hee-Woo finally realises that the changes he makes to the "future" have consequences. Sigh

Haven't they made Cho Tae-sub unrealistically all too powerful? I know it's fiction but come on.

I found Chairman Kim's death sad. Did he really think threatening Tae-sub will work that easily? He has known the dude for 10+ years.

Sang-man is such a sweet heart 😍😆. They better leave him unharmed

4
2
reply

Required fields are marked *

@laeteey: I agree that the seemingly omnipotent baddie is an absurd trope. It would have been far more immersive and nail biting if there was at least some verisimilitude. Not a lot. Just a tiny bit.

1
1
reply

Required fields are marked *

Exactly. It would have made a big difference in the viewing experience

1
reply

Required fields are marked *

I am not sure why I am still watching. Just listening with one ear to all the never ending plotting - I really don't care. Cho Tae-sub has far too much screen time and Jung Sang-hoon too little.

3
0
reply

Required fields are marked *

The plot is moving I guess. There isn't really much to say. Every time I hear the perfect mix of alcohol and meth, I laugh, especially because it is in the tiny syringe. That is all I got.

1
0
reply

Required fields are marked *

I gotta say this though, I am enjoying yet disappointed in this show.

They are truly wasting the female characters of Hee ah, Gyu ri and Han mi and even Manager Han.

This really should have been a show about them and become a team together to take down the big bad.

But no, because kdrama gotta kdrama and its about the men.

Yet I am still entertain because I like all the female characters, no matter how small their screen time is.

3
0
reply

Required fields are marked *

I agree that revenge plot is a snooze fest. I have already seen more entertaining version of this show in Lawless Lawyer which gave us two exceptionally entertaining baddies with same LJK and already read better rebirth revenge stories on novelupdate.

0
0
reply

Required fields are marked *

This week's highlight: Tae Sub calling Seok Hoon a small fry.
Throwing an insult right in front of his face without him knowing.

Tae Sub is a super corrupt politician, but he's not scary or heinous despite the hits he has ordered. Maybe because I'm used to crime thrillers. Maybe because he hasn't personally attacked anyone.

Hee Ah is such a BLAND, useless character. Omg. Han Mi is the spunky, feisty one with an interesting background and connection to one of the bad guys. Gyu Ri is the tough and righteous one. I like her warrioress nickname.

All I got out of Hee Ah's scenes this week were her unimportant, not even funny PPL! I would have thought she'd be more proactive in protecting/saving the company. With only two four episodes left, any of her notable actions will probably feel too little, too last minute. If she even gets to do anything.

They should have protected the father once news got out about his condition. No one thought to have security in front of his room?! (Even though the bad guys got to him via his own freaking doctor.)

This was the penultimate week and I wish it was more exciting. I was slightly tense when Tae Sub was being a little suspicious of Hee Woo, but then, he still didn't make any major moves against him. Except the fact that he is keeping Seok Hoon on his side for now. I actually wish Hee Woo faced some bigger obstacles before the finish line.

I like most of the side characters. I wish they had teamed up with Hee Woo better or more often though. He sorta has them in their separate positions. It makes sense.... However, I want to see a big group mission or something.

1
0
reply

Required fields are marked *

Oh, one strange tidbit was revealed when Director Han whispered 'Oppa' as the baddie Dr. K passed by. Director Kim was also with him, but she couldn't have been talking about him, right?. How come he hasn't recognized her? Amnesia? ....or he hasn't met her yet.

There hasn't been enough info about Director Han and her motivations/goals.

0
0
reply

Required fields are marked *

So far, this drama seems to have the same dramatic structure as City Hunter -- start low-key, rachet the tension, and end with a high cost.

In this light, did you notice the early mention of mythology, starting with Pluto ("an agent in [the] beneficent cycle of death and rebirth": Wikipedia)? Notice who is on screen when the background music is Holst's "Jupiter."

To see the relevance of this, skip Wikipedia, which uses too much of a shotgun in its article. New World Encyclopedia has a clearer description: "[Jupiter] was considered to be the patron deity of the Roman state, in charge of laws and social order.... Jupiter's connection with the conscience, obligation and trustworthiness was never quite lost throughout Roman history."

At his point, I don't how much the writers of this drama have mined Greek and Roman mythology (e.g., Pluto has a twin) but certainly they and the music director deserve credit for at least appreciating symbolism.

0
0
reply

Required fields are marked *