Any legal sites for I Haven't Done My Best Yet in US? Thanks.

I'm definitely going to try Thirty-nine but the writer and terminal illness plot has me worried.

I want to watch Grid but guess it will be put on hold until Disney+ gets around to releasing it in the U.S. At least by then I will know if the sci-fi was done well.

I Haven't Done My Best Yet sounds right up my alley but given the genre and lack of big names, it might not get licensed anywhere.

Definitely 39! I don't know for the terminal illness but in the last trailer, it wasn't one of them in the bed being sick... So I have hopes.

Grid is exciting for the casting and the writer and completely untrustworthy just by the fact that is a sci-fi kdrama.

For I Haven’t Done My Best Yet, I have the same doubts, @missvictrix !

I'm actually anticipating all of them!

Thirty-Nine will be legally stream on Netflix.

I simultaneously anticipate and fear all three of these releases.

Case One: Why couldn’t the writer have kept Thirty-Nine as the normal, slice-of-life story everyone wanted it to be? It’s so rare for dramas to handle terminal illnesses with care or medical accuracy, and I’m deeply skeptical that’s going to change here. But that cast! Those romantic pairings!! The friendships!!! If I’m going to be burned, I might as well prepare in advance.

Case Two: Sci-fi in kdramas. Oh boy. I consider myself to be a true sci-fi aficionado. It’s probably my favourite genre of literature (high fantasy is the other choice) and I love, love, love myself a good sci-fi tv series. However, it is staggeringly difficult to think of kdrama sci-fi stories that are…watchable. Unless they include time-travelling magical walkie-talkies/cellphones (think: Signal, Kairos. But are those even sci-fi or just plain fantasy?) There’s a reason why I hold 2017’s Circle so dear to my heart. Maybe Grid can finally join the ranks, but I’m prepared for disappointment. Lee So-yeon has never let me down though…

Case three: TVING dramas tend to either be duds or gems. Unfortunately, most I’ve tried skew towards the former category. And that’s before getting into international licensing, which TVING dramas don’t usually get because these people can’t even do capitalism right. How hard is it to license these shows with an almost guaranteed global audience? Why is this an issue with not one, but two shows on this list??

So yeah, I have concerns.

Is it just me, thinking that the Thirty-Nine launch seemed choppy and unfocused? The first trailer was a great set up for a friend based silly drama. Then the producer pushed more trailers with really too much information about plot - - - it gave me thoughts about the terminal illness story line in NWABU because the show had no other dramatic one - - - and questions about where the show would be headed.

Then the industry faux pas of having one of your lead's personal life overshadow the show's marketing made the news stories focused more on SYJ's marriage and not the other cast members. Granted, in SK, it is newsworthy, but the timing of it was odd; in reality, she did not have to announce it just prior to the press conference. She did not have to announce it at all. Now, her March marriage will get more coverage and public response than her show.

I want to watch "I Haven't Done My Best Yet." I'm only just finding out about it, but of the three, it looks the most appealing to me.

hmm @ ghost.....thinking.....i extra dont support disney+ but it looks lowkey fun. hMMM

Out of curiosity, what’s wrong with Disney+ strategy of their k-drama release?

I watched the first ep of Thirty-Nine and I know I am being a soft touch about this - but only up to a point - because of liking the actors. Specifically:
My likes: The friends’ dynamic; frank question and answer re sex and the reality of possible awkwardness the day after the one night stand.
My dislikes: The retrograde ‘catfight’ inclusion. I hate this trope with the fire of a thousand burning suns; the largely unrealistic depiction of not knowing the name of the person you have had sex with and then the discovery and shock trope asserting itself when it is convenient plot-wise; there are three friends but 2 got much more airtime and attention paid to them. I understand that Son Yejin is the star focus but for an ensemble cast, it is tonally dissonant to stuff up the balance in the first ep. If only that vile fight scene had been excluded. There would have been time to do justice to each friend’s intro; the flagging of a death right at the beginning. I thought it was a poor choice as whether it turns out to be a McGuffin or if it will actually happen, will be a major spoiler. A big no no; and last but not least, according to a Son Yejin recent interview, the Yeon Woojin’s character has been written as a flawless human being which is so unrealistic. I too have a soft spot for such occasional imaginary humans but we all know that all people are flawed so it is problematic to write such characters.