[2017 Year in Review] A year of relatable heroines
by Saya
One of the best things about 2017’s dramas was the sheer diversity of heroines across every genre, which feels especially meaningful in a year where women have been reclaiming ownership of their own narratives more fiercely than ever before. This growing trend of self-aware women who are allowed to be strong (or not) in whatever way suits them is one I’m so here for, and it’s K-drama’s forte to create characters who speak to us on a really personal level. All I’ve got left to wish for in 2018 is Kim Seul-gi to finally have a really good lead role…yes?
This collection is by no means exhaustive and had many contenders. I hope you guys will add your own and ease the torture of having to choose!
In a drama landscape dominated by maladjusted personalities and extraordinary abilities, the heroine of Solomon’s Perjury is refreshingly ordinary. She works hard at school, is popular with her friends and respected by her peers, and has loving parents with a stable home life. After the death of a classmate, however, she struggles to make sense of it and her possible role in it, which leads her to conduct a school-wide inquest. Though a powerful performance from Jang Dong-yoon later steals the show, Seo-yeon is our glue and guides us to an emotional sendoff, and at last, closure.
The show can come off a little cerebral, but I loved it, and it left a deep impression on me of the warmth of friends, mingled with the pain of living in a merciless world. With the sad news the death of Shinee’s Jonghyun still fresh in my mind, that feeling of loss and the need for hope stabs as sharply at my heart now as it did at the beginning of the year. This show is essentially hopeful, and I always need that.
In keeping with its atmosphere of wistful melancholy, fantasy romance The Lonely Shining Goblin created an ethereal, fey character in its central heroine, Kim Go-eun. But with one foot always in a world beyond the mortal one, she was sometimes just a little out of reach—which is never the case with Yoo Inna’s character: smart, streetwise unni Sunny.
Though Sunny has a touch of eccentricity to her, she remains fully grounded in her present reality, even when those layers come loose. Her choices always made sense to me on a deep level, like her decision to part ways with Lee Dong-wook’s Reaper. When all your choices will bring a measure of pain, choosing the one you can live with best in the long term takes an uncommon measure of clarity and pragmatism, and that endears her to me so much. When drama truly captures the complexity of real life choices—where sometimes there are only “endings” without the “happy”—it feels satisfyingly real. Now tell me what I have to do for the Sunny-Reaper spinoff where everyone lives happily ever after!
The bromance game was so strong in OCN’s time-travel thriller Tunnel that I’m afraid it overshadows one of my favorite women of the year: Lee Yoo-young’s captivatingly straitlaced criminal psychologist, Shin Jae-yi. She’s a difficult character to read at first, and her cool detachment hides a traumatic past. A heart without a home, she doesn’t fit in anywhere, until she meets detectives Sun-jae (Yoon Hyun-min) and Kwang-ho (Choi Jin-hyuk)—the former who shows her attention, and the latter who demands it.
Literal and inquisitive, she’s always digging into other people’s emotions (particularly Sun-jae’s and Kwang-ho’s), but hers are locked away. When that all comes undone, it’s kind of harrowing: She’s okay until she isn’t. I’ve lovingly described her as a little broken robot, and her character arc is all about her struggle to heal herself and turn into a “real” girl. Jae-yi has to learn to relate both to herself and to other people, and she does so with honesty and childlike vulnerability. As a result, she goes from having no one—and needing no one—to finding a whole lot of people who love her and would do whatever it takes to keep her safe. Sweetest of all, she also becomes that person, though I definitely wished she risked herself a little less. I love you, Jae-yi.
Watching Temperature of Love was like looking in a mirror and seeing unexpected pieces of me everywhere, to the point it felt uncanny. This was so much a writer’s drama, and I just loved every second. It’s a well of introspection and little things which added up to an aching realism that got me right by the heart. Love is easy, relationships are hard. That’s what this show is about.
Hyun-soo is complicated and contradictory; I love that she doesn’t bother acting cool, and it doesn’t embarrass her to be truthful. In that way she’s just like her love interest, Jung-sun (Yang Se-jong), but where he’s steadfast and constant, she changes. Rather than fickle, I see her as someone whose self-knowledge is imperfect, and that’s why she can seem changeable. But she always owns it, and I love that her study of herself is ever a work in progress. I think one of the things Temperature of Love shows best is how a relationship is a place where you learn not only about the other person, but also about yourself.
Perhaps what delighted me most about this couple, and why they’re my favorite romance of the year, is their ability to always meet in the middle. With love left in no doubt, their challenge is negotiating a way to be together that answered both of their needs. Their conversations were charming from the start, but it’s their disarming frankness that allows them to eventually get themselves on the same page—to love at the same “temperature.” As they’re shaken by outside forces, they learn the hard way that empathy requires effort, and that their ability to talk is only as helpful as their ability to listen. But most of all, they come to understand that while the fullest relationship will always require the deepest digging, they each have to do their own.
And that’s a wrap, 2017! My thanks as always to javabeans and girlfriday for your tireless efforts in sailing the Dramabeans ship; to my fellow recappers and partners for always keeping things fun; and to everyone reading, I’m pretty sure I say this every year, but it’s still true: I love you guys, you make all the lost sleep worth it.
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Tags: Theme of the Month, year in review, year in review 2017
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1 redfox
December 26, 2017 at 12:25 PM
what a wonderful piece, and again, helps us remember those vibrant ladies better.
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2 Cloggie
December 26, 2017 at 12:42 PM
Thanks @saya, it really was a year full of great female characters. As you asked us to add our own, I'll add my two favourites of this year - both disturbingly relatable. First, of course, Soo-ji in TLIOF. I understood (and have experienced) so much of what she went through and the performance of Esom made her my favourite character of that series. But it was Min Hyo-rin as Ji-young in Individualist Ms Ji-young who made me cry ugly tears. Is there such a thing as a heroine being too relatable? I think I might even have said some of the things she said (just not in Korean but you know what I mean). Such a fantastic character.
I could go on and on about great female characters this year, a certain drunk chaebol daughter comes to mind, and - like Saya hinted at - it feels as if this was something different to dramaland this year? Long may it last.
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Cloggie
December 26, 2017 at 1:11 PM
Comment was deleted
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3 gadis
December 26, 2017 at 2:30 PM
Thank you for talking about one of my fave woman this year, Shin Jae-yi. Her journey is unexpectedly full of warmth, especially when she finally found out about her long lost family and she realized that there are many people who actually really cared about her.
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4 dee
December 26, 2017 at 2:32 PM
Both Shin Jae Yi and Lee Yoo Young deserves to be called heroine, they through a lot this year.
And maybe Lee Si Young too.
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5 merry
December 26, 2017 at 3:23 PM
thanks, @saya. Enjoyed reading this. as i hinted in my review choices, the dramas i gave beans to had pretty amazing female roles. You just articulated it very well. Indeed, may our writers and PDs evolve to see the wonders and foibles of being woman. my wish, that 2017 is not a fluke on this regard, but that the world catches on fast.
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6 🍙 kimbap noona
December 26, 2017 at 3:45 PM
Thank you for the wonderful review, Saya!
The heroine I admire the most and wishing to have her inner strength is Im Sang-mi of Rescue Me. But the character most of my friends would probably identify me with would be Age of Youth 2’s Ssong Ji-won. I cannot and will not argue against this assertion since the observation is quite valid and I love her, but if I were Ssong I would definitely jump Im Sung-min by episode 6.
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PeepsLeAwesomePotato
December 26, 2017 at 7:49 PM
... ... but if I were Ssong I would definitely jump Im Sung-min by episode 6
Well it's not like the lady never tried. But SungMin has his own tenacious brand of iron-clad chastity belt wrapped all over hinself.
Or had , since we know what must have happened just a few months later... ... with the walking-wriggling-Mommy-calling evidence...
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🍙 kimbap noona
December 26, 2017 at 8:50 PM
LOL at the image of Sung-min with a chastity belt. Ssong-Sungmin probably is my all-time favorite “some” couple. Please Writer-nim, now we know the “some” would turn into something real, realize it onscreen so we can partake in the joy 🙇🏻♀️
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7 korfan
December 26, 2017 at 4:05 PM
Thank you for this @saya. It's always great to see a variety of characters in dramas and this includes a variety of women characters. They don't always have to be a damsel in distress or just another pretty face, as they say. Women, like men, are human beings that come in all forms. They can be strong, intelligent, toxic, ambitious, introverted, infuriating, charming, insecure ..... the list goes on. Your review was certainly a reminder that in the mix of usual fare, there did exist a number of diverse female characters. Hopefully, this will continue in the future.
Thanks again saya and for all you do throughout the year!
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8 jaybird
December 26, 2017 at 4:48 PM
I’m also wishing for a lead role for Kim Seul Gi ❤️
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9 happiness
December 26, 2017 at 6:01 PM
currently watching save me and i love sang mi so much, such a great character
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10 rambutan
December 26, 2017 at 7:02 PM
What a wonderful commentary. I love your analysis of different characters and relationships, especially that of Temperature of Love. TOL has my top sizzling but "reflective" relationship of the year.
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PYC
December 26, 2017 at 7:23 PM
Long time no see, rumbutan!
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rambutan
December 27, 2017 at 7:39 PM
Glad to see you, PYC. Though I think you have changed username!?
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PYC
December 28, 2017 at 2:53 AM
Yes, one letter less!
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11 PYC
December 26, 2017 at 7:22 PM
Thanks, @Saya! I like especially your commentary on Temperature of Love. Despite some of its faults, I feel ToL has the most honest portrayal of what a relationship is like. It shows almost close to a real life one where it is never textbook- or real life- like with so many internal and external factors beyond your control. And can't agree with you more that it is as much about learning your own self as all other trials and tribulations.
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12 fgb4877
December 26, 2017 at 7:37 PM
Dear Ms. Saya, thank you for such a beautiful, insightful and soulful post.
Sadly this was a low K-Drama year for me. I watched both Tunnel and Goblin, so I am only able to talk about both heroines.
Yoo In-Nah's Sunny became almost achingly beautiful. She was a human, but in several ways she was more otherworldly and ethereal than the titular Goblin and Grim Reaper. I was also moved not only by her choice about Mr. Grim Reaper, but for the silent support she gave their brother, her sister in law and her love. She knew and remembered all of them after the (shall we say?) reset and even if she loved them and longed for them, she decided not to let them know what she knew, and instead supported them as if their meeting was afresh. It was such an extreme and pure love, and so selfless!... She became an archetype.
I already loved Ms. Yoo In Na before, but I fell heads over heels for Sunny. For me, as incredibly good as Goblin was, Ms. Sunny became the highlight.
On the other hand, Ms. Shin Jae-Yi was an intriguing character. She strucked me as a person with survival's remorse who didn't value her own life. Ms. Lee Yoo-Young's acting gave us a child that under her robot façade was almost crying the whole time: formidable in her logic yet so achingly vulnerable. She literally needed to die in order to value life (that and also find people who cared for her).
Anyway thank you Beanies for a year full of (mostly) friendly chat and some insightful conversations!.
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13 imbuk
December 26, 2017 at 8:50 PM
As always, amazingly written, Saya! One female character I would like to add is Shin chae kyung from seven day queen.
I feel like she makes similar choices too.
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sriracha
December 27, 2017 at 10:55 AM
I agree with you beanie! Shin Chae-kyung was also spunky and outspoken but not overbearing. I think it helped that Park Min-young portrayed her splendidly.
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14 inna
December 26, 2017 at 9:01 PM
Song Ji-won all the way~
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15 NP
December 26, 2017 at 9:16 PM
This was a trend in dramas that I absolutely ADORED and LOVED this year. It was so refreshing and satisfying to see women with strong characters who spoke up for themselves and never let anyone put them down (or if they were put down, they'd bounce back with so much courage).
Some of my favorite heroines from this year were most definitely
-Yoo Inna in Goblin
-Unni (Lee Yoori) in Father is Strange,
-Park Min Young in Seven Day's Queen,
-Bae Doona in Forest of Secrets,
-Jung Ryeo Won in Witch's Court,
-Suzy in While You Were Sleeping
-and Esom and Jung So-min in BTIMFL.
All these ladies were so bad ass and different from each other character-wise, but they always spoke up for themselves and never let anyone keep them down for too long. They shouldered up, and went about doing their own work in an efficient manner, even when they weren't in the best place mentally/emotionally. They were such a treat to watch, and I hope this trend continues and expands in the coming years, and hopefully, we'll get to see many more bad ass women in dramaland.
[ Honorable mentions: Fight For my Way, Suspicious Partner, 20th Century Boy, and Girl, and Whisper]
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Safeenah
December 27, 2017 at 6:15 AM
while reading the article, I felt in my gut that someone is missing until i came across your comment. Lee Yoori from father is strange. I loved her character as the eldest daughter soo much that while watching it I was like I really wanna adopt this bad ass attitude....
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16 dukseonnoona
December 26, 2017 at 9:20 PM
Beautiful piece! Love you too @saya, and all the more for doing this review on this year’s heroines. With you in loving Sunny so much. I will do whatever you will do for the Sunny-Reaper spinnoff. I know this is unpopular, but I endured watching the last few eps of Goblin just to watch Sunny and Reaper. 😊 But my favorite heroine out of this year’s bunch has to be Lingerie Girls’ Generation’s Jung-hee. ❤️ I just loved watching her teenage bliss and angst. And I really found her endearing.
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17 PakalanaPikake
December 26, 2017 at 9:59 PM
Thanks, Saya, for an interpretation of Hyun-soo in TEMPERATURE OF LOVE that makes more sense than I was able to see in her. The abruptness of her eleventh-hour turn around made it too much for me to accept. Maybe I just have to let your assessment marinate in the back of my mind for a spell. ;-) However, I've got to hand it to Seo Hyun-jin: she' willing to play messy, complicated characters, and goes all in to do so. And that's why she's one of my most favorite actresses. ;-)
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Saya
December 27, 2017 at 3:32 PM
I admit knowing how much so many people disliked it (and her) made me feel a bit scared about being so openly positive about the show! In the end, I felt moderating my feelings about it would have been disingenuous. I read most of the recap comments and many of yours are pasted away in my nerd-notes for posterity and future enjoyment! I think I'm kinder to a certain type of women (the prickly, weird type that isn't necessarily easily to like or understand all of the time) because I feel like I see myself in them more. Hyun-soo (and Jung-sun, tbh) was like that to me. I didn't agree with things she did, and I didn't always like her, but I felt like I did always understand her. At the same time, I completely understand those who don't. She's not for everyone, and you could probably say that about Temp as a whole.
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PakalanaPikake
December 31, 2017 at 3:19 PM
Well golly, gee whiz, Saya! Thanks so much for your kind words. ;-)
You might want to add "Johari's window" to the litany of psychological lingo I unleashed in the recaps. I have a feeling I didn't invoke it in my rants, even as I tore my hair out over Hyun-soo's blind spots.
I rewatched the first 8 episodes beginning on 12/28 to see if I could get a better handle on Hyun-soo. If anything, I found myself even less able (or willing?) to empathize with her.
I identified much more closely with Jung-sun than Hyun-soo. Although all the particulars of our respective scenarios were totally different, I could recognize and empathize with the individuation process he went through. Maybe on some level Hyun-soo reminds me a bit too much of the more clueless self I'd prefer to forget. You're always the last to know. ;-)
If it were possible to ask Seo Hyun-jin, I'd love to know what attracted her to the role and prompted her to take on such a character in this particular story. I don't know if that would help me understand the character any better, but I'd surely appreciate the actress's insights.
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Saya
January 10, 2018 at 4:56 PM
Sorry for the late reply @pakalanapikake!
I hear you on Hyun-soo. I see her as one of those characters like Gong Hyo-jin's in It's Okay, It's Love - not to everybody's taste - or even to many people's taste - but when you love her, you love her hard. Jung-sun had the stronger edge for my affections too, tbh, but I was constrained by my choice to write only about women in this review! Their whole relationship and how they negotiated it was really my favourite thing - like, you could talk and say everything that needed to be said, you could have intense emotional closeness, but it didn't mean you could make it work. I find that so fascinating and real, and I felt a little haunted by Jung-sun's fear that, 'a woman who left me once can just as easily leave me again' - his constancy and her changeability.
I think it ultimately all comes down to our own individual perspectives and experiences, though, how we relate to and accept these characters. When you say 'Hyun-soo reminds me a bit too much of the more clueless self I'd prefer to forget' - I respect this feeling! That's precisely why I could never love AM97, for example. I just can't. Everything about it is an unpleasant reminder of a time of life and a past self I just don't want to be connected to ever again, so it's an instant turn-off for me in dramas. It would definitely be interesting to get Seo Hyun-jin's insights on Hyun-soo's character, I wonder if she did any interviews on the topic? *goes to look up*
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18 DoubleFault
December 26, 2017 at 10:48 PM
I was also revisiting the dramas that I ended up watching this year and came to the conclusion as well that I enjoyed them for a large part because of the female characters. There was Hyeyoung unnie, everyone's kick ass pillar of support from Father is Strange, San from The King Loves, who, while hated by many for her seeming indecesiveness on the love triangle, was also a self-less character who put the welfare of her loved ones above herself, Joon from Revolutionary Love, who was just morally upright and fought for her values and, Choi Aera, probably one of my favorite kdrama heroines in years, who just refused to settle for mediocrity and refused to give up on her dreams despite what life threw at her.
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Saya
December 27, 2017 at 3:39 PM
You know, the more I think about San in The King Loves, the more I think you're right. I feel like the way the show was packaged was wrong from the start. It wasn't a story of two men falling in love with the same woman (thus setting up the whole 'who will she choose' thing) - it was so much richer than that: a love story of three friends who tried so desperately to find a way to stay together. And the person Won describes at the beginning, 'the person I loved more than I loved myself' - I'm certain it was Rin, not San. Or perhaps both. But Rin was part of it, no matter what. (I just finished it a short while ago, so I was thinking about it a lot XD)
In conclusion, it didn't occur to me to add San to this group, but now I've thought about it, I agree. Great call.
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DoubleFault
December 27, 2017 at 10:03 PM
Ugh. Tell me about it. Even how it was packaged as a love triangle was so wrong, with Rin/Hong Jonghyun getting the short end of the stick. With the way Rin was written and portrayed, HJH should've been on more promo materials. It was also too bad that the ending was hated by many in the losing ship instead of really seeing it for what it is, which is a beautiful story of sacrifice, of what one is willing to give up for his/her extreme love for his/her friends. This is why I think the English translation, The King Loves, is so apt.
I am also glad for Yoona as she was able to portray San so well. Her past acting work, despite improvements, still leaves much to be desired, but she really made her turn as San very memorable.
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19 mary
December 27, 2017 at 1:25 AM
♥ I didn't think a write-up about Sunny can make me tear up, even a year after Goblin, but your writing did this to me :'(
I can add a lot more awesome ladies to this list! From Ha-kyung and Ga-eun in Chief Kim to Seol-ok to Jung-yeon to the whole Belle Epoque gang... I'm not sure if this was just a great year for heroines and female characters, or I'm just growing up and learning to notice and show more love for them. Either way, it's a nice change. Another point for 2017! :)
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Saya
December 27, 2017 at 3:48 PM
I teared up writing 3 out of 4 of these, I don't know if that's funny or sad!
I think it's a bit of both -- we notice stuff more, *and* it was a good year for realistic women. There really does seem to be a shift towards realism that *wants* to leave candy-women behind; I think candies served their purpose and they had their time, but now is the time we explore the full range of human experience in female characters as well, just like @korfan said so well in her comment above.
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20 kdramaship
December 27, 2017 at 1:52 AM
Ji Ho from "Because this life is my first" was the most relatable for me and so was the friendship that the three women shared.
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Safeenah
December 27, 2017 at 6:16 AM
Absolutely!!!!!!
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21 Zanna
December 27, 2017 at 10:01 AM
For me, Radiant Office's Eun Howon played by Go Ahsung was the most relatable heroine (and prolly my fave char of the year). GAS made the character painfully relatable.
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22 Anisa
December 31, 2017 at 8:29 PM
Great theme, and great picks! I also loved Kim Ah-joong in Live Up to Your Name, the BTLIOF crew of besties, Kim Ji-won in Fight My Way, Bae Doona and Shin Hye-sun in Forest. We had so many great heroines this year, for all that 2017 had few big hits.
Love you as always, you brilliant woman. ❤︎
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23 Mina
January 1, 2018 at 2:14 AM
There are really some sentences worth quoting here! At the end I felt the need to jot them down. That's how good it was. Thanks a lot @saya for staying with us year after after. I wish you all the best in 2018. We love you too.❤
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Mina
January 1, 2018 at 2:19 AM
Also, I am so happy to see Sunny in the list. I was afraid people would forget about her.
I would add Ha-Kyung from Chief kim and all the three ladies from Buam-dong Revenge Club.
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Mina
January 1, 2018 at 2:20 AM
*year after year sorry.
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