A Virtuous Business: Episodes 11-12 (Final)
by quirkycase
We’re at the finale, and while it’s not exactly a happily ever after – our ladies’ lives have never been perfect – it’s pretty close. However, before we wrap up all our story threads and say goodbye, our saleswomen have a few more hurdles to clear in business and life. At least now they know, whatever they face, they’re strong enough if they band together.
EPISODES 11-12
After Jung-sook discovers Do-hyun’s matching baby outfit at Geum-hee’s, she struggles with how to broach the issue. She talks to Do-hyun first and gently shares what she found. Not one to beat around the bush, Do-hyun takes his own baby clothing with an embroidered mouse – Geum-hee’s signature – straight to Geum-hee to ask her about it. She shakily says she doesn’t know anything, but it’s clear she’s lying.
Do-hyun takes comfort in spending time with Jung-sook and Min-ho, the three of them already looking like a family unit. He and Min-ho adore each other, which obviously warms Jung-sook’s heart. Whereas Do-hyun used to barely ever smile, now he’s nothing but smiles around them.
Do-hyun makes one last-ditch effort to talk to Geum-hee, directly asking why she abandoned him. This time, she doesn’t deny it and says she got pregnant by mistake when she was single. She encourages him to move on with his life, making it clear she does not intend to acknowledge him as her son.
Of course, there’s a little more to the story than that, and it involves the fire in Do-hyun’s dreams. Geum-hee was disowned for her pregnancy but chose to raise Do-hyun alone. However, an accidental fire led to the baby needing medical care she couldn’t afford. Her parents agreed to pay but only if she gave him up.
Geum-hee’s current determination to keep a distance from Do-hyun has a lot to do with the fact that she never told her husband she had a baby. Of course, as these things go, he overhears her admit that to Jung-sook. He takes it surprisingly well, but it turns out he already guessed after finding her secret box of baby things right after their wedding. And he couldn’t miss how teary she got looking at babies. His encouragement is the final push she needs to reach out to Do-hyun and apologize for hurting him, both of them crying out their pain and longing.
Geum-hee sees what her life could’ve been through Ju-ri who similarly got pregnant as a single woman and decided to keep her child despite her parents and boyfriend disowning her for it. Ju-ri struck out on her own in a new town and put on a brave face as everyone looked down on her. But she doesn’t regret her choice for a second, even if she’s had to struggle to provide for herself and her son.
Ju-ri hasn’t had it easy as a single mom, but she’s finally found some comfort in Dae-geun. They’ve grown steadily closer, but their newfound love is threatened by Dae-geun’s meddling mother. After Young-ja catches them canoodling, Dae-geun uncharacteristically stands up to her for demeaning Ju-ri as a poor single mom. The man may be goofy, but he’s serious where it counts.
He makes Ju-ri cry with his passionate defense of her, yelling at his mom that Ju-ri is the only person who has ever believed in him and made him feel good about himself. The couple declares their love for each other and refuses to break up, but then Young-ja kicks Dae-geun out of the house and evicts Ju-ri so she can no longer run her salon. Ju-ri can’t stand the thought of Dae-geun suffering because of her, so she breaks up with him (ah, here’s the noble idiocy) on the condition Young-ja lets him study photography like he wanted.
Meanwhile, Do-hyun gets a job opportunity to move to Seoul on a cold case unit for a couple of years. He’s hesitant to be apart from Jung-sook and Geum-hee, but they both encourage him to take advantage of the opportunity. But before he leaves for the post, Jung-sook facilitates activities to help him and Geum-hee grow more comfortable with each other because their awkwardness is intense.
When Do-hyun and Geum-hee’s relationship becomes public knowledge, Geum-hee’s trio of friends step up, as always, to support her. The ladies assure Geum-hee that they’ve had dramatic enough lives not to judge her, showing once again that the quartet is unbreakable. (Who would’ve thought Geum-hee might become Jung-sook’s mother-in-law?)
Things are looking up for our ladies’ personal lives. Jong-sun is released from jail and returns home, putting things mostly back to normal for Young-bok and her family. Thanks to all the moping around, Young-ja finally relents and gives Dae-geun permission to date Ju-ri. So of course, disaster strikes their business.
The office gets trashed, and their payroll money is stolen. When they call the CEO, the number is no longer in service. Jung-sook, with some police assistance, finds the CEO who spills her story. Stigmatization caused her store in Seoul to shut down, so she tried to start over in Geumje. Thanks to our quartet’s sales numbers, all was well, but then their supplier got arrested and CEO Kim needed money to go on the run. She tells Jung-sook not to give up on the business if she believes in it.
Then we get a four-year time jump which shows, as always, Jung-sook does indeed find a way. Our undefeatable saleswomen – with sleek new looks – are opening their own adult products store. We leave off on their opening day. They face down the protestors who call their business vile, knowing they’re strong enough to persevere.
I went into this drama expecting funny, but I didn’t expect the level of depth we got with our characters and their struggles. I loved all four of our leading ladies who had great chemistry together and were compelling individually. Jung-sook was undoubtedly the core character, but I’m glad the other women did get their own arcs as well. I feel like Ju-ri was the least developed of the four, and I do wish we’d seen a little more of her life as a single mom running a hair salon. Still, I loved seeing the women support each other and grow in confidence, completely taking the reins of their own lives by the end.
Honestly, I could’ve done without Do-hyun’s parentage mystery altogether. I liked him and his cute romance with Jung-sook – and bonding with Min-ho – but I don’t know that we needed that side quest. I get that having Geum-hee as his biological mother tied it into the main plot, but I didn’t love that development. I liked how different each of the women were and the different paths their lives took. Geum-hee not wanting or raising kids was a nice juxtaposition to the other women who were all mothers. So I was a little disappointed that got flipped later on. Also, while I understand Do-hyun’s curiosity about his birth family (particularly given that he was adopted outside of the country), I do find it odd that everyone kind of acted like his adoptive parents didn’t exist. The drama treated Do-hyun like an orphan although we know he was still in touch with his adoptive parents. It’s like only his biological parent could be real family, which I found uncomfortable. I’m not sure that’s what they were trying to say here, but it came off that way at times.
That said, I did appreciate how Do-hyun and Geum-hee’s story added to the exploration of the ways poverty impacts families. Young-bok’s large family lived in a single room and money was always a stressor, leading Jong-sun to commit crimes. The woman who kidnapped impoverished babies did so because her own child died of curable illness since they couldn’t afford medical care. Then we have Geum-hee who was forced to give her own baby up to procure potentially life-saving medical care for him. It’s horrible to have to worry about whether you can even afford to keep your own child and give them a healthy life. Despite heavy topics like this, the drama never lost its sense of humor and hope. It kept a steady tone and balanced darker realities with levity – not always an easy feat. Thanks to a creative concept, great cast, and strong direction, this was a memorable drama from start to finish.
RELATED POSTS
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- Kim So-yeon wants to sell you adult toys in new teaser
- News bites: September 4, 2024
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- News bites: May 25, 2024
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- Kim So-yeon
- Yeon Woo-jin
Tags: A Virtuous Business, Kim So-yeon, Kim Sun-young, Kim Sung-ryung, Lee Se-hee, Yeon Woo-jin
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1 Kafiyah Bello
November 19, 2024 at 4:12 PM
The ending was pat, but pat in a determined way. The womance was the heart of the show and I am so glad I watched this!!!
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2 jillian
November 19, 2024 at 5:10 PM
I very much liked how each story threads were woven together. I personally liked that our ML was not just there for the sake of having a ML. But his story is very much intertwined with key characters. Yeon Woo Jin is a great actor and want to see him in more projects.
And of course I love the four ladies. I loved that we get to see them grow in their own character arcs through out the show. Jeong Suk is definitely the main heart of the show. Kim So Yeon, Kim Sung Ryung and Kim Sun Young are always amazing. Lee Se Hee is a new find. I have only seen her in the weekender and I really like her here. I will definitely miss this show. I very much like that each character are left in a better place than when we started this show. 💕
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3 Seon-ha
November 19, 2024 at 5:41 PM
For those who may have also had this experience, allow me to be completely honest: I was so disappointed in the final pair of episodes that I truly want my entire 12 hours back.
Beginning with the four YEAR time skip at the end, we were allowed to learn nothing about how Jung-sook actually built her business--knowing full-well that it must have been extremely difficult and used all of her fantastic wiles--but even more amusingly to the point (for a supposedly sex-positive story?) why is it that her potential life partner is still afraid actually buying her products?? Maybe she should practice her pitch a little harder...or something.
The Do-hyun parentage side plot took over the end of the story to the detriment of the women's individual agencies...in a way that made it seem a bit like, "Yeah, yeah empowerment, but what about this guy?" I, like @quirkycase, gather that this was supposed to be mitigated by the fact that Geum-hee was the birth mother he sought, but nah. His tale of woe mainly took tons and tons of time away from learning more about the relationships and personalities I feel so many of us truly cared about...those of the four women.
Where did our story about the four women go?? Frankly, in each case, and in the last two episodes especially, the show ended up being more about how they related to their men than to one another (even the, yes, truly touching storyline where Yeong-bok agonizingly repaired her relationship with Geum-hee...that was about something her husband ripped apart...and her heartfelt plea for forgiveness for something she didn't do was one that Geum-hee's husband convinced his wife to accept!! What?).
I found it incredibly disappointing given the build-up we were given at the beginning.
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Aigoo-ka-choo
November 19, 2024 at 6:53 PM
I hear you with so much of this!
1. The four YEAR time gap was insane to me. I didn't think it was necessary at all from any kind of story perspective. There was nothing they gained from 4 years they couldn't have from 2....
* Especially given all they did was open a store, demonstrating that they had learned nothing ? from the director's previous experience??
* I was convinced that they were going to lean into the mail order thing, after their results with the 'brochures'.
* That way they could have a shop front that was like the olden days of catalogue shopping, where there was one place you could come to check out goods in person.
* You wouldn't need to have everything out on full display, but just have a back section (like video stores used to) with the more obvious 'sex toys'.
Basically the ending of another group of 'moral' vigilantes targeting their business felt very anti-climactic. Presumably the intention was to show they still faced a society that wasn't 'ready' for their business, but I think it could have been achieved in a better way....
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Elinor, Team Glasses team co-captain
November 19, 2024 at 7:22 PM
... and they wouldn't have had to dress like 1960s flight attendants.
Good thing the ML brought those magic balloons to their grand opening, though - the ones that rendered the protesters mute and frozen, gazing skyward. The business will be fine as long as the helium budget holds out.
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4 Aigoo-ka-choo
November 19, 2024 at 6:41 PM
THE GOOD:
The womance was fabulous, and the empowerment was great. I loved the discussion they had about their relationship as well - 'we share our wounds without judgement' 💖and how that is the basis of their unbreakable friendship. Cheers to that! (raises soju glass) 🥃
In terms of character development, Jung-sook was like a seedling that we watched grow from a little shoot into a magnificent display 🌸and her future MIL was a houseplant that was wilting in a dark corner without the right nutrients, that came back into full bloom.🌷 The other two women, Ju-ri and Young-bok were already pretty comfortable with who they were, so they didn't need to change, but they helped the others on their journeys.
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5 Aigoo-ka-choo
November 19, 2024 at 6:44 PM
THE FRUSTRATING:
One key frustration for me, and I use that word deliberately(!) 😬is the lack of a fulfilling relationship and specifically sexual awakening arc for Jung-sook.
If this weren't a story about a sex-positive business that allows women to embrace their sexuality without shame and validate that they are entitled to sexual pleasure, I would gloss over it as typical k-drama prurience, but in the context of this show, it bugged me. 😡
Why did the romance get so asexual in the end? Why was someone who was growing in all other areas of her life, not also given the opportunity to find true sexual contentment? We know that her sex life with her ex husband was pretty terrible, so she certainly deserved this. 😒
Honestly, I would have been happy to see her getting into using her own vibrating products, if they didn't want to centre it around the ML, 🤣but it felt like a jarring gap to me. Sigh.
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6 hacja
November 19, 2024 at 7:01 PM
I am going to second all of the comments above. Overall, this was a nice portrayal of women’s friendship and introduced me to a wonderful version of a classic Korean pop song. Otherwise, as these last two episodes showed, it was disappointing.
The sex toy business might be “virtuous” because it focused on women’s sexual satisfaction, something as worthy of attention as men’s sexual needs. But the toys’ purpose was the focus only once, when the FL tried one of her products and euphemistic fireworks went off in the sky. Of course, they couldn’t show anything more suggestive, but they could have talked about it without being explicit, saying things like “why should only the man get the fun” or something similar.
Instead, the women might as well have been in the plumbing business. In fact, it might have been good to have them selling hardware or non-bedroom sports equipment, because they still would have encountered sexist hostility, but the show could have actually shown them using their marketing skill. As it is you never got any sense of why customers would want to buy these products, except lingerie to please their husbands.
That, plus all the women in the show were heterosexual, and yet all the men in the show were the least desirable sex partners imaginable—even the male lead had a limp, flaccid personality with all the sex appeal of a wet noodle, if you get what I’m saying. That made this the unsexiest sex toy drama possible.
The main thrust of women’s sexuality became motherhood—exactly the same emphasis of the conservative villains who opposed the “immoral” business. All the FLs were just surrogate mothers to immature male partners. Even the relationship between the less inhibited hairdresser and the pharmacy assistant, had her as his sexual tutor, and then intervening with his real Mom to ensure her son got a photography education.
As for the FL and ML, they were never flirtatious, the ML found her most attractive when she was in Josean era Hancock! She gazed at him sympathetically, not lovingly, guiding him as he worked through his Mommy issues. Its not surprising that their main date was a children’s amusement park, where, like a parent, she took him on rides that he could not handle by himself. It would have been far more interesting to me if a relationship showed her sexual awakening. Instead she became a saintly Mother Superior selling sex toys.
So, even though this show was a remake of a British show, to me it was representative of what’s wrong with Kdrama attitudes toward sex and sexuality, and it was thematically interesting only for that negative reason.
The four women had great chemistry together, and were enjoyable to watch as friends, but another, earlier drama, the Social Avengers Club, had the same thing, yet dealt more seriously with its focus, class issues. I’d recommend that one, instead of this drama, which undermined its own supposed message of female independence and liberation.
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hacja
November 19, 2024 at 7:06 PM
sorry, spell correction did me in with "hanbok"
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7 9TailedVixen (formerly 9TailedFox)
November 19, 2024 at 7:02 PM
This drama was good but as a few other Beanies pointed out, there are gaps:
1. I agree with @aig00iness that we should have see Jung-sook's personal sexual revolution as well given the products she is selling.
2. There did not need to be an adoption backstory and link for the ML. Writer-Nim could just as easily had him return to Geumje because he found his grandmother and decided to learn more about his roots. No need to make Geum-he his mom.
However, at the same time, the contrast between Geum-he and Ju-ri's outcomes as single unwed mothers make an interesting commentary on how single mothers and their children were treated and dealt with and the differences in their options according to generation because I take it that since Ju-ri became a mom in the 90s, she had more options than Geum-hi who had her child in the 60s.
3. The show could have done with 1 - 2 more episodes so we can see how Jung-sook and her friends built the business back up from scratch. That would've been very inspiring given what they are up against.
Otherwise, this is still a solid feminist drama for sure.
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8 latebloomer
November 19, 2024 at 7:36 PM
The four-year time skip picked up the ladies at a point where they had no hope of a paycheck - a devastating situation for three of them - and whisked them all the way to sleek success. Suddenly they look like flight attendants with their uniforms, scarves, and hairdos. But how did they get to that point? That would have been the more interesting story.
The time skip also glossed over any development in the FL/ML's relationship. After four years, Do-hyun comes to town and brings balloons. And that's it?
This was a really lame ending to a drama that tried to deal with serious issues in each woman's life, and to focus on the importance of their friendship to all four women. I personally didn't think their only way forward or the best way to show their growth was to open their own store. It would have been great to see them take the skills they had learned and confidence they had gained, and branch out into other meaningful careers that helped Jung-sook, Young-bok, and Ju-ri support their families, and gave Geum-hee a more satisfying life.
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9 Nirbhay
November 19, 2024 at 7:40 PM
The growth of the women were indeed nicely portrayed. The ending though could have been MUCH better done. It was quite wishy washy. Why robbery committed by the company CEO as a growth impetus for our strong women? Why is Geum-hee suddenly being turned into a mother? What happened to cheating ex-husband and cheating female friend who drove the story in the first few episodes? And really given the title could they not have shown the growth of the business in Geumje and surroundings? I also thought OTP growth more important than Jung-sook facilitating a mother son relationship. As mentioned it was too pat an ending.
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