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Beauty and Mr. Romantic: Episodes 41-50 (Drama Hangout)

Welcome to the Drama Hangout for KBS’s family weekender Beauty and Mr. Romantic, where Im Soo-hyang is a troubled/troublesome top actress, and Ji Hyun-woo is the rookie PD she’s working with.

This is your place to chat about the drama as it airs.


Beware of spoilers! This thread is for discussing the entire series.

 
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This is actually a little earlier for the final Hangout as episodes 39 and 40 have not aired yet. However, maybe that is OK since most of the previous hangout was pre-Olympic hiatus.

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The Mother and the older brother are absolute garbage, Lord help me!!!

The mom has always been self absorbed and evil, but Do-sik is far worse imo, he has enabled and justified his mothers disgusting behaviour for decades knowing full well that his younger siblings have been her biggest victims, he continues to defend her for no other reason other than "She's our mother"

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Wow. The speed with which Ma-ri and Do-joon’s story accelerated almost gave me whiplash. Ma-ri confronted him over his (no doubt shocked) non-response to her confession- and he admits that he likes her too- but then has go on to explain that he is in no position to support her. He never even graduated from his studies, after all. Mari is not buying it but he is right- for the moment. Yes, Mari has money but Do-joon refuses to be a kept man. Good for both of them. They do not realize it but in fact they are beginning to work out how a marriage between them could actually work and are already establishing the dynamics of that relationship.

But before we celebrate the evolving love story between Do-joon and Mari there is already a storm on the horizon: Mari’s parents had a real scare, causing her father to think about Ma-ri’s future and just like that the possibility of Chairman Gong wanting to adopt Pilseung has become a real possibility, now that Jindan has disqualified himself.

The spectacular beginnings of the Fall of Jindan made so much of what came before so worth it.

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Ji-young(Do-ra) is right! She should focus on her career first, so that she can establish herself anew in the entertainment business. I cheered when she left but sighed when she didn't confront her mother about the things she did in the past. Baek Mi-ha's shrieky scenes really hurt my ears!

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In episode 40 we were treated to a very sweet scene where Do-jun and Ma-ri become a couple. Did anyone notice how differently Ma-ri was dressed for this- no little girl style clothes or hair ornaments- her hair in a single braid, etc. She looked like a beautiful young woman- which is what she really is.

But now comes Jindan’s babydaddy – who has decided- with help from Jindan’s momma- that Ma-ri is the problem. Uh-oh. Just as things were going well….

Chairman Gong’s announcement that he wants to adopt Pilseung is had an unexpected effect- but instead of Ma-ri being killed by Jindan’s babydaddy it is Pilseung who is hit saving her from the car Babbydaddy is driving.

Just like that this show is clipping right along again like it did in the first third of the show.

OK, since we need a few more curveballs just to keep things careening along let’s try a few more things- how about a pool on the next developments? I am putting my money on Pilseung waking up and not remembering Do-ra.

Why not? After all we already have Do-ra’s mom suddenly being ‘remembered’ by her adoptive Grandmother as Grandma’s daughter Dong-Dong. Did I mention that Do-ra’s mom is gambling again?

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Well, after ep 39, I was ready to fully embrace the writer's vision. Do-ra out of that cursed house, her clever decision to hide the truth about her memories from certain people, and her wrestling back control over her finances. Great stuff! It only took 39 episodes, but we got there! But ofc, Mi-ja has to weasel her way back in, in the grossest way possible, can't leave Do-ra in peace for too long now 🙄

But, in a sense, it works. Do-ra and Mi-ja's story is the heart of Beauty and Mr Romantic, more than Do-ra and Pil-seung. Do-ra has never once been an idiot throughout this story - she's always been clever, assertive, strong-minded, and assured of what she wants. But her obligations to her mother, and family, kneecap her, and prevent her from having any perspective. Her entire journey so far has been about the effort & vigilance it takes for a young woman to have any kind of freedom in this world. Mi-ja isn't a calculating or smart villain - she's pure impulse. She's terrifying because her belief in her right to her daughter's body is absolute, comes as easy to her as breathing. And ofc, she doesn't expect the same of the boys as she does of Do-ra, because a pretty young woman is a more easily-exploited financial asset. It's easy for Do-shik to get on his knees and beg Do'ra to forgive Mi-ja, because he got to live an easy adult life on Do-ra's money. It's like, bro, your mother was *objectively* pimping out your sister. There's NO coming back from that. Do-ra was arguably a prostitute even before her mother's demands pushed her into official sex work. Where I fall on this show ultimately depends on how it handles this plotline. I don't care about Pil-seung and his obnoxious families (not you though, Ma-ri!), but where Mi-ja ends up is really going to decide whether this show has been worth it or not.

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I was cheering when Do Ra kept control of her own money and didn’t just hand it back to her mother.

And I think I’ve given up on Do Shik after him begging for her to forgive their mother. He’s folded every time his mother has put even the slightest pressure on him.🙄

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Do-ra has finally achieved a measure of independence by taking control of her money. But now Mi-ja intends to try to leech off of Grandma- who has wisely handed control of her funds to Do-ra as well. As Mi-Ja attempts to steal from Grandma will Do-ra have the fortitude to turn her over to the police?

Part of what makes Mi-ja so very dangerous is exactly what you said: Mi-ja simply does not think, period. Her impulsiveness has constantly created problems while her sense of entitlement is unbounded. Her gambling addiction probably stems from those very things.

I agree with you about Do-shik.

Do-joon on the other hand simply did what he could to extricate himself from a bad situation once his sister 'died'.

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They should just release the the remaining episodes this week 😩,I can lie
Ara tin kan mi o

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My KBS station posted it may be 2 weeks before last chapter episodes will air (if I stick it out). Your recent comments paint a picture of train wreck of a story going over a rotten, wooden canyon trestle. The writer's sudden character story and personality reversals are a lazy way to create faux drama.

I doubt if Pilseung will betray his foster parents by agreeing to an adoption. It would not change his status to Mari. And Jindan's dad killing Pilseung or Mari would no affect on Gong's intention to adopt Pilseung. There is no logical cause and effect in that plan. Is this the writer’s redemption plan an attempt to lighten Dora’s mom’s gold-digging schemes?

I gave up on everyone in Dora’s family, including the younger brother who should have not gone along with the lies for sake of Country Grandma (who was just filler but continues to get more screen time) instead of getting her the medical help she requires. It would seem this weekender’s lack of a true romantic couple is forcing Mari to pick up that major plot hole. Mari deserves better than being associated with Dora’s family of leeches.

Lost on everyone is the ticking time bomb that would crush Dora’s career: her actual identity revealed to the public. Recall, Mom only paid back the loan sharks not the normal people who were owed a lot of money. In Korean cancel culture, the story would be fashioned that Dora ran away to get cosmetic surgery to avoid her creditors and lied to the public about her true identity when she made her “comeback.”

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At some point the writer will bring back the "re-enactment" actor who participated in framing Do-ra as a prostitute. When that happens many of those 'legitimate creditors' will be turned into debtors who breached their contracts with Do-ra without good cause. Of course, first it will look like what you say but I am simply deducing the next plot twist that is consistent with how the writer has handled this story up to now. Plus, of course Jindan's part in that will also be uncovered.

Yes, this is just a ridiculous hypothesis- which is simply consistent with the story as it has unfolded.

Of course, the minor character who is the biggest winner in all of this is Tae-hee who has narrowly escaped from being married to Jin-dan.

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Just like in the last weekender, the failure to have used a strong 2FL like Tae-hee to reign in and change Jindan was a wasted opportunity.

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I totally agree with you about that- although I think that the potential for an all-time great enemies to lovers story was a much bigger opportunity in the last weekender and screen time for it could have been found simply by eliminating most of the scenes of mom lying on the couch looking depressed. The sheer mind-boggling stupidity of choosing what the writer did still amazes me for its incredible incompetence.

As portrayed so far in this show I am not so sure that Jin-dan is reformable. In this he is in stark contrast to the 2ML in the previous weekender who is actually a fine man who frankly would have actually deserved that enemies to lovers story. In fact, given the horrible act just committed at the end of the last episode in this weekender it might even be said that the writer sees him as having inherited many of the attributes of his Babydaddy.

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If Jin Dan had behaved like a decent human being and showed competence in his job or even an ounce of concern for MaRi, I have no doubt that Jin Taek would not have hesitated to leave the company to him. Yet, Jin Dan blames everyone and everything but himself.

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So we had to wait over 25 episodes to see some of the original chemistry between Do Ra ad Pil Seung at the end of ep 41, and boy, didn't it remind me of how good their chemistry was and why the drama in the first place. But it really went off the rails in the middle, by ditching their selling point in favour of screeching, hair pulling and repeat button on annoying villains. Well, I've gotten this far, let's hope it ends well with the home stretch.

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Typo: why I watched the drama in the first place.

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By the way, the Do Ra has one thing in common with Pil Seung now: abandoning their bags when in shock. How did she suddenly get her handbag back in the hospital?

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Just skimming the comments here. So if I start rewatching this weekender from about EP38 I should be on the safe side of not getting royally annoyed about the extreme stereotyping in this drama? I might miss some details but maybe, once I have watched it to the end, I do decide to take the step into the middle ground. I stopped watching at EP 27 or so.

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Oh I had actually watched up to the first third of EP 29, when the grandmother had her rumblings about Pilseung ... I read the comments in the drama hangout here during the Olympics and had decided that it was a waste of my time to watch these episodes — due to that extreme stereotyping. So I'll skip these 9 episodes for now and start with 38 ...

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Please do, save yourself the grief 😭

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Thanks @worldsmitten, I did! I started watching fro EP36 again, and until 42 (the last current one). I still don't know if these often over-the-top emotions are really necessary. I did get drawn back into the storyline, and there are some nice little info bubbles on current time Korea, but overall I am not too impressed with this drama. However, just watching the first 4 eps. of Love Next Door .... now that is the level of sophistication I love in a K-drama!

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It is way more soap opera (with which I have bad connotations) than the type of storytelling for which I had started watching K-Drama some 3 years ago. Does a Korean audience really like this??

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I think these dramas are cheaply made for an older audience, which might be why they're more obviously soap-y & convoluted than your average drama. And they (used to) bring in huge ratings (20-30%), so networks keep making them because they're reliable cash flows I guess. That's changing though lol - this shows ratings have been pretty abysmal (it only cracked 20% last week), and the format of the 50 ep soap-opera weekender is no longer as reliable as it used to be. So audience tastes are changing, for loads of different reasons to do w/ Korean society & overall impact of streaming. And Koreans that I've stumbled on that talk about this show make fun of it a lot lol. We're all baffled by it 😭

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I lost my theoretical betting pool- Pilseung did not get amnesia.

At least we are getting a true side romance with Do-joon and Mari. Of course, Do-joon’s mom objects (she didn’t know that Mari is rich) and tells Mari that she is not good enough for Do-jun when Mari meets her to try to reconcile mother with son. And we get that wonderful moment in episode 42 when Do-jun meets a crying Mari as she returns to the house- and reminds her that he has promised to stay with her forever. Do-jun has spent a lot of time with Mari- enough to understand her real value is her beautiful heart (and honesty). He understands in short that theirs is not a one-sided relationship- Mari really brings something very big to that relationship (and I am not talking money) and actually has a lot to give.

Do we really have to have Do-ra’s mom back to gambling again- and stealing from Grandma to do it? And could we not have left her in the dark as to Ma-ri’s family for at least a little longer? You can just see trouble coming.

And now Jin-dan knows that Do-ra is Do-ra. Great, just great. More trouble.

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The pace of the story has picked up again. It feels like all the plot lines are about to crash together. The thing I most want to see is Jin Dan melting down when he finds out who is Dad is.

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I am looking forward to that too. It should be epic.

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Just a shout out here to Lee Il-hwa, playing the downtrodden (but not blameless) biological chaebol mother of Pil-seung and Ma-ri here in this drama. She also played a downtrodden (but blameless) chaebol mother in Chief Kim...

But in No Love No Gain she's a spunky, energetic chaebol mom to Lee Sang-yi, no less. With her winged eyeliner and love of online content, she's so awesome. If I didn't like the rest of NLNG, I'd watch just for her. Go and see if you haven't!!

Also, if you've not seen Run On you can also go over and see Cha Hwa-yeon play someone so MUCH less detestable than Mi-ja, you might not even recognize her. Again, not a blameless mother (to Im Si-wan), but a delightful and fully-rounded character.

My two-cents' for promoting excellent actresses in this drama...but for their work in other dramas in this thread!

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Ugh yes, just started NGNL, and Lee Il-hwa is so fun there! And Cha Hwa-yeon is funny because she'll ping-pong between 50 ep dramas and the higher quality stuff, she's never unemployed lol. She was also great in Once Again, which is a 50 ep soap actually worth watching.

Looking forward to Han Su-a's (Ma-ri) future work. She was in Cheer Up (which also has NGNL's Han Ji-hyun). My sister believes Bae In-hyuk, who's the ML there, is a pretty-boy industry plant (😂), but I might check it out for the actresses.

And honestly, I've come to have a lot of respect for Im Soo-hyang through this drama. It cant be easy to lead something so unserious, but she really brings Do-ra and her several transformations to life, and plays her very sincerely. Ngl her dramas over the last 5 years...look pretty bad, but she's great in My ID is Gangnam Beauty, which I loved. Hoping she gets better-directed/written roles in the future 🙏

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I completely agree about Im Soo-hyang. The last thing I saw here in was (gulp) Kkokdu which was so impenetrably horrible I watched the whole thing with a sort of "surely this can't be happening to these actors" attitude (I'm hoping for better luck for the ML of Kkokdu who is of course starring in the next weekender Iron Family!!!)

At any rate, I had to put all that experience with our Do-ra aside...turns out, it was easy. ISH really does look like she's having fun, and I'm enjoying watching Ji-young morph back into Do-ra a bit...but not too much! That character really is the combination of both women now. So great.

Are you going to watch Iron Family, @worldsmitten ?

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I'm considering it, it looks more promising the more i look into it. Park Ji-young and Kim Hye-eun are in it, and they're both catnip to me 😅 the writer also wrote Wok of Love, which was scatterbrained but sweet.

I feel sorry for Kim Jung-hyun, he should've been on a high after Mr Queen, but they just had to drag out 3-yr old petty relationship beef between him & his ex 🙄 But yeah, I think I might check it out! If it's a hit, I can see KBS ditching the 50 ep format for fewer episodes.

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I totally agree with your characterization of WOK OF LOVE.

I will be watching IRON FAMILY too.

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NLNG has started really well. Our bickering leads are wonderful.

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I loved Lee Il-hwa since Princess Hours (Goong). She was so elegant and refined there that she really made me believe she’s royalty.

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Episode 43 has Mija's gambling addiction striking again with first her theft of two gold bars from Grandma (worth about $22 K apiece) and then her taking about 170 K from Mari. Dora has ended up covering the money she got from Mari and she has been arrested for taking the gold. Is it too much to hope that this is the last we see of her other than perhaps back in prison?

This time she hurt her youngest son who was genuinely happy to be dating Mari (and understanding the need to take things very slowly). Now he is out of a job and forbidden to see Mari.

Meanwhile Jindan goes ever further into madness.

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As episode 44 ended the inevitable has happened: Thanks to her mom Jin-dan found out that Do-ra is Do-ra- and carefully timed the release of that information to coincide with the very moment when she was walking down the aisle at their wedding (exactly as I expected). She and Jindan have successfully ruined Dora again (and hurt Pilseung too). But this is almost an encore: Because of her gambling addiction she had first destroyed the romance between Mari and Do-joon.

Can Mari find a way to get them back together? It cannot be Do-joon who does it because her family has effectively checkmated him, and he knows it. What does the writer have in mind here? Anything?

Can Pilseung clear Do-ra’s name?

I thought Mi-ja was under arrest for stealing Grandma’s gold? Why is she on the loose? Why isn’t she back in prison already?

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I just finished ep44. Is it too much to ask of Korean society to accept the truth of how Dora came to be JY? Why does everyone think that the revelation will be the ruin of Dora, PS, and their families/business? In some ways, isn't it an inspiring story of a second chance at life and the love of a grandma (and PS), of succeeding as an actress for a second time despite the enormous odds? Can't they tell the press how her mother's greed/gambling debts (easily verifiable) led her to use her daughter as bait? Even without the testimony of the actor who framed Dora--I'm assuming that in the next few episodes he will be captured and his testimony will clear Dora and show JD to be the guilty one--doesn't anyone think that she can clear her name by telling the truth? Is Korean society and the press-driven gossip mill supposed to be so completely irredeemable? I suppose that would be too simple of a solution in a drama, but I can't help but think that no one is thinking of the obvious solution.

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The press is clearly the third villain in this story. The end of episode 44 clearly demonstrated this when the press rushed in, uninvited, to a wedding just as the bride is walking down the aisle. The sheer inappropriateness and likely illegality of this behavior really drove the point home.

The redeemability of the press is actually one of the central themes of this drama, written after at least a couple of actors and actresses (like Lee Sung-kyung last December) had committed suicide after press exposure of their problems, etc. And of course, the Korean public itself is complicit in this.

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Correction: The actor Lee Sun Kyun, not the actress Lee Sung Kyung.

But yes, the press is clearly shown in a bad light here, particularly in the way it covers celebrities. Of course, it'd help if the Korean public would be slower to judge/react and be less wrapped up in social media. I think societies end up with the media they deserve. (Of course, Korea is not unique in this.)

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Mija (Dora's mom) is about the most despicable character I've come across in a long while, with not a single redeeming quality. And that's saying something when the show is full of greedy, manipulative, self-centered, insecure, ridiculously-behaving women (PS's mom, PS's grandmother, Jindan's mom, Jindan's aunt). Only JY's grandmother and Mari think of others, while the others seem to be incapable of empathizing or looking at the situation from someone else's perspective. I wish the show had another sympathetic female character to balance out the show's extreme female toxicity, such as a close friend to Dora/JY.

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Yes, she is thoroughly despicable, and I would have to label this show as misogynistic of her character were not balanced out by the equally horrible Jindan.

But maybe it really is misogynistic given the rest of the women as you have described them. Note that the two caring one's have issues: One has dementia and the other traumatic brain damage. That is not a good message.

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I agree: "the only morally good woman is a dumb woman" would not be a good message. :-)

I agree that Jindan is extremely toxic (psychotic?). But most of the rest of the men in the show are also not good. Other than PS and DoJun, the men are weak. Maybe not as toxic as the women, but weak: DoSik can't stand up to his mom, PS's dad is a non-factor in his home, Chairman Gong allows the aunt to bully his family, Chairman Gong's father burdens his family with the consequences of his adultery. Very little moral clarity and moral courage among the men. I realize that to draw out a drama for 120 episodes you can't not have weak characters who can't make good, clear decisions, but this show seems to have more than its share.

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Good point about the men in this show. Can a show be both misogynistic and misanthropic at the same time?

The writer must be coming from a really dark place.

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For me, the lack of a better balance of likeable and unlikeable characters is one of this show's biggest flaws. Call me old-fashioned, but I enjoy shows a lot more if there are a number of characters I like and can root for.

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There is nothing old fashioned about your preference. The really good Weekenders of the past gave us that.

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I finally saw the post-Olympic weekend reset. It confirmed the worst of all aspects of the show.

JY/Dora taking Country Grandma's money for a new apartment and paying off Jindan is really no different than her mother's fraudulent borrowing. JY/Dora has her memories and knows she is not related to Grandma. But she plays to the old woman's mental loss to personally benefit. She takes her money under false pretenses; it is a clear case of financial elder abuse.

The obsessive selfish behavior of characters remains unabated. Jindan refuses to take NO to mean no (in the break-up with JY). Likewise, PS refuses to accept JY's position that she does not want to date him after dumping Jindan. The only chemistry between the leads is like the chemical reactions taking place in a compost heap. Dora's mother continues her rampaging, screaming, entitled blood sucking of Dora's career earnings as a matter of a right of motherhood. Enough.

And just is bad is the continuing screeching, goat fainting stupidity of adopting an adult for the sake of the family line/business. Chairman Gong was once a beacon of kindness and reasonableness but he was thrown into the stupidity blender. He does not have to adopt PS to give him half of the company. Korea's inheritance laws says a person can give half of their estate to a non-priority (family) member. Family members have a right to inherit 50%. Gong's plan to give the company 50-50 with PS and Mari can be done simply by a will. K-drama writers' misstatements of legal principles is not dramatic license.

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You are right about the misrepresentation of the laws of Korea. In fact, it is worse: Adopting Jindan would not even increase what he could inherit. A will would have sufficed.

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But I meant to add that this is why the idiotic reason for adoption has been replaced by a 'better' one: Jindan has a different father after all. That is presently known only to his mom and his Babydaddy but will surely be revealed.

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We’re on the edge of our seats every time Jin Dan and his parents appear on screen wondering if this will be the time the secret is revealed!

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That is actually something that I look forward to.

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"The only chemistry between the leads is like the chemical reactions taking place in a compost heap." So many layers to this metaphor, I love it! But yeah, your point about Dora still taking money from grandma, after she's regained her memory, is something that I didn't think about, and likely the writer didn't either. This is a very thoughtless show that's bafflingly resistant to being likable. I was holding out on it ending well, but idk, it's just so misanthropic that I'm starting to feel like that's a pipe dream 🤦‍♀️

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After the last couple of episodes, I think Pil Seung and Do ra shouldn’t get married. He’s too absorbed with not making the same mistake again, that’s it’s become his own obsession.

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Omg, the last few episodes SUCK. The way Pilsung pressured Dora into the marriage is GROSS. And the way he is handling the decision all around, couldn’t he have made it easier for her by talking to his family first?? So many of the challenges depicted is self inflicted I swear. This marriage makes no sense honestly. The writing is really bad in these episodes

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I started this drama fully aware of it being a ridiculous Korean telenovela, it was a train wreck though a thoroughly entertaining one. Now the writer dialed the entertainment down to below zero and the wreck is what remains. I hope for the finale Dora and PS can separate for good so that Dojun and Mari can be together.

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Tell me the Korean press is not this bad? I mean, it’s one thing to wait outside the wedding venue’s doors to ambush interview the bride, but to really stop the wedding while the bride is walking down the aisle just to shove the mic on her face is the worst behavior in th world! Then add the throwing of eggs to someone already in front of you for the presscon, when she already said that actually took her life before, even if that person hasn’t even stolen public funds to deserve such treatment. It’s even worse than the paparazzis who drove Princess Diana to her death.

It was so hard watching the drama in ep 45 because part of me hated the despicable press, excessive shouting, and also how PS and Dora don’t talk back to the press to have some conscience after all they’ve done.

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The shouting in episode 45 was so OTT. And each character kept shouting the same thing over and over, moving the plot nowhere. We got it the first time Do-ra!!

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No, I do not believe that Korean Reporters, whether in real life or in dramas, carry eggs with them to throw at the interviewee. The only thing that could possibly explain this absurdity is as a method of underscoring that in fact the Korean Press are literally the third villain in this drama. If that is the writer's intent, then all I can say is that the sheer ridiculousness of it obscures rather than illustrates the point.

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From what I could tell from DoRa's press conference, the reporters from the official press seemed to be relatively professional and civil. The people who broke in and accused her of lying and threw eggs at her looked like "influencers" rather than the official press, since they were videoing on their phones and live streaming. That was my take anyway, and it is possible they may have been paid to disrupt it like that. Mind you, I don't think the official press behaved very professionally either (especially crashing the wedding) bu that was my take on the "throwing eggs at the press conference" business.

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And flour. Don't forget that they also threw flour. It was cute when the FL from Sweet Mobster did it. I guess this show needed more adorable kids making pizza.

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This show has suffered from a lack of adorable kids, period, except for the first three episodes.

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Well, that was the worst. Did anything happen in episodes 45-46? Or did something need to happen with every line? I think there were about as many lines as scenes.

New characters showing up as clear plot devices...old characters saying tired things, sparking thoughts like, "Oh, that's right Myeong-dong exists." I swear that actress has spent the last 15 weeks showing up to work in order to sit behind that low table in the set that is that living room with the direction to frown, nod and say the same line each episode, "Mom, be quiet!"

The only saving grace was Jin-dan dancing and sneaking around like some sort of silent movie villain.

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We are now through 46 episodes. Do-ra has now been cleared- but no one wants to hire her? At least any of the people who might want to sue her for breach of contract no longer have grounds, so that is something.

Jin-dan knows the truth about his birth secret.

Her father now knows that the attempt on Mira's life was murder for hire.

I suppose that all this is mostly positive but what will the writer give us for the final four episodes?

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A few other positives:
-Cha Bong Soo ends up being a supportive friend and good guy despite their rocky start
-Ma Ri continues to be the voice of reason

Although the writing has been pretty terrible in the second 3/5 of the drama, it has at least made me change my opinion of Im Soo Hyang. She has been delightful as Park Do Ra (wasn't so keen on her portrayal of Ji Yeong, but I think that was the writer's fault). After the 2 year time skip, Pil Seung's character was also badly written (definitely not Mr Romantic, the original title of "devoted", maybe). At least poor Ji Hyun Woo has a bit more to do in these final run of episodes, but Pil Seung as a character was really very two dimensional for a long while. Maybe the writer felt he had to be like that to stick by DoRa through thick and thin, but I think it was a dramatic mistake as we didn't really feel for him.

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In fact, Ma-ri speaking up was one of the brighter spots in these episodes.

I totally agree with you about how Pilseung has been portrayed in recent episodes.

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So this weekend's episodes were: 1) Do-ra and Pil-sung were able to convince the fake sponsor to show himself; 2) even after the press conference of fake sponsor, Do-ra and Pil-sung are still under attack; 3) CEO Gong found out that Mari was targeted; 4) Jin-dan's mother finally tells him that gigolo is his birth father; 5) Do-sik also abandons his mother; 6) Pil-sung's grandma is putting together some clues that their tenant is Jin-dan's father. Will wait for the results next week: What will Jin-dan do to hide his real father? What will CEO Gong do when he learns that Jin-dan is connected to all that's happening to his family (specially Mari's accident)? When will the press stop hounding OTP?

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Also, at some point Chairman Gong will find out that Jin-dan is not his half-brother. I would note that rubbing out Mari was NOT Jin-dan's idea. and he is not happy about it: He is afraid because he will likely be blamed for it.

That is probably the biggest change from these episodes. Before Jin-dan was always very sure of himself but from now on he is running scared. What will he do in a panicked state of mind?

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I think I may tap out on this one after watching 41/42. It is the same story spinning its muddy wheels on the edge of a cliff. There is really no difference between "good" and bad characters. Example, both Jindan and PS cannot take NO for an answer. Both are extremely possessive and controlling with Dora/JY (JD gave her money; PS gave her jobs). They refuse to give Dora/JY any breathing room or her own agency. They constantly try to guilt her into liking/staying with them.

PS parents were against PS adoption but then in the next scene, they abruptly change their mind. There must be a gas leak in the house. And the misinformation and outright lies about the effect of an adoption (It's just on "paper') is unfathomable. And the medical errors egregious: ruptured intestines prognosis has a 30 percent death rate, and to survivors, a 70 percent complication rate. You are in ICU for days or weeks to monitor infection but PS is out of hospital after a day or two like it was a scratch to a superhero. Unbelievable.

And JY allowing her mother to prey on Grandma by allowing her to live with them is criminal. As I said before, I am extremely bothered by JY taking Grandma’s generosity and money under false pretenses. It is no different than her mother scamming others. And it gripes me that JY can put a lot of energy in time finding the sponsorship actor but never once thought about finding Grandma’s real family (she knows all their names).

Reading the comments on future episodes leads me to conclude that the writing does not get better and the show continues to screech of self-absorbed selfish madness. The leads have zero chemistry or mature discussion to get married; if they had a spark it would ignite the gaslighting into a massive explosion (which would be a fitting end to this drama).

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Most adult adoptions have to do with inheritance, economic and even political reasons. This was even a factor in making the Antonine Emperors the most stable and successful of Rome's imperial dynasties- sadly ended by the fact that Marcus Aurelius had an adult biological son when he died: The awful Commodus.

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Yes, but even Chairman Gong admitted in his proposal to PS parents that PS was not ready to run a conglomerate . . . and PS knows he does not want to that. This is another weekender pet-peeve: the rich family is shown in total control of publicly traded companies like it was a sole proprietorship.

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I ended my comment too quickly. The point I was making was that most adult adoptions are in fact just "on paper".

What made adoption of Jindan stupid is that he was already a family member for business and inheritance purposes- the adoption would have added nothing UNLESS the purpose was to cure the actual defect of not being the biological child of the late Chairman.

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I can understand being frustrated with this drama. Weekender makjang dramas can't really be free from some of the unbelievable scenarios (like PS's quick healing) and coincidences.

But I don't agree that Jindan and PS are basically the same. I think there's ample evidence that PS's love for Dora is nothing like Jindan's psychotic obsession. I don't think PS's wanting to protect Dora is the same as Jindan's possessiveness. If anything, Dora's lack of emotional stability and self-confidence demands a strong protective presence, if for no other reason than to prevent another suicide attempt. Not all take-charge/take-the-lead male behavior is negative or maliciously motivated.

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When the paralyzed Do-ra fell out of her hospital bed with a dull *THUD* , what did they expect us to do with that information?

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Yet another really good question

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My question: What is this writer thinking? Is this an actual attempt to write a good script? Or did they throw their hands up and give up about 20 episodes ago?

And should I be relieved it’s paralysis and not amnesia?

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They’re thinking that, 120 minutes from the end of a 3000-minute-long drama, they should start a new storyline for Myeong-dong even though they never finished the last one.

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You are right- they did not.

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You should indeed be relieved that it is not a second amnesia arc- this writer did that to us in YOUNG LADY AND GENTLEMAN.

About twenty episodes is when we started to repeat the Jindan preys upon our FL cycle.

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The penultimate episodes have aired. I liked a few things and disliked other things.

Things I disliked. The fall of Jin-dan was great but having him simply go crazy was not. Did we need to see Do-ra in the hospital? I also disliked the idea that Pilseung could now descend into the same level of rage as Jin-dan and now be seeking revenge. Why did Jin-taek simply give Jin-dan’s mom a bag of money as bait for Jin-dan- but not apparently alert the police? Whatever happened to the smart and rational businessman that he was through the first two thirds of the show? He used to be almost as much the voice of reason as his daughter Mira, who obviously inherited the faculty from him even if she is somewhat impaired. This is simply stupidly irrational: If he has adopted Pil-seung for the sake of both Mira and his company why let him go commit a serious crime?

Things I liked: Do-shik telling his mom that she should stay in jail. I would have to say that jail really is the best place for her and worth the cost to the taxpayer to keep her from doing more harm.

Also, I liked Do-shik standing up to Jin-taek on behalf of his little brother and Mira: Making it clear that Do-joon really likes Mira and that they have cut ties with their mother.

Also- Mira returns to her role as the voice of reason, both in asking Pilseung’s dad to forgive her dad (and volunteering to be his daughter too). But even better in finally getting her parents to acknowledge that Do-joon is not at all like his mom- and that they are only separated at her parent’s command because she knows that Do-joon really does like and care for her and she for him. If you listened carefully, you also heard her note that marriage is potentially on the horizon. The single sweetest and most poignant scene in these episodes was the moment when Mira comes through the door of Do-joon’s apartment and embraces him- that is how we learn of their agreement. Do-joon was so moved that he was about to cry.

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Gong Jin-taek's daughter's name is Ma-ri.

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That is correct

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Do-Joon and MaRi were very sweet together, a real highlight.

Still amazed at Do Shik finally having enough of their Mother. Seeing as how he was previously her apologist, this change in direction shows how much damage she’s done to her children.

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I did not think the writer could dig a bigger hole of nonsense but this show is all about nonsense.

The scene where the police show up to the apartment to investigate Grandma’s missing gold missed the mark at every level. JY filed the complaint as the “granddaughter” (under a known false ID). The police arrive knowing that Dora’s mom pawned the gold for money. She is a convicted felon and now a thief. The detectives would have interviewed every member of the household, including Grandma, about the crime. They would have easily found that Grandma’s dementia has allowed non-family members into her house to take advantage of her since Dora’s brothers would have had to shown their IDs. (This is the basic plot of Parasite). A background check of Grandma’s real family could have shed light on her real family members and the elder abuse. But no, Baek is released from the police station with no even a wrist slap. The show makes the police and viewers incompetent, or the only conclusion is that JY/Dora continued her own identity theft to protect her real family more so than Grandma’s well being. It is a disgusting proposition and an immoral result.

Then, at a blink of an eye, there is a marriage ceremony that defies common sense. PS’ insane logic that the only way to protect Dora is to marry her? Despite her own reasons not to, she submits? It makes Joseon era bossam proud.

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These are excellent points

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Yh this show was always kinda dumb but it's sunk to levels that are near-mythical. I don't think I've seen this level of self-sabotage before - the writer got 2 whole weeks to course correct, but she's only dug her heels in and won't budge.

The point you make about Dora taking advantage of a sick elder long after she gets her memories back is honestly so glaring & I can't stop thinking about it. If the writer didn't have the capacity to write honestly about dementia, she should never have written that storyline to begin with.

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I can't believe I stuck around this show to the end just to get this awful ableist nonsense.
What the fuck is wrong with these people?

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I've felt this from the beginning. In a cast of truly awful people, Pil-seung's mother has always been the worst because she's a hypocrite. At least her mother-in-law is honestly awful at all times.

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I am starting to stand firm that KBS was the one who insisted that the show turn heavily conservative and traditional—for the ratings/money.

Wasn’t there a storyline about halfway through where the writer of Seoul Lady pushed back on Jin-dan (as investor in the show) for trying to interfere with her creative choices….? I seem to recall it but can’t find it.

Also they stopped posting cute BTS videos to Kocowa around episode 25.

Something almost certainly happened that is beyond the writer.

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Not only this current weekender but also the two previous ones really showed me that the KBS executives are obviously interfering with the script.

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Don't get me started on the implicit suggestion that Jin-dan's awful behaviour is due to his illegitimacy. Which undermines every point this show ever made about systemic misogyny.

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But as I see it the Misogyny is "balanced" by the shows Misanthropy. I agree with the idea that illegitimacy is not any sort of explanation for a character like Jindan- who is almost a caricature of a radical feminist's nightmares. I would point out that Pilseung is also illegitimate (as their Grandmother frequently pointed out in the early episodes). We have also seen weak men like Do-shik and Pilseung's dad who have generally been passive enablers through-out much of this show. And what about Jindan's baby daddy? Not exactly a shining example of manhood.

It almost seemed like the writer thought that having a balance of Misogyny and Misanthropy would give us a good show. What it really gave us was a surfeit of awful and/or dislikeable people.

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There's no misanthropy. It's not a thing.
The idea that men are weak slaves to sex and are manipulated by women using their evil wiles is textbook misogyny. It's why women also get blamed for... well, everything... but infidelity especially.

It's textbook misogyny through and through. Which is why Jin-dan's mother's "crimes" are the "real reason" he's so awful and not the systemic misogyny.

I wouldn't' be surprised if interference is the reason the script went off track. Korea's growing conservatism is killing art all over the place.

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This is indeed shocking! You... and THIS show! 😄😄
I managed to bow out... 😅
(And by reading the comments here I'm glad I did.)
Let's hope Iron Family will get back to what made weekenders a good watch! 🤞🤞

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The one thing that I do not see in this show is ableism- in fact I think the opposite.

Mari is a lesser abled person who is perhaps the one truly heroic figure in this show. Her simple but remorseless logic has often been the moral compass of the show- breaking down the illusions and elusions of the more abled people to expose the truth of the matter at hand.

But I say that she is heroic because she is determined to live a full life and not just be limited by the attempts of her well-meaning parents to simply protect her. Probably the only bright thing in this whole drama is that she is shown as winning that fight. I hope that episode 50 will not spoil that story.

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It's shockingly ableist!
We're not only supposed to be impressed by Pilseung willing to stand by Dora even if she's disabled, we're supposed to see it as an astonishing act of devotion that speaks to his character. While also rejoicing that she absolutely will be able to walk again. Of course she will.

The ableism was just awful.

The worst thing is, it would be a normal thing to struggle with suddenly losing the ability to walk. But making the whole thing about her inherent unsuitability to be in a relationship is what makes it ableist. And the fact that she will absolutely walk again just reinforced it. It's nota bout Pilseung standing by her because she's just as viable a love interest in a wheelchair. It's about him standing by her because she absolutely will walk again and he shouldn't bug out early when things get hard.

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I was under the impression that Pilseung is NOT betting on Dora walking again- that indeed was the whole point to his saying that he would not leave her until she can literally walk away from him. He is certainly working hard to enhance the odds of that happening but inherent in that deal is the idea that she might be stuck with him forever unless she can become 'fully abled' again.

The idea that Dora Do-ra may be unsuitable was NOT voiced by Pilseung but deliberately written to be voiced by the people we have come to dislike- such as his mom and grandmother. Pilseung is extremely upset at this (and his dad is taking his side too). The show's message on this point is that this view and treatment of the lesser abled is fundamentally wrong. While the characters in question are unquestionably 'ableist' our ML is clearly shown as pushing back against that.

I understand that your definition of ableism may be different than mine- indeed it is a term that I seldom have a need for. So, I will share my view:

The term which I actually hate is 'disabled' because it is an all or nothing term: The connotation is that a person with limitations is essentially useless and cannot do anything. Such a person therefore- in the eyes of Piseung's grandmother for instance- is not suitable for a romantic relationship or marriage. That person can only be a useless burden in a relationship or on society in general. To me that attitude and belief is what I think of when I see the term 'ableism'.

The problem with that thinking is its fundamentally flawed logic: Just because there may be one thing that a person cannot do that does not mean that the person cannot do anything. Aristotle would have leapt on this as an example of one of his logical fallacies.

That is why I prefer to use the term 'less abled'- because it avoids that logical fallacy and points to the simple truth that such a person does have abilities, just not the full slate that a 'standard' or 'average' person might have. I actually wish I had a better term for this because it can happen that a less abled person develops adaptations to their situation like the blind person who develops a more acute ability to process what they hear. This show has given us the example of Mari whose brain trauma affects her speech and her abilities to process things in a more common fashion. She has adapted to this through a process of simplification: she tends to reduce things to their more basic level, which is why she has often been the moral compass of the show- offering clarity which the more sophisticated characters desperately need. Does this solve all problems? No, but that does not mean that she is unable to live a very full life.

We have actually seen her character develop during this show: She is dressing differently now and is trying new things (like serving customers) and above all striving to have a romantic relationship with a young man who accepts her just as...

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It's over. I think they put that montage of past scenes at the end just to hurt us.

Any one else think that they filmed that awards ceremony 25 weeks ago? I know hair extensions exist, but even Ji Hyun-woo's hair looked long like it was still in its curly perm.

Whatever. I hope Iron Family is better for you all. Just the thought of having a lead character whose sight is impaired makes me actually fearful of the sorts of insensitive things the audience is likely to have to suffer through.

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I have not yet seen episode fifty but was not overly thrilled with episode 49. Still too much unneeded violence.

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Oh no ☹️
And here I was planning to watch the finale. Oh well, I have Are You the One? to spend this precious time on. 😊
Still waiting for your summary, which I always appreciate, to sort of complete this weekender disaster.

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Happy to oblige.

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This show wrapped up by tying up loose ends. There were some nice moments and some tedious ones. The award ceremony/montage of Dora’s memories of the past served to remind us that this show actually started out with a fun scenario and excellent acting by Lee Seol A as 12-year-old Park Do-ra and as well as several other talented child actors. Children were absent from the remaining 47 episodes, and this was a mistake IMHO.

Highlights from these episodes included seeing Jin-dan and his Baby Daddy in the same prison. We also saw Do-sik finally do something about his mother, but not before she had tried to weasel “compensation” out of Ma-ri’s father because Do-jun and Mari are getting engaged. His intervention has at last been effective as the last we see of Mi-ja she is sweeping the temple grounds in her new life as a Buddhist monk.

An injured Do-ra had tried to break up with Pilseung after his moms visited her and laid on a guilt trip about not burdening their son with someone who could not walk. Mari was appalled- the break up made no sense to her for the simple reason that Do-ra and Pilseung love each other so why break up? Fortunately, Pilseung’s dads shared Mari’s opinion and logic- and set their respective wives straight. And of course, Do-ra learns to walk again anyway.

The biggest highlight of episode fifty was seeing Ma-ri ad Do-joon getting engaged and leaving together for America where Do-joon will complete his architectural studies.

In the final epilogue scene, we see Pilseung and Do-ra wheel in their twin babies. Mari is delighted with them- and announces that she will have babies too (by this time she and Do-joon are obviously married).

Which brings me to my final observation: In this drama marred by way too much violence and underhanded trickery (and far too many unpleasant or nasty people) there was one storyline which was true to the spirit of a weekender: The romance of Do-joon and Mari. These two characters were the true heroes of this drama. Do-joon for not just being a truly decent man but even for seeing and appreciating Mari as a person, to the point of actually coming to love her as a woman. Mari for acknowledging her limitations but refusing to live a lesser life because of them. When her love is taken from her, she fights to get Do-joon back- and wins. It is a pity that the other stories were not told in that same spirit.

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From the comments, it seems that there was a whiplash happy ending for the main characters. No matter what happened beforehand, happy endings are mandatory for weekenders.

When Dora was clearing her name, did anyone attempt to find Grandma's real family?
After Dora was cleared, did she give back all the money taken from Grandma?
At the end, what happened to Grandma? Was she written out of the happy epilogues?

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Actually, Grandma was not written out and is still with the family. Which does not conform to my personal experience in recently having lost a family member to dementia. Did they pay the money back? Unknown. Did they look for her actual family? Also, unknown.

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Seaside Granny didn't have any family...that was the point of her sad attachment to Do-ra who clearly was NOT Ji-young when she found her by the shore.

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Ji-young had apparently disappeared- we do not know if she is living or dead. But Granny does now have a family- and one that genuinely cares about her.

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Thank you for providing these minirecaps, I stopped watching when my frustration became too big (Dora as JY loosing her spark, Momster taking charge again with no remorse, screaming everywhere and no interesting story on the horizon either). I'm happy for Mari and Dojun, at least they got their happyend.

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Yes, but Ma-ri still doesn't know how babies are made when she exclaims that she wants twins. And then Do-jun gets a "Fighting!??" It's, frankly, disturbing.

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What Ma-ri is asking is not "How babies are made" but rather "how can I manage having twins"? In that context the "Fighting" comment makes total sense and is quite fitting given that this is something that cannot be planned.

Ma-ri previously told us that she knows what she needs to know- and I believe her. What she is asking for is information which does not exist.

Ma-ri's interest in Do-jun went from friendship to romantic when she saw him exercising in a tee-shirt. From the beginning she has been physically drawn to him which is why the first thing she did when her father relented and said they could date was to show up and physically embrace Do-jun. I think that physical relations with Do-jun would be as natural to her as breathing- and she probably hauled him into the bedroom very shortly after their engagement.

We have to remember the puritanical approach that Korean TV (but not movies) takes towards sex. I may actually scream the next time I see a couple who have just spent the night together wake up next to each other- fully clothed. This does not reflect Korean society.

In fact, I wonder if the over-emphasis on violence in K-dramas is not in some ways a reaction to this repression of sexuality as a part of life as shown in Kdramas. Korean society is nowhere near as violent as we see onscreen(quite the opposite in fact) and sexual encounters are in fact quite common.

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You and I hold very different positions on this matter. Not of how much sex actual Korean people have, but on the portrayal of Ma-ri.

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I volunteered with autistic kids in my college years. In the volunteers orientation, we were told to reprimand the teenage boys if ever they touch our breasts or any sensitive area and not ignore them, thinking they're innocent. We're told that even if their intellects are behind, their physical bodies and sexual desires are exactly at their biological ages. So those 18-19 year old boys do have malice when they try to touch our private areas so we must punish them by asking them to sit in the corner or be excluded from the current activity, for them to know that it's wrong to touch people inappropriately without consent.

So, I view Mari's sexual urges as the same and she commented "how to make twins" because at that point, I'm sure she and DoJun are already intimate as a husband and wife.

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Shopgirl’s point is extremely important.

Pilseung’s birth secret was revealed precisely because Mari’s mother fully understood that Ma-ri was planning on mating with her brother: She knows that Ma-ri has all of the desires that a twenty-eight-year-old woman can have.

One of the few truly beautiful moments in this show is Do-jun’s response to Mari’s parents who are trying to talk Ma-ri out of going to America with Do-jun because it would be too difficult for them: He speaks up for her and firmly insists that she is in fact capable of dealing with that new situation. He acknowledges that they will be needing to work on things for the rest of their lives but makes it quite clear that he wants to start doing that now.

Do-jun does not see Ma-ri as ‘impaired’ or ‘disabled’. He does understand that she has limitations that they have to work with but also sees that she has as much to offer in a relationship or as a spouse as any other woman and even more than most at least when it comes to him. To Do-jun Ma-ri is not a burden but a joy- he feels that he is a lucky man, and I think that he is right to believe that.

If this show had a message, it was to argue against ableism. That many people did not see this is entirely due to the fact that the show devoted too much time to violence and nastiness and gave us too few likeable characters. We really did not get to see the full story of Do-jun and Ma-ri’s journey from friends to lovers because too much time was allocated to violent nonsense. But we did get to see that Ma-ri was not just some passive victim: She is the actual driving force in their journey, from the moment that she first lusts after him right to that moment when they are sitting at the table with her parents discussing America. We should remember that the only reason we only get a simple family engagement party rather than a full Chaebol wedding was undoubtedly the need the need to cut production costs.

It is a shame that their story was the only part of this weekender that actually belonged in a Weekender. We should have been treated to more of that story instead of having to piece it together partly from the visual clues that were offered- like the way that Ma-ri’s clothes change or the fact that she is no longer carrying a doll or teddy bear at the end of the show.

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I can't lie, I fell off this show 8 episodes ago and I don't geel any desire to watch more - but I also want to tick it off on my mdl 😭 Do you think just watching the finale episodes is enough?

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It should be- and use your FF button as well.

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Don't. Tick it off all the same.

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@OldLawyer @Seon-ha thanks for the advice 🙏 I'll probably just speed run ep 50 and call it a day.
And this show was sucked, but it was fun coming on here and talking about it with you!

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