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Captivating the King: Episodes 15-16 (Final)

Our characters have spent a lot of time being captivated — by their assumptions, by each other, by their own schemes — but now it’s time to face both fears and foes and make their final moves. They’ll have to take some big risks in the process, but where’s the joy in winning if there’s nothing at stake?


 

EPISODES 15-16

I don’t quite understand the particulars of the poison makeup Lord Park gave Court Lady Dong, but as it happens, it doesn’t matter that Lee In stops her before she kisses him — because she ATE the makeup instead of wearing it. She knew he’d refuse her (and loved him the more for it), and that he’d have to choose between having her killed for poisoning his brother or assuming the blame himself. And so, she says her poignant farewell and dies in his arms, leaving him devastated and without a witness against Lord Park.

Nothing, not even a temper tantrum from the queen dowager, can deter him from proceeding with Lord Park’s interrogation now. Lord Park has the audacity to show up in his court robes, insisting he’s only here to clear his name. But he’s made the same fatal mistake Minister Kim did three years ago: planning to make Hyun-bo the fall guy and tipping Hyun-bo off about it ahead of time. Under pressure from Sang-hwa and Myung-ha (who, apparently, only pretended to join Lord Park’s side), Hyun-bo testifies as both a witness and an accomplice to Lord Park’s crimes. Lord Park is promptly stripped of his robes, and Lee In has him tortured well into the night.

Lord Park still refuses to confess, so Lee In has everyone else leave. He reminds Lord Park of their conversation on the night his brother died, when Lord Park had urged him to step into his destiny now that the former king was out of the way. That was the moment Lee In decided he had to become king — so that this moment, when he gets to exact justice on Lord Park for his brother’s murder, could someday be possible.

Lee In takes his time deciding just the right punishment. In the meantime, he orders reduced sentences for Dal-ha and Hyun-bo (flogging and three years of labor for the former; exile for the latter) since they helped bring Lord Park down. When Myung-ha confesses that he was temporarily swayed by Lord Park and Hyun-bo, Lee In tasks him with delivering the executionary poison to Lord Park and standing witness to his demise. It’s meant to be an unforgettable warning of what awaits Myung-ha if he’s ever swayed again, and I’d say it’s a powerful one. Lord Park maintains his claim of innocence to the bitter end and laughs maniacally as he downs the poison and dies.

Captivating the King: Episodes 15-16 (Final)

Lee In is prepared to face Qing’s disapproval over Lord Park’s execution. He’s even prepared to grant a position in the royal court to the former envoy interpreter, the very man who once gloated over Lee In and the other Joseon hostages while leading them into captivity. But Lee In is not prepared for the emperor to demand he send his gidaeryeong to Beijing. Determined to find a way around it, Lee In doesn’t tell Mong-woo, though she finds out through the grapevine anyway.

By then, she has more immediate problems to deal with, because the queen dowager discovers that Mong-woo is a woman. Having failed to get Lee In’s attention via hunger strike, the queen dowager lures him to her quarters by summoning Mong-woo and presenting her with women’s clothing. She proposes appointing Mong-woo as a concubine — after all, that will prevent Qing from taking her away. Lee In is tempted, but knows that would be a selfish decision (Mong-woo later confirms she’d have resented him if he’d done it) and refuses.

Captivating the King: Episodes 15-16 (Final)

He’s still against sending her to Beijing, but she gently prods him to reconsider. She’ll be able to spy on Qing affairs, and she’ll get to see her father again. Despite feeling as though he’s failed yet again to protect her, Lee In relents. But he can’t let her go alone, so he pardons Dal-ha and orders him to accompany her. Dal-ha asks for a few days to prepare, and Sang-hwa allows it, knowing full well Dal-ha intends to take revenge on Hyun-bo. Murdering an exiled prisoner would make Dal-ha a criminal all over again, so instead he spooks Hyun-bo into fleeing and waylays him, making it look like an attack from a random bandit. At last, Hong-jang is avenged, and Dal-ha can live in peace.

The day before Mong-woo is set to depart, Sang-hwa comes to fetch her, bringing a gift from Lee In: a woman’s hanbok. Once she’s dressed, Sang-hwa takes her to meet Lee In by a river. Today, Lee In explains, they’re just an ordinary man and woman. They spend that blissful, simple day exploring the fields, skipping rocks, and relaxing at a secret house. That night, they prepare to say goodbye. They urge each other to stay strong and safe, and when she tries to tell him to hurry up and choose a new queen, he interrupts with a kiss. Since he has yet to beat her in baduk and earn the revelation of her real name, they promise to play again someday.

Captivating the King: Episodes 15-16 (Final)

After Mong-woo leaves, Lee In shuts up his private baduk rooms and spends the next nine months making reforms to eliminate corruption among royals and public officials. During that time, Prince Rui dies unexpectedly, and the undiscovered false princess returns to Joseon. But though Mong-woo accompanies her, she doesn’t tell Lee In she’s returning, as she plans on a quick turnaround to do some traveling with just her maid. Perhaps she fears Lee In will have moved on and found someone else, but all she tells Myung-ha is that nothing good will come of Lee In knowing she’s returned. As she leaves, she notes wistfully that there’s not a cloud in the sky — no chance of a mongwoo today.

But Myung-ha alerts Lee In anyway, and Lee In goes to intercept her. Their reunion mirrors their first meeting: she hears the sound of a baduk game and finds him playing by himself under a tree. When she admits she was half-hoping it might rain so they could meet, he says there’s no need to wait for permission from the weather. Or, in his far more poetic words: “I’ll no longer wait for you while staring at the sky.” They kiss, and then sit down for that rematch. But even before Lee In wins the game, Mong-woo gives him her real name: Hee-soo. Lee In promises to spend the rest of his life with her.

I have a few complaints (like much of Myung-ha’s development happening offscreen) and some lingering questions (will she live as Hee-soo or Mong-woo now?), but on the whole these final episodes gave me the same feeling of enchantment that the first ones did. Lord Park’s execution and the role Lee In ordered Myung-ha to play in it gave me chills, and I liked that Dal-ha was given the chance to settle things properly with Hyun-bo. And while I didn’t necessarily see a need for the separation and reunion, I didn’t hate it either.

I was also expecting a sudden mongwoo to bring them back together, but I liked this alternative, coupled with Mong-woo’s decision to reveal her name even without being defeated. Their relationship isn’t a strategy game anymore; they’re not opponents, and they don’t need to hide behind false identities, mask their intentions, or wait for favorable conditions to make their moves.

Captivating the King: Episodes 15-16 (Final)

 
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The Year: 2027
The Place: The Beanieverse

Beanie: Hey, you remember that cross-dressing sageuk?
Me: Love in the Moonlight?
Beanie: Not that one.
Me: The King’s Affection. No? Sungkyunkwan Scandal. No? One of the Nokdus. No? Jeez, just how many cross-dressing sageuks are there?
Beanie: Sigh. In this one, the female lead is some kinda player.
Me: Ho, ho, ho. Reverse harem, eh? Nudge, nudge, wink, wink.
Beanie: No! It wasn’t a C-drama. It had JJS.
Me: OMG. The hot king! I remember. So good. Oh, and that woman, sucking a blood-crusted finger.
Beanie: Yeah! That’s the one. What was its name?
Me: Sorry, don’t remember.

While I probably won’t remember much except a few highlights, I’m glad I watched CtK. Over its course, the drama featured some outstanding performances and character arcs, as well as some taut and gripping plotting. Unfortunately, other characters were rather disappointing and the tale weakened considerably in the second half until it came to its so-so finale.

If I average all the elements, it was a middling drama. But remembering how exciting CtK was in its early stretches, I can’t help but feel letdown. It could have been a classic.

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That last paragraph... it's almost exactly what I wrote in my notes for Saturday's WWW 🙃

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You should write it! I remember how, um, captivating it was for a good stretch. But in the immortal words of another great, It ain’t over till it’s over. Wise words to live by in dramaland.

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I love this Indy. So much. Props.

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Just one thing. I could almost believe that “The King’s Affection” pulled it off because Park Eunbin was so good and committed but none other.

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Can’t disagree. It is hard for the rather slight, rather feminine actresses kdramas prefer unless they are superior actors like PEB. I think another actress who could pull it off is Shin Hye-sun. She absolutely got the memo in Mr Queen.

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It was a sweet show and a pleasant ending. JJS was a revelation for me in this, he was my favorite part of this drama. Here is hoping I love him the same in his next one.

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I can't believe i am saying this. As much as I am a saeguk lover and a JJS fan, I can't bring myself to really love Captivating the King as much as others due to the script in the second half, the FL, and some of the characters.

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I've seen dramas where I do not agree with beanies when they say this actor or that actress carried this drama. Well, save for Kokkdu which was a trainwreck for most of the time. Captivating the King was not a trainwreck at all. I can't even call it an average movie. I'd give it a solid 8-9/10 overall. However, despite giving it such an adulation, I'll add it in that Jo Jung-seok is what carried the drama.

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So... I can't help but feel a bit letdown by the story, especially the ending. Everything else was tied neatly except for our leads. My disappointment set in when I checked the number of minutes remaining when Hee-soo met Lee In under the tree. I could tell a Tell Me That You Love Me ending immediately.

Parts I liked? Queen Dowager vs Lee In showdown - both palace and temple, Principal Director's disrobing and death by poison, Chu Dal-ha offing Hyun-bo personally. I loved episode 15 volumes more than 16. However clear they were on the current dynamic between Lee In and Hee-soo with the ending reintroduction as Kang Hee-soo, I felt like they could have made it a lot more better. A different setting would have been more okay, for me.

I have to give a honorable mention to actress Park Ye-young and Senior Court Lady Dong for an impressive job well-done. Her tragic exit was beautifully captured, and I loved how it kick-started the final undoing of Uncle Director. Lee In's confession to her though... gosh! If she wasn't on the brink of death I'd have been swayed. He really did see her as a person. And that was why he desisted from returning her affection, even though he knew he had it unconditionally. That...was bittersweet, and loving too. If only she heard those words a long time ago...she'd still be here, and Uncle Director wouldn't have gotten into her head.
For someone who possesses such mental resilience, surviving all the tussles and all, I rioted when it was her devotion and guilt that made Uncle enter her head. That was a really low blow from Uncle.

@kiara, I am not sure if you've been watching but I do have a question. How much effective is the power trip of a king changing the residence of his palace compared to the Queen Dowager threatening to leave the palace? Which will most likely back down?

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You’ve stated what I did like about these final episodes: the closure of Lady Dong’s arc and the battle with the Dowager Queen. And I will give credit to the writer for using these powerful moments to hook us into the next episodes. Will Lady Dong poison the king or not? Tune into Episode 15 to find out. Will the Dowager Queen strip Mong woo or not? Tune into Episode 16. And so I did.

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I thought it was symbolic the way Lady Dong ate the lipstick poison off her finger was almost a direct replay of the early episode when she sucked the blood-crusted finger of the mad King she poisoned - it has a sense of visual poetic justice and sins coming home to roost

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I wish the scriptwriter has foregrounded and unfolded these conflicts of chosen pathways more fully for dramatic tensions -- what a wasted opportunity

It is truly tragic (and intriguing) that characters like Lady Dong (and even Principal Director, arguably) have never wavered in their trajectory and end-game for the whole arc: to help Lee-In ascend the throne (at all costs) and protect his interests and life.

And YET, it is precisely this single-minded consistency to protect him and his reign that would cause them to each make decisions that are considered utterly unforgivable in Lee-In's books (namely, killing his King and beloved elder brother either by poison or colluding with the Qing).

Lady Dong was so tormented because her single-minded devotion for Lee-In has become a double-edged sword used by both opposing parties and it was tearing her apart. And one day, the blade finally turned on her.

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I've been refreshing this page for days because I wanted to know the ending before I finish watching this drama

JJS is making it harder for me to stay away from this drama as he really brought the king to life. The sensitive, kind hearted, romantic but a ruthless one nonetheless, and he played all of these characters flawlessly. I was soo taken on that Mong Woo revelation episode where, with just his face expressions, he managed to convey all of those emotions and it leave a mark on the audience. If he's not getting any acting award from this drama, I will be surely be bitter. He deserve it! He practically carried this drama on his back!

Thanks for sharing your recap! I really appreciate it!

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Thank you for the recaps! I find that I'm usually the most positive about a drama right after I watch it, and later figure out what I didn't like. In this case, what I liked the best (and I hope what will stick with me) was the strength of the last four episodes. Last week's two were amazing, and frequently episode 15 is strong, but I usually hate the soppy icky tying up of loose ends in episode 16. This time, I felt like I finally got the happiness of the ending, which I frequently feel a little less.

Not sure at all why I feel that way.

I think it's because the point of this relationship is that these people really like to play baduk with the people they love. She loves playing with her dad. He loved playing with his brother (wrote him a letter from exile in China imagining finally getting to relax together and play baduk!) They both love playing with the Crown Prince and dote on him through baduk. At the end of the story, they are outside, she's in male drag, the weather is nice, they are confessing their eternal love and playing baduk! He calls her to him with the thunking of the stones! It's frankly adorable. I'm not saying the actors weren't able to manufacture romantic chemistry with kissing and gazing or whatever. I'm saying, I already had in mind that their end game was going to be...baduk. Jo Jung-seok delivered the romantic lines at the end so persuasively.

I am sorry to say that I adored the two death scenes. Jo Jung-seok chose to show how being sprayed with a dying person's blood as they convulse from poison is traumatic. I think the reason that Lee In punished Myung-ha by making him witness the poisoning death is to help him understand how awful it was to see his brother die that way. But of course, Lord Park has to be extra and yell that the poison is delicious! Fantastic.

Shin se-kyung was pretty OK in this drama. Honestly, the predilection of Korean casting directors for tiny, slim, weak looking actresses to play FLs is not my favorite. It always makes the FL look too young or too weak to do all the swashbuckling. It contributed here to a sense that the FL was out of her depth. I watched this show while also watching some episodes of Marry My Husband, Queen of Divorce, and Knight Flower. Only Honey Lee's dimple was athletic and muscular enough to make me believe people thought she was a man when she was in drag or believed she could hurt them by fighting. Making the FL look physically weak turned her into the weak link in the drama, even though I think Shin Se-kyung can act.

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Honey Lee's manly makeover in Knight Flower really put to shame Shin Se-kyung's crossdressing. And it was more explicit thanks to both shows airtime overlapping each other.
Plus, she(Honey Lee) had the build. But they really did nothing to give Hee-soo a manly look save for the cloths. At least beards would have been nice.

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Honey Lee is always fantastic. However, in CTK, the OTP's chemistry was tangible! Shin Se-Kyung did an admirable job even though she did indeed always look female.

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Just a note, do only a few of the Korean actresses work out at all? I see so many and I want to scream, "Get thee to the gym, girl!" Toning does wonders including properly filling out a pair of jeans!

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The cross-dressing dramas always have some kind of subtext about the nature of gender. The King's Affection was based on a comic where the ML was pansexual and didn't really care what gender the King was. But in the drama, Park Eun-Bin, though tiny, conveyed the earnest and even desperately masculine impersonation of a person who perceives herself as feminine. It was like she was a trans person, because even though she was AFAB, she was experiencing dysphoria in her assigned role.

In this drama, Hee-soo doesn't seem to register that being an awfully pretty little gentlemanly gambler on some days and an upper class lady on others is even a problem. She's like gender fluid people I know in my contemporary life in a US city. In the 16th episode of this drama, she was off to China in drag, just asserting blithely that she'd be fine.

But maybe we're wrong and that's actually realistic? Because lots of men are tiny and cute IRL. The king's basically mellow attitude toward being attracted to a cute little man might be more like a real person than Coffee Prince style gay panic.

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There is something deeply transcendent about their affinity and love, bound by their common love of the abstract strategy game - Baduk and their love for their nation.

They are soulmates on so many levels, that I find the sex/gender/cross-dressing issue somewhat immaterial in the larger scheme of things.

Fact is, even if she were a he - we knew from the onset that he only had eyes for her since the pilot episode (his own admission in Ep 9 bed scene).

Finding out 'he' was a 'she' was a bonus (that allowed them to level up); but her gender was never a stumbling block for the King.

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I mean, if Mong-woo had been male, they could have still leveled up. It would have been a different genre of drama, I suppose, but since everything happens during a fade to black, it doesn't really matter. It's not like it was an advantage to them that she could get pregnant, since they were both trying to ensure that the nephew would inherit the throne.

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I find it utterly ridiculous when everybody fails to recognize a dainty, slim and small woman in man's clothes.

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Re: "But of course, Lord Park has to be extra and yell that the poison is delicious! Fantastic."

OMG. This literally made me LOL.🤣🤣 I was so glad I wasn't sipping my Earl Grey then

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I really liked these last two episodes. The drama did improve a lot once Mong-woo dropped her revenge schemes. She also had far less screen time, because there was little baduk and more kingly trouble. Sending her off to Qing was good decision by the writer! It removed her from the palace and allowed the reunion of the lovers away from the palace, later.

With Mong-woo away, the drama could concentrate on the king's mother and uncle, both very well played by these two seasoned actors. If you feel badly treated by your ungrateful nephew, this is how to drink a cup of poison!

Poor old Lady Dong took the poisonous way out and never revealed Mong-woo's real identity which I did not expect. I felt very sorry for her most of the time.

In the end, it all wrapped up rather well. It was a nice surprise that Myung-ha survived the drama and that even the princess was not forgotten and allowed back after the return of the spy who also took up her normal life again.

Ultimately there was very nice cinematography and one star: Jo Jung-seok.

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Re: "If you feel badly treated by your ungrateful nephew, this is how to drink a cup of poison!"

Again, I cackle. My inner 5-year-old cannot help it. 🤣🤣

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The best part of this drama was the King and JJS. The King was really well written, he was strong, smart, cold and warm according the situation, and JJS was mesmerizing in this role.

The worst part was Hee-Soo and SSK. Hee-Soo saw herself smarter and more necessary than she was. It was completely stupid that the writer made the King thought she could continue her mascarade when she wasn't convincing as a man.

Myung-Ha's epiphany about the King was funny, kinda ridiculous after so long being so stubborn.

Court Lady Dong's destiny was really sad. I loved her last scene with the King.

I can't believe that Hee-Soo sent Boon-Young, daugther of the people who saved her, to be the wife instead of the Princess. She deserved way better, the poor girl. It's easy to say no to be a concubin and send a young girl who doens't have any choice in another country to be the wife of man she never saw... I was happy to see her back and the King being grateful.

I was sad they didn't make Chief State Councilor Kang Hang-Soon coming back in the story. Son Hyun-Joo is such a great actor. We already lost the last King who had great scenes with JJS.

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It was a shame that they didn't have Son Hyun-Joo in the finale. I was expecting a father-daughter reunion, but the show had it occur offscreen.

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Thanks for the recaps @mistyisles, as always I've enjoyed them. But on this one, I think you are being way too kind!

Like others, I kept watching for JJS, and he was mesmerizing enough for me to keep going to the end (unlike the equally ridiculous Love Song for Illusion), but honestly, this was a pretty poor entry in the saguk stakes for the year.

In these last two episodes the ludicrous decisions continued to pile up. First, the couple have a night together and then she just sets off for Qing potentially pregnant with the King's child for the next nine months...

Second, why doesn't the fake princess and family accept at least some reward - did after all serve Joseon's interests.

Third, on her return, why on earth did she decide to set off again without even seeing the King?

If her motive was to protect the inheritance of the Crown Prince, she shouldn't have come back at all surely, at least until he was old enough to rule in his own right.

As it is, pretty hard to see how this works out in the longer run unless she continues to miraculously avoid getting pregnant.

And given that the King has given up refusing to have sex with anyone in the interests of preserving the CP's claim to the throne, and has been resisting selecting another Queen apparently while waiting for her return, surely the better ending would have been to have her Dad return as well, having been instrumental in securing the return of the fake princess, and provide a needed support in the court?

Though just how the fallout can be avoided when it inevitably becomes clear that a woman was pretending to be a man in Joseon can be resolved is not obvious to me.

I'd been assuming he would abdicate in favour of CP and they could go off and live somewhere privately where she wouldnt be visible to the outside world - but that clearly isnt practical given his age and need for a regent etc.

Frankly the screenwriter for this one should not dabble in this genre; the king is certainly memorable but that's largely down to acting not script.

And its all the more disappointing because the setting of a (slightly) alternative history to Qing-Joseon relations, and internal tensions within the court on relations with Ming/Qing had the potential to be very interesting. But alas, that wasn't really ever explored properly. Instead we just got a stock baddy chasing his own power.

Overall the plot was thin and tedious to say the least - ridiculous revenge plots, princess swaps, cross dressing baduk players with no know background getting appointed as an official and so forth.

And actors who I've liked in other dramas simply didn't pull it off in this one.

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I agree 100% with everything. It's like the witer got tired and left the script to one of his underlings. The second half was that bad, including the last two episodes.
To add to your list, I never understood why not sending a mere baduk player would create such a problem from the Qing. And why would he worry that the Emperor would fall for a young boy? And again, how come she was released so easily and how come she left her dad so quick? Did she get tired of playing spy so fast? And how come Dal-ha and his eye patch would not be recognized at the Qing court since he was the spy that almost started a war?
About her not getting preganant, I assumed that his problems from JI transfered over. Or the writer stumbled upon the same article I did about the infertility of Kings after Injo. Or showing the OTP having babies is a taboo in Korea right now, must not give people the wrong ideas.
I did find funny the queen dowager's playing sick to get Lee In's attention and her smile after she final succeded to have him come over was priceless. That is such an old school trick used by moms, mine included. And I also laughed at the giving the dress, playing the fool while starting the fire to get what he wanted later on. There is no doubt about that night, right beanies?
The ending is okish, could have been worse. At least it did not end in a long distance relationship. I do not want to sound like broken record, but of course we cannot have marriage happening in kdramas lately, the women must never...you know....something about men...you know....
I will remember the first 8 and 10 minutes episodes. And the name of the drama because it was the first time I saw the briliance of JJS. What an actor, better than NKM in my list.

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Re: "And why would he worry that the Emperor would fall for a young boy?"

Because he did :)

Every single firm injunction he issued her before her departure for Qing was a telegraphed Morse code of the dynamics of their hidden love:

(a) "Don't be rash or lose your temper. When your eyes are ablaze, the Emperor might fall for you" (c.f. Episode 5-6 the fiery smoldering battle of gazes & words over a cornered stone) He totally fell head over heels again for her wicked audacious tongue he threatened to pull out.

(b) "Lose every 1 in 3 games, or the Emperor might have the pretext to keep you indefinitely until he wins." (c.f. the entire 16 episodes: Lee-In was so enthralled by Mongwoo from the onset because he has never managed to win or get her name. He is literally putty in her hands as he summons her obsessively day after day to play)

(c) "Never forget under any circumstances, you are my Gidaeryeong." (This, I thought, was one of most romantic and possessive love confessions he ever made her.)

In the vocabulary of their romance, the greatest term of endearment and intimacy was not that she was his lover or woman (or even Queen), it was that she and she alone is HIS Gidaeryeong, and he is HER sole patron.

This is a jealously exclusive relationship, fiercely guarded (he commanded the gates of the baduk mansion to be locked until her return). Now in retrospect, I think all those elegant scenes of Baduk when they seemed to be calmly placing their stones on the board, are highly arousing mind-screws for them both (esp for Lee-In).

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I agree with the Beanies jury that the first 8 episodes were luminous (I watched their pivotal scenes numerous times cause the screen chemistry was off the charts); I shalt mercifully not comment on the latter half.

Overall, I love the conceit, the central metaphor of baduk, and the premise & emotional dynamics of captivation -- I just wished they had worked it relentlessly to a tight focused end, without veering or losing steam.

Nonetheless, I like the happy ending (cos well, I NEED that payoff!) I will just turn a blind eye to all the shoddy plot holes in the end 🤣

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Yes, this is what I was going to say. He fell for Mong-woo, even before he knew she was a young woman in disguise. Even before he could identify the feeling as love! He was crazy about this person. I think that was why I found the ending more satisfying than many of the happy endings I've seen to other shows.

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Regarding the brilliance of of JJS, I first saw a glimmer of it in Nokdu Flower where he played the underdog illegitimate brother Baek Yi-Kang. I knew from that point on that this guy can act, never mind that he had only a number of lightweight dramas to his name previously.

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As a saeguk fan, I have to say this is my least favourite saeguk fare at the moment. The saeguk could have done better and obtained a much higher rating than its current one.. and they are due to all the things that you mention.

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I agree with all you’ve said about the weakness of these episodes. I’ll add two far more minor quibbles:
- I lost great respect for the Qing empire as well for not recognizing Mong-woo is a woman. 😂
- I’m not one who even needs a kiss, but if you’re gonna give us one, give us one with at least a little oomph. But given how the show has depicted their relationship earlier, I wasn’t surprised.

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The kisses were terrible. Like, half fish, half chicken?

JJS tried though, poor guy.

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He did, indeed, with red ears and all. 🤣

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Omg I almost died with cringe for the poor guy. I was like hello girl I’m sure he is not enjoying kissing you any more than you are, but at least cut him some slack….
She was pretty ok in Run on. She was particularly bad in this.

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@minniegupta1
I have to admit that in the second half I started to notice it too. Maybe because my eyes were glued on JJS. 🤣
She should choose projects with actors that are not so explosive. I think this why in Run On she looked better, the ML had a calmer role from what I remember.

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Most of the dramas I watch are heavy and emotional-packed. So, it is a bummer for me when an actor (or an actress) can't emote, especially in HEAVY saeguks and dramas that require the characters to be in love. And it is not this drama alone...I watched her in a lot of heavy dramas from fantasy to historical fiction, yet she did not improved at all. If she knows that she can't emote, why waste time on a genre that requires lots of facial expressions, loving or subtle gazes. Pick a romcom or any drama that don't require much effort. As for JJS, I am used to watching him kiss. From IU to Gong Hyo Jin to Jeon Mi Do, he is definitely nothing short of amazing... Thus i am sorely disappointed as this is my first time watching him with a less-than-stellar co-star.

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Most of the dramas I watch are heavy and emotional-packed. So, it is a bummer for me when an actor (or an actress) can't emote,

This.

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If she don't plan to kiss JJS, why bother acting alomh with JJS or any established actors in a romantic saeguk. She has the luck or talent to lang terrific actors like Jang Hyuk, Kim Rae Won and Lee Joon Gi. But no way, they can generate chemistry if she is a cold fish/chicken.

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That was my thought too. In some scenes she was ok. In fact some of the initial episodes were pretty good. But once the romance started, all the intimate scenes were cold. She should not sign up, that's true.

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I also liked her initially. And yes, I came in with a favorable impression because of Run On and Rookie Historian. Tho now that you’ve all mentioned it, she was paired with, um, less emotive actors* there so she might have been stirring in comparison.

*You have to be careful what you say about certain actors because some fans of theirs are rather upset today. 😂

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Less emotive actors...
@indyfan Ah! LOL!!! I have not checked it yet. But well, I said it quite loud - I dropped rookie episode 3 or something. There was only so much I could take of two beautiful dolls.

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I'm glad I was able to watch Jo Jung Seok as a strong king in a sageuk. But the second half was disappointing. It was a struggle to get through these last two boring episodes.

The writer didn't address the issue about Lee In being without a queen. How long before he has to choose someone??? How could he possibly stay with Hee Soo while being the king?

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Unfortunately... After a while, I didn't believe in the romance.

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Surprisingly, for a story that depended on the romance, that was its weakest link. But JJS is a discovery. So I think we came away with something good.
I can't wait for a show where he would be a general or something. He would kill it.

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that last kiss said it all. Loved it!!!!!

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that last kiss said it all. Loved it!!!!!!

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I was pleasantly surprised by how much I liked the way this series wrapped up. What I found intriguing was the way they incorporated true events into this fictionalised tale. Injo's adopted daughter was married to Prince Dorgon, who died the same year of the marriage and the princess returned to Joseon (though she had to marry another prince who also died within two years). Dorgon was posthumously declared a traitor by the then ruling emperor (Hong Taji's very young son). It's also true that Injo's second son who became the Joseon king was considered a very strong king by the Qing.
I am not a fan of open endings with romance, and their separation made no sence (especially as she could have been pregnant - that was really a weird decision by a King who refused to sleep with any of the woman so he would not produce children).
Also, I felt a little sad at some of the choices the King made early on, specifically how cruelly he treated the Queen. Poor thing.
But the fact that baduk is where they continued was well done.
Loved Lady Dong, I think for me, she stood out. Her arc was very well done too. In fact at some point I felt a subtle chemistry with JJS. She will be a memorable character in a mediocre series.
And I have said enough time how impressive JJS was as the King. I realised I watched Hospital Playlist sometime ago, and dropped it (I can't really do medical settings well) and never realised I had watched him in it. He was very funny there but here he is fire. Incrredible actor and I would love to watch more.
I already said it else where and will say it again - JJS carried it all on his capable shoulders, and Mrs Baduk didn't matter as much. It was not a rabble rousing show, didn't challenge your gray matter, I could not relate to any of the characters and it's never going to be a rewatch material, but it was nice while it lasted.

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There were a lot of elements I enjoyed in these episodes. The shoes outside the cabin to signify their night of passion, then their absence to convey that their owners have gone on their separate, sad ways. The King's clever self-interest in arranging that final tryst, to both satisfy his desire to see and spend time with Mong-woo as a woman, and to cement their bond so she might be more motivated to return.

I liked the villains staying true to their unrepentant selves to the end, and getting poetic justice. I like the servants in both palace and town also staying true to their loyal selves, in whatever way they were called to (poor Lady Dong).

I liked the Queen Mother's petty, loud, self-pitying tantrums, and her son's new indifference to them. Tantrums are all she has now.

I like Mong-woo suddenly offering her name, without conditions, to offer with her heart and body. Since their separation had been nine months, I half expected that Jageunnyeon's bundle she was clutching on their return to be an infant. Unless one of our lovers really is infertile there should be a baby at some point in the next fifteen years, but I'm willing to go with magical birth control.

I wish their last kiss had been either more passionate or more tender, but it looks like they went for one that the actors could hold for a really long time to accommodate the various camera angles. Phooey.

What I'll remember this for is the King's anguish at the choices he has to make, and his wonder when offered love, even though he knows it come with strings. Perfect scenes.

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It was a mostly satisfactory ending. Overall, what I would remember most of this show is JJS's excellent portrayal of the King. His character was the one I most empathized with and mostly cheered on to succeed with his revenge. His happiness is what I wanted the most and with that I am glad he ended uo happy in the end.
Why its mostly satisfactory? The FL's characterization and motivations was very disappointing. I also wonder how she will live in the end, will she continue to be Mong Woo or take on her real name, Kang Hee Soo. Either persona, how will it affect Lee In?
I did find the punishments for the King's enemies as very apt to their crimes. This the writer got right. I sure hope that the Crown Prince will only see his uncle's good points and not turn against him like what the DQ said.

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And now it has come to an end! It began brilliantly, then changed up its tone a bit and finally went the way of all Sageuks and focused a bit more on the politics than the romance.. but it was a cute ending and I enjoyed myself throughout.

I do have to say I think I really liked the romance in this drama because it felt as though it wasn't just a couple falling in love. They were both so aware of the situation politically and what their role in that political situation was - or at least both so aware of the king's role in it all - and I loved that it felt like Mong Woo was really his confidante in many ways. It wasn't as sexually motivated as it was intellectually, and I think that's something fascinating and honestly really attractive.

JJS knocked it out of the park especially in the early episodes. Well done! Bravo! I will watch out for his next drama.

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On a completely random digression:

I think the Kang family should be awarded some sort of Virtuous Plaque or award as the poster-child for Model Patriot/Citizen / or Advanced Level Spy-craft

Cos did you notice that practically everyone from the father (Kang Hang-soon), to the daughter (Kang Hee-soo), to the servant (Chu Dal-ha), to even their shoemaker (Sedong)'s daughter (Bun-yeong) ended up becoming spies at Qing for Joseon??!

They need to be on some leaderboard for that winning streak

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It would have been nice if they would have shown us some info they got with all that spying and how they helped Lee In and Joseon. Although it's kind of too coincidental that the real life princess became a widow so soon both times, right 🤣

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I can't bring myself to watch the last 4 episodes. Too slow and not interesting.

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I absolutely loved this drama. Apparently I am in the minority. lol I thought JJS nailed the part of the king. Hubs thought SSK was the most beautiful Korean woman he's seen (while pretty, I had to side eye him quite a bit because, well, Park Min Young anyone?). I digress. I didn't mind any 'holes' in the story, or that you could tell SSK was a woman. What I loved was the overall story, the acting, and if we can take a minute, can we just sit back and appreciate the cinematography of the last episode? I have not seen something so pretty in a drama in quite a while. It was ethereal. Okay, I'll stop. But thinking about this drama won't stop. It's a win in my book.

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Overall, I liked this show. The past two episodes did drag for me. I knew I would have to read recap to fill in the blanks. I was captivated BY the king, JJS. I would have wanted less tearing from him, but he was enthralling from start to finish. Will it crack my top 10 sageuks? No, but it wasn’t a waste of time either. I was THE MOST disappointed in have just 10 minutes in paradise for the leads-lol-meaning, the day spent together was cute, but just not enough for me. Lots of unanswered questions, and I wished they would have had less politics in the last episode and more closure for several of our characters. What ever happened to the princess? I assume they brought her back like nothing happened after Prince Rui died too. And her dad? Did he just stay in China as a spy? No matter, it was a good show.

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The finale was... how do I say it? Subdued? Lukewarm? I think Captivating the King had much more potential than were we landed. It failed to have that emotional connection that makes it be great. The set-up was so good, and the rest of the story could have used that in much better ways. The writing on the last quarter was too convenient, and my greatest frustration was the fact that the revenge plan did not make sense in the beginning. A lot of characters were also hard to understand until the end and the writing was a bit too convenient in the resolution of arcs. The principal director: it wasn't clear what he wanted, what he was trying to achieve after Lee-In was in power; Myung-Ha and the affection of the King for him: why ?; Myung-Ha himself and how he conveniently and suddenly came to love the King; the Queen Dowager: what were her motivations and what did she want to achieve ? Also, I am not sure I understood what the plot with the princess achieved, and by the end where is she and what happened to her? The Queen was just there to have the Prince become Crown Prince ? Her character should have been more present I think or better utilized; what happened to Hee-So's Dad ? In the end, it did not seem she was returning to Qing, did she not miss her Dad? Wasn't her Dad the whole reason she started this "revenge" quest? Why didn't the Dad return to Joseon ? Finally, I wonder what she is planning to do for the rest of her life ? I thought she would have made it clear, like create an academy of baduk players, I mean something. How are the King and her be able to continue their relationship unless she becomes Queen or a concubine ? I think Shin Se Kyung's performance is not too blame, rather the writing of her character was a bit lacking. Overall, it wasn't a bad drama, it was okay-good, but it could have been a great drama, a great sageuk that remains as a classic like 7-days a queen, or Red Sleeve. I will remember the outstanding performance of JJS, who carried the show, and also will look out for the child actor, the Crown Prince who also did an absolute great job. The cinematography was beautiful and the costumes as well.

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The Principal Director wanted to make sure that the Queen Dowagers family line remained on the the throne. The Kings affection for for Myung-Ha was to do with being the Crown Princes uncle, so he could play the role of uncle and advisor. Myung-Ha admired the King when he was the Grand Prince but because of his dads death he rejected his true feelings for the now King. The Queen Dowager had the same intentions as her brother the Principal Director to keep the family on the throne for generations to come. The plot with Princess was to keep the King in check. The Princess returned to the palace when the fake princess returned from Qing. Hee-So's dad remaind in Qing as a spy. Hee-So was used to her dad leaving her for long periods of time. He mentions this during their game of baduk. He left her to fend for herself while he went off to war. She started the revenge because the King betrayed her (he promised to come back for her when she was jail) and allowed her friend to die, not because of her dad. It was the former King that sent her dad to Qing. She stated she would not want to be a concubine or the Queen. Her role is to ensure the Crown Prince because King not to produce an heir for the King who would then be next in line to be King. Its possible she will no longer dress as Mong-woo and become Hee-So and he will continue to see her outside of the Palace. She accepted along time ago that she would never officially be recognised as his women but agreed to stay by his side.
Overall I loved this drama. I have re-watched episodes 8 & 9 several times along with 15 & 16. I just started watching the entire series again. Jo Jung-suk was flawless and definitely captivating. My rating 9/10

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I woulh have expected there were counter reactions from her when being kissed... too bad that she was just like a log.

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For everyone newly discovering JJS, three words for which you will thank me later: Oh My Ghostess

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Thanks for the great work these weeks @mistyisles...I too think your viewing lens was just a 'tetch' brighter than mine when it came to the last two episodes. I will only remember the wonderful patriotic Kang family, our sad rejected Lady Choi's death scene, the brave mature-for-their-ages Crown Prince and Princess, and yes, even the tense edginess that Kim Myung-ha added to the plot until the last chapters. But ultimately of course it was Jo Jung-seok who was the nail above the board in this drama. He's proven his skill in rom-coms before and also my first introduction to his serious side was as the King in an old Kdrama that I loved, called "King 2 Hearts" with Lee Seung Gi and Ha Ji Won. And now he's wowed us all with the electric intensity of this tortured King, which for me is his 'tour de force'. But there's lots to disappoint in this too. The hostage trip to Qinq was a waste of time for me because she didn't come back with her Dad, (we didn't even see them meet, it felt like her Dad was the gun on the mantle that no one picked up in the plot). And ultimately, unless I missed something, she didn't bring back any really important intel for Korea either because she wasn't even intending on meeting the King when she came back. But then too...why writer...why her silly assumption that the king would have 'met someone else'? Very illogical, since she either would have heard the news through other connections during her stay in Qing (especially from her father who surely gets secret missives from Korea regularly) or even from her maid and the Kangs when she visited them coming home. It would hardly be a national secret if the King was 'otherwise engaged'. This was definitely lazy writing. Their relationship was built on a very hard-won trust, but in the end she showed none by assuming he had moved on, when he told her he would be waiting for her. Finally, the ending felt too weak to leave any lasting impact. I would have even preferred a "My Dearest" ending to the lukewarm, open one we witnessed in the Baduk game where the big reveal was learning her name. We didn't really see him register a big surprise that her Dad is the man he sent to Qing to be a spy. I wish he had found that out earlier, then after learning her real identity, the King might have come up with another of his amazing strategic plans. He could have arranged for her to 'disappear' convincingly (even to us) on the way back from the Qing territories...declare her dead...mourn her...then later 'find' her publicly as Hysoo, Her Dad had the ranking I think for her to make a worthy candidate for marriage...eventhough she didn't particularly want to become Queen. But for a lifetime together it might have been worth enduring until the little Crown Prince was ten years older, then the King might be able to abdicate and leave the Crown Prince in Kim Myung-ha's capable hands...allowing our royal leads to play baduk the rest of their lives, away from the...

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...away from the politics. I know...not a perfect ending either and I could have accepted them playing Baduk all their lives as guy friends I guess, but one day a new queen would be forced on him or a sudden pregancy, which might shred their happiness. I just feel like the writer served us a delicious & beautiful cake, but at the end I was still hungry for just one more slice to give us a taste of the real ending to this story.....

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So it's ended. Captivating The King or Sejak started off strong then somewhere around episode 9 it got convoluted... I think Mong Woo / Hee Soo character writing sometimes can be inconsistent or they didnt clearly mentioned some of her reasoning at beginning. Like why they (Hee Soo and Dal ha) didnt kill Yoo Hyun Bo first until last two episode when Hee Soo mentioned she hesitated because he is Hong Jang's last kin. Also the moment Mong Woo is in team Lee In, she kind of lost her purpose in the story plot, until she revealed to conspire with Myung Ha to take down Park Jong Hwan.
The ending episode is nice, but i really want to see Hee Soo reunion with her father... or the prince reunion with her sister. The revelation that Hee Soo is Lord Kang Hang Soon's daughter also felt flat. It should be an aha moment for Lee In why Mong Woo is adamant on defending Jinhan back then. Because her father is Jinhan's master and they are literally pen pal while Jinhan is still being captive in Qing. What is Lord Kang Hang Soon opinion on Hee Soo being Mong Woo, become the king's gidaryeong AND his lover too??? I want to know! Maybe the earlier actor isnt contracted until the last episode hence they cant appear on last episode, which is bummer.
Someone mentioned that CTK is good at the idea but executed it poorly, and i agree with that. Maybe this drama should get 18 episodes instead to get all the story fleshed out because in the last episode i kept looking for the time until the end. Well, at least it is not become sad ending for no reason although "the happy ending" is sort of open ending because what will happen to Lee In and Hee Soo now? Did she become Lady Hee Soo fully now? or back become gidaryeong? who knows. Another rant is maybe the adult content quota is already spent on ep 8 and 9, that's why on last episode is feels a bit lacking. LeeMong ofc still has amazing chemistry, but i didnt understand with the directing(?) which makes Hee Soo looks surprised while being kissed...
In the end, Captivating The King is still very much enjoyable drama for me. It has some potential, but some of it is gone in the process. If I must choose the one that being consistent since the beginning until the end, it would be the soundtrack and the sound choice for the scene. Really happy with the 88 tracks album on the youtube :) oh also the still in picture that they release on the web, it has really nice composition and tone color that are pleasing to see. Stiil, thank you for the hardwork, Captivating The King Team! Kudos!

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I got so annoyed with Moonwoo that I gave up midway through episode 10. I had to read these to see if I’d regret it and I don’t. They made Moonwoo so unbearable with her need for revenge despite the fact that he was a good king and putting the prince on the throne would just lead to corruption.

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