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Strong Girl Nam-soon: Episodes 15-16 (Final)

We’re down to the wire, which means it’s time for secrets to come out, sides to be taken, lines to be crossed, and our heroine to face her nemesis once and for all. Our strong girl has come a long way since finding her way back to her family, but she’s going to need some extra strength from them if she’s going to save the day and ride off into the sunset.

 
EPISODES 15-16

Strong Girl Nam-soon: Episodes 15-16 (Final)

In the wake of Shi-oh’s rampage, Nam-soon’s family holds Hwa-ja’s funeral. Though Bong-go admits that Geum-joo was right to give Hwa-ja another chance, Geum-joo can only lament that if she’d let Hwa-ja go to prison, Hwa-ja might still be alive now. But one thing is sure: Geum-joo and Nam-soon are determined to make Shi-oh pay. Nam-soon calls Shi-oh to tell him as much, coldly confirming that everything about “Tsetseg” was a lie.

Hee-shik and his team, for their part, wiretap Shi-oh’s phone and learn that the scientist who developed the super drug antidote is hiding nearby. Shi-oh is using the scientist as a bargaining chip against Pavel, but thanks to Nam-soon’s superspeed, the detectives nab him before Pavel agents arrive. When the scientist refuses to cooperate, Nam-soon ransacks Shi-oh’s office in search of the antidote formula.

That’s when Shi-oh calls: He’s intercepted her Mongolian mother on the way to the airport. If Nam-soon wants to see her alive again, she’d better come to the Doogo warehouse. Alone. Hee-shik begs to come with her, but Nam-soon won’t take that risk.

When she arrives, Shi-oh elaborates. Nam-soon’s mother is unknowingly carrying a bomb onto the airplane (I have questions), but Nam-soon can save her. All she has to do is take the super drug and resist drinking from the provided water bottle for one hour. That water bottle, you see, is sitting on the bomb’s trigger button. Enraged but cornered, Nam-soon agrees. Only after she’s downed the drug does Shi-oh reveal that such a large dose will easily kill her within the hour. Nam-soon falls to the floor in agony, and Shi-oh padlocks her in and leaves.

Elsewhere, Geum-joo also collapses. Just as they can feel each other’s power surges, Geum-joo can feel the life draining from Nam-soon. Shi-oh helpfully tells her that Nam-soon needs water to survive, but since Geum-joo doesn’t know where Nam-soon is, she tries drinking water herself (from a hose, while flopping around like a fish on land, which is… a sight to behold) in hopes that it will carry over their mystical link and give Nam-soon strength.

Enter Joong-gan for her one truly significant contribution to the plot. When she hears about Nam-soon’s plight, she realizes the only thing that can save her granddaughter is to deplete her own strength and essentially channel it to Nam-soon. She tells Jun-hee this would very well kill her, but that it’s enough for her that they loved each other. Then she lifts a gigantic Buddha statue into the air. Just as she predicted, it drains her completely, but gives Nam-soon the necessary strength to break out of the warehouse.

Shi-oh, in the meantime, has taken his own (much smaller) dose of the drug. This empowers him to toss Nam-soon around like a rag doll. Then he picks up a metal pipe and throws it like a javelin. Nam-soon catches it just in time to avoid being skewered, and throws it back, partially (but non-fatally) skewering him. Hee-shik rushes in, gun blazing, and Shi-oh distracts them just long enough to escape.

From there, it’s a desperate race to get the antidote in time. Thanks to a tip from Tae-ri and some help from the warehouse supervisor, Hee-shik finds the antidote and revives Nam-soon. He promptly faints from the stress. When he wakes, he’s in Nam-soon’s hospital bed with her, and she proudly tells him he’s saved them all — Geum-joo and Joong-gan have also fully recovered.

Strong Girl Nam-soon: Episodes 15-16 (Final) Strong Girl Nam-soon: Episodes 15-16 (Final)

Back in his hideout, Shi-oh finally comes face-to-face with his old friend Bin Bin… who’s been sent by Pavel to kill him. Shi-oh says bitterly that he’s now been abandoned three times: by his parents, by the woman he trusted, and now by his oldest friend. Friendship wins out (sort of), and Bin Bin leaves his gun with Shi-oh. When the police and Nam-soon arrive, Shi-oh uses that gun to shoot himself, bringing his own story to a swift, tragic end.

All that’s left to do now is round up and arrest Shi-oh’s accomplices and wring the antidote out of the begrudging scientist. But wait! you may be thinking. What ever happened to Bread Song? Well, after Geum-joo catches him colluding with one of Shi-oh’s money-laundering partners, he up and vanishes.

Strong Girl Nam-soon: Episodes 15-16 (Final)

Later, as the investigations run their course, Geum-joo’s Opulentia contact delivers shocking news. Bread Song is better known among Pavel circles as “Nozhe,” their most ruthless killer. He’s not all that financially literate, though, so Pavel sent him undercover to learn the economic ropes. Currently, he’s stowing away on a boat to Italy and slaughtering all the other passengers. Geum-joo vows to catch him someday, along with the rest of Pavel. Presumably, that’s the mission she has in mind when she seeks out the superhumanly strong son of an old acquaintance.

Joong-gan’s husband finally agrees to let her go, and Jun-hee helps connect her with a job rooting out scam artists who target the elderly. Nam-soon and Hee-shik get engaged (he proposes in Mongolian — a recurring gesture on his part that I adore). And when his team are awarded for their work on busting the drug ring, Nam-soon is recruited to join the force alongside them. She vows to make the world a place where the bad guys never win.

Strong Girl Nam-soon: Episodes 15-16 (Final)

Overall, I enjoyed these final episodes more than a lot of the previous ones. But they also made me kind of sad, because there were some seeds of greatness here that could have made for a compelling story if they’d been developed well.

For example, imagine if Joong-gan’s husband hadn’t been in the story at all and she and Jun-hee had faced plot-relevant conflict that actually made us root for them. Then I’d have felt something when she said goodbye to him, and cared about whether she’d survive. Or, alternatively, she could have lost her powers because of how she treated her husband, only to earn them back in that last moment of self-sacrifice.

And then we have Bin Bin and Nozhe, who I really expected would turn out to be the same person. Whether or not that should have been the case, I do wish Bin Bin had been one of the characters we followed throughout the show, and that there had been more buildup to that final confrontation where he chose not to kill Shi-oh. So many conflicts in this show seemed to be resolved almost as quickly as they were introduced, killing both the tension and the emotional impact. Perhaps the intent was to keep things light(ish), but mostly it just made them dissatisfying.

But I’ll close with some things I did like, in spite of everything else. I loved Nam-soon and Hee-shik both together and individually, and the little investigative team that welcomed Nam-soon with open arms. I appreciate that Geum-joo and Bong-go’s reconciliation was left relatively open, and that the show paired Secretary Jung with that detective instead of Geum-dong. And, last-minute and abrupt as it was, I’m glad Bread Song did at least have some relevance to the story, because this way I feel like I got something out of sitting through all of his scenes. Basically what I’m trying to say is, it could have been much worse?

 
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Thank you @mistyisles for your great and hard work throughout the drama. For Strong Girl Nam-soon, the main strength point was the cast. I can't care less about the story. One similar case and also a sequel was Tale of Nine Tailed 1938, though this one was more appealing.

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Thank you for the recap @mistyisles!
I do share majority of your sentiments about the show. It definitely could've been better. One thing it did right is the characters of Nam Soon and Hee Shik. The progress of their relationship and who they were individually.
I wish we could've spent less time with the homeless couple and instead devoted it to developing some other characters.
I am not keen on watching the potential next season character of Chung Dong. Isn't this supposed to be a "Strong Girl" series?

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I am BAFFLED by the choice to make a "Strong Man" series. What is the point of this story if it's about a man? The strong person being a woman is central to the plot. In fact, I'd say it's a core concept.

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It is the core concept. So I don't know why they would even consider a "strong man" for next season.

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I came across a social media post that was making the point: Nam-soon was a red flag all along... and somehow while I don't agree with the point made, I realise that I also don't 100% disagree. This makes me feel all sort of disappointed, raging a little (but not too much because I'm overworked and tired and I need my energy spent elsewhere... but can one truly stop raging? when I say one, I mean myself. The answer is no, I can't), and betrayed by a drama I wanted to trust. (like you, Shi-oh, betrayed by people I wanted to cherish)

The betrayal doesn't burn too much because the drama gradually lost my interest over the course of the last ... 8, 7, 6 episodes? Something like that.

But there is something in me that can't accept that incredibly lousy ending Shi-oh (and even Bread Song) received for no real good reason. What was the point of telling us Shi-oh's rather traumatic tale of survival just to have him does the way he lived, with not a soul caring for him since he was a child? In many ways, the only difference between Nam-soon and Shi-oh, excluded the origin of the strength, is that she found loving and caring Mongolian parents while, at the same age, he was fending for himself among the ruthless Russian mafia. Is she a better person because she was loved and accepted all her life? Debatable. In the darkness of it all, he still believed in friendship, and this only takes a tremendous amount of inner strength when you've never known love. Imagine how he would have turned if the roles had been reversed!

Even Joong-gan's having to give her strength away to save her granddaughter who, in the course of an infiltration mission has taken not once care of maintaining her fake identity. It's almost as if someone wanted to give the characters the closure they never needed to pretend they were writing a conclusion. While, essentially, having sat there and watched Nam-soon being completely irresponsible, unprepared, and generally thoughtless when it comes to the consequences of her undercover behaviour, I am not quite sure that she truly deserved that level of sacrifice.

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Thank you for your beautiful comment, I could not agree more.

Also defying logic: they gave Hwa-ja another chance, although she actively betrayed Geum-jo with her cronies and even tried to kill Nam-soon.

Compared to that, what are Shi-oh's crimes really? Yes, he was part of a "Mafia" (but so was Hwa-ja). From the few interactions we saw with "Tsetseg", he would have been a kind and understanding boyfriend. We never get to see to what extent there really is a drug "epidemic", like the current Fentanyl-crisis in the USA, which even brings down the overall life-expectancy. (The narcotics officer who was too dumb to be cautious around a brand-new drug certainly would have killed himself off in another gloriously stupid way).

It is a bit sad for the lost opportunity, as the actors are good to great in other dramas. (It seems to be a problem with bad writing, really.)

But as you said: all of this does not really irk me, as I lost interest weeks ago as well.

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Ah yes, thanks for reminding me: i forgot the accidental snorting drug cop (whose self-inflicted work “accident” was treated like martyrdom… really, writer-nim?!)

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This drama reminds me of Vincenzo where the very sad and dark ending for the antagonist ruined the rest of it for me. How can I giggle at romance or dumb jokes now?

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I was all the way with the revenge plot in Vincenzo, precisely because it is unapologetically dark and violent and with no violence inhibitions. In that sense, it was different from the typical "we shan't be like them and we will forgive while taking the psychopathic mass murder kindly through the legal system where they can get a $2 dollar fine for being a meanie" - I liked that Vincenzo was different because I really don't need a writer trying to force-feed me some little moralistic views on how to behave in society. I know that. Vincenzo was just: Nah, eff to that, I am a monster just as much as they were, and if anything, I am a bigger monster. But then perhaps that says more about my social inability than anything else.

But here, really... I don't know. At some point, I lost interest in the characters and I realise I did not care one bit for the romance (perhaps nan's romance was the only one I enjoyed more) but red flag Nam-soon the brain of a dead toad and I-have-no-professional-conscience cop were jus plain painful to watch. I didn't need a tragic death to despise them. They didn't deserve my attention in the first place.

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Yeah, for me the issue with Vincenzo was just, like, one moment we are seeing him brutally murder two people and the next he's having a cute romcom moment with the female lead. It felt sooo jarring to me.

That's fair, I got more and more frustrated with Nam-soon and her terrible decisions as the story progressed. I still had some caring left about the romance by the time they kissed, but the drama kept burning me out on almost everything. So this last ep when he proposed I was like "eh, whatever."

I used to be ride or die for Hee-si, but, looking back, I do think Namsoon was more interesting with Si-oh. I would like a romance drama about those two (and an ideally smarter Namsoon) set in an alternate timeline.

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I should add though, I'd want that AU drama to have a different writer. I am never touching this person's work again.

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I feel like dramas are doing this a lot lately, where the antagonist is given a really tragic backstory so when they have their inevitable downfall, it isn't at all fulfilling or cathartic but rather just incredibly sad and depressing. Maybe it's realistic, but I don't watch dramas for realism!

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Very well said, thank you

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Yes yes yes to everything you said! I'm incredibly disappointed. I can't believe the writer insulted the intelligence of her audience with this Trainwreck. The audacity of wanting to drag this to season 3

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The famously cute officer Kang as the almost-first
https://www.dramabeans.com/activity/p/1466000/#acomment-1466428
and almost-last thing
https://www.dramabeans.com/members/CecilieDK/activity/1492867/
we saw unnecessarily broke the bones of prisoners or arrestees in his power. In the second case we are talking about a man whos lying on the ground with an already injured leg. Abuse of the power delegated to the police is nauseating to me.
"But Si-oh ... "
Yes, bad bad Si-oh! But he had not been entrusted with the power to legally do things that others are not allowed to, like incarcerating people or ransack homes. Actually, he had not been entrusted with anything at all, and that though he had told Nam-soon that he was going to take on that evil mafia-organisation ... Do I remember right that they even made an alliance with that organisation in order to take down Si-oh? Or is that at least a step further than they did go?
Anyways, imagine if they had taken up that bit and seen how far that went?
Or imagine if Tsetseg had at least said "When I said you could be a light, I meant it. When I said I would kill for you, I didn't."
Nam-soon glancing at the moon seemed like someone who would catch up on Si-oh's soft moments, even if she preferred the bland cutie-police-brutie guy as her lover and love. But she until the last half second of Si-oh's life, she did not admit to him being a human being. Even if, do you remember, when they ate at the restaurant, and she said "Come on, it's not like you grew up alone in the woods, like a wolf", and was shook for a second when he said "That would have been better"? But then seemingly forgot all about it.
Forgiving Hwaja was fine, but when Geum-joo said she could be her "second daughter" and then brought everybody in the family to safety except Hwaja ... They could easily have predicted that she was in danger. They only "cared" with their money, not with their care.
***
In all of these episodes, real vulnerability was only shown by first and foremost Si-oh, the only one who really put something at stake. Then Hwaja, and in Nam-soon's close family, her father and brother were people who genuinely seemed to be able to love and to be hurt. Nam-soon herself had at times, like I said, looking at the moon, that naked openness, that could have made for a beautiful drama.
***
Instead, Nam-soon by the end of this drama happily received the proposal of the kind of coward copper who calmly breaks the bone of people under his power, even literally "under his foot".
Unless Si-oh miraculously is not dead, I will definitely not be there for the allegedly already planned third season.

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It's funny that Namsoon went from hating capitalism to being part of the force that, to quote Lisa Simpson, maintains the status quo for the wealthy elite

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Yes, imagine if so many other things had happened. Like to follow up on copper-boy's version of "Property Is Theft", and to listen to Si-oh when he said he wanted to fight the mafia, and honestly, to not just show date-rape with no negative consequences at all ... (SO weird!)

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The bean guys, don't forget we get a bean for making it to the end!!! it started out interesting, kind of fizzled half way through and ended up pretty annoying by the end. Is it bad to wish that Shi-o had been able to redeem himself somewhat by the end?

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With you. It was painful in the last episodes, and I definitely wanted something better for Si-oh who was the only character that actually interested me by the end. Bean achieved, wiped from memory, won't be back for S3.

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Everybody are stunned at the way the drama treated Si-oh, the most or maybe even only interesting character in this drama.
Maybe it's bad ... maybe it's bad writing.

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Watching ep 16 now. Strong Girl Namsoon has in no way earned this very dark and depressing conclusion to Si-oh’s story. This drama is too ridiculous and silly for that. Talk about tonally jarring

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Sigh. This year has brought a lot of two things:

1. Dramas that could and should have been much better given everything they had to work with.

2. Dramas that were marketed as one thing but turned about to be another thing altogether.

I'd say Strong Girl Namsoon falls primarily into the first category.

I did, however, come away with the realization that it must be quite challenging to create a high quality series that is primarily campy, especially over 16 episodes.

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This one was fun in parts, dumb in others. Thankfully, I did not have too many expectations.
I liked Lee Yu Mi and Ong Seong Woo, both of whom I have never watched before. Byeon Woo Seok, whom I saw but did not notice much (in a drama I did not like at all), was a revelation in this, though! Looking forward to more of his work. Kim Hae Sook, who was one of the draws for me... Well, hope she was paid well.

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Strongly recommend Moments of Eighteen with Ong Seung Wu. Strong Girl was a missed opportunity--the guy is an amazing actor!

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I'm so glad I dropped this drama when I had the chance.

This drama had a ton of potential but fumbled it badly. Moral of the story, not every drama needs a spinoff or second season.

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How to download it here

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