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[2022 Year in Review] Year of the unexpected

This was an odd drama year for me. There were some dramas I enjoyed, but not many stuck with me afterward or made a strong impression. Going back through the dramas I watched this year, I realized that despite feeling somewhat lackluster about the dramas overall, there were elements of those dramas that did make a distinct impression – some in a good way, others not so much. While the specifics might differ for each of us, I’m pretty sure we all had drama experiences this year that didn’t quite go as expected. So for fun, here are my entirely personal top drama double takes for 2022.

 
College cheerleading as a survival sport – Cheer Up

[2022 Year in Review] Year of the unexpected

And here I thought I was getting a cute coming-of-age college cheerleading drama. Instead, we got a drama about a cheer squad under literal threat of extinction because someone took cheerleading way too seriously and decided people needed to die for cheer infractions. If this had been done in a campier way, it could’ve been a blast. But it felt like the drama took itself just as seriously as its villain took cheerleading, which honestly made it impossible not to roll my eyes at the ridiculousness of it all. It baffles me why every drama these days seems obligated to include some sort of murder mystery, regardless of the genre or if it even makes sense for the story.

 
A trauma-free ensemble – Gaus Electronics

[2022 Year in Review] Year of the unexpected

Gaus Electronics, the little drama that could, surprised me in a lot of ways. When thinking back on the drama, I realized one subtle, notable feature: no one had major trauma. The leads were average people with average lives and no life-defining traumatic baggage to speak of. Even the secret chaebol was trauma-free with loving and involved (if obtuse) parents. Who knew you could have a whole drama where everyone got character development yet no one’s character arc involved overcoming their severe past trauma?

 

Turning a beloved 19th century coming-of-age novel into a dark thriller – Little Women

[2022 Year in Review] Year of the unexpected

Little Women was certainly the most unique twist on the classic story that I’ve seen, but it worked surprisingly well. I honestly expected a train wreck, but it ended up being one of the more memorable watches of the year for me. It was edgy and over-the-top in a fun way with a dark yet not oppressive tone. Calling this version an adaption is a stretch, but I’m all for creative reworking of material to provide a new point of view and keep it fresh. I’m curious to see what beloved classic dramaland decides to give a makeover next.

 

A traumatic healing drama – Summer Strike

[2022 Year in Review] Year of the unexpected

The random murder mystery strikes again, ruining a perfectly good drama. I was all ready for a nice, healing drama about a woman taking a year off in a village to figure out life. The next thing you know, our heroine is being targeted and grandmas are getting offed. Maybe this is on me for not looking more into the drama or source material before starting, but still. Why did anyone deem it necessary to mash up a healing drama with murder?! I don’t know about you, but when I think of things that heal, murder doesn’t come to mind. Is it that hard to have a nice, relaxing drama that doesn’t involve death every once in a while?

 

Working archaeopteryx into conversations – Business Proposal

[2022 Year in Review] Year of the unexpected

Props for one of the most creative rejection put-downs I’ve heard. It’s not every day a heroine casually compares her future love interest to an archaeopteryx. You gotta love a girl who makes you do an internet search to fully understand her insult. It makes me want to see how many prehistoric creatures I can casually work into my own conversations…

 

Making talent agent life boring – Behind Every Star

[2022 Year in Review] Year of the unexpected

A drama about talent agents where we get a behind-the-scenes look at the bustling and glamorous entertainment industry? Surely, that’ll be exciting or at the very least interesting. Think again, because this drama was a snooze fest. If it had been longer than 12 episodes, I don’t think I would’ve managed to finish it. I’m not entirely sure why it was so boring, but somehow neither the work nor the agents were particularly engaging. The drama felt cold and lifeless, pretty much the opposite of what I’d signed up for.

 

Whales as a side character – Extraordinary Attorney Woo

As most everyone knows by now, there’s a lot to like about Extraordinary Attorney Woo. One small detail I particularly appreciated was how creative it was in portraying Young-woo’s inner life. The use of epiphany whales whenever Young-woo had a eureka moment was genius and fun. I felt like whales were a genuine side character in the story, which was a great way to incorporate Young-woo’s special interest and show its importance to her.

 

Quirky murder coverups for the whole family – Link: Eat, Love, Kill

Link was one weird drama. For whatever reason, mixing rom-coms with murder mysteries/thrillers has become a thing in dramaland, but this one added dark comedy into the mix to liven things up even more. Playing “Where’s Waldo?” with a body-hiding fridge as it made its way through the neighborhood and incompetent murder-coverup chaos made for a zany, offbeat ride that I enjoyed. It may not be everyone’s admittedly strange cup of tea, but it definitely made an impression.

 

Feeling invested in sports – Twenty Five Twenty One

This one is very much due to a personal quirk because I hate sports. I hate playing them, watching them – I even usually dislike sports movies and shows. But somehow, this drama had me invested in Hee-do’s fencing matches. I tried to figure out what made this one different for me, and I think it’s how the matches factored into character development. I was so invested in Hee-do’s personal journey, and each match played a role in her growth and uphill battle to reach her potential. The emotional piece was worked in so well that even sports haters like me could find themselves cheering along with the team.

 
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In general terms, I did not expect:

1. Smaller networks gaining large ratings for shows that were not mainstream.

2. So many shows were comedy-forward which was a good thing until some of those shows changed course to a serious finish.

3. An uptick in non-weekender ensemble cast shows with various degrees of success.

4. Finding a greater degree in satisfaction with watching older shows.

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Thanks for this overview. The only one of these I watched to the end was A Business Proposal, but I'm thinking I should add Gaus Electronics to my watchlist.

I started Extraordinary Attorney Woo and I have to admit I enjoyed it, until one day I just didn't feel like going back and finishing it. I'm not sure why, I truly have no good explanation, but I still feel the same. I guess I enjoyed it, just not enough?

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I thought Gaus Electronics was good light fun, you should give it a go!

I can totally understand where you're coming from with EAW. There were things that I loved about it, and I finished it as soon as the last episodes aired, but looking back now, it's not even in my top five dramas of the year. It was fun to get caught up in the hype, but the last episodes are the worst of the lot, so you're probably not missing much.

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I unreservedly recommend Gaus Electronics - it was the unexpected comic highlight of the year for me. Just try to view the first episode as a live-action cartoon; the show takes a couple of episodes to find its groove. There's some over-the-top workplace bullying in that first episode that doesn't completely land as comedy but disappears for the rest of the show. The overall tone is lighthearted and it's consistently funny and sharp. Kwak Dong-yeon is just adorable.

Link was also an unexpectedly enjoyable, weird mix - at least the first several episodes that have more dark humor and murder-fridge hijinks. I didn't initially intend to watch either of these shows and didn't expect them to be my cup of tea at all, but beanie discussions here sucked me in and I'm very glad they did.

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Strong agree on Gaus. And make sure you watch to the very end of each episode because that's where some of the best comedic moments are hidden! I know some folks missed things initially because they didn't stick around for the previews of the next episode.

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Thanks for the heads up on that. I’ll make sure to stick around to the end!

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I am the same with Extraordinary Attorney Woo, I enjoyed it a first and then I lost interest and have no desire to finish it. The only difference is that I know the reason why. It was actually the use of whales in those eureka moments (sorry @quirkycase)

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Even though I still think of Atty Woo whenever I see a real/toy whale, I have to agree. After about the 4th epiphany whale (outstanding name!) with the music, blowing hair and wide eyes I felt it was enough already and it turned me off.

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I think you may have put your finger on why I couldn’t finish this one. I used to work for a school for teenage boys on the spectrum, and there were a lot of things in the show that rang true, but the “aha!” Whales…didn’t.

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No spoilers - Gaus has the rare distinction of having an entirely satisfying ending. So many good dramas his year stumbled over the finish line (sometimes very badly) that dramas which stuck the landing should be recognized.

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Good to know. I don’t mind a few stumbles out of the gate, as long as the drama keeps me cheering it on across the finish line!

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Thanks @quirkycase these were great reflections. I agree the major trauma in every drama or healing drama mix with murder was unwanted and unexpected. It was surprising that two healing dramas went there with a two for one of violence and trauma; If you wish upon me and Summer Strike.
My unexpected events were watching and enjoying two reality tv shows; In the Soop: friendcation and Young Actors Retreat. I also watched and enjoyed two sitcoms Unicorn and Gaus Electronics.

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@quirkycase Thanks for this review, these are great unexpecteds,wonderfully presented which I completely agree with except for 2 minor exceptions:

1. Little Women which I viewed recently, and really liked for exactly the reasons you said, was a surprise to me in the sense that the authors took the title, and maybe one or two? plot elements, in order to destroy Alcott's premises and ridicule the sentimental place the book has in children's literature. Its characters had virtually nothing to do with the characters in the book, and at most it parodied the novels sentimental valuing of parenting and family. Its moral--greed is good--is EXACTLY the opposite of the novels. You could call that a "reworking" I suppose, but the surprise to me was both how good the show was, but also that it would be so openly contemptuous of a beloved children's book. A similar "reworking" of other children’s classics would change the plot of Anne of Green Gables so that the farmers decide to pimp out Anne to supplement their income, or have Lassie turning rabid and coming home to kill her master.

2. As a sports fan, I disliked 25-21's treatment of sports only slightly less than framing of the coming of age story replacing a wonderful Kim Tae-ri with a dull Kim So-Hyun who apparently had trouble remembering that she had a first love and a current husband.

Even if fencing was THE national sport in Korea in the 1990s, (it was not) a controversial judging decision would not require the mother of one of the participants to go on national news and cruelly accuse her daughter of cheating, resulting in the daughter being villified and harassed by the 10s of millions of passionate fencing fans. Neither would an athlete needing money abruptly defect to Russia, of all places, where she would be pumped full of PEDs and then jailed if she stepped out of line. As a traitor to Korean fencing, she would not then open come back to open a fencing studio back in Korea without enormous controversy.

Finally, the clear connection of ballet and sports, which many athletes have realized, actually, is not some stupid "plateau" theory of learning, but rather the rhythm and flow of physical movement, and the necessity of mastering the smallest feint/gesture, to incorporate into the whole of the attack/dance. Hee-do would have told her daughter that, as well as also saying something about the nature of young love: intense but passing. But the older Hee-do was badly written, which is which why she didn’t think of doing these obvious things.

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There was a slightly darker Anne of Green Gables in the Netflix adaptation a few years ago in which Anne's past includes being physically abused and bullied. I guess was more realistic than an orphan being well-cared for while working for a family. It was called Anne with an E. I feel like if one is going to deviated into a darker version of a more optimistic classic, a name change should be in order. And especially if the drama is to deviate so much from the entire theme/moral of the story. Little Women - the kdrama - had the most tenuous of connections to the classic. I feel like the writer/production made the connection to the novel in order to pique interest in a drama featuring 3 young female leads that is not about the usual sort of themes you see in kdramas featuring 3 female leads.

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“ A similar "reworking" of other children’s classics would change the plot of Anne of Green Gables so that the farmers decide to pimp out Anne to supplement their income, or have Lassie turning rabid and coming home to kill her master.” I nearly choked on my cereal reading this, to think of my beloved Anne…no, I can’t, just…I can’t. Feeling slightly traumatized right now. Lol!

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Didn't watch Cheer Up and Summer Strike, but was baffled hearing there are murder mysteries in it. Geez!

A trauma-free ensemble for Gaus - that's a great point. I don't know why kdramas always have to give their characters so much trauma. Feels like those college application personal statements where it seems like you're expected to talk about your trauma or some terrible struggle (like poverty, death of a loved one) and how you overcame it.

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Lol it's kinda funny but finding out there was a murder plot added to Summer Strike makes me want to watch it

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@quirkycase Very nice writeup!I really enjoyed reading it and nodding my head up and down in agreement many times!
Thanks for you insights!

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Dramatic epiphany whale footage you won't see in Extraordinary Attorney, not matter how many sequels / remakes pop up.

https://www.youtube.com/watch?v=V6CLumsir34

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The series Glitch could be a bit slow at times - one plot point per episode kind'a slow - but lets admit we were just watching for the great Nana/Jeon Eu-been pair-up, anyway. On the topic of unexpected, the series' kidnapping/UFO/religious cult/UFO/kidnapping storyline certainly gave us lots of unexpected twists and turns.

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I am not surprised that you found the fencing matches engrossing.

I was a Saber fencer in college and remember how challenging it was. Imagine trying to play chess, run a long-distance race AND play volleyball simultaneously. It is a thinking person's sport- as much mental as physical, but the physical requires strength, skill and endurance.

In other words, it is a sport that is itself good drama.

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I think my biggest surprise of the year was ENA. I think I watched 4 of the 5 (or so) shows they put out and thoroughly enjoyed every one of them. These were: Never give up, EAW, Good Job, and Gaus Electronics. I don’t know who their programs director is, but they need a raise.

I’m also very surprised Alchemy of Souls is still just as engaging this second season with the actress switch as it was last season. That’s some deft directing, acting, and writing. I don’t think anyone can deny that.

Also surprising was that I fell for two new actors, Hwang In-Yeop and Bae In-Hyuk. Both have excellent and bright futures ahead of them. I especially liked Bae In-Hyuk in Cheer Up and Under the Queen’s Umbrella. And I was surprised the former is actually in his 30’s and older than PBG and many other actors in the business.

I’ve also finished 21-22 dramas (not including the newest Kdrama BL’s) this year which also was surprising for me. It’s the most I’ve ever seen and for everyone saying it was a lackluster year, I thought it was not too bad!

I hope I’m as prolific next year! I already see a sageuk I’m looking forward to. Happy New Year!

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