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[2022 Year in Review] Bean of Disappointment

Our bean series continues! First up was our Bean of Greatness — now we give out the Bean of Disappointment. You’d think it would be easy, with so much disappointment to go around, but how do you pick just one? Add your own personal Bean of Disappointment in the comments and join the 2022 Year in Review fun!


 

missvictrix: So much disappointment, so little time. I have a lot to go around this year, but I think my most bitter disappointment is Cafe Minamdang. Seo In-gook being his amazing self and acting as a fake coffee-shop-running shaman? This drama wanted to be zany, extra, clever, and amazing. Instead it was dry, boring, and full of wasted talent. When a colorful and carefully-built story world gets decimated by a snooze-worthy script that needed to be gutted and redone (save nothing except the premise) and questionable bad casting decisions, it makes me want to scream. When even Seo In-gook can’t make your drama interesting, you know you have a major problem. Get thee to a script doctor.

quirkycase: Oh, Forecasting Love and Weather, how you disappointed me. You had Park Min-young, a strong overall cast including the ever-awesome Kim Mi-Kyung, and a unique work setting with nary a lawyer, police officer, doctor, or serial killer in sight – how did it all go so wrong? Everything about the drama felt sterile, making it impossible to connect to the characters or their stories. It’s a shame because I think there were interesting themes around marriage and relationships that could’ve been explored so much better. Instead, we got lackluster romance and weirdly dramatic weather forecasting.

mistyisles: This one was actually hard to choose, because an overwhelming majority of the shows I watched to completion this year were pretty great in my book. And the ones that weren’t I don’t really feel strongly enough about to consider them much of a disappointment. So I’ve decided to award my Bean of Disappointment to a show I didn’t finish: Grid. On paper, it has a lot of elements I love: mystery, time travel (I think? I didn’t make it far enough in to find out if that’s really what it was), Lee Shi-young, the fate of the world at stake, etc., etc. But the combination just didn’t resonate enough to keep me coming back for more, and I was genuinely disappointed that it didn’t.

DaebakGrits: There was no bigger disappointment for me this year than Love is for Suckers, but I guess I’m partially at fault for my own dismay because I went into this drama with a clear vision of what I wanted to see and how I expected it to end. And nowhere on my list of must-sees were: an almost marriage to an ex, a pouty second female lead with a teenage crush on the male lead, and an OTP romance that played out like a poorly timed (and joyless) rebound relationship. All I wanted was a light-hearted comedy, and I would have preferred it if the drama, love triangles, and backstabbing had been confined to the cast of the reality show. Like, I wanted Singles Inferno ridiculousness where Jae-hoon was the only non-thirsty cast member because he only had eyes for Yeo-reum. Sadly, that’s not the drama we got, and the only plot devices I would have saved from the official Love is for Suckers are the exploration of late-thirties relationships and the utterly adorable romance between Ji-wan and Chef John.

solstices: Lee Jong-won in his first leading role on a main broadcast channel! Yook Sung-jae’s comeback drama after his military service! Choi Won-young and Yook Sung-jae playing father and son again! With so many exciting aspects to look forward to in a single drama, how could it possibly be a disappointment? Well, The Golden Spoon is how. Not only did it squander the potential of its unique premise by falling back on predictable twists and cliché tropes, but it also reduced its intriguing and complex characters into one-dimensional chess pieces running around the same old maze. Perhaps I wouldn’t be this upset if I had just given up hope (as was the case for Doctor Lawyer, in which I turned off my brain and just stared at the pretty that was Shin Sung-rok). But the frustrating thing about The Golden Spoon is that it always promised, but never delivered, causing it to dash my hopes every time. Sure, it was entertaining, but I wanted depth to its story and explanations for its magic. And unfortunately we never really got either.

Unit: For a masterclass on how to ruin a good show, watch Artificial City. Really, it was hard to not expect greatness from this drama because it had everything: Soo-ae, good acting, suspense, wow twists, delicious villains, and what seemed like a pretty tight story for the most parts. I was really invested in the heroine who matched her opponents in wit and deviousness, until the finale slapped me in my face and unravelled everything we built for nine good weeks. Logic flew out of the window, I was left with more questions than answers, and I can’t regain the twenty hours of my life that I wasted on the show. In summary, this city deserves to be razed to the ground!

Dramaddictally: Oh the disappointments of 2022. There was a wide selection to choose from, but just like great dramas sit a little above the rest, truly disappointing dramas also stand out from the crowd — because the only thing that causes real disappointment is great expectations. Love is for Suckers was by far my biggest disappointment this year. When I began my weecaps, my excitement for this drama was bursting off the page. The show centered its two talented actors and inundated us with adult jokes as the characters delved into their adult problems. The first six episodes made me laugh and cry in equal amounts and set up a dynamic I was truly curious about. Let’s just say the expectations had already reached unmanageable heights — and were bound to go over the Cliff of Doom. Still, as I watched this little drama I had once loved falling to its death, I maintained my denial right up until the last episode. Only then did the deep disappointment hit me, as I thought of the drama it could have been and all its wasted potential.

alathe: I came in prepared to like Love in Contract — and, for a while, I truly did. Sang-eun and Ji-ho had barrels of unexpected chemistry. I loved how, on the face of it, they seemed diametrically opposed… but, deep down, were precisely the same flavor of weird. Alas, this drama never quite leaned into its strengths. For one, the sheer bulk of contrived misunderstandings weighed down a romance plot that truly didn’t need the embellishment. For another, our heroine’s cloying romantic naivete was hard to swallow when it clashed so hard with the rest of her characterization. But, the biggest problem was a conceptual one. This drama was noisily billed as a love triangle, but it was clear from the beginning Sang-eun had no serious feelings for Hae-jin. That would have been fine! Hae-jin was an endearing character in his own right! Still, because the love triangle premise was hyped up so intensely, I feel like the writers were obliged to pretend that Hae-jin was a romantic contender. This led to a bunch of messy plotlines that ultimately distracted from what I cared about: Sang-eun and Ji-ho learning to communicate; Hae-jin finding himself outside of his relationship with Sang-eun; Gwang-nam getting more than two seconds’ worth of screentime; Jamie the cat… There were some great elements! Sadly, nothing quite cohered.

 
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Yumi’s cells 2 - I thought when it was so close to the end and the anticipated webtoon ending hadn’t taken place yet that they were going to change who she ended up with and as he was my favourite I became very happy but instead we were left hanging. Season one ended and I felt gutted because there was no conclusion. I found the webtoon because I needed closure so for season two to not have the wedding I was very disappointed.

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I think closure was Love yourself. I was kind of disappointed but for different reasons. For making Woong suffer till the end pointlessly and for under developing Bobby character. Viewers still don`t know why he loves Yumi or wanted to get marry

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Woong turns up now and again in the webtoon Daily JoJo which is based in his company & still reflects on Yumi who knows how many years later🤣.

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Woong abruptly went from being Shaggy from Scooby Doo to being Steve Jobs. How does selling one iphone game turn you into a chaebol prince?

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I would say Love is for Suckers (the reasons are already well elucidated above) but I actually think mine goes to Let Me Be Your Knight. I LOVED this drama so much starting out. I even followed it as it was airing in Korea on Twitter, which I only have done for a few dramas--that's how I know I'm super into one. Anyway, it just got so bad around the last few episodes. The FL's big secret just being drawn out, and then when she finally tells the ML he doesn't show any growth. Then they spend time that could be used to resolve this on a silly kidnapping plot that felt very out of nowhere and unnecessary. Add on top of that a time skip (these generally are disappointing in themselves) and then an open ending. I mean, sure, they probably got together but I wanted to see it. We never even got a real kiss between the two! Every kiss was one being caught by surprise. I really wanted to know more about how their relationship would play out especially with his idol status, but NOPE.

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You know that it was a bad year for Kdramas, when everybody almost mentionned a different drama and you agree with them and there are still other choices...

I was disapointed by actors I usually like :
- Lee Jong-Ki in Again My Life
- Nam Goong-Min in One Dollar Lawyer
- Seo Hyeon-Jin in Why Her?
- Park Min-Young in Forecasting and Love in Contract
- Son Ye-Jin in 39
- Seo In-Guk in Cafe Minamdang
Etc...

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Ji Chang Wook in not one but TWO groaners

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Oh, yeah, I dropped If You Wish Upon Me and I didn't like the songs in The Sound of Magic, I was expecting magic and not this.

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Oh hey now this I can do with my 2 sad little beans. 2 go to Yumi's Cell S2. Man, she never matured. Ever. Not even the tiniest bit. You would have thought she was 16 and not 30. If they get around to season 3, I would have to really like the ML actor and see some proof that Yumi matured. And have some friends to share the possible pain throughout....

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Ah, I had entirely forgotten that. I recall halfway through watching thinking this was a horror story about a nice guy dating a *bad* girlfriend! Good girlfriends don't walk out on a romantic dinner with their beau to meet their ex on a windswept bridge, or wherever they met.

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I have so many sad beans I can make at least a big bowl of my mum’s amazing bean salad. My mum has been gone for some time but I love and miss her so much including her amazing cooking and her bean salad which when I make it, never tastes the same.

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I was expecting you to name Why Her? as greatest disappointment @daebakgrits . Love is For Suckers did a very good job at one-upping Why Her? from that position. It truly was a mess. Whatever happened to doling out friends to lovers while touching on matters like anorexia and bipolar disorder. I can't believe LiFS just glossed over these topics with criticism, and played for dramatic effects.

My Bean of Disappointment goes to Why Her? Why exactly? Having just concluded Undercover a few weeks/months ago with the lead actress not doing so much to match Heo Jun-ho's gravitas, I trusted in Seo Hyun-Jin, having seen her in You Are My Spring, to deliver that counterbalance to equilibrium and yes, she did. Add in Ji Seunghyun, Choi Young-joon and a chance to see the acclaimed acting of Hwang In-yub and I was sold into the world that was Why Her?. However it descended into what I didn't understand.
For a show that didn't need romance, the romance was an ingredient that ruined it for me. Add in the other nonsensicals they added and it became a mess and wtf vibe. This show definitely needed no ToD but it reared its head in.
I am still 6 episodes short of completing this series, the recaps did enough telling what happened.

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I wonder if Why Her? is evading suspicion because so many were skeptical of it going in - and then the drama delivered on that skepticism.

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Ah, yes, Why Her?. For me, that's more of a train wreck than a disappointment. haha.

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I bestow my bean of disappointment on the romance part of 2521. The current timeline of the same drama also deserves a big bean of disappointment.

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Kim Taeri is wonderful and incredibly talented but I find Nam Joohyuk overrated and with limited range. I also couldn’t look past the bullying allegations against him as mostly when there is smoke, there is fire. So these really impacted my enjoyment of this drama.

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My bean of disappointment is for the writer. Kim Tae Ri was great in her role, and Nam Joo Hyuk was not too bad. I was not aware of the bullying allegations, but now it is difficult to go back and rewatch the drama because of that. Still, the coming of age story was very good, and I will remember the good parts.

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You should remember the good bits for sure as there were there. And, you’re right about the writer derailing a story that had so much potential.

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My sentiments exactly.

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Uh oh, that's sad. I was planning on watching 2521 because I had fallen in love with the show based on a compilation video I watched online, that was set to Taylor Swift's All Too Well( 10 min version). It was beautiful and heartbreaking. And I like Nam Joo Hyuk from the things I've seen him in despite his limited range: the accursed CIIT and a few episodes of Nam Joo Hyuk.

sigh......

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*few episodes of Weightlifting Fairy.

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I agree this is a bad year for Kdramas because it drove me to watch dramas from other countries and there are only 5 Kdramas I finished this year (if you also count Silent Sea).

Thought I was pretty disappointed with the final 3 eps of A Business Proposal, I have to give my BoD (Bean of Disappointment) to The Sound of Magic for all its absurdity and all the wrong things that happen to all the leads. The FL is abandoned by her father, sexually harassed by her boss, bullied by school friends, maltreated by her teachers, etc. The Magician should be cared for because of his mental health, and not abandoned to live alone in an abandoned amusement park (and where is the police? Can he just create his own room and live there without any permission?). It’s true he is innocent and has a pure heart, and that’s why he deserves better care and respect than what he has got. The ML, if he can be called ML, should seek psychological or psychiatrist help. From the way I see it, he already suffers some mental health problem, and these things won’t be miraculously cured just because he drops out of school; this is especially true with the final scene showing him having some delusional visions and collapses.

To put in other words, this show was billed as a musical but instead it is a total mess. It shows bad and uneducated treatments of mental illnesses without educating the audience on this front (tbh, I wasn’t even sure the show knew what it was doing), and it fails to provide logical and reasonable solutions to any of its characters’ problems. So to me, this one gets the BoD of this year.

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I know we've shared our frustration about Sound of Magic, I was also very angry by the end of it. The female lead didn't need to discover the magic in life, she needed food and housing! Show made me so mad, seriously.

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I'm so sorry I know you didn't write this to be funny but this made me laugh so hard. I'll take this show off my watchlist because TV shows mishandling mental illnesses is my biggest, hugest pet peeve.

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Me too! LOOOOL

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I am awarding the bean of disappointment to Business Proposal. It hurts me to have to do this but for me the show completely derailed in the last few episodes for me, losing all rational development of character and storyline.
I loved this show, so it hurts me to have to do this😡😠

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Yeah, that one hurt so much! I gave this a 10/10 up until the last couple of episodes when it plummeted to a 4/10

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Doctor Lawyer
premise was so dumb, i couldn't believe So Ji Sub kept a straight face while playing the role. was it just me?

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Most of the time I am able to drop a bad show early, which I did with LOVE IN CONTRACT- I was gone after four episodes. This was not a good year for Park Minyoung.

But I and my wife stuck it out for LOVE IS FOR SUCKERS, which should have been great but just fell so far of the mark, thereby earning from me this year's coveted Big Rotten Bean award.

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I was only disappointed in Love in Contract, as that's the only new show I was optimistic about, even resubscribed to Viki just to watch it. In contrast, I dropped Love is for Suckers at the first sign of boredom and didn't expect much from Gaus, but that was a pleasant surprise every episode.

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I gave Gaus my bean of greatness for exactly what you just stated. I started it not really expecting much, mainly checking it out for Kwak Dong-Yeon, but found myself liking it more with each episode. I literally laughed out loud every watch and was truly sad when it ended.

I also dropped Love in Contract after 3 eps. I just couldn’t. Thought I was coming in for a fun romantic comedy, but was slapped in the eyeballs.

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I have to go with The Fabulous, which disappointed from the very beginning, so to speak.

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Do you mean the much delayed release? I just rushed to look for it because I thought I had missed the start date.

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::sigh:: I would like to give my bean of disappointment to the year of 2022 in kdramas—if that’s allowed.

I think it was just me and being burnt out on dramas and online content in general. It just seemed like so many shows needed to involve crime, mystery, lawyers, chaebol/politic shenanigans, etc that there weren’t many shows I was excited about watching this year. And, most of the shows I did start, I ended up dropping due to disappointment.

Don’t get me wrong. I found a couple of gems that truly surprised me with how much I loved watching them (looking at you My Liberation Notes and Gaus Electronics), but I enjoyed dramas as a whole much less this year than in the past. I’m worried I’ve become a jaded viewer 😩

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As I read through these comments I was reminded of all the dramas I dropped this year. If disappointment is measured by how positive I was when starting a drama compared to my frustration-driven drop decision, my Bean would go to Our Blues. Very unpopular opinion, I know. I just couldn't watch after the teen pregnancy episodes.
I share your concern over becoming a jaded viewer as well. Here's to a better drama crop in '23!

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Omg, I couldn’t stand My Blues. I dropped it after the first story arc. I thought it was going to be more slice-of-life so I really did not enjoy how melo-ish it was.

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My bean of disappointment goes to May It Please the Court. On paper it has everything to elevate the recycled genre of law drama and thriller: Lee Kyu-hyung (finally in a ptoject I could feel excited about), the ever fabulous Jung Ryeo-won, bickering chemistry that led towards important epiphanies, and what should have been an intriguing mystery.

The execution was pretty bleh, though. Confusing and bland, and with each eps we left the only good part of the drama (the building friendship and the satisfying character growth) behind. I was disappointed enough that I dropped it halfway through. Imagine how much more disappointed I was when I found out from other beanies that its central theme was actually the police brutality during the militer regime in Korea. I mean they have a solid and unique theme, yet somehow spent eps after eps talking about other boring corruption cases. Why??

I really wish this was handled by a more capable writer. It's such a shame to have perfectly good idea transformed into this yawn-inducing mess.

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I’d like to give my bean of disappointment to Disney+

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👆👍Yes to this x1000 likes.

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Pity that I can only give one like to this comment.

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Did they manage to get at least one watchable drama? I gave up after a while...

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I have two contenders for my bean of disappoinment.

Again My Life - I had a lot of expectations for Lee Jun Ki's revenge drama. Sadly it under-delivered and I ended tuning out/ffwd through most of the latter episodes just enough to still get a gist of the ending. The ending that was unsatisfactory though.

Love Is For Suckers - I started this with zero expectations. I enjoyed the fun bickering of the lead couple in the first 6-7ish episodes. Their story turned mopey and sucked all the joy in the story. Good thing it has my fave alternate OTP which made me watch the rest of the episodes just for them. Occassionally ffwd the leads' whatever rebound shtick just to find out about Chef and Jiwan.

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2022 so bad that, positively, it brought me closer to Cdramaworld (80% of my drama quota). I insist that the influence of western money (netflix and disney) is contaminating and watering down the magic of Kdramaland. For an entertaining and cultured examination of why Western entertainment is on the decline, I recommend typing "why modern movie sucks" on YT (Critical Drinker).

My Beans of Disappointment goes to Forecasting Love and Weather and Extraordinary Attorney Woo

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Kdramas were already on the decline before netflix and disney really got into the mix a few years ago (and I mean not just airing dramas but producing/financint them). Even in Korea there was a gradual decline in overall TV ratings for dramas for years before streaming services were big there. Also, korean tv shows were already airing more crime, mystery dramas because they were becoming more popular with korean viewers. The biggest difference I see now is that more korean dramas are getting 2nd seasons which was rare before.

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@Lulu
Most forget that SK drama boom and the Hallyu wave was a result of deliberate political/economic policies. The industry that spawned the dramas so loved was actually only possible due to its reach in external markets. Once China in particular moved, that changed the political/economic advantage SK Drama had and the industry has struggled more and more each year.

Its formula (scripting, cast and production) was geared for the budgets of those heady days. Once the ground rules changed it never really found a new formula to work in the current leaner times.

The influx of US funds is more a byproduct of that decline and SK Drama no longer able to set the running itself.

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Oooh, I was disappointed with Attorney Woo too! Ugh, it had so much going for it and then it introduced the secret birth ::major eyeroll:: It just went downhill from there. I still enjoyed it enough to complete it, but only paid attention to the cases and literally groaned through the rest of the plot devices. I’m really worried about the second season.

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I have just watched the video you mentioned. I totally agree with it.

I landed in K-dramaland a year ago. I'm so happy here, I have watched more than seventy k-dramas, old and new. I love them for many reasons and one of them is that they are so different from Western fiction (honestly, I dislike almost everything Western countries are doing in movies/series). So I'm scared k-dramas try to please western audiences and change their essence.

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I think I enjoyed the smaller dramas this year since I go in with little or no expectations, such as Let Me Be Your Knight, Never Give Up, and now The Forbidden Marriage. My biggest disappointments would have to be Love in Contract and Why Her. Though Go Kyung Po was absolutely swoonworthy in the first few episodes, I didn't feel like continuing after a while.

Seo Hyun Jin is my favorite actress so I definitely tuned in for the first few weeks of Why Her but it got too convoluted for me and I couldn't continue after 2 or 3 weeks.

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Extraordinary Attorney Woo because the show was great until episode 9 and then I couldn't even bring myself to finish it.

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2022 felt like a not-great drama year overall. Almost like the drama creators ALSO spent the pandemic away from people and watching too much TV, resulting in a year of bad scripts, poor pacing, weird casting and trope casseroles.

Hopefully everyone will shake it out of their systems for next year. Write something coherent, and don’t deviate mid-show. Cast people based on talent, not agency idol development plans. Pick directors who know the tone they’re going for and how to draw that mood out of the material and actors.

Everyone’s going to give this year a pass, but if next year’s also a faceplant… the Hallyu wave might have crested.

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This is a very astute observation about drama creators having spent the pandemic away from people and watching too much TV probably having resulted in a bad drama year.

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That's so true! It really did seem like Kdrama writers forgot how to create good characters and coherent stories this year (with a couple of notable exceptions)

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There were a lot of bad 2022 dramas that lacked in story, execution and endings. But to be a disappointment, one has to have reasonable expectations that were seriously broken. But again, drama viewing is very subjective so I know some really liked the show and what they got out of it.

I have written about this several times in review, but the most disappointing show actually paralleled my best show since each used the same story blueprint. You can one blueprint to two carpenters: one can built a mansion, the other a compost shed.

The big disappointment was THIRTY NINE. It had all the elements for a poignant slice-of-life drama: 3 unmarried friends turning 40; relationship issues; health issues; friendship dynamics; how change is difficult to accept.

THIRTY NINE's friendship should have been a foundational core but the series centered around SYJ; her bossy and over-the-top emotional demeanor washed away the other lead characters. As such, we never saw in any depth how and why the leads were close friends. Even in adulthood, they rarely interacted in grand friendship style, creating new memories and adventures. Joo-hee was put aside as a spare tire in the story vehicle.

The health issue lacked the civil boundary of respect. Mi-jo could not accept Chan-Young's terminal condition or her desire to live her remaining days her own way. This could have been the centerpiece on how the friends could bond one last time, from childhood memories to building final memories. But again, Mi-jo emotions and not accepting the situation was the center of attention. (Fans of the show state that SYJ was the conduit of the emotional events as the narrator of the situation, but I disagree that this direction was the best choice to tell their collective stories.)

The romance angle hit many the wrong way. Chan-Young's long term emotional affair left many viewers angry, disappointed and disgusted. She wasted her life opportunity for happiness on a married man. Likewise, Mi-jo's dating lacked any chemistry, dynamics or passionate scenes (in fact the first bed scene was deleted). It was more a distraction than a romance. Joo-Hee was never given a chance.

And the ending was as flat as a pancake. We did not see in her final moments Chan-Young's final reconciliation of her regrets; no funeral eulogies; we did not see Mi-jo get married (just a jolting adoption scene with no context) and Joo-Hee left with nothing to hold onto with Chan-Young's passing.

Why THIRTY NINE was so disappointing was that BECOMING WITCH had the exact same story elements (cheating, romance, health issue, death, and friendship) but was a much better show with the three friends actually doing things together; sharing their problems; showing how their friendship lasted so long; how their diverse personalities worked well together; and how they had each other's back. Lee Yuri was over-the-top as an unhinged woman but it made comedic sense against her cheating husband. Hee-soo...

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... has the opposite marriage: she wants a child but her husband is distant and cold. Jin-A's loser husband's fake death puts her into insurance fraud panic. In the end, the show delivered what it promised: a divorce, a death and a pregnancy but not in a way one would have expected.

And that is why THIRTY NINE was a fail; it is did deliver what it promised: three equal friends helping each other find what they were looking for at a very important point in their lives. BW did so with dark humor, compassion and action.

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I am a very forgiving drama watcher, so it takes a lot for me to find a show truly disappointing, especially as I'm watching it. But with the benefit of hindsight, I think the biggest disappointment for me was Cafe Minamdang. There was so much that I loved about this drama, and I think I enjoyed it longer than most people did. I was never bored watching, but I also wasn't invested, and looking back now, I don't remember that many moments from it. It was my first Seo In-guk drama, and he was as good as everyone said, but he could not save this drama from its violent FL, a secondary couple that I could never decide how I felt about (are they cute? just annoying?), and a mystery that never felt particularly mysterious. This drama was at its best when the cafe crew were pulling chaotic shenanigans and letting SIG to be wildly extra, and it seemed to forget that at some point to its detriment.

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Moonshine: As a huge Sageuk/fusion Sageuk fan I have a pretty high tolerance when it comes to the genre (I'm one of the 4 people who actually enjoyed Lovers of the Red Sky), but this one earns my bean of disappointment because it did so much so well (unique premise, awesome female characters being independent and badass, some great sis-mances) but then ruined it by overly dragging out the mysteries, a really poor implementation of the childhood connection trope, and the most incompetent set of male characters to ever grace my screen. Also Cliff of Doom But Not Really since not one person who fell off it actually dies and the pointless suicide scene ever. Such potential, wasted.

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There were a lot of good drama this year. Unfortunately they were mostly buried behind paywalls of a half dozen different streaming services and the remaining stuff available to the general viewer was less than stellar. I've never seen to many romances between pairings with *no* chemistry before.

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Saw so many great (??) responses from DB staff and commenters that I wholeheartedly agree with, but my biggest disappointment this year has to be Again My Life.

I am what you might affectionately call "Lee Joon-gi trash," so when it was announced that his next drama was a time travel revenge story, I was soooo ready (even though a certain actor I hate to watch was the main antagonist). When I love an actor as much as I love Lee Joon-gi, I can remain pretty hopeful that a lackluster start might turn around if I just stick with it. However, I barely made it through the episodes I did watch before dropping the show altogether.

Nothing here worked. Not the introduction of the time travel element, not watching the character make moves against the antagonists, not the...was it supposed to be a romance with Kim Ji-eun character? Whatever, it didn't work. I knew I had to drop the show when the writing made me find Lee Joon-gi himself boring, and I am STILL scratching my head about that. I watched all of Moon Lovers!!! I can stick beside my fave through a bad script!!!!

Anyway, I have decided my New Year's resolution is to believe that this drama simply never happened. And I am going to be so much better for it.

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‘Lee Joon-gi trash’. LOL. Is this like a stan?

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yes 😔

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Yumi's Cells2. (Didn't see YC1) The story left me cold, (as do most Kim Go Eun dramas). The cartoon cells which are supposed to be cute, I found annoying and ff'd through them. Somehow the linking of cartoon characters geared to the 5-year-old crowd with a highly adult romantic relationship, well it came off as weird.

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Exactly.

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2022 is not really the best Kdrama year because I've dropped several shows this year. But the one that I felt disappointed the most is Cheer Up. Trailer looks so promising: colorful & vibrant youth, college, friendship, and romance! I hoped that this would be the college drama I'm waiting for so long. But nope, the drama turned out to be such a mess. The writer dragged the love triangle element for so long that I felt tired already. It would be so much great if the drama just chose to focus on Theia's members growth and reaching their own dreams while doing their passion which is cheerleading. I loved the OTP so much and I still think the ML, Jungwoo, deserves so much better treatment especially on the writing aspect.

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I would have to go for Adamas sadly! The drama had the cast, had the whole story and setting, a solid start and thrilling turn of events, but the last final 2 episodes didnt meet up the expectations. Yes, there were some grand dramatic and satisfying moments in between, but overall, this drama could have ton a lot better, specially the ending. The open ending, and the evil still intact, really broke my heart.

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I would like to dedicate my BoD to Time.
All those Time and Energy I lacked to watch so many dramas, take my 🫘 away.

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Same. I think I only watched two dramas this year: Are You Human Too( still watching) and Alchemy of Souls 1( just four episodes in. Loving it, of course).

I'm still wondering how it happened

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The sound of magic and Café Minamdang are two good (or worse?) contender for my biggest disappointment.
The supposedly musical fairytale was a horror story of children poverty and/or neglect.
And the funny crime investigation was devoid of suspense (because I read the book just the month prior) and added grotesque to the substitution of an interesting female inspector by a grumpy faire-valoir. I, for one, did not smile to the overdone ridiculous antics of the caffe crew.
I love my SIG serious, and my JCW with short hair.

The bean of disappointement goes to Caffe Minamdang as I had no real expectation for a musical with students.

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I think mine goes to Glitch. I was so underwhelmed by this one.

The premise was interesting, the first couple of episodes had me thinking that it would be fun... but then, splat. Bo-ring. As I sit here right now trying to remember the ending, I cannot. And I know I watched it... I just apparently didn't care even a little bit.

Runners-up would be Sound of Magic (*what* was that?), Little Women (lost interest on this one pretty quick too... just way, way too dark and heavy to slog through for 3 hours a week), 25/21 (I'll be honest, I never finished this one either, I think I made it to episode 3 or 4), and Good Job (ditto...which was a shame since I actually looked forward to this one, and it started out pretty entertaining. It just didn't stay that way).

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I don't know where to start.
I have to say these shows were not bad, but I was disappointed on them, maybe because other people had loved them, maybe because I was expecting something different.
- Business Proposal.
- The end of Yumi's cells 2.
- Our Beloved Summer.
- Soundtrack #1.

And now I'm watching Alchemy of Souls (13 episodes so far) and I hate to say that it could be another disappointment, but I hope the next seven episodes can mend it.

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Oh, I have a couple I don't see listed here XD Let me see...

- One of the biggest disappointments for me was *Love All Play*, especially because I loved the two main characters and they were just the cutest for the first 8 episodes. Then everything turned into tragedy and by the end of the drama I wanted everyone dead XD
- Eve... pure trash. And not even fun trash. Gah!

Other dramas I really disliked but were mentioned aleady: thirty nine (what a waste!), If you wish upon me... insipid and boooring.

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