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Itaewon Class: Episode 15

As Sae-ro-yi fights to survive, he encounters a reflection on his life guided by the person he’d most yearned for. Life is hard, and he comes to a crossroads where he needs to decide if it’s all worth the struggle. Meanwhile, Geun-won continues to wreak havoc on his family and his own possibility at redemption. He realizes that he’s a demon of his father’s making and seeks revenge in blind rage.

  
EPISODE 15 RECAP

As the car races toward Geun-soo, Sae-ro-yi pushes him to safety and gets hit. He rolls down the hill and goes limp, with blood covering his head. Geun-soo yells for his hyung and calls the police, but he quickly realizes that he’s being cornered by the mob. In a last effort to seek help, he calls Seung-kwon and yells for help before his phone is trampled on. The mob knocks Geun-soo unconscious and dumps him into the car with unconscious Yi-seo.

Geun-won looks at Sae-ro-yi at the bottom of the hill and notes the familiar scene, alluding to his hit-and-run of Sae-ro-yi’s father. Mob Boss Hee-hoon apologizes to Sae-ro-yi and justifies his betrayal as business. Before they can check on Sae-ro-yi’s consciousness, sirens approach, prompting the mob to clear out.

Sae-ro-yi arrives at the hospital in critical condition and enters surgery. After seeing the news of Sae-ro-yi’s accident, Min-jung and Officer Oh join the IC team and Soo-ah in the waiting area. Seung-kwon asks to talk to Officer Oh in private and shows him photos of Yi-seo’s kidnapping from the surveillance cameras.

Then, he shows the hostage photos that he received. He decides to go to the meeting spot on his own as instructed without informing the police. Seung-kwon remembers seeing a suspicious van at the hospital and says that he needs to confirm a hunch.

President Jang hears about Sae-ro-yi’s accident and then asks Secretary Kim to summon Geun-soo. Geun-soo has not reported to work that day, and President Jang’s instincts tell him that this is no coincidence.

Geun-won reads the headlines on Sae-ro-yi’s accident to Geun-soo and Yi-seo, initially lying about Sae-ro-yi’s death. He regrets that Sae-ro-yi is only in critical condition. Geun-soo demands that his brother let Yi-seo go, but Geun-won refuses because he blames Yi-seo for his imprisonment.

Geun-soo drops the truth that Geun-won was imprisoned because President Jang chose Jang Ga over his son, but Geun-won seems to deny that reality. He shows no interest in redeeming himself for Jang Ga and fixates on ruining Sae-ro-yi. With that goal, he applauds himself for identifying Yi-seo as the key to luring both Sae-ro-yi and Geun-soo.

Pulling Yi-seo’s hair, Geun-won recalls her confession that she loves Sae-ro-yi like crazy and asks how she feels, now that Sae-ro-yi got injured trying to save her. Yi-seo cries uncontrollably, causing Geun-won to laugh and Geun-soo to angrily writhe, tied to a chair.

Geun-soo asks how Geun-won plans to deal with the consequences of his crimes, but he blithely says he’s keeping the two of them alive because he doesn’t care about the consequences. He leaves in a satisfied mood and locks the door behind him, but as soon as he’s out of sight, Yi-seo gets to business.

Yi-seo breaks out of her act and stands to find an edge to undo the ties around her wrists. Geun-soo looks surprised at Yi-seo’s sudden emotional stability, and she explains that Geun-won is merely looking to torture her — that’s why he left her half tied up while completely strapping Geun-soo to the chair. She’s just playing along with the victim role that Geun-won wants to see. Smart.

Outside the shack, Mob Boss Hee-hoon asks when he can expect to be paid, but Geun-won isn’t paying him until the Hee-hoon fully delivers his side of the deal. Hee-hoon tells Geun-won to take it easy, explaining that he goes back 10 years with Sae-ro-yi, and Geun-won bursts into laughter.

He figured that Hee-hoon accepted this mercenary task because 1 billion Won was worth more than the 10-year relationship with Sae-ro-yi and orders that he do a better job than merely putting Sae-ro-yi in the hospital. Geun-won grins at Hee-hoon and tells him to work like a dog to earn his money, and Hee-hoon fumes as he leaves.

In his office, Hee-hoon’s underling shows him the newspaper headlines and tries to convince him to back out, since Geun-won’s requests are getting out of hand. Then, he hears a familiar visitor’s voice calling out to him. It’s Seung-kwon, and the mobster at the door refuses entry. Seung-kwon obliges to seeing Hee-hoon next time but finds issue with the mobster’s tone.

In the hospital, unconscious Sae-ro-yi dreams (or finds himself in limbo?) about seeing father in his high school uniform. He runs into his father’s arms and tears up in his warm embrace, telling his father that he missed him. Dad asked if something happened at school, and Sae-ro-yi says that he’s just tired. Holding Dad’s hand, Sae-ro-yi tries to hold onto this moment for a bit longer, but his dream is interrupted by loud knocking.

Seung-kwon continues to knock obnoxiously against his former boss’s door, demanding to meet with Hee-hoon. Tired of Seung-kwon’s antics, the guard mobsters knock him to the ground. Seung-kwon reports the assault to the police, and that earns him a punch to the face. Instead of retaliating with violence, Seung-kwon continues to knock on the door and announces his suspicions about Hee-hoon’s involvement in Sae-ro-yi’s accident.

The guard mobster doubts that the police will believe the testimony of an ex-convict, and that reminds Seung-kwon of Sae-ro-yi’s conviction that you shouldn’t diminish your worth just because of the ex-convict label. Seung-kwon shows off his business card and retorts that the police will take him seriously because he’s the director of IC. He warns them, “Don’t you dare determine my worth.”

At the hospital, Soo-ah desperately asks Sae-ro-yi to wake up. Hyun-yi receives a call from Seung-kwon that he’s at the police station, and he asks if Soo-ah is there. Meanwhile, Sae-ro-yi continues to meet his father in his dream, this time dressed as an adult at the pub where he first had alcohol with his father.

Dad pours Sae-ro-yi a drink and asks if he’s made friends. Sae-ro-yi shares that he has Soo-ah, Ho-jin, and many close dongsaengs, and Dad marvels at Sae-ro-yi’s changed social life. Dad asks about the dongsaengs, and Sae-ro-yi names Seung-kwon, Hyun-yi, and Tony. Then, he tries to recall one more person and seems to only carry a blurry memory of Yi-seo. He doesn’t remember Yi-seo in this dream and has a drink with his father.

Hyun-yi and Soo-ah arrive at the police station and find that Seung-kwon was assaulted. Hyun-yi worries about Seung-kwon’s injury, and he had intentionally asked Soo-ah to come because he knew Hyun-yi would overreact. Then, he sees Hee-hoon in the parking lot waiting for him.

Seung-kwon confronts his former boss and asks for Yi-seo’s whereabouts. He has surveillance footage of the mobsters taking Yi-seo and doesn’t want to create more trouble for the gang, but Hee-hoon denies that the abduction is his doing. Seung-kwon warns Hee-hoon that if Yi-seo and Geun-soo don’t return, he’ll give up on living properly, implying that he’ll retaliate with violence.

The threat doesn’t shake Hee-hoon and drives off, telling his underling that they have a job to finish. Seung-kwon doesn’t share any details with Hyun-yi or Soo-ah, but he hands Soo-ah an envelope from the police station.

Soo-ah tells President Jang that Geun-won is behind Sae-ro-yi’s accident and the abduction of Yi-seo and Geun-soo. She hands him the envelope from Seung-kwon, which shows Geun-won captured on the surveillance cameras at the mob’s office. Though President Jang initially denied that Geun-won would be capable of attempted murder, Soo-ah reminds him that the hit-and-run from 15 years ago and his abandonment of Geun-won four years ago made Geun-won capable of such crimes today.

President Jang plans to deal with the impact of Geun-won’s crimes on Jang Ga’s image and seems to prepare for another cover-up. Soo-ah looks disillusioned by President Jang’s response and asks if he dealt with the hit-and-run 15 years ago in the same manner.

After sawing at the ropes all night, Yi-seo finally frees herself from the ties. As she unties Geun-soo, he doubts that they can escape the locked room. Yi-seo rebukes Geun-soo’s unmotivated approach and says that this is why he can never win against Sae-ro-yi. Geun-soo accuses her of knowing nothing about his struggle in Jang Ga, but Yi-seo knows that essentially, he lost himself by entering Jang Ga.

Annoyed by Yi-seo’s admiration of Sae-ro-yi, Geun-soo argues that not everyone can be like Sae-ro-yi. But Yi-seo disagrees, and we see the truth in that argument as Soo-ah submits her resignation letter to President Jang. She reminds him of his hatred of spineless people, and she asserts that she’s making a decision for herself for the first time.

President Jang accepts her resignation, and then Soo-ah puts a pouch on the table. It’s her collection of files documenting 10 years’ worth of Jang Ga’s corruption, from stock scams to slush funds to bribes. She says, “There’s a limit to influencing people with power and fear.” Soo-ah warns President Jang that he should worry about the greater damage on Jang Ga instead of just covering up this incident.

As Soo-ah leaves, she remembers her promise with Manager Park, who lent her money for college and told her to pay him back when she’s successful. She promised to pay him back three time the amount, and Soo-ah looks at the resignation letter and corruption files tearfully. She finally paid him back.

Yi-seo finishes untying Geun-soo and tells him that living by your values is possible, and people like him just make excuses to live more conveniently. Geun-soo admits that Sae-ro-yi got injured while trying to save him and fears for the worst, but Yi-seo rejects the possibility of the worst. She claims that Sae-ro-yi has never let her down.

In Sae-ro-yi’s dream, he follows Dad to a bridge, and Dad explains that Sae-ro-yi’s bitter nights will be over when he crosses over. It finally dawns on Sae-ro-yi that he’s suspended between life and the afterlife, and this reminds him of a conversation with Yi-seo. She told Sae-ro-yi that she used to not want to be reborn because life is hard.

Dad knows that Sae-ro-yi’s life has been difficult, and Sae-ro-yi admits that no matter how much he convinced himself that he could persevere, he never lived a day comfortably. Tearing up, Sae-ro-yi’s voice trembles as he shares that missing his father and hating someone was burdensome. Dad looks at his son with sympathy, and Sae-ro-yi hugs his father.

Embracing his father, Sae-ro-yi says that if he’s reborn, he wants to live as Dad’s son. He says, “I love you very much.” Dad says ditto, and Sae-ro-yi remembers the rest of his conversation with Yi-seo. She said that after meeting Sae-ro-yi, she found herself relating more to a poem.

Sae-ro-yi takes a step back from the bridge and tells Dad that he’s not coming. We hear Yi-seo reading the poem: “No matter how many times, I’ll live this terrible life again.” Sae-ro-yi says that he has a date and apologizes to Dad. He tells Dad that his nights are no longer just bitter because he has a family who needs him and he looks forward to the future days he’ll spend with them.

Mustering up the courage to say goodbye, Sae-ro-yi tells father, “Though I don’t have you, Dad, I’ll live on carrying my longing for you.” Dad smiles and says that this is life, that as long as you’re alive, nothing is a big deal. As a final gesture, Dad approaches Sae-ro-yi and holds his son’s shoulders and says, “I’m proud of you, son. Continue to live on.” Aw, Dad… Is anyone else crying???

Dad heads across the bridge, and Sae-ro-yi watches his father longingly before he wakes up in the hospital. When Sae-ro-yi sits up, Soo-ah runs to his side, but he can barely register anything. He breaks into sobs, and Seung-kwon enters the room to find Sae-ro-yi crying hard. Seung-kwon says that this was the first time he saw Sae-ro-yi crying, and though he didn’t understand why Sae-ro-yi was crying, he was relieved.

President Jang receives a late night call from Geun-won, who confirms that he’s holding Geun-soo and Yi-seo hostage. He assures his father that he won’t touch Geun-soo, since he knows how much President Jang values his selected heir. Geun-won sadly admits that he wanted to be a proud son for his father and wonders when it all went wrong — if it was when he first met Sae-ro-yi or when he committed the hit-and-run.

Geun-won reminds President Jang of the night that he broke the chicken’s neck and says that he held onto the analogy that Sae-ro-yi was the chicken. He convinced himself that it was unnecessary to feel bad about killing pigs or chickens. Geun-won admits that he was always scared, but he’s not scared now, thanks to his father’s teachings. He’s sick of being abandoned by his father because of a worthless chicken like Sae-ro-yi. He vows to end himself and Sae-ro-yi for good.

Geun-won shares that he’s in Pajin and says that only President Jang can stop him, since this is all thanks to him. He instructs his father to just abandon him again, if he wants to stop him. President Jang is shocked by his son’s impetuous decisions, but Geun-won can’t be convinced otherwise. Geun-won hangs up and makes another call as a gift to his father.

When Geun-won looks inside the locked shed, he sees that Geun-soo has disappeared. He busts into the room, and Geun-soo hits him with a piece of wood. Geun-won falls to the ground in pain, and Yi-seo takes the wood and seems determined to kill Geun-won, saying that she can claim self-defense. Geun-soo convinces her that Sae-ro-yi wouldn’t want her to kill someone for him, and she reluctantly leaves Geun-won alive and writhing in pain.

Resurrected Sae-ro-yi heads out of his hospital room as Soo-ah tries to talk some sense into him. She reminds him that he’s still weak, but Sae-ro-yi insists that he needs to save Yi-seo. He knows that Geun-won is after him, and Soo-ah tries to stop him, knowing that Geun-won will kill him. She holds his hand desperately, but Sae-ro-yi finally admits the truth: He likes Yi-seo.

Soo-ah drops her hold and says that everyone knew except for him. He tries to leave, but Soo-ah grabs him again in distress. Sae-ro-yi says that he’s not going to Geun-won to die; he’s going there to live. He says that he’ll fall apart if something bad happens to Yi-seo, and he leaves despite Soo-ah’s tearful pleas.

Yi-seo and Geun-won try to run away from Geun-won, but they’re met with the mobsters just as they arrive on the site. Geun-won finally catches up, and Mob Boss Hee-hoon says that he’s there to finish up the job. Provoked by the beating, Geun-won decides that he’ll forget Sae-ro-yi and just kill Yi-seo.

Sae-ro-yi receives a message from Geun-won informing him that President Jang knows his location. He enlists Seung-kwon’s help, and they meet with President Jang to ask for Geun-won’s location. President Jang tries to deny any knowledge, but Sae-ro-yi cites the messages from Geun-won and threatens to report this to the police. He advises President Jang to cooperate in the interest of protecting Jang Ga.

President Jang remembers why he made Jang Ga — to ensure that his family would not starve like him. He reflects on what it has become and blames Sae-ro-yi. While mountains and rivers change in over 10 years, Sae-ro-yi hasn’t budged at all.

As Sae-ro-yi grows impatient, President Jang recalls what he’s wanted all these years. He tells Sae-ro-yi to kneel in front of him. THE NERVE! Seung-kwon can’t believe President Jang, but Sae-ro-yi knows exactly where this is going.

Sae-ro-yi remembers his confrontations with President Jang, and he narrates, “There are impossible things, things beyond death. For President Jang, kneeling is one of them. But for me, in this moment, I could easily kneel a million times.” Then, Sae-ro-yi proceeds to kneel in front of a smug President Jang.

  
COMMENTS

My first reaction to Sae-ro-yi kneeling was disappointment, and I think that sentiment applies to most of this episode. While I understand why Sae-ro-yi’s submission to President Jang’s orders is significant, the weak build-up didn’t convince me that this moment is a major turning point for Sae-ro-yi. In theory, I understand that Sae-ro-yi loves Yi-seo and has finally come to a realization about his feelings, but we didn’t see this happen. We’re tasked with imagining that the feelings developed off screen during the 4-year time jump we weren’t privy to, so when we’re presented with this defining moment, it falls flat. It’s doesn’t feel romantic; it doesn’t feel satisfying; it just feels a bit confusing. I get what the story is trying to convey, but I’m not quite picking up what they’re putting down.

The haphazard final conflict resulted in a predictable episode, but I found some redeemable moments in the characters. While this ending limped along, the performances by Ahn Bo-hyun, Kim Da-mi, and Park Seo-joon reminded me why I generally enjoyed this show. The characters were cartoonish at times, but the actors portrayed these characters with depth. Despite the limited screen time, Ahn Bo-hyun’s despicable Geun-won made quite an impression. He was infuriating and so unlikeable, but the cowardice and insecurity were perfectly ingrained behind the arrogant exterior. Though pitiful and pathetic, Geun-won evoked a sense of sympathy. He desperately wanted his father’s approval, but he suffered from a paralyzing fear of his father. That’s incredibly sad, and Ahn Bo-hyun managed to capture that through the end.

The sudden turn of events deterred us from experiencing the growth and full arc of our characters, especially Yi-seo, Geun-soo, and Soo-ah. Though Soo-ah finally came around, I think it was too late. She left Jang Ga on her own terms and fulfilled the promise she made with Manager Park, but her arc wasn’t timed well. Soo-ah leaving Jang Ga now felt like an afterthought. Both Yi-seo and Geun-soo didn’t get many moments to shine in this episode, and though we still have one more episode, I don’t think the finale can solve their choppy character shifts. I wish there were time to smoothen out their character arcs, but I think the writer just ran out of time.

To be fair to this show and the writer, I consider Itaewon Class a well-executed webtoon adaptation and great drama for a first-time writer in this medium. The webtoon writer penned the drama, and while there were some rough patches, I think the show had heart. The writing felt intentional, and the characters carried a sense of purpose that inspired hope and conviction. The slight makjang crutch at the end hasn’t spoiled this series for me, especially when you have such heartfelt moments that shine through the fog of a rushed ending.

The highlight of this episode is definitely Dad. The father-son relationship was truly the keystone of this story, and I loved how Dad was tied into the ending. Sae-ro-yi’s deep affection and longing for his father was apparent, and my heart broke seeing how hard it was for him to say goodbye to Dad. Though Sae-ro-yi’s decision to stay behind for his date lacked the fluttery punch I wanted, the yearnful hope gave me the emotional punch that saved this episode for me. As we bid farewell to this drama and usher it across the bridge, I’m hoping for an impossible ending that will make me as wistful as Sae-ro-yi watching his father pass over.

Editor’s Note: Please don’t discuss spoilers because we’d hate to delete your comment! This includes anything shown in previews.

 
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It's kind of like the writing and script fell apart in the last few episodes, but the actors managed to carry the show in spite of it. Wondering if the writing was rushed for the last episodes - sure seems like it.

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@dramallama,
I totally agree with your comment:

The highlight of this episode is definitely Dad. The father-son relationship was truly the keystone of this story, and I loved how Dad was tied into the ending. Sae-ro-yi’s deep affection and longing for his father was apparent, and my heart broke seeing how hard it was for him to say goodbye to Dad.

I loved the scenes of Park Seo-joon and Son Hyun-joo together in IC.
It was a beautiful reunion in this episode. My favorite scene in the drama is where Dad instructs Sa-ro-yi on the proper way of serving and drinking soju.

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Zzzzzz.

If Seung-kwon was given the envelope from the police, did the police not know Yi-seo and Geun-soo were kidnapped? Were the police not trying to catch Geun-won? "Joahae. (I like her.)" Can Park Seo-joon sound any more monotone and emotionless?

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Yeah..and the hospital doesn't report that a patient is missing?

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I didn't know that the writer of the webtoon wrote the drama! That really explains something about this episode/the ending.

It seemed like the writing made the conclusions about friendship, while the directing made it about Sae-yo-ri/Yi-seo.

It was so weird to me.

2- I agree that Soo-Ahs stuff was poorly timed, but I've been rewatching and it all makes better sense in hindsight

3 - I thought that it was clear that Sae-yo-ri liked Yiseo. Not from the time jump, but from ep 7? 8? When he tells her about his past. We hear HER narration that she loves him, but I think that it was mutual then (because there's that seen where he MAKES her sleep on his shoulder on the bus). Super subtle, so you could DEF argue it's too left to interpretation, but I always thought it was pretty clear he liked her.

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"I thought that it was clear that Sae-yo-ri liked Yiseo."
I think it is clear as well, although I can't say the exact moment when he loves her. The problem is: Sae-ro-yi keeps rejecting Yi-seo's love until the end of Ep.14 because he consider Geun=soo loves her, too, and "it is a bad thing I rob my brother's love." He thought this action as so evil he didn't do it that pass 4 years, so why the change of heart? Is he suddenly consider the feeling of Yi-seo, or he finally being touched by her constant presence, or simply that drawing of him on that letter, or something? Shouldn't screenwriter do something to let us know?
I am ok after that 4-year jump he suddenly want to consider whom he love more, since his situation is not as dire 4 years ago, but I need the screenwriter show us more of his motivation. Since he didn't do so, the show is obviously corrupted by him rushing to conclusion.

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PSRY def did not like YS from episode 7-8...considering as late as episode 10 he had absolutely no idea of the romantic feelings YS had for him and still stated with certainty that he like SA. That putting her head on his shoulder is literally just him being nice and friendly towards his workers like they're family; just like him hugging Geun-So (is that romantic too then?), him encouraging Hyun-Yi to get better at cooking, etc.

Furthermore, if you say he has liked YS somehow from episode 7-8, considering that at that point, she has only worked several months for him, either a) he's a pedophile and has liked her since meeting her more than a year ago or b) for some random reason liked her in the span of a few months over his crush of SA for 10+ years, which is not his personality at all.

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whoa lol

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Pedophile? YS was 20 when she started working at Danbam!!

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She was 19 when she started working (international age), when she first met him, she was under 18 (still in high school with a semester to go). I said he would be a pedophile if he started liking her from first meeting her, please read my comment before commenting.

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So... she still had the mentality of a kid, plus, she had just finished school a year ago, if that's not paedophilia, I don't know what is???
Unless 25 or above, she'd be referred to as a growing adult. And I believe, PSRY is not a type of a person who would fall in love with a kid.

Maybe in those 7-8 years, sosmething might have happened but PSRY doesn't seem to be the type of a person who would like her romantically, cuz they were like family.

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The scene between Sae-ro-yi and his father was my favourite and made me cry a lot, makes me wish Park Seo-joon and Son Hyun-joo can act together again, preferably as his father who DOESN'T die

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I guess we don't need to go to recap Ep.16 to give this verdict: the show is dead, and the screenwriter is the biggest criminal for this. What follows are just cliché K-drama plot, and I was so lost when I was watching it.
(I don't think Ep.14 is that bad, though, as I think it is good to have Sae-ro-yi's car crash mirror his father's, which lead to his dream to say goodbye to his dad. I think it is great)
That 4-year jump is ok for me, Sae-ro-yi kneel before President Jang is ok for me, Sae-ro-yi turns his love to Yi-seo is ok for me, too. But why? Soo-ah stay in Jang Ga for her own survival is acceptable (and it is acceptable for Sae-ro-yi as well, it's human), but why the turn? I need the show to tell me more. Now the show leaves all these questions for us audience to imagine, it is very irresponsible.
As it turns out, that Halloween night in Itaewon (Ep.2) is the most memorable scene for me. Soo-ah deserve to be together with Sae-ro-yi, too.

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All these arcs...SA leaving Jangga, the romance, etc. needed proper execution and TIME, not rushing like this. I think the writer dragged his feet for too long trying to manufacture suspense and drama, and in the end didn't leave himself enough time to carry out all these plots.

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He should write 2 more episodes for those things, not like now. I agree with you.

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There are no words to express how glad I am that I dropped this show.

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I speed through the last couple episodes.. in contrast to my initial interest where I rewatched every episode up to episode 11 at least 5 times and googled everything I could on the series and actors.. Its like watching a beautiful fireworks display at Walt Disney World and your excited for the finale and it ends on a sparkler🎇..womp womp womp.. flat.. #sad

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I really wish a professional drama writer assisted the webtoon writer. I think it would have been extremely beneficial. Oh well. I still really enjoyed the drama and was delighted by the consistent superb acting.

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I am so upset, I am too far invested to not see what is done with the finale but I do not like this sudden swerve this show has taken on, even bringing back beloved dad this ep did not soften the blow for me. I really don't like whatever point the show is trying to make with Sae-ro-yi kneeling. Quite disappointed.

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Writing - no wonder the characters felt like caricature. It was an initial screenplay from the webtoon author. I hope he/she learns the lessons of creating believable characters and laying groundwork for shifts.

Acting - I wasn’t able to relate to protagonist from episode 5 onwards. Shocking, I know, Park Seo Joon normally reliable. I don’t know if it is an acting or story deficiency. The female casts were better. The older brother is good but the younger brother not at par. His evil transition not believable.

As for OTP, it would’ve been less annoying without OTPs.

Net I’ve not been keen on IC for a while but really felt the mediocrity in the teens episodes to finale.

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Nothing wrong with the webtoon writer. Problem is with the adaptation into a Kdrama. Just imagine turning Bugs Bunny into a real life character SRY while keeping all the fictional cartoon characteristics. Who is at fault here?

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I've said all along that Geun-won may take drastic measures. But at that time, I thought he might kill himself while in prison. However, what he's doing now is worse - there's no tomorrow for him. He just wants to continue blaming others for his failures - Sae-ro-yi, Geun-soo, Yi-seo, and his father. I think I should also include Soo-ah, because she rejected him. And I agree with you, the final conflict is quite haphazard.

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The best part in this drama is the relationship between SRY and his father. The both actors are really great in these scenes.

All this kidnapping plot is useless and deserves the characters :
- GW, they could do so better with him
-the gang member, he was friend with SYR during a long time but he changes his mind for money
-Yi Seo, the damsel in distress
- President Jang who gave up his son for less in the past but couldn't take the good decision now
-SRY kneeling, if I understand the reason, people are more important than his pride, it would have been nice he found another solution

The scene between SRY and Yi Seo about the poem was pretty flat for a scene that had to make SRY chose life over death.

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Not deserves the characers but harms the characters*

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I wasn’t so convinced of the new found love story, but what makes me even more pressed is that he actually kneeled down to that old man! That part just ruins it for me. I get it, it’s suppose to be love over everything. But I still dislike that the writers put that in. Especially when the love story is not even that well developed.

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I think I'm in the same boat as most viewers in that I really enjoyed this show when it began, and then my interest waned alongside the writing's quality. Now I just feel like BooBoo the fool for expecting compelling character development with Geun-Won (after the last couple eps, it was the last thing I was really holding out for)

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Not sure where it started going off the rails for me, but what sticks in my mind is when that whole gangster thing started. That was the cliche of cliches for me. Was kind of sad to see what could have been a classic sink into overused tropes after starting out so well.

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I think most of the times when it comes to kneeling, which ultimately means giving in to someone, it's a matter of pride that you don't want to oblige, but the real feeling of accepting to be underneath someone, or to give in, comes from the heart, people need to be respected, kneeling is just an act, which hurts the pride but can mean nothing. What I want to say is that I was disappointed by the kneeling scene too, but I think the moral of it is how there are thing more important than one's pride and how sometimes giving in makes you a greater person even

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Adaptations are difficult, especially when recreating a work in another medium. The difficulty becomes clear in this episode, as several things happen would have had a much bigger payoff if the story was better structured (SA's dirt gathering; Seung-kwon's soured relationship with his former gang; Officer Oh and Min-jung).

Despite this, what works is the emotion, which is what initially made Itaewon Class a hit. Does it contain drama conventions? Sure. And they exist next to rather novel characterizing and storytelling, like Yi-seo performing quick psychological diagnosis on Geun-won and outsmarting him; Seung-kwon definitely showing his growth from the earlier episodes with respect to violence; and maintaining the connection between Dad and PSRY.

That bridge sequence was lovely, by the way, and does a good job giving PSRY the permission to let go of his father while still longing for him, and also showing a small moment with Yi-seo, one of many I'm sure, that underscores how she is always in conversation with his head and his heart.

Sorry to break up the neg party! Can't wait for the final recap to wear my party hat and blow on my kazoo.

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Loved your analysis! :) I was disappointed too but I feel the same overall.

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I definitely understand why people have become disappointed with the show, but it does make me a bit sad as I personally genuinely loved this episode and the next one to come. Again, it is left to interpretation, but I always assumed that PSY started to grow feelings for YS prior to the time jump (ex. the head rubbing he does in response to YS's "I love you"). Also, yes, I can definitely see why the kneeling down would be a major turn-off for viewers, but I interpreted it differently. He didn't do it with the intention of accepting defeat or submitting to JDH; in fact, I thought it demonstrated how utterly pathetic JDH truly is. Even when his own son was harboring two hostages, one including his other son, he still was obsessed with PSY bowing down before him.

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I agree completely. I love this show,flaws and all.

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Excellent video here on the real IC and how closely the drama actually is very close to reality. https://youtu.be/OutGsIwEg5o

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Thanks for the recap.

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This portion entirely encapsulated how I felt about Ahn Bo-Hyun and his remarkable portrayal of Geun-won:

“Despite the limited screen time, Ahn Bo-hyun’s despicable Geun-won made quite an impression. He was infuriating and so unlikeable, but the cowardice and insecurity were perfectly ingrained behind the arrogant exterior. Though pitiful and pathetic, Geun-won evoked a sense of sympathy. He desperately wanted his father’s approval, but he suffered from a paralyzing fear of his father. That’s incredibly sad, and Ahn Bo-hyun managed to capture that through the end.”

Kept trying to find reviews that echoed the sentiments I had on his acting, am glad to finally read a resonating opinion on this.

I replayed the scene of him in Ep 10 many items, of him crying in front of the media due to the betrayal of his dad, cos I could really feel it from his impressive acting.

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Sae-ro-yi is a very stupid character full of his obsessions and principles and pride and now he kneels presumably because of his love for Yi-seo. I do not like his character. I just want to see the bad guys suffer a lot and die horribly.

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He knelt. So quite honestly I no longer care and I won’t be watching anymore. I’ll just read what happens in the last ep.

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Please reconsider these conclusions, I thought it was very evident that Sae Ro-yi had liked her since before the bedroom scene in which she stroked his scars and cried over the pain he had experienced. He pulled he close to him and patted her back. Later, on the bus, he pulled her head onto his shoulder. These are very intimate scenes the likes of which he never would have engaged in with any other character in the drama, including his first love. This is a man who had a lifetime of alienation from others and a very difficult job expressing or talking about his feelings. He opened up to her, that night, and again, later, when they were in the bar, when he told her how lonely and empty he was. Did you notice how long it took him to frame the answer to the question of whether he had ever experienced feelings for her (when they played Truth or Dare in the presence of both HIS FIRST LOVE AND THE BOY WHOSE FIRST LOVE SHE WAS?) When he followed her out to the sidewalk, the reasons he gave for not liking her were not credible. He said "Don't like me." (That's not a reason.) And, "I'm 10 years older than you." His true, and unspoken reasons were that he was committed to his first love, and one of his best friends was in love with her. As their success grew, he kept her by his side at all times. They traveled together constantly. She had free access to his office, and would sit in there with him while he worked. We saw the scene where she was reading a book, and quoted a phrase to hi, He quit what he was working on, and gave her his rapt attention, then allowed her to discuss it with him while he continued to work. There was no other person in their circle who had that kind of, access to him or that level of intimacy, As time progressed, she became more incapable of spewing out her feelings towards him. It was becoming uncomfortable for him, as his feelings, although suppressed, had continued to grow, too. Others in their circle saw it, and he bore this out, later. When he sat on the bench with the boy who had loved her for years, and she lay in the hospital. His fear for her well being overwhelmed him, and he laid it out for his friend. He said that for a man to allow himself feelings for a woman his friend loved, was a betrayal, but, as of that moment, he was going to allow himself to do it. He was going to go inside and tell her how he felt. And, he did. His struggle was over, After that, he was willing to die for her, but he still had trouble showing his love (holding hands, saying he loved her, etc.)

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I really love your description of Saeroyi. Exactly my take, but you said it much better than could. It reminds me of Benedict Cumberbatch’s character in The Power of the Dog. A person walking around in so much pain, but hardly anyone recognizes it for what is.

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My sentiment and thoughts exactly about Saeroyi. The level of openness and moments shared together do not just happen but are built upon layers and layers of feelings, emotions and love. I am happy he finally allowed himself to acknowledge his deep feelings towards his real love.

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