In case anyone is still looking for it, TRSC osts+bgm have all been released on spotify and youtube.
Spotify link that hopefully works: https://t.co/e1NVgrBhcQ
Also, I read through some of the comments on a discussion thread yesterday and I saw that some people said that Lee Se Young’s acting was a bit lacking. Though I can see why people think that, I wanted to bring up something I found on Twitter. I’ve been reading through TRSC interviews and Lee Se Young mentioned in her interview that she had very little to go off of from the script. The script writer provided no explanations about how Deok-Im felt in the latter half of the drama. Whatever emotions we saw portrayed (esp in 16-17) were thanks to Se Young and the director. The scene where Deok-Im waves goodbye to her alternate self was also described plainly in the original script, but Se Young and the director managed to make it as emotional as it is. Given what she was working with, I think Se Young did excellently.
This is a translation from filmwuju on Twitter: “The mentality of the deokim I portrayed is, “I can’t say it, but I love you. please understand that I can only reject you. But I hope you don’t let go of me.” It wasn’t easy to do that. Even in the script, there were no stage directions or explanations. I decided on the changes of my emotions by myself and acted them out. I’m not sure if the detailed differences were conveyed properly.”
As others said in the discussion thread, it seems like the writer came to prefer San over Deok-Im.
@samcheonpo – Thanks for your interesting comment. As I mentioned to @Tabong, I will hold a grudge against the writer, et al of TRS for overshadowing Deokim’s character and depriving us from a truly profound viewing experience. Even though Junho was a charismatic presence, his role and so many aspects of the script were highly problematic;
samcheonpo
January 22, 2022 at 9:57 PM
In case anyone is still looking for it, TRSC osts+bgm have all been released on spotify and youtube.
Spotify link that hopefully works: https://t.co/e1NVgrBhcQ
Also, I read through some of the comments on a discussion thread yesterday and I saw that some people said that Lee Se Young’s acting was a bit lacking. Though I can see why people think that, I wanted to bring up something I found on Twitter. I’ve been reading through TRSC interviews and Lee Se Young mentioned in her interview that she had very little to go off of from the script. The script writer provided no explanations about how Deok-Im felt in the latter half of the drama. Whatever emotions we saw portrayed (esp in 16-17) were thanks to Se Young and the director. The scene where Deok-Im waves goodbye to her alternate self was also described plainly in the original script, but Se Young and the director managed to make it as emotional as it is. Given what she was working with, I think Se Young did excellently.
This is a translation from filmwuju on Twitter: “The mentality of the deokim I portrayed is, “I can’t say it, but I love you. please understand that I can only reject you. But I hope you don’t let go of me.” It wasn’t easy to do that. Even in the script, there were no stage directions or explanations. I decided on the changes of my emotions by myself and acted them out. I’m not sure if the detailed differences were conveyed properly.”
As others said in the discussion thread, it seems like the writer came to prefer San over Deok-Im.
DancingEmma
January 23, 2022 at 12:48 AM
@samcheonpo – Thanks for your interesting comment. As I mentioned to @Tabong, I will hold a grudge against the writer, et al of TRS for overshadowing Deokim’s character and depriving us from a truly profound viewing experience. Even though Junho was a charismatic presence, his role and so many aspects of the script were highly problematic;
Eazal
January 23, 2022 at 2:33 AM
The OST is also available in Apple Music.
As for Deok Im character, I will never get tired of saying how lazy was the writing. I’m definitely not trusting this writer in the future.
ex-beanie
January 23, 2022 at 6:28 AM
And then the Irony is RSC got the best scriptwriter award! 🙃
DancingEmma
January 23, 2022 at 3:23 PM
@unni- That’s what the textbook definition of insult upon injury should be!