Finished WHERE STARS LAND: Lee Je-hoon is a bit of all right, and I liked Chae Soo-bin very much in I Am Not a Robot, so I thought I’d give this romantic story a try. I’ve never seen LJH be anything else other than tightly wound, so I did enjoy him unbending shyly to admit his feelings.

I was taken by the scene where he reveals himself to her, stripping off his shirt to show the bionics/machinery keeping him on his feet — because she’s freaking out, thinking it’s a sexual reveal which she’s not ready for! Nicely done. And I LOVED the no-nonsense female boss — too many workplace dramas are just unrelieved bullying and toxicity, when all it takes is one good manager with integrity and guts (thin on the ground everywhere, I’d say) to make a difference.

However the end of this show was such shite that I had no interest in the leading couple any longer. He was supposed to be dying of toxic inflammation from the brace, so we’d be justified in expecting him to keel over any moment, and for her to INSIST on him taking the brace off, but he just wanted to be a big boring shame-filled martyr (and be useful to the plot by becoming the Hulk at the climax).

Despite his extremely fragile state of health, all we saw was the odd nose-bleed and dizzy spell. AND, at the climax, he became a blur of miraculous hulk energy, downing a whole tribe of bad guys, AND saving his brother with a feat of strength AND feeling OK for a cozy reconciliatory chat with his brother. This completely destroyed the dramatic tension, and I was rolling my eyes at double speed. (I actually thought it worked well to find out that both brothers had actually been looking out for each other in their own way. BUT.) Only then does he have to have a bit of lie-down, and the obligatory year-long disappearance.

The fact that the reunion DIDN’T EVEN SHOW HIS FACE, made me think that LJH couldn’t bear to be part of this stupid ending and had exited long before. Not only that, but we got a repeat of the lame robot vacuum-cleaner joke.

GOBLIN: Taking advantage of my new Viki sub to finally watch this. Am up to about ep 6. All the main cast are wonderful. Lovely atmosphere that combines epic with whimsical. Beautiful design — the Goblin’s bedroom, with its barrel-shaped roof and conservatory windows, has filled me with envy. Also, best use of a hat. And for once, a male lead’s ambivalence about pursuing love is utterly justified. This can’t end well!

Haven’t quite figured out why some living humans can see dead people and some can’t. Touched by grace? Or have I missed something? I always miss lots on my first watch.

The Reaper trying to do romance is hilarious – his obsession with having a business card! So glad to see Yoo In-na delightfully playing the mysterious cafe owner who quite likes the look of this sad-sack dead-man. Happily she is erasing for me the only other character I’ve seen her play– the worst passive-aggressive 2nd female lead ever in You From Another Star.

I’m braced for tears with this. But getting laughs too. Actually one of the scenes that got to me the most was set in a hospital waiting room. (It went something like this…) Lee Dong-wook is hanging out there with a group of Reaper colleagues exchanging professional chitchat. One assumes they are there for patients who are about to die.

A crash team led by a desperate ER doctor are trying to revive a man in cardiac arrest. It doesn’t look good for the patient. The Grim Reaper, suitably hatted, walks over. But what’s this, the Reaper is addressing the doctor, looking him in the eye, giving him the formal speech, saying “… died of overwork…”

The doctor asks plaintively, “Am I dead?” The camera moves over to him lying on a stretcher – yes, he is dead. Meanwhile the patient is alive and reviving. The camera then shows one of the crocs has fallen off the dead doctor’s feet. The croc is overturned on the floor – the heel worn way down to the inner.

That’s it. So low key. Beautifully done. On to another scene.

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    It’s so lovely to hear that scene described again as it’s been a while since I watched Goblin. Another thing I loved was how the cards given to the Grim Reapers for each death looked like engraved invitations. So subtle and beautifully respectful of each passing soul.

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      Yes, I like the ritual and formality for the deaths. There’s been one or two fairly unpleasant people that the Reaper wanted to see the back of. But one of the loveliest he’s dealt with (so far) has been the blind man, who goes through the door to climb the steps, and there’s his dog waiting for him.

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    So glad you get to watch this for the first time. I’ve rewatched it numerous times. I’m taken aback by several scenes every time. The most poignant ones are the vignettes where people die. Love it.

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      I’m such a newbie, and it is really interesting discussing things like this with people who have known it for years. It seems so far to be such a special show for the way it teases out all the characters, and the way it creates atmosphere with wonderful little touches. It helps to have such a stellar cast but the overall artistic vision is lovely. The Goblin’s tragic dilemma is at the heart of it, but far from burdening the “romance” with the whole story, a lot is being made of the other characters, in ways I am really enjoying. With the Goblin, a lot is still unclear to me — like how much is the sword inside him actually “hurting” him, or is it the immortality which pains him, or is it the trauma of his betrayal and death and all the other deaths he caused? I guess all of these…

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    LJH was in the last scene, I played the scene at low speed and it was def. him. He was in BTS photos for that scene too. I just don’t know why they didn’t show his face.

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      Interesting to know, thanks. I guess the PD thought they might try something different, but the whole ending just didn’t work for me. I will now return to watching Taxi Driver, which I am just in the early stages of, and which is pleasing me no end.

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    Thank you for sharing your thoughts about the dramas you are watching.
    Where Stars Land was really uneven about how-to-be-a robot but has some really heartwarming moments, especially thanks to Lee Je Hoon.
    Goblin does get a lot of flak from people who have not watched but just read the synopsis. The drama is a classic (for me at least 😅) for a reason. These small beautiful scenes as you have described are unforgettable.
    Hope you enjoy all your dramas.
    Looking forward to reading your views on Taxi Driver.

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      Bizarre that you would give a show flak without actually watching it…
      I’ve heard some criticism about the age gap between the ancient Goblin and the 19-year-old schoolgirl, but I really don’t care about that at all. One of my favourite books by the English writer Mary Wesley is about a love affair between a 17-year-old girl and a man in his late 50s, and it worked beautifully. She is very into transgressive relationships — in her book The Camomile Lawn, one of the main female characters has a lifelong love affair with two twin brothers, and it’s a beautiful thing.

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        Bizarre that you would give a show flak without actually watching it…

        Hear, hear!! Sigh … any recap thread these days is rampant with such comments. Obviously there will be dissimilar or outright contradictory comments but without even watching the drama. 🤷‍♀️ I can’t even begin to understand.

        The best part about all art is that the same piece affects different people differently. Also I have no problem with “socially unacceptable” relationships. After all if we are unwilling to explore such relationships in fiction how can we accept them IRL.

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    These understated seemingly random scenes are the only things I loved about Goblin.

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      I love understated scenes — the emotion seems to have so much more weight when you’re not beaten about the head with it.

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