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The First Night with the Duke: Episodes 1-2

Full of tropes and nods to the romantic plotlines that we love, The First Night with the Duke answers the question we’ve all asked ourselves: What would happen if I was dropped into the plot of my favorite story? And it’s as fun and squeeful as you’d imagine.

 
EPISODES 1-2

I’m a sucker for an isekai story (looking at you guilty pleasure drama The King: Eternal Monarch), and I’m particularly fond of the subgenre featuring characters from the “real” world who get sucked into their favorite fictional universes. You know, the subgenre that has oversaturated the webtoon market but has somehow avoided being adapted into a K-drama…until now. Surprisingly, despite my voracious consumption of webtoons with plots similar to The First Night with the Duke, this story in particular alluded me, and once the drama adaptation was announced, I intentionally avoided it so I could watch the plot unfold without any preconceived opinions.

However, even without any knowledge of the source material, The First Night with the Duke follows a very familiar formula that begins with a brief — like, briefer than a Calvin Klein underwear ad — introduction to our leading lady (Seohyun) before she’s transported to an alternate world. She’s a hermit-like college student and extremely passionate about her favorite trope-filled web novel. Seriously, this web novel has everything: a fictional Joseon dynasty setting, a love quadrangle with a Cinderella-like romance at its center, a villainous noblewoman fueled by jealousy, and dramatically dangerous rescues of the damsel in distress. (Mmmmmm…my catnip.)

Given the depressing state of our leading lady’s bedroom, though, it’s safe to assume that she’s retreated from the outside world, and this fictional universe has become the only ray of sunshine in her life. So, as you can imagine, she doesn’t take it well when the author of her favorite form of escapism posts that they will be suspending the story — permanently. She immediately begins venting her frustrations in the comments section, and in her despair, she lashes out at the author, claiming that she could write a better story. As she stomps around her room, she slips on a stray bottle and hits her head on the dirty floor — just as the author responds to her hate message: “If you’re that good, you try writing a story.” And with those words of foreshadowing lingering in the metaverse, our leading lady is transported magically — or via a head trauma induced coma (TBD) — to the world of her beloved web novel.

She wakes up as CHA SEON-CHAEK, a character so insignificant to the plot that, upon hearing her new name, she doesn’t immediately realize she’s been transplanted into her favorite fictional universe. It takes her a moment to recognize the name and figure out she’s the rarely mentioned and inconsequential-to-the-plot daughter of Chief State Minister CHA HO-YEOL (Seo Hyun-chul). Luckily for Seon-chaek, her new family is as weird as they are rich and influential, because they quickly accept her odd behaviors and misuse of jondaemal as simply part of her quirky personality. Even better, though, as a wealthy minor character, she doesn’t have to be caught up in the drama and intrigue of the story. She can just sit back, live that pampered princess life, and eat popcorn while she watches from the sidelines as all her favorite characters meet and fall in love. (Or so she thinks…)

Turning off her inner fangirl proves extremely difficult for Seon-chaek, especially when she’s the biggest stan of the novel’s leading lady JO EUN-AE (Kwon Han-sol), and it pains her to quietly watch from the sidelines while her favorite character is bullied by the novel’s ultimate mean girl DO HWA-SEON (Ji Hye-won). So even though Seon-chaek vows to bite her tongue and do nothing that will interfere with the novel’s plot, all that restraint goes out the window the night she and the other nobel ladies attend a high society event at Eun-ae’s house.

Hwa-seon, in true evil b***h fashion, makes snide remarks about Eun-ae’s hostess abilities, intentionally breaks a cup while Eun-ae is pouring her drink, and gossips behind Eun-ae’s back, spreading false rumors that Eun-ae has an inappropriate relationship with her adoptive father. Unable to simply be a fly on the wall, Seon-chaek steps in to diffuse the situation with her flashy bartending skills that gets everyone — including herself — drunker than a squirrel after ingesting fermented pears. With everyone at the party merrily intoxicated, Seon-chaek steps outside for some fresh air — and a front row seat for the show that’s about to begin.

You see, tonight is the night Eun-ae stumbles, nearly falls into a stream, and is rescued by the story’s misunderstood hero, YI BEON (Taecyeon), a prince with a reputation — thanks to rumors he spread himself — for killing men who look him in the eye and making nuns out of the women who spend a night in his bed. There’s just one little problem, Seon-chaek’s intoxicated state makes her careless, uninhibited, and clumsy enough that she almost falls into the stream — key word being almost.

Yes, that’s right. Seon-chaek accidentally steals Eun-ae’s meet-cute, and thanks to her high blood alcohol level, Seon-chaek is unable to fully process the ramifications of her actions — or stop herself from making the situation worse. In Yi Beon’s presence, she has another fangirl moment and waxes poetically about his character, revealing she knows that he’s a softie underneath his meticulously cultivated dark prince persona. Yi Beon, who is initially baffled by her courageousness — what with all the beheading rumors and such — is quickly charmed by her ability to see through his facade. Not to mention, the drunken kiss she brazenly planted on his lips.

One thing leads to another, and, well, suffice it to say this drama’s title is very literal in its meaning. When it says “first night,” it means first night (**eyebrow wiggles**). But, of course, this wouldn’t be a K-drama without Seon-chaek waking up the morning after her night of drinking with a hangover and no recollection of doing the midnight Hokey Pokey with Yi Beon. (Gurrrrrl, how do you forget that? **gestures enthusiastically at Taecyeon’s back muscles**)

Horrified that she’s potentially ruined her favorite romance story, Seon-chaek wants nothing more than to put the one-night-stand she can’t remember behind her and get the novel’s plot back on track, but she’s really made a massive mess of things. Eun-ae and Yi Beon did not meet as planned. Eun-ae now wants to be Seon-chaek’s bestie, and even though Seon-chaek knows it’s in everyone’s best interest that she retreat back into the supporting cast, she also can’t say no to her favorite heroine. Meanwhile Hwa-seon, who knows that Seon-chaek spent the night with Yi Beon, vows to make Seon-chaek’s life miserable. So much for Seon-chaek’s plan to blend into the background and avoid trouble, amiright?

However, the biggest issue plaguing Seon-chaek at the moment is Yi Beon, who is very insistent — under the added threat of charging her and her family with treason, no less — that Seon-chaek will marry him and make their first night together one of many. Apparently, in this fictional universe, brooding princes with washboard abs and cute smiles can remain virginal despite an abundance of interested women throwing themselves at him. So even though Seon-chaek can’t remember “seducing” Yi Beon, their night together meant something special to him. Unfortunately for Yi Beon, though, Seon-chaek’s adoration of him and his “sweet smile” is not enough for her to fall into his arms and completely ruin the story she loves — no matter what she might have written in that nasty comment to the author.

She’s determined to fix things, and step one of that process is to avoid marrying Yi Beon. Step two is ensuring that he meets Eun-ae and falls in love with the correct woman. So in order to buy herself some time to get the story back on track, she asks Yi Beon to delay his formal marriage proposal by three days so she can announce their engagement to her family herself. In reality, though, Seon-chaek does everything within her power to try to either run away from or repel Yi Beon. But every whacky tactic she implements — and she tries a lot of them — fails spectacularly. Not even digging around in the dirt and using her own poop as fertilizer (or so she claims) was enough to discourage Yi Beon’s interest.

The man is that smitten, but one does have to wonder — especially after the poop thing — if his interest in Seon-chaek is at least partially do with him trying to appear less threatening to the KING SULJONG (Joo Seok-tae), who questions Yi Beon’s loyalty. Yi Beon definitely used his still-to-be-finalized marriage as an excuse to avoid joining the envoy the king was sending to China, so it stands to reason that Yi Beon might, at the very least, be killing two birds with one marriage proposal.

After multiple failed attempts to get rid of Yi Beon during her three-day grace period, Seon-chaek decides her only remaining option to avoid marrying the male lead is to run away in the middle of the night. Unsurprisingly, traipsing through the woods after sunset proves to be a bit dangerous, and Seon-cahek finds herself in need of rescuing from a pair of lecherous men. Enter: JUNG SOO-GYEOM (Seo Beom-joon), the novel’s second male lead.

Soo-gyeom is the sunshine to Yi Beon’s shadows, but these polar opposites are actually two halves of the same bromance. Their close friendship, however, was put to the test in the novel’s original plot, as they both loved Eun-ae, but now that Seon-chaek has entered the chat, it’s possible that the pairings could change. That’s, of course, assuming Soo-gyeom doesn’t develop an interest in Seon-chaek, too, given their shared interest in alcohol and mixology. He was impressed by her bartending at Eun-ae’s event, and invites Seon-chaek to join the Seonmun Club — a drinking club disguised as an astrology club — that he founded.

Whether his intentions were romantic or purely due to their mutual hobby are to be determined because Yi Beon choses that moment to show up and metaphorically mark his territory. And what better way to claim Seon-chaek as his woman than to announce his intentions to marry her in front of her three brothers, who coincidentally happen to be passing by at that moment. In her frantic rush to cover Yi Beon’s mouth and four pairs of ears at the same time with only her two hands, Seon-chaek somehow injures herself, and the first chapter of our story ends on a classic trope: with our leading lady fainting into a very worried Yi Beon’s arms.

Overall, I found this a very enjoyable premiere, and despite there being a lot of plot filler (e.g. the time dedicated to Seon-chaek’s various plans to avoid marriage), the story didn’t drag. In fact, time flew by while I watched these episodes, which was actually rather unfortunate for me because I watched them while I was on my lunch break, which I loath to rush. These episodes were tropey, self-aware, and just a whole lot of fun.

That said, I do have one complaint: the drastic differences in Seon-chaek’s personality before and after she entered the novel’s universe. I’m struggling to reconcile the messy and depressed university student with the confident spirit who deftly navigates sticky social situations, bartends like she’s has experience being the emcee of her university’s departmental parties, and is (according to Yi Beon’s account) sexually aggressive. The swap in personality was almost instantaneous when she opened her eyes in the novel’s universe, and the change is too drastic for me to attribute it wholly to the voyeuristic freedom and excitement that she would experience upon being dropped into her favorite fictional world. Perhaps this is who she was before she became depressed and found solace in a romance story?

It’s very common for webtoons that fall into this isekai subgenre to gloss over the details of their heroine’s past life — unless her real-world knowledge and skills are useful to her survival in the world she’s transplanted into — but the lack of backstory and personal details was more noticeable in this format. So, going forward, I hope we get a few flashbacks to Seon-chaek’s real-world life to help bridge the gap between the two drastically different sides of her personality. Then again, give me a few more entertaining episodes like these, and maybe I’ll willingly forget we ever saw Seon-chaek’s gloomy alt-universe persona.

 
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Does anyone else feel a bit sad that isekai stories have finally made their way into K-dramas? For those who don't know, a large portion of webtoons aimed at a female audience are isekais. With the exception of maybe two webtoons I’ve read, almost none of them allow the female lead to experience even a semblance of grief for the world they left behind.

Sure, romance is often an escapist fantasy—but the extent to which these stories disregard the real world feels troubling. As a viewer, I can’t help but wonder if the writer is trying to tell us that the dream of a happy ending only belongs in fantasy. Because really, if an able-bodied, gorgeous woman with an advanced degree feels like she has no reason to live in a developed country, what does that say about the world we live in?

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I'm unfamiliar with isekai stories, or webtoons in general, but this is a very interesting observation. Thanks for this insight. Like @daebakgrits I was struck by the contrast of the FL's personality in her real world vs in fantasy land, and I assumed that this set up will ultimately lead to the FL's empowerment and self-confidence once she returns to her "real world".

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As @daebakgrits points out, the contrast of FL's personality was too big and hard to believe.
This woman who spends her days "hidden" in her room and living through novels and comics, is an expert on parties and cocktails?
🤔🤔🤔

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Yes, quite the stark contrast! Perhaps being thrown into her favorite webtoon made her forget whatever it was that made her a recluse and reverted back to who she was before she got depressed? I'd imagine it would be quite the jarring experience. Just spit balling here...

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I noticed it, too, but I chalked it up to her affection for, and desire to protect, her favorite character in the novel, Eun-ae. I got the impression that Seon-chaek wanted to ensure Eun-ae would still be able to follow Eun-ae's Cinderella pre-destined path ... but by intervening, Seon-chaek has literally 'lost the plot'.

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I generally don't love Isekai in anime, I hadn't even thought of this as Isekai, but you are 100% right. Very interesting.

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That's precisely the point - popularity of isekai as a genre has EVERYTHING to do with how bleak, expensive, isolated and tiring real life has become lately, in SK in particular. Btw, most of such stories also include protagonist's death/near death in modern world as a starter point, so usually they cannot go back even if they'd love to... or so they think. Same as with rebirth/do-over genre.

And it's not like these tropes are a recent invention either - E.R.Burroughs BARSOOM/MARS series, anyone? That's written ~110 years ago! Or A.Norton's WITCH WORLD from 1960s?

P.S. Idk what other Beanies current circumstances are (genuinely happy for everyone who does NOT get the appeal), but ngl, if I was offered to leave all this crap behind and isekai into cheesy plotless romcom full of dreamy washboard abs MLs, I would be ridiculously tempted.

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With the exception of maybe two webtoons I’ve read, almost none of them allow the female lead to experience even a semblance of grief for the world they left behind.

To be honest, I've always chalked this up to the short-form format of webtoons. In most cases, even outside the isekai genre, webtoons tend to start in medias res, and if there's any mention of what happened prior to the start of the story will come in the format of flashbacks in future chapters. A webtoon author/illustrator has to "hook" the reader faster than a novelist or drama writer.

As for the bleakness of the lead's life prior to traveling to the fictional world, I attribute that to the writer sloppily setting the groundwork for the protagonist to remain in the fictional/alternate world at the ending of the story. If the protagonist has no reason to return to her real life after being isekai-ed, than the reader won't feel conflicted if the lead character never returns. And, most of the time, the protagonist stays in the new universe.

If we look at the ending of The King: Eternal Monarch, which falls into the isekai category in my opinion, part of the reason viewers were upset with the ending was because it didn't truly feel happy. The main couple continued to straddle the line between their two universes, but that's not a long-term solution. It makes the longevity of their relationship questionable. However, this ending was probably better than the alternative of having one of them choose to leave behind their life and everyone they loved in order to live in the alternate universe of the other. If one of them hated their life prior to interdimensional travel, though, then the choice and path to a happy ending would have been clearer and less complicated.

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As far as TKEM is concerned, let me digress from the 'Duke' kdrama. I was really unhappy with the ending, particularly given the plot-hole about the painful lightning marks on Lee Gon's and Lee Rim's back / face. Weren't they due to traveling too frequently between the alternate realities? If so, Lee Gon and Tae Eul should be in pain as well.

I envisioned and ending that would have had Lee Gon somehow stop the murder of his alternate boyhood self, make him an orphan adopted by wealthy, highly-respected Naval family, have everyone involved in time travel disappear into ash (unless dead like Lee Rim in the 0 space), and allow a restart from Lee Rim's 1st foray into Tae Eul's universe. While Lee Gon and Tae Eul would grow up a little sad in their own universes for reasons no one can explain other than the obvious loss of a parent(s), they would eventually meet their alternate universe's OTP.

Tae Eul would eventually meet Lee Gon's alternate universe navy man in the alternate universe, and proceed from there with a similar sort of "meet-cute" with LGAUNM riding drunk on a Maximus look-alike on that mall area after having won the rowing competition (in this case, a "meet drunk" I suppose).

In Lee Gon's universe, he would meet Tae Eul's alternate universe persona as a public servant, e.g, Deputy Prime Minister / Chief of Staff to MO Aw.

I have to stop overthinking some of these endings, right?

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This is definitely not a great drama, but it being a pleasure is not an overstatement. It is a breezy watch I believe I'll most definitely like to continue watching.

I believe I was thrown off with the FL's characterization initially. I still am. But, it kinda began to settle in when I realized she inhabited the body of an inconsequential character. However, I assumed that that'd make the story settle in properly — she gets the Duke, Eun-ae gets Soo-gyeom — except that is not what is happening at the moment. Her entry into the story shot her into main character status. This also leads me to one guess: Soo-gyeom is our villain. And I am guessing he sets his eyes on what the Duke has cause that is the only reason why he would set his sights on Sun-chaek if truly he was the SML of the novel.

For the FL, I liked some parts, I didn't for some. But it is not distracting from the story. If I suddenly find myself transported into the body of the son of the Chief State Councillor, I'm definitely not going to be a pushover that needs to regain some self-confidence because of some villain Right State Councillor's son. It is not happening. Had it been she was transported into the life of a lower class chaebol or a life like Sim Jae-yi in Dear Hongrang, then I might begin to understand why she is still like this in fantasy Joseon.

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Oh, you’re having fun with this recap @daebakgrits. So many asterisks! 😂

I’m not sure how well this will fare in the long run; there were already moments where the joke went too long or fell flat. But when it landed, it was brilliant. I had mucho fun watching the premiere episodes. And if I keep my brain shut off, I suspect I'll increase my chance of enjoying this cheese-fest for even longer.

Much of the credit goes to Seohyun. She got the memo on this role. I’m not sure about Taec tho. Imho he does best with goofy, earnest roles than obsessive tyrant tsundere ones. But he has so much of my goodwill, I’m willing to wait/overlook it when the drama is otherwise working for me. (No, it's not because of his abs, nooo... 😇)

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Yes, I'm having fun with this one so far, but I also have a soft spot for this genre. :-)

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Thanks for the recap @daebakgrits
I am looking forward to going on this journey with those who are in the mood for a ridiculously silly drama. I hope that it keeps the right balance, so far the general vibe has been just what I needed. I worry we could end up with over the top silly or unnecessary side plots that take away the fun.

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I'm here for silliness and Taecyeon's back muscles! 😂

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🤣

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Thanks for this wonderful recap, @daebakgrits!

Although there are some early signs that there might not be enough story in the story to fuel a full-length drama, I appreciated the "we're all in on the joke" tone of this one from the start. That said, I agree that it was a little jarring to watch the FL transform from shut-in to savvy female lead, but I chalked it up to what happens when one feels they are living within a dream. I am certainly way more confident, clever, and brazen in my dreams than in reality, and it seems to be the same with Cha Seon-Chaek. The only thing that conflicted with that interpretation is the fact that she also seems convinced that her actions do have real (within this unreal world) consequences so yes, this is probably a contradiction that will never be explained. But I can roll with it for now.

Unlike some others whose early comments I read, I didn't find the performances here to be lacking. I've seen Seohyun be very good in dramas like "Time" and the movie "Love and Leashes" and I immediately found her believable and fun to watch here. I also like how Taecyon is playing this so earnestly. Not only is a straight man needed for much of the humor in his scenes with the FL to work, but he's also adding some gravitas and intrigue by giving layers to what could have been a very one-dimensional ML.

The villainess and erstwhile heroine are also appropriately awful and sympathetic, respectively.

My favorite scenes include the cocktail party which was genuinely funny but also offered a clever escape from the bullying dynamic developing between Do Hwa-Seon and everyone else.

It is, of course, ridiculous that our Prince is a virgin and that Cha Seon Chaek would forget most if not all of the good bits of her night with him. But I was the most annoyed that the writers missed an opportunity with the waking up scene. Not only were both basically fully clothed, but their lip gloss and hair were also utterly perfect! It would have been so much funnier and still avoided being too raunchy for the domestic audience if both had awakened with the kind of bed head, smeared makeup, and haphazardly put on clothing one would readily associate with a drunken one night stand.

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The drama looks funny so far but when I was reading her antics at the female lead's event I was like: ??? because there's no way the real leading lady shown at the beginning was the same person... She sounded and looked like a different person... that disconnect with the two worlds was a bit of a setback to me tbh.

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Thank you for the recap, @DaeBakGrits.
I did not have a lot of expectations for the show, since both leads' last works (Heartbeat / Song of Bandits) were rather lacklustre, but the show surprised me by making me laugh out loud a few times already. Loved the part when she introduced 21st century mixology into the girls night out. And the fact that there were more food and drinks in this show's episode 1 than that of Tastefully Yours, that is a positive thing for a glutton like me.....
I will continue to watch since I am always intrigued by how script writers put a reasonable/satisfactory ending to such an extraordinary and supernatural premise and setting.

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The first two episodes were very funny (more funny than entertaining, if that makes sense). Although the cocktail party sequence in Episode 1 was a bit too long, Episode 2 was better paced and had more variety in the funny situations. I quite like SML and its carefree, laid-back attitude.

Overall, it was a crazy, comic-book-like start, and I hope the rest of the series continues to be that way.

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‘more funny than entertaining, if that makes sense’ 👈🏾sums it up perfectly which is why I think it won’t work for some beanies who need both to invest their time. I like the second male lead too and hope he stays a friend to both.

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I mean... It was funny, but it would be more entertaining if the characters/plot were more interesting 🤔

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I had the same reserve about her sudden switch, but I attribute it so far to her being in a fictional world which is totally new to her. I hope they address this, because going from a solo existence to suddenly hosting drinking parties is a major shift.

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I see no issues with FL's personality change: she was a depressed overworked, short of money hikkikomori with no family or friends in sight, so becoming a rich pampered youngest daughter of big loving family overnight fixes most of these problems. Like not to sound cynical, but suddenly losing nearly all your burdens at once WILL do things to one's attitude. The relief must be so strong its almost intoxicating... And she behaves precisely like a happy drunk in webtoon world. Before other serious problems arise there, that is.

That being said, I find FL's acting cringe and ML's too stiff. I've seen both of them doing better than that, maybe they'll improve later. Or not... But as long as humor keeps delivering and chemistry somehow happens, it will be fine. Hope the drama won't make SML a villain tho - let him get the girl for once! The other one, I mean, she's quite lovely. Perhaps I should've set "a duke", "angsty backstory" and "washboard abs" as necessary criteria to scare away my own marriage-obsessed suitors back in the day? Missed opportunity, really

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I'm impressed by their chemistry, even though they didn't truly put in any effort per se.

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Too early for me, I'll wait until she actually starts liking him back beyond fangirling and naked torso drooling to make a judgement.

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I'm a little frustrated. My comment on this drama has been waiting for moderation since early this morning :(

Short version: I like this show, even if it's silly.

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Hopefully you have discovered that your comment finally made it out of quarantine😊 at least you didn’t rewrite or repost the comet and have to delete one of them hitch was what happened to me several times. It is a good reminder to write comments off site or copy before pressing send.

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I feel you.
My comments get put on hold regularly.
I know my spelling sucks so I guess AI conceives it as problematic and flags my writing.
I must say though - they do do a good job of correcting and editing my mistakes though, when it's all said and done.....

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I've already said I'm totally digging this drama - which is saying something after my painfully dry drama watching period.

Having said that, I wish there were somethings that had made into the plot. For example, Seon Chaek definitely would be speaking in an accent that's different from those days. That could have been used well in context of comedy. Second, I always struggle with details - wouldn't a modern girl struggle awfully with the lack of bathroom facilities - for the record, the female hasn't brushed her teeth......lol. I know it's fantasy, but it would be so much fun to actually use those to stir up some comedy.

Taec is unusually stiff in this. I know he is trying to be serious (and it's hard to take him seriously) but he was a lot more convincing as the vampire than he is as a royal. However, I have no complaint on other...er...stiff stuff he is strutting 😂

The female lead is actually carrying the show pretty efficiently. Nothing too great, but considering how the camera is following her around for almost 70% of the show, it's quite impressive how she is totally living the vibe.

I didn't mind the personality change as much. The woman lives in a dreamland, and has been handed the coins - literally - to keep pushing into her dreamland slots.

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Good point about some of the missed opportunities for humor. I also think this had the potential to be more clever and interesting than it is if there had been more thought put into the jokes that could arise from a modern woman standing out or struggling with everyday inconveniences in this era.

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What an entertaining recap! 👏🫰😆

Despite this being totally predictable and silly, I agree it’s still breezy watch that doesn’t have to be taken too seriously (I’m calling this a “laundry drama“: perfect to watch while ironing or folding clothes - without having to worry about missing crucial plot points 🤓 But to be honest I might also forget watching it altogether. 🙃). Both the over-the-top situations (Joseon cocktail party & potato lab 😅), and the vibe with which the actors take this on made me laugh. 😂 One of the highlights for me was the scene in which 2ML “gracefully” spiraled down from the treetops to come to FL’s rescue. That and his flowery hanbok. 👏

Speaking of: the king requested one of his minions to keep a close eye on ML. And we didn’t see who he asked, so my best guess is: it’s either 2ML (leading to the dramatic only-friend-stabs-you-in-the-back situation *gasps*) or ML’s trusted-since-childhood servant/right hand/assistant. Bring on the drama! 😆 *quickly catches some popcorn* 🍿

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I liked ep 2 better than 1 since we had more of the main pairing there and their humor together is so campy, but Taec’s straight face reactions kinda makes the whole thing work and pulls it off the cringey scale a bit. I’m in for the wacky, but so not interested in the whole King plot. I can just skip those and replay Taec’s horse-riding abs.

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