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Dear Hongrang: Episodes 1-11 (Drama Hangout)

Welcome to the Drama Hangout for Netflix’s Dear Hongrang, a melo sageuk starring Lee Jae-wook and Jo Boa working with and against each other to solve a mystery.

This is your place to chat about the drama as you watch. Stay tuned for our first impressions post.


Beware of spoilers!

 
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The cinematography in this drama is spectacular. There are so many beautifully composed scenes. It's also interesting to have a story focussed on a wealthy guild and away from court intrigues. I've just finished episode 4 and now have a wiff of what's going down, but it's still unpredictable. Looks like this will be impossible for me not to binge.

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glad to hear that! I have waited more than a year for this to be released - now about to start ❤❤

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Yes, I was thinking the same. I do so like it so far so let's hope for a great drama til the end!

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I found it spectacular too! I just finished it and immediately want to rewatch. I have questions and my heart is not okay 💔

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I just finished it today, my heart is not okay aswell.
I don’t even know how to feel.

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Big hug @Nin19

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Cinematography is definitely top notch!

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I have started it and not even half way through ep 1 however I am already cringing at the half siblings ‘relationship’ (?)

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So, I didn't realize this was coming out already or that it was a full drop. 11 episodes seem kinda odd but eh, if that's enough to tell the story, so be it.

Not even 2 minutes in and I'm just wondering why a boy is calling his sister "eonni". I don't even remember older sisters in sageuks so I don't know if that's the term typically used. I only know "Oppa" wasn't used, it's something else for older brother.

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orabeoni : a woman calling an older brother.

I think Eonni is used by woman to call an older sister. He should call her Nunim.

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I'm always surprised to see opium featured in kdrama. Granted, this is only my second time seeing but I guess I have some disconnect cause I only know of Chinese people using it and the issues with England. I don't consider they would've traded it with other Asian countries.

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Him: I don't remember anything from my childhood
Her: Tell all these things from our childhood!

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it wasn't limited to china.. many countries did opium farming

It originated from the arab world. china also got it from arabs

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I wonder how you cast for a character who is supposed to be deaf and mute. Are they supposed to have expressive eyes or look a certain way such as intimidating or non threatening? There's no signing being used so that's not a requirement.

And more about that character, I'm only on episode two and I find it very weird how he's supposed to be deaf yet he's shown being spoken to. No signing, no gestures, no notes. Everyone has their suspicions about Hongrang but no one wonders how the guy he's with is communicating. A look to the right means eat with us and a look left means keep standing?

I was actually thinking if Hongrang isn't the real guy, maybe the mute guy is.

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He isn't deaf he's a mute

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This might not have the chemistry that we’re hoping for as LJW is not sensual even when he tries. Rowoon on the other hand, can bring it to women and men. But let’s hope.

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I actually found LJW quite sensual through this series. He has these curt head movements that signal displeasure and his line delivery can be very precise and fast but I actually found these features to be very masculine and quite attractive. His sensuality is in full display toward the end of the series. I wouldn’t call him an actor who doesn’t know how to show vulnerable side to him.

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Shout-out: Episode 5 is *scorching* hot.
Our OTP is just sitting in the forests at their childhood hide-out and then...it HAPPENED.
I was surprised it didn't start a forest fire 🔥

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😂...and then it happened!! I love that. You were right, that was SO hot.

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I don't know if it's a thing with how it's subbed or if there's something being lost in the translation but I find the things the characters say so weird.

Introduces a character as deaf yet he is clearly being spoken to, in front of others, and reacting based on what's said.

Hongrang claims to have lost his childhood memories and the skeptics are like "how could he possibly lose only his childhood memories?!" as if the guy wasn't a child. What other memories would he have lost?

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Everytime she gets protective of him, I laugh haha. It's so cute haha

She can't climb a tree but instinctively tries to catch the 6ft guy jumping down from said tree.

She was gonna use a dagger to protect someone known as "soul reaper"

If there is more bickering to come, that would be nice haha

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I was like, just use chisu, and you can climb that tree, lol

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It's not funny but it's funny how 2 guys who aren't related to her, fell for her, while she just considers them brothers

And I'm so very confused how he started giving more romantic vibes *after* making her believe he really was Hongrang.

It's like the mother of all mixed signals haha

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RE: It's like the mother of all mixed signals
+1

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I cannot count how many times I screamed a "what are you doing, Hongrang??!!" at my screen during THAT episode.

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I just got past that part and I'm like, uhhh what?? So like, you convince her you are her brother and then you start making eyes at her? Can you not see how uncomfortable she is with that? (And how uncomfortable viewers might be at that as well? Hello, show?)

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Brilliant... Love this beautiful series❤️❤️

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Episode 6 was the first time the mute guy is shown reading lips and episode 7 is emotional nonsense (in my opinion). So many people keep making choices based on emotion as if these aren't life & death stakes and they aren't just pawns to these people

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I wonder if the actors ever got the ick or cringe when they had to read or perform "she thinks he's her little brother but she's starting to see him as a man" or "I can't breath without her; I can lose everything but I can't lose her" [even though she views him as a brother]

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I'm a little disappointed that it wasn't really explained who the wannabe Saruman was. I thought it would be more significant who and what he actually was.

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Saruman! lmao

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What's Saruman?

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He is the main evil in Lord of the Rings.

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That is incorrect, apologies, he is the main henchman of the main evil in Lord of Rings. To use the example above. Saruman is the Snowman (main henchman) and Sauran is the Prince ( the painter aka the main evil. I realized as I was thinking about it later that I gave the wrong info, lol, you might not care at all. 😅

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I thought the Snow Man was gonna be a bigger villian and mystery to solve.

At least people had a reference to compare him to haha

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You would think right, but no, nothing. ha

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I think @Nefret's comparison is just because the Snow Man looks like Saruman with his long white hair and white robes. Although it's cute that you thought about it later and had to correct yourself. 😄

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😂😂

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It's so serious and yet I can't take it seriously haha

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The cinematography was really beautiful, the tons were a little bit too cold but the at least I could see what was happening during the night scenes.

For the story... I wished they established the past of the ML and the FL before to let us understand their story.

Except both of them, almost every other character was a villain at one moment... it made the story very dark and gloomy for 11 episodes.

For the actors, I didn't have issues with their acting but I didn't find them excellent neither. I think Jo Boa's sageuk scenes in DwY were more interesting.

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This drama is a MESS. It starts off fine but then veers into shenanigans. It had too much plot and too many episodes. The fauxcest was fauxcesting and at weird times too. However the ending did make sense, so I guess there was that.

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Every single person in this movie was a mad man omdsss. I just had to pick my preferred flavour of crazy.

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Wow, alot happened in episode 9. Am I the only one who was thinking she's gonna end up pregnant? I don't know how long they were there but that must've been the most peaceful period in their lives. I ended up feeling so bad for them.

There so much crazy sadism in this and I'm so confused how we got here. What even was that? Were those words and a mountainscape? Why was a gross sex scene the focal point? It's just all so weird and gross and sadistic. I was completely blindsided cause I was expecting something symbolizing the classic yin/yang imagery and instead it was that

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You mean “gross sex scene” in the cave?

This was a very well-done sensual scene of them making love by the fire. There was tons of emotions (he even cried when she touched his scars) and the scene didn’t drag too long neither it was graphic. I actually really, really liked it.

What do you think is “gross” about it?

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No, @Britney's talking about the gross sex scene tattooed on his back. It was the focal point because he was the talisman for fertility.

I found this to be a plot hole in how the prince had tattooed kids, but yet somehow all their tattoos didn't fade or stretch even after they grew up into adults?

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Oh, sorry for misunderstanding!

Correct, the kids’ skin regenerates much faster so it’d fade and stretches as they grow. But I guess, all that chemical exposure “torture treatment” was supposed to stave it off? Movie magic.

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I wish the series has stayed in its lane as a psychological thriller and Gothic mystery instead of diverging in the latter half into these plot distractions of guild wars, Snow Man sightings, secret societies and worse, some wannabe sadist/satanist indulging in ritual abuse.

The divergence lamentably became dilution of narrative tension and focus.

Ya know...fauxcest done well (and I qualify, done well) and the potential transgression of the incest taboo, has one of the greatest narrative potential for dramatic crisis and conflict (inter & intra) in any time, space, and verse.

That is what I came to watch. But they wasted it in the latter half.

p.s. petty rant: I am also really sore that ML died. Like, seriously? I waited 1 year+ to watch Hong Rang. OK - end of rant.

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I am in the middle of ep. 5 now and I find it excellent until now. But I spoiled myself a lot and I knew the story from the book. As far as I know the albino ghost is only in the drama version. The book had him die from the infection that he got after he ripped the skin trying to remove the tattoo (I could not resist and I ff the last episode). The romance was not a big draw for me but I do not get the "fauxcest" hysteria here and elsewhere. She knew he was not her brother and he knew that he was not the real Hangrang. It must be a trendy word since it's mentioned frequently. The trafficking of kids for the pleasure of the rich which mostly are very artsy is still actual now as it was probably true in ancient times, not only in Korea. That is the real story and not the romance. Seeing him chopping off the hands that used him for his art is what I will remember for a long time and I wish he hadn't killed him so soon after.

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Then I should read the original novel instead. A comparison between the source material and the eventual adaptation in another medium is always insightful.

I also agree that the drama was taut, tense and moody especially in the first half. Do you feel that the series should have been marketed and tagged differently? I have seen series suffered from mismatched audience expectations because of how it was sold

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dang. I just checked. There is no English translation of the novel or webtoon adaptation yet. Sob!

You must be fluent in Korean then

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I am not but hopefully in my nxt life. I found a really good synopsis of the book here:
https://mydramalist.com/discussions/tangeum/135000-spoiler-plot-summary

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Haha, yes I read this link too before I saw your post cos I was hoping for a summary of the original novel somewhere in a language I can read! lol

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@joanna
And another thing...I find it somewhat surprising, and not in a good way, that on this site that promotes kdramas we do not have a recapper that can read the source and explain more to us the story. This drama deals with a lot more important issues than the romance and is #1 on Netfix in Korea. Being treated with such disregard and tossed as just a "fauxcest" thing does not look good, more so since it has a lot of traction in the non-beannie world and since clicks and newcomers are so needed here, as we have been told.

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Most kdramas are marketed differently than in the west to surprise the audience. I still find it fascinating how tight lips the crew is about the endings for example. And most previews are deceiving on purpose. But you and most beanies here are experienced and should know that we would learn nothing about the potatoes grown in labs watching the Potato Lab or refind food recipes sold in Michelin three star restaurants looking at Tastefully Yours. I was so intrigued when I found out the meaning of the title of the book, Swalloing Gold, that I wanted to find out as much as I could about it to better understand it when I watch it. If he wasn't even loved by her, wouldn't have been truly tragic? In the end, even finding love was not enough to erase the torture and the shame of having that obscene tattoo engraved on him.

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Two more links that gives the original context of the novel & its title: Tangeum (swallowing gold) and what it symbolizes at the heart of this tale

https://kdramawave.com/k-drama/dear-hongrang-chilling-mystery-you-wont-forget-gold-as-a-curse/

https://www.koreaproductpost.com/tangeum-korean-novel-dear-hongrang-k-drama-where-to-read/

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Thanks, I have read them and even posted the second link before.

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Once I saw the Hanja title of Tangeum (吞金)it then made a lot more sense to my East Asian sensibilities since we have similar records of such practices of suicide. https://www.qulishi.com/en/576161.html

I don't know whether that central trope of swallowing gold was also crystallised in a visual leitmotif in the original novel, but unforch we don't get that at all in the drama.

The visual leitmotif that the director/screenwriter chose to foreground instead is: the idea of paintings (& whether they are authentic or a forgery)

This is played out on many narrative layers:
(i) The libertine upstart painter vs Crown Prince, as the latter bristles that no one can imitate his genuine stroke
(ii) The bribery gifts in the Min Guild's stronghold later appraised as fakes in a bait and switch, but brilliantly overturned in narrative as Lady Min burnt the real paintings thus destroying the only proof that the forgeries are fakes.
(iii) Mu-jin the adopted son, denounced by Lady Min as the "fake son" who desperately tries to become the "real deal" by succession, and when things took a darker turn, by exposing Hong Rang as an imposter
(iv) the ultimate real vs fake story beat: Hong Rang himself and whether he was the lost little brother of Jae-Yi

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Just speaking to the ending....it was sad they killed ML off, but atleast it was realistic (rather than having his body fight of all that chemical poisoning and ending up with only blindness or amnesia or something). However, they could have shown that she had a child or something, and that the ML was "living on" through that child next to her. Sigh.....

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Ditto to that.

The moment I realise he faces an inevitable death by slow chronic poisoning via being "primed as a canvas" by highly toxic processes as a child, I was fervently praying "Oh God please let them at least have a child."

If you think about it, the bitter heartbreaking irony is that Jae-Yi ends up with possibly the most lonely tragic fate: she alone survives.

Yes, all her enemies are dead (Hong-rang saw to it before he died, telling her in no uncertain terms he had to kill them all so that she can be safe even after he is gone).

All her enemies are dead, yes. But so are all the ones who loved her and have loved her to their graves. All three brothers (real Hong Rang, fake Hong Rang, Mu-Jin) ended up dying for her sake -- in one way or another. That last lingering shot of the two of them facing each other in a wintry snow scape is scant comfort indeed.

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I was hoping about the child too, wow.

But I think once I realized the extent of torture by chemical poisoning I wondered if Hongrang was sterile because of that. Which is like adding insult to the injury. Not only they took everything away from him but also his ability to procreate. Way too painful to even imagine it.

This is the only time I wished they went along with such a predictable outcome (I.e. they had a child as a symbol of renewal and hope) because all that CA needed something to alleviate audience’s dark mood. The orphanage did not do that for me.

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So, I had no expectations going into this and yet, I was not expecting a tragedy and sadism.

It's a weird cause the way it's shot makes it so nice and cool to look at so it leaves me with pleasant thoughts that I don't remember what I thought or felt about the actual content. Objectively, it's just sad (but I've cried more over other dramas so again, I don't know what that means for this).

It was cool seeing the two Jae Wooks sharing the screen together (after they both appeared in Death's Game).

The revenge felt fitting.

I'm confused how the merchant's wife didn't lose her house or status. Similarly, I was wondering how Jae Yi was able to have a house with all the children when her father was revealed to be shady. Is she still living where she grew up with the madam who hates her?

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Re: your last paragraph -

I guess as the last (wo)man standing and surviving descendent, Jae-Yi becomes the sole heiress.

Which is deeply ironic given how she is literally bottom of the totem pole in the power stakes of the Sim household for practically the whole story.

In the novel it is slightly clearer: Hong Rang takes the partition deed from Lady Min (who still thinks this is her real son) and secretly transfers all the inheritance to Jae-Yi before he dies, hence ensuring her provision.

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Can you please explain what the partition deed actually is? It sounds like a will that says who gets what when the chief merchant Yeol-guk dies but if that’s the case why does Lady Min have it? And what good would getting it do Kkot-Nim? Regardless of who has it, the terms will be the same and thus the same people will inherit. It seems Kkot-Min’s plan is to kill Mu-Jin and Jae-yi, get the partition deed and then via fake Hongrang take over the guild. But that doesn’t make sense because Hongrang planned to kill himself after he got the deed. And Lady Min who believed Hongrang was her real son would have sought to insure he inherited anyway, so whether Yeon-Ui or Kkot-Nim has the deed the result would be the same, and they’d have to kill Yeol-guk. But that doesn’t make sense either because no one mentions killing the chief merchant and Kkot-Min seems to be saying as soon as she has the deed she can kick the chief merchant and his wife out of their homes but not that it would affect who controlled the guild. So, is the partition deed like a deed to the Sim/Min compound and whomever has it effectively owns the house and goods? That seems a very insecure way to own property.

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Sorry I have no definitive answer to that one.

Disclaimer: Like I mentioned in earlier posts, the original novel has not been translated into English so we are counting on a novel summary in chronological order that some kind soul has managed to enumerate in point form (in English!)

My Netflix translation simply said "partition deed", but from what I surmise it literally is what you said it is - like a title deed or bank book or seal.

It's agnostic (for all narrative intents and purposes) so whoever manages to get their hands on it, gets the wealth/property/assets etc, hence the fierce tussle from all quarters to get it.

So in that respect, we know it functions differently from a will (the way we understand how a will functions today).

We also know the partition deed thingy has two parts when Hong Rang retrieved it from behind Lord Min's portrait: (a) the ownership documents itself that confers wealth (b) incriminating proof of crime (probably sets of illegal ledgers).

The former (a) he must have transferred to Jae-Yi to guarantee her provision (b) the latter we later see Jae-yi bring it to the magistrate as incriminating evidence to prosecute her own father the Chief Merchant Sim for his wrong-doings.

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HUGE PLOT HOLE question: Beware, if you haven't finished seeing the entire series, stop reading now!!!!

Ok - here's my question: In episode 7, when the SML is finding out the true identity of ML, the story he is told is that as a boy, he was a slave, and the family that owned him beat him, and made him sit in mourning at a grave for three years, but he ran off (with his mute friend) after just one year. Then, the family tracked them both down, and just as they did, some "lady" (aka Sim's mistress) bought them. In the flashback sequence, the two boys don't seem unduly "tortured" or anything when she is buying them (time stamp 38:49 on episode &). Then, in the very next episode, when ML is telling his story directly to the FL, he says, "Then one day, I ran away. After living on the run, evading pursuit, I finally met him. The Snow Man. He dragged me someplace where I had to suffer things beyond my understanding." He makes no reference to the woman buying him and Ino from the original family. So.......when exactly did NL get kidnapped by the Snow Man? And when did the mistress buy them from the family? If the family had found the boys after being kidnapped by the Snow Man, the would have seen the torture marks upon re-capture, right? And then the family's son would have mentioned that incident to SML too, right? So, did the mistress buy them and then intentionally had them left them as bait to be kidnapped by the Snow Man to figure out who it was?? This is a pretty significant plot point, so it seems strange that these two stories don't add up.

And the whole death of the real Hongrang was SO anticlimatic and completely unrealistic as well. The nice loyal servant who seems sweet otherwise never in 12 years ever mentioned that she found him lying there bleeding? And if the shaman woman was the mastermind behind everything, why did she at that moment (without any premeditation or planning) think of disposing of Hongrang's body - and that too in a well on their property? What was she hoping to gain from this? Just hoping that they will assume the boy was kidnapped and be in agony? How does that fit in with her grand scheme of revenge on the family?? Seems a little weird for someone who was planning a long game of ruining the family (remember, she didn't seem to care about those who were tortured or kidnapped...she just wanted to break the strong bond between the prince and the Min/Shim family, it seemed). All this would have made for a very compelling story if they had actually spent time explaining more of the background on the mistress (after she escaped the stabbing) and what she went through, or even the shaman and her experiences at the hands of the Min family rather than a throw-away sentence at the last episode.

So much potential wasted......and poor Lee Jae-wook - can he get just a "normal' rom com for once, where he won't have to pretend to die (am talking about you, the show that shall not be named!!!) or...

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For your first question: I think he ran away as a slave, met the Snow Man got tortured and became a living talisman, got recaptured back to household and then rescued by his adopted mother cum avenging ex-lover of Lord Sim.

The painting is on his back - there is every likelihood his own masters didn't even realise what happened to the little slave boy unless he was stripped bare (which was what happened in the shocking reveal of Ep 9).

So I can still buy that: the damning evidence is well-hidden in plain sight (unlike say, Jae-Yi's bruises and scratches on her arms, which Hong Rang - as an abuse victim himself - easily spots)

Hong Rang judiciously cuts off his own narrative at this point in his confession to Jae-Yi (omitting the rest of the story of his adoption and revenge mission into the Sim household) out of loyalty to his own tribe and mission.

His main aim is to make his confession of deceit to her, not to implicate more people into the picture (that's a whole can of worms there)

I think in the novel (this is purely from sources that summarises the novel plot since I can't read Korean and this novel has not been translated into English) the maid-servant did not mention Hong Rang got into an accident and was bleeding cos she knew Jae-Yi would invariably get blamed for it and beaten up (cos Lady Min already tagged her as a jinx of misfortune)

The High priestess story is a bit bewildering (ok I will be blunt, unsatisfactory) but to answer your question my guess is she doesn't care less (her game plan is simply to raise a counterfeit heir 12 years down the road to return to this household and reclaim everything they have lost.

What the incident did in terms of plot is simply that having the High Priestess witness the death and burial of the real heir, she knew there will never be a return of the real heir. Ever. She now simply needs to ensure her counterfeit is the most authentic of a plethora of imposters who would show up through the years claiming to be Hong Rang himself

and yes, I feel you. I love LJW (esp in AoS) and I dearly wish he could land another iconic role that would allow him to show off his forte in both acting and swordsmanship.

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Sorry - that is not correct for the first question (atleast as per Netflix - not sure if it is different in the novel). In the full dialogue that "Hongrang" says to ML when revealing the truth, he clearly says, "I was born a lowly and insignificant slave to a noble household. For some time, I was a living talisman who withstood all misfortune on behalf of the young master. Then, one day, I ran away. After living on the run, evading pursuit, I finally met him. The Snow Man. He dragged me someplace where I had to suffer things beyond my understanding." I understand why he never mentioned the mistress and how he is part of her revenge plot, but my issue is withe the fact that the writers bungled this huge backstory and we don't know how the mistress really rescued him. And they had so much potential to show how the mistress came across the two kids when they tried to run away from the Snow Man and became their foster mother who instilled undying loyalty in them. But now, all I see is this plot hole :(

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I am not sure if that should be considered a plot hole, maybe more of a plot point omission that you feel is a missed narrative opportunity for better drama?

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Definitely seemed like a plot hole to me because in every flashback of Hongrang/Rodent Scrap he was alone. He was alone at the nobleman’s grave. He was alone in the Painter’s dungeon. He was alone when he was walking blindfolded to the dungeon (no Snow Man in sight, which was also weird). He was alone with Kkot-Min when she buried the sachet. He was alone when he was being tortured in that ritual to cure the nobleman’s sick son and when the son broke the vase. He was alone when he escaped the Painter. The only time we ever see young In-Hoe is when Kkot-Min bought both boys. So, In-Hoe would have had to be captured and taken to the Painter separately, escaped from the Painter separately, and returned to the nobleman’s household on his own, and then Kkot-Min who had already run into Hongrang would have had to bring him back to his owner’s household to buy him and In-Hoe, risking them refusing to sell Hongrang/Rodent Scrap and her losing her new adopted son. There’s no reason for her to do that. It’s not like she needed Hongrang to go with her to point out In-Hoe. She could have identified the mute boy who had been taken and returned named In-Hoe herself. And it’s not like she needed a bill of sale for Hongrang in case law enforcement ever asked her to prove ownership or if she needed to show travel documents. She could have said he was her biological kid. Rodent Scrap hadn’t had a lewd tattoo on his back when he had been a slave. His time with the Painter left him tattooed, I’ll with a weak respiratory system, and his skin lighter from the torture bleaching. He would have seemed like a different boy, not someone the owner could have proven was his property later on. Also, I found it hilarious that Hongrang was said to have a weak respiratory system and yet he routinely engaged in prolonged sword fights without ever being short of breath.

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Thank you - someone else who gets my frustration!

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I was not able to watch any of this drama until last night, and I'm only partway through the second episode, but for me at least, so far it is validating my excitement and anticipation. I love the cinematography and music, the intensity of the storyline, and the way the brother/sister bond is portrayed in the flashbacks. There's also a powerful depiction of grief that feels more emotionally resonant to me than in other sageuks with similar storylines.

The casting is uniformly excellent with Uhm Ji-won being a particular standout for me (she was so good in "Little Women" and brings the same type of frenetic energy here). I always find LJW to have a compelling presence, and in these early scenes I think his emotional stoicism serves the character well. Jung Ga-ram is also effective and although it took me a minute to place him, I recognize him from "Interest of Love" in which he played the same type of quiet, ambiguous character who seems destined to be unlucky in love.

As for the fauxcest vibes, I so far don't see an issue. The show is treading lightly and it helps that Jae-yi hardly ever falters in her assurance that this man is not her brother. At this point, too, there's not anything coming from his side, either. He seems mildly intrigued by her, but mostly annoyed that she might get in his way. And as for her other "brother," his longing is also not hitting me as that unexpected or titillating--it's just sad, really, because she so obviously doesn't share his feelings.

I can't wait to watch more.

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Finished. Gorgeous, loved the score, fine acting, but... I had a lot of difficulty visually differentiating between the minions of the various factions, and knowing who was fighting whom in the frequent (and impressive) melees. The lack of clarity contributed to the overall feeling of confusion and dread, but I wouldn't call it a satisfying experience. This is a show that might benefit from a slow rewatch.

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Re: This is a show that might benefit from a slow re-watch

Second that. I regret how a single drop radically alters my viewing experience (I have waited for more than a year for this, so I binged over a night & a day). When I go back to re-watch certain parts again, I appreciate a lot more details I missed earlier

re: faction clashes - oh, indeed. At one point, I think we had like 4 parties - mind you, these are entire retinue, assassin squads, and even private armies - all fighting (in the DARK!)

I was like (mental note to self): "See, this is what you get when you have a period drama that moves away from court political intrigue to the trade guilds. These folks just have too much monies - everyone is hiring mercenaries to fight by proxy!"

We get money shots galore (but also lots of confusion) 🤣

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I also think it would have benefited from more episodes, to let us more slowly know who's who; the relative location of the guild, the prince's manor, the secret hideout, and so on; and especially past relationships--so who was Hongrang's baby daddy? And did the chief merchant end up making three different women pregnant so close together? So many questions that maybe were clearer in the novel, or the scriptwriter's mind.

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so who was Hongrang's baby daddy?

I think it is Yuk-son, the faithful steward of Lady Min who stayed on by her side even after she went mad.

He made too many melo eyes and lingering gazes at her NOT to be the dad! 🤣

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I think so too, but it was thrown out of the blue like that. Did Lady Min marry the chief merchant to cover her affair, as well as to co-opt her father adopting him as his heir? An underserved plot line.

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So you are saying that, allegedly, all three brothers were fake in the end?

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I think this is actually in the novel (as a plot point) and also mentioned in passing in the drama (while leaving the implications unsaid).

1. Lord Sim was originally meant to be adopted as step-son to Lady Min's father (but that would disenfranchise her of her inheritance and dad's wealthy guild).

2. So, Lady Min forced Sim to marry her instead of becoming her step-brother (she does it by killing his lover - the adoptive mom of fake Hong Rang). That's in the drama too.

3. It's all subtext but I guess we can infer. That's why there's such a fierce succession war in the next generation as they each put forth their selected heir to control which bloodline holds the assets:

Lord Sim (by proxy through adopted son Mu-Jin), and Lady Min (by proxy through her own lost son and heir Hong Rang).

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Yes, that as a late curve-ball lol

Like, suddenly he grabbed his wife and went: "Are you sure that was even my son?" 🤯😲

And we are like, Wuuuud?!

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Thanks, @joanna
"That's why there's such a fierce succession war in the next generation as they each put forth their selected heir to control which bloodline holds the assets:
Lord Sim (by proxy through adopted son Mu-Jin), and Lady Min (by proxy through her own lost son and heir Hong Rang)."
That makes it sooo much more interesting for me and it makes so much sense to understand theor dynamic. And tp circle back to the "Swallowing gold" mataphore, which I see it in this novel not as a punishment for greed but also to the lengths each characters took for their obsessions, she looked all her life for her real brother and ended up with three fake dead ones. The best one was the prince, that wanted to become a God through his paintings and ended up killed by one of his (destroyed) canvas. I like the fact that the writer gave everyone what they asked for, a lesson to learn to just let go in life.

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You raised a good point.

The more I think about it, the more layered the interpretation of the story, and at the heart of the metaphor: what does it truly mean to "swallow gold"?

(p.s. the artistic decision to change the title to "Dear Hong Rang" is also one that opens up a whole different Russian doll of themes, veering away from the trope of swallowing gold)

A few key things surfaced for me:

1. Tangeum is a method of suicide, not homicide. By extension, every character ultimately met their doom by their own hands, destroyed by their own inordinate greed or obsession. This is despite the fact that there are real external forces of antagonism working against them. They were never fell by enemies from the outside, but by the deadliest enemy inside their heart.

2. Gold - This was in all likelihood the most precious substance of its day, one that could hold up its value even during wartime. Yet instead of circulating the currency to multiply wealth, they "swallow" the gold, so to speak. To "swallow", ergo to "hoard".

Ironically, the trope of tangeum is a twisted expression of incest to me. How so?

In this context of this succession war, incest can be seen as a pragmatic alliance strategy in the intersection of patriarchy, inheritance laws, and gender politics (the most famous and prevalent examples would be royal incest or inbreeding, but also common amongst the rich & nobility to maintain control over family wealth and lands)

That is the true spirit and root of incest. It has got nothing to do with sex, and everything to do with jealous hoarding.

You swallow, because you want to keep it IN. But that ultimately destroys you from the inside OUT. (c.f. A Hundred Years of Solitude as a prime example)

Lady Min, Lord Sim, Mu-jin...they all practise some form of hoarding incest either for the sake of wealth, power, status, lineage or love.

You know what's terribly ironic and laughable in the end?

The real deceased Hong Rang is revealed (very late in plot) to be NOT the biological son of Lord Sim.

That means Hong Rang and Jae-Yi are never related by blood AT ALL. They are not even half-siblings. That's surely saying somethin'

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Who was the third woman the chief merchant impregnated so close together? Kkot-Kim with her unborn kid, Lady Sim with Hongrang (although that was called into question), and? It cannot be Lady Ha, Jae-yi’s mom because that happened well before Kkot-Nim and Lady Min got pregnant, right? When Kkot-Nim was ever mentioned as Yeol-Guk’s mistress or lover, it always sounded like she was the only one. If Lady Ha had also been his lover around the same time….
When people are saying all 3 brothers were fake, are they including Mu-Jin? Because he wasn’t fake. He was openly adopted replacement, right? An adopted brother, not a fake one.
I’m confused about Lady Min wanting to make Yeol-guk her husband instead of step-brother to prevent herself from being cut out. Had she not married Yeol-Guk, she would still have her father’s daughter and entitled to share the inheritance in the same way Jae-yi was a chief merchant’s daughter and entitled to share the inheritance. There would have been no reason for Kkot-Nim et al to kill Jae-yi originally before she caused trouble doubting Hongrang had it not been because she had standing in the Min Family Guild just as Lady Min would have had if she had not married Yeol-guk. There were other discussions of how Jae-yi, even after Hongrang was believed to have returned, gave Yeol-guk some of his guild power. I didn’t understand that exactly how when Jae-yi was going to leave with Mu-Jin some of the merchants were surprised he would let her go because without Jae-yi he was a “paper tiger.” Jae-yi seems always portrayed as someone with low standing and no protection and yet there are often references to her being a threat and being important to the guild. I don’t understand how she can be both and if she was important as the chief merchant’s daughter, then Lady Min would have been too and whatever she inherited she could have passed onto her children with whomever she married and they would have had a claim to the guild as the blood grandchild of Yeon-UI’s father while any child of Yeol-guk’s had he been adopted by Lady Min’d dad would not have been a blood heir. Lady Min’s child with Yeol-guk if they married would of course have had the strongest claim instead of children they’d have with other people had they not married, but the idea that Lady Min wanted to marry Yeol-guk to retain power for herself confuses me. You’d think she’d have let him go with Kkot-Nim so that her father would not have adopted him and then married whomever she wanted. I’m just so confused.

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A short answer: all that maneuvering likely has got to do with inheritance laws (that favours males, not female descendants) and patriarchy (even a legally adopted son will have more inheritance right to the family wealth than the daughter by blood, cos daughters marry "out" and become the "property" of her husband's family).

So I guess Lady Min wanted to preempt their family wealth from going to an outsider (by adoption); she instead forced a matrilocal marriage where a poor man is married into the powerful family of a rich bride. That's how they kept it in.

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Re faction clashes: I too usually had no idea who was fighting who. At some point I decided it didn't really matter 🤣

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In the end, everyone dies.
Well, I guess not everyone. Actually, she gets to live out her life surrounded by her good friends (the ones not running around trying to kill everyone) and a bunch of cute kids.
It also occurs to me, that this drama follows what I think of as kdrama justice. People who do bad things (even if for good reasons) usually end up either in jail (in modern times) or dead (modern and saguek). I am not sure where I would put our imposter brother or his mute friend on this good-bad spectrum . They had good reason for trying to kill bad people. I find though, kdrama justice tends to give these characters heroic deaths (e.g., Chuno) rather than happily ever-afters.
The death of the cute loyal mute friend was the one that most broke me.

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