When Life Gives You Tangerines: Episodes 13-16 (Final)
by Dramaddictally
The winter season is upon us and it’s time to say goodbye to our characters. We’ve followed them from birth as they struggled, strained, and prevailed. And now, with new generations arriving, and the next storms to weather, we’ll follow them through their final chapter, with the same grace, strength, and frailty that we’ve come to know and love.
EPISODES 13-16
We begin with a wedding in 1998, and then we go back in time to see how we got there. Financial trouble is stirring as companies start going under and the next thing we know Geum-myeong is out of a job. The political protests that used to fill the streets are taken over by workers protesting layoffs. And then we see the government asking for a bailout due to national bankruptcy. We’ve reached the part of history now known as the IMF crisis.
While Geum-myeong is going on one job interview after another with no results, she decides to go check out the little theater where she used to work with the artist, Chung-Seob. She doesn’t know it at the time, but Chung-seob is there too, sitting only a couple of seats away. We get a repeat of him chasing down her bus through the streets after the movie lets out, but this time he’s determined to catch her.
When he does, it’s destiny. They go to a bar to catch up, where he’s very nerdy and awkward – but all spiffed up from the days she knew him before (he teaches art now) – and he admits he’s been waiting for this day. They get very drunk, hold hands at the table, and that’s a wrap. This is the pair that will be getting married in 1998.
Before that, we see them dating adorably, where it’s all laughter and flirtation. Geum-myeong knows she’s met her match and takes Chung-seob home to meet her parents – where he vomits over the side of Gwan-shik’s fishing boat and Gwan-shik pretends he hates him. The truth is that both parents approve because he’s so head-over-heels in love with their daughter. And at the wedding, we hear Geum-myeong say in voiceover that between Yeong-beom and Chung-seob, it wasn’t the size of the love that was different, but the temperature. With Chung-seob, “It was the temperature that let me be myself.”
The wedding is pivotal not only because Geum-myeong is marrying a guy who’s better suited for her, but because it marks another step in the generational trajectory, and Geum-myeong understands her parents’ sacrifices. We may be in their winter, but this is only her spring. And she realizes that “feeding on their verdant youth, I became a tree.”
Unfortunately, things aren’t all roses for her brother. And just after Geum-myeong’s wedding, Eun-myeong – who’s newly a father – winds up in jail. Given the economic downturn, and the fact that Eun-myeong didn’t have good job prospects to begin with, he was trying to start a business with a “friend.” But his business partner runs off with the goods from the pawnshop they’ve opened, saying that Eun-myeong is the culprit.
Behind bars, Eun-myeong finally tells his parents exactly how he feels. He couldn’t live up to his sister scholastically, and he’s also been living in the shadow of his brother’s death. He wanted the pawnshop so he could finally make some big money and show his parents that he’s worth something too. Ae-soon takes all this in and cries, realizing that her wish to never hurt her kids did not come true.
Gwan-shik swallows his pride and asks for a personal loan to bail out Eun-myeong, but is rejected, hearing that he’s too old to earn the money to pay it back. Times have changed and no one fishes like he does anymore. He stays all day, asking and bowing, but finally we see him clearing out his boat after twenty years of fishing and never taking a day off. He’s selling the thing that gave his family their livelihood, and he weeps, thinking back on his “springtime” with Ae-soon. It’s not spring anymore, and it hasn’t been for a long time.
When they use the money to bail Eun-myeong out of jail, Eun-myeong sobs in the street and asks “Why would you do that for me?” They sold the house for Geum-myeong, and now the boat for him, but he’s grown up thinking he wasn’t valued the same as his sister. To his parents, he was – they never meant for it to turn out this way.
Ae-soon sets up shop at the fish market, filleting squid for customers on their way out the door. She feels her life has shrunk, but puts on a bright smile and brags. And Gwan-shik feels awful that she has to do that. “Why is life like this? Why is it like this?!” asks the backbone of the family as he breaks down. He worries that Ae-soon had a terrible life because of him, but she says, “without you I’d be an orphan in the world.”
With Ae-soon, Gwan-shik, and Eun-myeong doing manual labor, Geum-myeong is still the pillar of the family. But she comes home one day to tell them that she’s quit her job and is starting a business of her own. She has the mindset that from the chaos comes opportunity and she wants to ride the waves, not drown in them. However, Ae-soon has a total fit when she hears the news. She can’t understand how at 50 she and Gwan-shik are still just getting by and the trouble never ends.
Hearing how upset Ae-soon is with their life, Gwan-shik goes alone to buy a risky investment property, hoping to turn their luck around. It’s a restaurant, in a newly built commercial center, that’s in the middle of nowhere. Theirs is the only inhabited space in the building, and it’s surrounded by nothing but open land. We’ll soon learn that it’s a real estate scam. He sold their cabbage field to buy this space and it was really the cabbage field that was worth something – he got duped into selling it for cheap, so the land could be developed into expensive properties.
The family is in dire straits with nowhere left to turn and no one is driving out to their restaurant, so they’re about to go fully broke. Geum-myeong comes through the door and tells them she got some money. She went around borrowing it, even though she’s got her own problems, and now it’s her turn to have a total meltdown and tell her parents the truth. She screams at Ae-soon about the pressure they always put on her to succeed and how she can’t take it anymore. “I’m sick of being the poster child! I’m sick of being the one who made it out! The pillar, the noona, the eldest child. I’m sick of it all!”
Gwan-shik suddenly comes from the other room and angrily yells his daughter’s name. It’s the first time he’s ever raised his voice at her. And he doesn’t say another word but she breaks into sobs, covering her face. Geum-myeong leaves her parents’ house and both she and her mother feel awful about the conversation, holding onto both guilt and resentment. We learn that Geum-myeong is actually pregnant in that moment, while Ae-soon has just started menopause.
Geum-myeong goes through a difficult labor and Chung-seob thinks he may lose her or their baby in the process. After a close call, both mom and baby are fine (though Chung-seob is terrified and says there won’t be a second one). It’s 2001, the IMF debt is paid, Korea regains control of its economy, and they name their new baby girl Bom (spring). A new start is truly on the way.
Without any way to sell their business, Gwan-shik and Ae-soon decide to double down and find a way to make it work by doing deliveries. If no one will come to them, they’ll do the fastest delivery in town. And little by little, they make a name for themselves, until customers start venturing out to find them and eat at the restaurant. Finally, a celebrity who owes Gwan-shik a favor does a promo for them, and that’s the last push to make their restaurant packed and popular.
With money coming in, Ae-soon is happy and Geum-myeong tells us that her parents, who once plowed the fields, became people who built landmarks. Suddenly, the commercial center starts filling in around them. At the same time, Geum-myeong’s own business is taking off and we see her on TV promoting it. She’s built a company that’s democratizing the way people study through recorded lessons. No matter where you are, or who you are, you can have classes in your hand. She tells the audience that she was inspired by her mother, who had the talent but not the resources to go to college.
But just as things are looking up and struggles get pushed to the side, Geum-myeong takes her parents for health exams, and they learn that Gwan-shik has cancer. It’s already advanced, but they begin treatments anyway, and he has to stay at the hospital, where the doctors and staff treat him and Ae-soon like absolute shit, as they’re cattle-prodded and ignored.
Throughout all this, Ae-soon has started writing poetry again and one of her poems is published in a journal. It’s about Gwan-shik, her love for him, and her letting him go. He’s still alive to read it and see that she achieved her dream of becoming a published poet. They have a joyful moment. But when he dies, after being together their whole lives, Ae-soon doesn’t know what to do with her days.
She fills her notebook with poems and another twenty years go by. Her grandkids are teens, Geum-myeong and Eun-myeong are both living well by working for Geum-myeong’s business, and finally Ae-soon publishes an entire poetry book. Geum-myeong had sent the collection to an editor with the note “I’m sending you the 70 years of my parents’ life, I think it’s a story worth telling.”
And that’s the story we’ve just witnessed, filled with love and tears and heartache and laughter, which Ae-soon has memorialized in her poems. And which Geum-myeong has memorialized by telling us this story and getting Ae-soon’s work out into the world. Her final voiceover is a thank you to her parents, with gratitude and respect (and a nod to the show’s original Korean title: “Thank you for your hard work”).
This is a masterpiece, detailing the epic and the ordinary in ways that make it relatable, authentic, and affecting. And all I can say is that if you haven’t yet started it, do so now. In the end, while Geum-myeong is the narrator, this remained Ae-soon and Gwan-shik’s story, with little about Geum-myeong after her wedding. It maintained the focus on women, generational struggles, and what we pass off to our kids, with humor and heartbreak that showed bad breaks and lucky strokes usually come in even numbers. Regrets, mistakes, and everyday struggle are what make heroes. And these characters, from start to finish, were heroes I wanted to follow.
The performances here are phenomenal, but IU and Moon So-ri deserve special recognition. IU stepped into both her characters believably and I am already looking forward to anything she does next. The sweeping nature of the show meant that the actors had to step into multiple roles at varying points in time, and they all did an amazing job embodying their aging characters.
This is a heavy watch that I won’t be replaying again just yet. But when the time comes that I need some inspiration and reflections on life, loss, and resilience, I’ll come back to this drama and let it take me through its currents again. Maybe next season.
RELATED POSTS
- Premiere Watch: When Life Gives You Tangerines
- IU and Park Bo-gum share Tangerines through the seasons
- IU says no thank you to Park Bo-gum’s Tangerines
- Netflix announces their 2025 K-content lineup
- News bites: January 23, 2025
- IU and Park Bo-gum join hands in When Life Gives You Tangerines
- News bites: July 29, 2023
- News bites: March 15, 2023
- News bites: February 1, 2023
- IU and Park Bo-gum cast in 1950s romance
- IU
- Park Bo-gum
Tags: IU, Kim Sun-ho, Lee Jun-young, Moon Sori, Park Bo-gum, Park Hae-joon, When Life Gives You Tangerines
Required fields are marked *
Your email address will not be published. Required fields are marked *
1 Lostpanda is now Sadpanda. 🪦 fanwall 🪦
April 3, 2025 at 1:16 PM
@dramaddictally thanks for a brilliant recap. More tears again after reading this recap. I’ve never shed this many good tears over a show.
When Life Gives you Tangerines
Daebak. You will not be the same person after witnessing Tangerines.
Every once in a blue moon a drama emerges of an Epic nature that permanently etches its presence into your soul. We will be talking about Tangerines for the next decade. Tangerines will change your life. You will never look at your parents the same way again. You will hug your kids more. You will be a better spouse.
Tangerines is fantastically ambitious and brave. It’s a heart wrenching story of life over decades. The focus is generations strong women with some “steel heart” guy thrown into the mix. While most dramas focus on the initial love, this show stamps it’s authority on love over a lifetime.
The plot is about life, resilience, and the inevitable flow of time. I love the present day narration as it reinterprets the real time past both beautifully and painfully. I love the complexity of the characters.
I love how every sentence is poetry.
It’s a lot to take in and it’s a masterpiece.
I love the 4 chapters and the paced drop. I think they intended us to savor the moment instead in binging all at once. The brain needs time to process.
A huge shoutout to:
IU and director Kim Won Suk: they made magic with My Ajusshi and I thought lightning could not possibly strike twice. Yet here we are, smoldering from that second bolt of lightning. Just like My Ajusshi, we will be rewatching and writing down each painstakingly etched quotes and life lessons. IU had nothing to prove and she ATE.
“I might hurt them because I don’t know how to be a mom”.
Another shoutout to Yum Hye-Ran as Gwang-Rye (Ae-Sun’s mom). What an incredible performance.
I love how they “reincarnated” Ae-Sun’s mother as the editor. She finally gets to savor her daughter’s work AND she found a job where she sits in a desk. BRILLIANT.
“I’m proud of her”…bring me more Kleenex pronto. 😭🥺😭😭
Child actress Kim Tae-Yeon as child Ae-Sun. Between her, IU, and Moon So-Ri, they portrayed Ae-Sun’s sprit perfectly. They were a perfect match.
A final shoutout to Moon So-Ri as the elder Ae-Sun. She was sooooo good. She embodied Ae-Sun perfectly despite the stupidly high bar that IU set. They complemented each other perfectly.
This isn’t the drama of 2025. This is the drama of the decade.
Thank you Netflix. You restored all hope (I forgive you after WTSG).
I’m calling it now. Daesang award winner. 🥇 but more importantly, it won over so many of our hearts.
Required fields are marked *
2 Monapilou
April 3, 2025 at 1:32 PM
Who would have thought that the same plattform that Just two months ago left us lost in space would also deliver us a gem like this- maybe the world is a good place after all.
@dramaddictally: I bow my head to you, what Ae-soon does with poetry you masterfully do with these recaps
Required fields are marked *
Lostpanda is now Sadpanda. 🪦 fanwall 🪦
April 3, 2025 at 1:48 PM
If Netflix needs to output one Turd (WTSG) for every Masterpiece (Tangerines) - Bring on more Turds.
I also second the admiration for @dramaddictally for a poetic recap that does this drama justice. She's the perfect person to do this recap. I have yet to come across a single review on the vast internet that has captured the essence of this show in a manner that dramaddictally has done.
Required fields are marked *
Dramaddictally
April 7, 2025 at 6:21 PM
🙏 I bow my head back. I'm very humbled.
Required fields are marked *
3 Lostpanda is now Sadpanda. 🪦 fanwall 🪦
April 3, 2025 at 2:02 PM
Unlike Dramaddictally, I gave it a 1 day break and hit play again on episode 1. Yes, it's a very heavy watch even on the 2nd play. However, I got to appreciate so many details that I didn't notice on the first play.
IU pronouncing the english word "nevah" multiple times with a Korean accent. Adorable (reminds me of Jisoo)
The grandma flipping the cabbage cart over. I kept thinking "My Cabbages" (referencing Avatar the Last Airbender)
Just how many times the show focuses on Ae-Sun's hairclips. It does this very early on, before we come to realize the significance of those hairclips.
Ae-Sun's mannerisms of crossing her arms over her chest and saying "I'm Happy". I didn't notice how often she did this early in the show.
IU's various facial expressions (especially her rolling her eyes at her grandma) since I was concentrating on reading the subtitles the first time around.
The 3 log traditional gate at their house in the 60's
The foreshadowing quote very early in the drama "When a parent dies, you send them to heaven. When a child dies, you keep them alive here". This originally referenced Ae-Sun's dad from the perspective of Ae-Sun's grandma. I didn't think much of it the first watch. It hit a ton harder on the second watch
Required fields are marked *
4 Kafiyah Bello
April 3, 2025 at 2:09 PM
Yes, a masterpiece and epic is correct. What a journey of life. Everything in this drama was well and releasing it in 4s was a good call. Just a top tier drama, not soon forgotten.
Required fields are marked *
5 Reply1988 -❣️Mother Bean❣️
April 3, 2025 at 2:41 PM
@dramaddictally thank you for an amazing recap of the drama of the year. Each season told a powerful story so it took a lot of reflection, you worked hard. You really did it justice.
There were so many amazing elements to the story, big events and the little things that showed the love the family members had for each other. The genius heated seat, the father and daughter sleep over at the hospital and their shared sunrise on the boat. I love that we got to see the woman who lived the life Aesoon narrowly escaped. Her description of the sports day experience where she was on her own in the blazing sun looking over at Aesoon standing with her soul mate by her side fanning her back really summed it up.
I understood the meaning of the comment that we may be the main character in our own lives but we are just extras in everyone else’s. Everybody's interactions were only there when their lives collided with Aesoon and Gwanshik.
I like this way of dropping episodes. Mini bite sized binges that allowed reflection. Episodes 9-12 were the ones with the most funny moments, but every season had something that made it stand out.
Watching the couple’s treatment at the hospital was heartbreaking and so unnecessary. These people are dealing with the bigger issues in life, surely you can cut them some slack.
This really spanned the life after marriage and showed that the happy ever after is not played out in terms of financial riches or a life free from sorrows.
Required fields are marked *
6 Pickles
April 3, 2025 at 3:12 PM
I watched this with my mom, and I think it bridged a gap I never knew existed before, or had at least ignored. I saw her struggles and she saw mine; I am all the more appreciate of her. We grew as we watched Ae-soon and Geum-yung grow. I don’t think a tv series had touched me as this one did.
Required fields are marked *
7 Lilona
April 3, 2025 at 3:19 PM
I admit I am quite shallow and I am watching kdramas that usually avoid heavy or deep live emotional aspects even if occasionaly I watch them and like them. So for me the most charming point of last 2 volumes was GeumSeop love story. It blows my mid and ressurected butterflies in my stomache, I didn't felt them for quite a long time. I like very mich how scripwriter left hints here and there, how actors (who had only ~10 filming sessions tgth from IU's interview) manage to create such a natural, full of laughter and love story, in which you believe immediately. They are both very talented actors and OMG sometimes it is just stars allignes (sigh to Boy next door).
I saw Kim Seon Ho in HomeCha and I liked him very mich but ChungSeob just won my heart and butterflies. I think I become a fan (I am already usual fan of IU she is superwoman for real).
And shoutout to incredible Moon So Ri and Park Hae Jun!!! They were amazing. Damn all cast was amazing.
As I said before for years to come every actor who was in this drama will be honored that he was there even for several minutes screentime
Required fields are marked *
8 Britney
April 3, 2025 at 3:32 PM
I was waiting for this recap and now I don't even know what to say haha. Well, first off, I cried ALOT during the final episode. I know it was theorized that Gwan Sik was gonna die since part 1 but to actually see it play out really hit me. I kept thinking was the actor also so skinny and this was the result of makeup and bigger clothes. My god, it was really affecting seeing him look thinner. And then when the son kept trying to avoid looking at him and focus on all the things to help him only to look up and see how thin he got.. oh my heart.
One thing I was confused about during his death scene was when they took him away. I thought they took him to a room to die peacefully, like euthanasia. Is that a thing?
I've seen so many comments about how the kids were so ungratful and blah blah blah and it's like what the hell type of lives are viewers living. Most kids are ungratful to their parents or feel pressured by them in some way, shape, or form at some point in their lives. Many people may feel resentment or complicated feelings about their parents even if they love them, respect them, etc.
I don't know how I felt about Geum Myong and her husband. I mean it's exactly what I thought it was: he was the realistic, right man for her vs the idealized storybook romance of her first love but I feel like the first love had more time devoted to it. Maybe I'm wrong and it was just that relationship had alot of big emotional moments while her moments with her husband were fairly chill. They did seem like they were just friends who happened to love each other and they matched each other's goofiness haha. I thought it was really endearing how even though CS was seasick or drunk, he still tried making his way to GM and stood at attention (as best as he could) just to be attentive to her. Like I've said before both of GM's suitors had qualities of her dad and it's totally understandable why she would fall for them.
The reincarnation surprised me but it was nice. (Even though once again the age throws me off. Is the editor supposed to be in her 20s/30s?)
Required fields are marked *
Lilona
April 3, 2025 at 4:20 PM
PHJ lost 7-8 kg in one week and first he drunk a lot of water then cut it off completely for couple of days and he request director to shoot all hospital scenes in one day at this state. Amazing proffesionalism!
Required fields are marked *
Britney
April 3, 2025 at 4:43 PM
That's alot of hospital shoots in a day.
Required fields are marked *
9 Britney
April 3, 2025 at 3:49 PM
Oh the karma being a kick in the ass for Yeong Beom's mother. She looked down on GM and her parents for being from a poor background and fast forward to GM being a happily married CEO of a successful company while her parents own a restaurant that ended up the first of a franchise haha while her son is unhappily married shell with a daughter in law that mistreats her (apparently) and a grandson that ignores her (while probably watching GM's tutoring site haha).
I thought of all of that when YB showed up to the wedding just to see GM in her wedding dress. I feel bad for him especially knowing what's in store for him. I think he got married after her because he knew he really could never get her back.
Required fields are marked *
Lilona
April 3, 2025 at 4:21 PM
Yep he was, bcs no ring at scene of GM's wedding
Required fields are marked *
10 Mrs Buckwheat
April 3, 2025 at 4:49 PM
Thank you drammaddictally for the fantastic recaps.
Bravo WLGYT, standing ovation.
Simply put, this was phenomenal from beginning to end.
Required fields are marked *
11 peiyeelai
April 3, 2025 at 6:29 PM
This drama is just WOW......from the story to the acting. I hope there are more of such historical/slice-of-life like this one in the future. I heard that the Baeksang is coming soon sometime in April/May. Hopefully, it will be nominated and win a lot of award this year.
Required fields are marked *
12 PYC
April 4, 2025 at 5:36 AM
“This is a masterpiece, detailing the epic and the ordinary in ways that make it relatable, authentic, and affecting….. It maintained the focus on women, generational struggles, and what we pass off to our kids, with humor and heartbreak that showed bad breaks and lucky strokes usually come in even numbers. Regrets, mistakes, and everyday struggle are what make heroes. And these characters, from start to finish, were heroes I wanted to follow.”
When Life Gives You Tangerines is a masterpiece and so is your recap, @dramaddictally! I simply admire how you distill what you’ve watched to the words of essence you share with us. A big thankyou!
As audience, I’m so grateful for the unparalleled experience and journey that goes deep into my heart. One that I can return to when in need of a moment of clarity about life, relationships and family members.
Thanks to the cast and crew for bringing this story to life. The phenomenal acting here by the main, supporting and side characters is second to none. I can tell in years to come I’d refer to them as Ae-soon’s auntie or the despicable almost-husband of Ae-soon (played so wonderfully by the always excellent Choi Dae-Hoon). And the casting of Jang Hye-jin is a stroke of genius who looks so much alike the younger character but importantly, her character as a long suffering subdued wife is so different from everything I’ve seen her in before. The performance of UI, Park Bo-gum, Moon So-ri and Park Hae Joon are truly exceptional - but Park Hae-joon is my personal favourite because he looks so much like my father in mannerism and that subtle-yet-deep love for his children.
I think all awards of the world may not exemplify the greatness of this drama. All beanies should give it a go please!!
Required fields are marked *
13 too_much_tv
April 4, 2025 at 7:12 AM
A triumphant recap, @dramaddictally. I had some of the same happy tears being reminded of these last episodes that I had watching them.
For me, this was a show about moving away from arranged marriage to children picking their own partners. Ae-soon and Gwan-shik had to push against some family opposition to marry, in particular because she was an orphan. Then, in the second generation, they were ready to support their children in picking their own spouses, but Geum-myeong's boyfriend's mom was not willing to do that. She had to be the one to choose, and for her this was a disaster. It was in discussions here that I realized why the story of Geum-myeong's marriage was important to telling the story of her parents' lives.
The two things in these last episodes that really got me: Gwan-shik's reputation in later life, and the call-back to the first episodes with Ae-soon's mother. When Eun-Myeong is trying to sell rice cakes in the neighborhood, and everyone comes out to tell him what a wonderful person his father is... that has happened to me. (I wasn't upset about it, because the context was different, but still--it choked me up pretty good that this show felt like it was alluding to that experience. "The crown of a good name," was the phrase that came to mind.)
I really teared up seeing that Yeom Hye-ran, the actress who played Ae-soon's mother, also played the professor who helped get her book published. And then, seeing the characters from the show on a banner on the Haenyeo Museum in Jeju was so moving. I just cried a lot watching this drama.
I am definitely going to that museum. I have to save up to travel. This is the first time I have watched a K-drama and said, "Okay, now I have to go there. "
Required fields are marked *
14 Qingdao
April 4, 2025 at 11:38 AM
EPIC! This series is extraordinary and profound. I just loved it. Whatever it's called, this is my favorite genre.
My only question: Can anyone describe the arc and meaning of the bit where the little girl finds the wedding ring that was tossed into the canola field? What are your thoughts, Beanies? I was surprised that there wasn't more of a conclusion with that wedding ring arc.
Required fields are marked *
15 Qingdao
April 4, 2025 at 11:44 AM
EPIC! This series is extraordinary and profound. I just loved it. Whatever it's called, this is my favorite genre. It is most likely the best K-drama EVER.
My only question: Can anyone describe the arc and meaning of the bit where the little girl finds the wedding ring that was tossed into the canola field? What are your thoughts, Beanies?
I was surprised that there wasn't more of a conclusion with that wedding ring Oh Ae-sun tossed away. My guess is it symbolized Ae-sun giving up her "precious dreams" only to discover that her sacrifices turned into "precious memories" and the little girl represented women of the future building on her life.
Required fields are marked *
Wooroo
April 4, 2025 at 7:02 PM
The show the SAME person at 3 different points in her life:
1) the little girl who “found” the ring
2) as a 10? year old with her mother who picks Ae-sun to clean their squid at the fish market after they sold their boat. When her mom said, “My mother-in-law said to pick the pretty lady.”
3) Lastly, grown up as the poem editor (they show the pictures on her desk).
I think it was such a clever way to show how a person can be “connected” to you throughout your life and you may never know about it.
Required fields are marked *
Wooroo
April 4, 2025 at 7:26 PM
I forgot to mention the most important surprise, that the poem editor was Aesun’s reincarnated mother. I bawled my eyes out when I saw that. This drama made me feel every emotion! It makes you reflect on every past and present relationship and want to give everyone a hug for at least 10 seconds (which is pretty long for a hug – try it.) LOL!
Required fields are marked *
16 Ghost of Tim (eccentric observations from a male perspective)
April 4, 2025 at 5:48 PM
Thank you @dramaddictally for the great reviews of this show. This is definitely one of the best kdramas that I've ever watched, and I shall miss feeling the anticipation of waiting for upcoming episodes to be streamed.
Required fields are marked *
17 spazmo
April 5, 2025 at 8:18 PM
it took me 3 tries to finish the last episode. i couldn't even blow my nose, i was sobbing so much... loved this drama.
Required fields are marked *
18 tangerinefan
April 6, 2025 at 1:35 AM
What a beautiful saga that highlighted the beauty in all the most mundane and painful and wonderful moments of life across generations! Also the lovely touch of the publisher who published Ae-sun's poetry book was her mother's soul reincarnated and felt an unexplainable pride for Ae-sun's work while reading it. Brought a tear to my eye.
Required fields are marked *
19 sumi
April 7, 2025 at 7:15 AM
As everyone has said here, this is definitely a generation-defining K-drama. And the story it portrayed defies culture or countries. I think every person could find something in this drama that touched their spirit - the regret of not recognizing what your parents had done for you, the constant comparison to your sibling/s and feelings of not living up to your parents' expectation of you, when you had to make a choice between supporting your spose against your family, etc. That is why I think this story can be universally relatable. Just truly a masterpiece!
Now, one thing I will admit that I did not like in this last 4-episode arc is the redemption arc given to Bu Sang-il (the nasty rich captain). I know the show was trying to show that every person is complicated, and that he too had some redeeming qualities as a father. But I honestly thought that he needed a stronger comeuppance for all that he had done. He was an abuser, even if that was considered "normal" in those times. I am so glad that they showed his wife finally having the opportunity to divorce him and become financially independent (and this is true as to why a lot of women can't leave their abusive husbands, since they cannot become financially stable). I wish the show had given him a little more hard time as his karma - they could have shown how in the end he died alone in some nursing home with no one caring for him. And the nice things he had done as a father came out only afterwards. I felt like the show creators were trying to make everything sentimental in the last couple of episodes and so glossed over all his past mistakes and made his character more comical in the end, hoping we would forget how mean he had been.
Required fields are marked *
PYC
April 9, 2025 at 6:45 AM
Character aside, I am so pleased to see Choi Dae-Hoon’s excellent performance is recognised with a Baksaeng Best Supporting Actor nomination.
Required fields are marked *
20 DK-Drama ❤️🎄 Giffing n Space Cadetting 👼🏻🌟
April 8, 2025 at 12:40 AM
Usually, when people say: "I cried so much during that drama", I wonder how easily they tear up - maybe I looked sad during a scene, but "cry so much"? no.
Also, I honestly hate those long passages with a voice-over that resignedly spews wannabe-wisdom about how everything comes to an end and we we should honour our parent and what not.
But even if I still hate the voice-over way of trying to force often ludicrous "truths" at me, like that "mothers know instinctively when their child is in danger" or "thing will turn out to be justified in the end", I just have to admit that this drama totally got me and all the way through Gwan-sik's prolo-o-o-o-onged death scene, I was just crying, low-key ugly-crying. (I know; ugly-crying is not low-key. I wasn't wailing with a wide-open mouth. But I was just sniffing , while mucus was coming out of my face all the time, expression like this head (to be found at The Met, so we must assume that I am am a classic, marble-like beauty): https://www.metmuseum.org/art/collection/search/204759
Required fields are marked *
DK-Drama ❤️🎄 Giffing n Space Cadetting 👼🏻🌟
April 8, 2025 at 2:33 AM
Actually:
https://imgur.com/vmqiu3d
Required fields are marked *
21 Reply1988 -❣️Mother Bean❣️
April 9, 2025 at 1:31 PM
@missvictrix the Beanie review for this drama has not appeared and it’s nearly two week since it finished.
Required fields are marked *
22 Lostpanda is now Sadpanda. 🪦 fanwall 🪦
April 9, 2025 at 2:43 PM
Moon So-Ri as the mature Ae-Sun of tangerines 🍊 deserved a Baeksang best actress nomination too. I get it- they can’t nominate 2 actresses from the same show for best actress- but Moon So-Ri deserves a nomination just as much as the wonderful IU. What a performance!
Required fields are marked *
23 geoul
April 10, 2025 at 11:10 AM
This drama was really a journey for me. I came from the insta reels and all but stayed for the amazing drama that this is. I was soo reminded of reply 1988; but I don't think i have cried this many times and this much for any other kdrama.
This really changed my perspective, and as a sucker for empowered female characters I loved and admired all characters. I know how people say Gwan Shik is the ultimate green flag and he is, but it is really unrealistic to expect a guy to prioritize me above everything else, even his career and everything(as in the starting episodes), but nevertheless his character is one of the most refreshing male characters.
My watching this kdrama at this point of time in my life, when I will leave our home, makes me appreciate my parents and wanna know more about their lives and struggles. The fact that parents try to make sure their children don't face the same hardships as them finally made sense and seeing it in my own life was lowkey crazy.
Honestly this makes me glad I love and appreciate kdramas, why they are kinda my comfort place, I just feel more thankful now. I always pick rom-com kinda light kdramas by instinct but I'm so glad I watched this, this is one of the best kdramas I have seen, it isn't for the light-hearted tho lol
But all in all, the storytelling, the subtle yet powerful connections, the complexity or life, the grey-shaded ness of human beings, and the way we all evolve over time, everything was amazing and incredibly delivered!
Required fields are marked *