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Thirty But Seventeen: Episodes 5-6

Thirty But Seventeen has delivered the laughs but this hour it’s all about heart, thanks to a certain rower. Chan blends his experience as team captain with mother-hen tendencies to hold his makeshift family together. It’s a tall order since that family includes a woman who is thirteen years behind the times and an uncle who experienced severe emotional trauma, but if anyone can pull it off, it’s Chan. Fighting!

 
EPISODE 5: “The Lands of the Unknown”

Chan answers the doorbell for Deok-soo and Hae-bum but before they can enter, Hyung-tae asks if they’ve seen a woman in her thirties near the house. The boys share that a woman did show up, convinced that she lived there, but she left and they don’t know where she went.

Hyung-tae hands his card to Deok-soo and asks him to call should the woman reappear.
The boys check the card once he’s gone and wonder what a neurosurgeon wants with Seo-ri. Deok-soo shoves the card into his pocket just as a food cart approaches.

The boys greet Chan but when they see Seo-ri, Deok-soo blurts out that a man just asked about her. Chan wonders if it was her uncle so Deok-soo reaches for the man’s card but it’s gone. He realizes that he lost it at the food cart so the boys try to remember what was on it. Deok-soo asks if Seo-ri’s uncle is a doctor while Hae-bum adds that card was from a hospital.

The boys are about to run after the doctor but they stop when Seo-ri admits that she knows why the hospital is searching for her, confused when she vows that she’ll never go back there. Seo-ri then asks Chan to use the internet but she’s utterly confused when he puts his cell phone in her hands.

Seo-ri uses a laptop to search for her uncle’s company and discovers that it’s long gone. She remembers that she saw him drive by on the day of the accident when he was supposed to be in Japan on a business trip. A call to her aunt confirmed that he was still away and Seo-ri realizes that if she really saw her uncle that day, it means that he lied to them.

At work, Woo-jin ends a phone call with his father and assures him that the buyers agreed to wait a month. Hee-soo overhears him and asks if something happened only to be told, “I’m not sure. I hope it’s nothing but I think it might be something.” A confused HYUN asks Hee-soo if she understands Woo-jin but she confesses that even though they’ve known each other since Germany, he remains a mystery.

Woo-jin can’t seem to concentrate and sighs, “One month…” An alarm on his phone signals that it’s time to feed Deok-gu and he runs home just as Hee-soo announces a meeting. Incensed, Hee-soo admits that if Woo-jin wasn’t so talented, she’d fire him.

Woo-jin is surprised to find Deok-gu playing with Seo-ri but carefully measures out his lunch. He coaxes Deok-gu to eat but when the dog belches, Seo-ri rattles off everything that he’s already eaten.

Woo-jin puts Deok-gu down and walks towards the stairs, straight into a potted plant. Seo-ri tells him it’s the perfect spot for the wilted plant but Woo-jin tells her it has to go back. He won’t relent even when Seo-ri promises that it will have new leaves in a few days, so back it goes.

Before he returns to work, Woo-jin looks jealous as he watches Seo-ri and Deuk-gu play together. When he leaves, Seo-ri moves the plant back to the special spot but she’s caught when Woo-jin returns for his car key. Back it goes to its original spot until Woo-jin leaves for good, then she moves it into the special place in front of the stairs.

Outside, Woo-jin frets, “Why did Deok-gu burp in my face like that,” and then reminds himself, “One month.” A few steps later he stops, “Why did she have to move that potted plant,” and then recites what has become his new mantra, “One month, just one month.”

After rowing practice, Hae-bum wonders what Seo-ri meant about not returning to the hospital. Deok-soo thinks that she escaped from a mental hospital but Chan silences them with orders to focus on their boat.

Troubled, Chan thinks back to Seo-ri’s explanation that she’d never used a phone to access the internet. Seo-ri confessed that she was a long-time patient at a hospital and Chan guessed that’s how she lost contact with her uncle. Seo-ri begged him not to tell the hospital her whereabouts but he wonders, “But what was she there for?”

While Chan and his friends wipe down their boat, he’s asked about LEE RI-AN, who hasn’t been seen since she announced her plan to meet her future in-law. Ri-an runs to a friend in class to ask if a shorter hairstyle makes her unrecognizable, only to be told that she looks the same, only with a wig.

Seo-ri waits while a violin technician studies her mother’s violin, shocked when he estimates that it will cost $2,000 to restore. She takes back the violin with a promise to come back but as she leaves, he tells her, “Even the best things become junk if you neglect them, whether it’s an instrument or a person.”

Seo-ri is outside when Chan comes home but she collapses when she stands up to greet him. Chan is ready to run her to the hospital on his back but she assures him that it’s only a leg cramp. Once she’s fine, Seo-ri asks to use his laptop.

Seo-ri types up her resume, which begins and ends with her acceptance to the music school in Germany. Chan has a stack of violinist job postings but realizes that Seo-ri needs a phone number. His number is unavailable when he’s at practice so Jennifer appears out of nowhere and recites hers.

Chan helpfully suggests that Seo-ri could list any competitions that she won but there’s nothing because competitions are about precision and she always improvised. Chan sees Germany listed on her resume and shares that not only was he born there, Woo-jin attended high school and college there. Seo-ri excitedly shares that she was supposed to attend college in Berlin.

When Woo-jin comes home, Seo-ri greets him excitedly with news that she was supposed to study music at a school in Berlin. She bombards him with questions all the way to his room but when he reaches his door, Woo-jin confronts Seo-ri, “Are you a child?” Her smile diasppears as Woo-jin continues, “If you’re not hearing a response, that means someone doesn’t want to talk. Shouldn’t you be able to catch on to that at your age?”

Laden with a platter of corn dogs, Chan overhears Woo-jin tell Seo-ri, “I’m really grateful that you saved Deok-gu’s life but please keep your promise of living quietly in your room.” Chan tries to smooth things over and tells Seo-ri that Woo-jin doesn’t like to talk to people but then sadly remembers that his uncle wasn’t always that way.

Woo-jin lies in bed and remembers how his worried parents knocked on his door after the accident and begged him to talk to them. Crouched on the floor of his room, he wept, with the charm from Seo-ri’s backpack nearby. In the present, all Woo-jin can do is sigh heavily.

When Seo-ri informs Jennifer that she’s on her way to look for a job, she’s told, “Stop.” The two women stand in front of Jennifer’s closet as the maid recites, “Time. Place. Occasion.”

Jennifer explains the importance of dressing appropriately for an interview and opens her closet to reveal nothing but white shirts and black skirts. Jennifer invites Seo-ri, “Take your pick,” and soon Seo-ri walks up the street, smartly dressed in a white shirt and black skirt.

At her first interview, Seo-ri is told that she’s just a middle school graduate since she never graduated from high school. Seo-ri’s next application is turned down because she didn’t know enough to bring her own instrument.

Hee-soo holds a meeting to discuss an upcoming three-day music festival. Hyun thinks it sounds like fun while Woo-jin complains about the stress it will cause. Hee-soo warns Woo-jin that he’s to attend the meeting with the festival staff or she’ll throw him out. Woo-jin doesn’t mind as long as she sends him to Croatia.

While Seo-ri waits for another interview, she suggests to a class of pre-schoolers that they should hold their bows like a rabbit, with their outside fingers pointed up like ears. In her interview, Seo-ri is dismissed as unqualified but she convinces the interviewer to evaluate her skills.

Seo-ri plays the violin surprisingly well until the bow falls from her stiff fingers. It’s obvious that Seo-ri hasn’t played in some time even though she feels as if it was just yesterday.

Outside, Seo-ri drops onto a bench and remembers the warning of the violin repairman — something great can become worthless if neglected. Seo-ri reassures herself that all she needs is practice.

At the hospital, Hyung-tae’s friend is surprised to learn that he’s no longer interested in the long-term hospitalization. When an unconscious female in her twenties is brought in, Hyun-tae pushes his way to her side and drops to the floor in relief when he sees that it’s not Seo-ri.

Woo-jin busies himself with a sketch of Deok-gu as the meeting with the festival staff gets underway. Tae-rin runs in with an apology for her tardiness and introduces herself as Rin Kim (her stage name?).

Seo-ri thinks about the $2,000 needed for her violin and perks up when she walks by a help-wanted notice. A restaurant hostess reviews the job’s benefits but Seo-ri thinks that she meant gas money, not days off. Woo-jin steps away from his meeting and sees Seo-ri just as the hostess asks about her age and this time she remembers to answer that she’s thirty.

Out on the street, Seo-ri recalls the hostess’ rejection, “We’re only hiring people in their twenties. Our boss is twenty-nine, so we can’t hire anyone older.” She thinks of everything that people expect her to know by the age of thirty but then her attention falls on two high school girls. Suddenly, she imagines herself laughing with Su-mi.

Seo-ri asks herself, “What about the eighteen-year-old me? What about the twenty-year-old me?” Seo-ri imagines her arrival at the college in Germany as planned and playing for her teacher. Years later, all grown up, she introduces herself in German as the second violin.

Seo-ri’s imagined future includes a concert hall with a banner that announces her solo performance and onstage, she sparkles in an elegant gown, her aunt and uncle in the audience, a standing ovation her reward. Suddenly, the scene blows away like dust and Seo-ri sits alone on a bench with tears in her eyes.

EPISODE 6: “Replacement”

Chan waves to Seo-ri happily until he sees her face. He joins her on the bench, indignant that her admission to the German music school doesn’t help her job search but Seo-ri admits that she isn’t good enough.

Seo-ri sees Chan’s calloused hands and he explains that all rowers’ hands look that bad. Seo-ri shares that violinists get blisters and callouses on their fingertips but then she sees that hers are perfectly smooth.

Chan wonders, “Were you so sick that you couldn’t play the violin?” Seo-ri confesses that she was unconscious for thirteen years because of an accident, which is why she still feels like she’s seventeen. Seo-ri’s disappointing day served to remind her that she’s really thirty and she observes, “I’m a strange thirty-year-old who doesn’t know anything.”

Chan takes a deep breath before he speaks. Haltingly, he tells her, “Thirty is not that old anymore…Don’t get discouraged yet. Good days will come as you live on.” Chan apologizes for his weak vocabulary but Seo-ri knows that he wants to tell her to cheer up.

Chan proposes that spicy food will improve their mood and Seo-ri proves that they’re on the same wavelength when she excitedly suggests spicy rice cakes. When Chan mentions seaweed rolls as well, Seo-ri practically skips in delight by his side.

Woo-jin gets home just as Jennifer goes shopping and a deliveryman arrives with a stack of packages. Woo-jin has to carry everything inside by himself and when he sees boxes for Hae-bum, Deok-soo and Chan, he can’t imagine why the friends’ packages were delivered to his address.

Woo-jin slams into the potted plant and then the doorbell rings just a he has a clean shirt over his head. He bumps into a bookcase on the way to answer it and is confused by a food delivery. Before Woo-jin can send the deliveryman away, Deok-soo and Hae-bum appear and claim the food.

The boys dance in as they chant, “Pigs’ feet! Pigs’ feet,” and tell Woo-jin that they’re expecting Chan. Distracted when the boys call to him, Woo-jin walks into the potted plant again, not at all thankful with the hearts and the wink that the boys send him as thanks for bringing in their packages.

Woo-jin retreats to his room to work but the doorbell rings and then Hae-bum barges in to announce that there’s more food. Hae-bum is disappointed that Woo-jin won’t join them and returns when he remembers to mention another dish.

Hae-bum looks dejected when he finally leaves but Woo-jin doesn’t care and locks his bedroom door. Seconds later, Deok-soo walks in to ask why Chan isn’t home and an exasperated Woo-jin suggests that he call him.

Woo-jin can’t get back to work so he goes to the bathroom to throw some water on his face. There’s an urgent knock on the door before Deok-soo barges in. He wriggles as he explains that the downstairs bathroom isn’t available because Hae-bum decided to take a bubble bath.

Deok-soo can’t wait and pulls down his pants which forces Woo-jin into the hallway. He announces that all he wants is peace and quiet and is rewarded with chirps from Chan’s escaped chick.

The next day, Woo-jin and Chan are startled by a scream. They run downstairs, weaponized with the umbrella and bamboo stick and find Seo-ri jumping for joy. She got a call to fill in for the teacher of the toddler class who’s out due to an appendectomy. It seems that all of the kids asked for the rabbit teacher.

Chan and Seo-ri jump in celebration as Woo-jin watches her with curiosity. Deok-soo and Hae-bum show up and decide that something good happened and join in. Jennifer finds herself smiling at the kids and then composes herself just as Woo-jin returns upstairs.

Jennifer expertly prepares fresh noodles as Seo-ri asks for flour to prepare some dough. Jennifer offers her some of the noodle dough and Seo-ri takes a handful.

Woo-jin walks downstairs in the middle of the night and overhears Seo-ri in her room. Deok-gu serves as her audience while Seo-ri practices what to say to her class. Woo-jin manages to avoid the potted plant, unaware that it’s much greener.

In the morning, Chan wishes Seo-ri luck on her first day at work and shares his words of inspiration, “Don’t think! Feel!” He sees the dough and Seo-ri explains that it’s for an exercise to loosen her fingers. Chan tells her, “Fighting,” just as Deok-soo and Hae-bum show up and wish her luck.

Chan stares after Seo-ri and when he remembers how she jumped for joy, he tells himself, “She really must be seventeen-years-old.” Woo-jin walks in just as the boys leave for school, horrified when they all promise to see him later.

Seo-ri drops off her violin with the repairman and announces that she’ll never allow herself, or her violin, to become junk.

Woo-jin walks downstairs and manages to avoid the plant on his way to the kitchen. While he grinds some coffee, Jennifer’s phone rings but Woo-jin doesn’t hear it and sits on it when he hops on the counter.

When the grinder stops, Woo-jin is spooked when he hears, “Hello?” The caller is from the violin school and she tells Woo-jin that the parents don’t want Seo-ri as a teacher so she doesn’t need to report to work. The caller hangs up before he can ask her to call Seo-ri later.

Woo-jin has finally learned to avoid the potted plant as he leaves for work. He comes right back to leave a note for Seo-ri about the job but a call from Hee-soo causes him to race out for a meeting before he’s finished.

Seo-ri returns and sees the note on the bookcase to her room. All it says is,”The violin academy…,” so Seo-ri adds something to it and goes into her room.

At work, Hyun answers a phone call and it reminds Woo-jin about the half-written note. He tells himself that Seo-ri will hear the news from the school and then remembers how giddy she was when she was asked to teach.

Woo-jin looks guilty when he remembers that Seo-ri stayed up late to prepare and then we see that he overheard the restaurant hostess tell Seo-ri that she was too old for the job. He notices that it’s 3:15 and remembers that Seo-ri told Chan that she had to report to the school at 4:00 p.m.

Woo-jin happens to drive by while Seo-ri walks to the violin school. He stops but a car behind him honks so he asks Seo-ri to get into his car. Seo-ri points out that she only has a ten minute walk but Woo-jin tries to explains that’s not his reason for the ride. She shows him the note, certain that it’s from Chan, and explains that she finished it for him by adding, “Good luck.”

Woo-jin tries to explain that the note isn’t from Chan but Seo-ri interrupts with directions. Seo-ri excitedly shares that she’s so happy because now she can afford to repair her mother’s violin and then she adds that she doesn’t feel useless anymore.

Seo-ri apologizes for talking so much before she happily hops out of the car. As Seo-ri walks away, Woo-jin moans, “Why did I pick up that call?”

There’s a promotion for a new store on the sidewalk where Seo-ri literally runs into Woo-jin. Woo-jin tries to explain that he has something to tell her but he’s interrupted when he’s given a promotional tissue pack. Unfortunately, he’s drowned out by large speakers when he finally manages to tell Seo-ri, “The music school told you not to come in.”

Woo-jin tries again and this time he yells so that Seo-ri can hear him just when someone trips on the cords. When everything loses power, Woo-jin’s words, “They fired you,” echo around them.

Woo-jin looks miserable while Seo-ri holds his note and realizes that she was fired before her first day at work and he nervously pulls out the end of a tape measure.

When Seo-ri realizes that she won’t be able to fix her mother’s violin, huge sobs escape her body. Woo-jin looks around uncomfortably while Seo-ri reaches for a tissue and then blows her nose loudly. Seo-ri pulls herself together and exclaims, “I feel so much better after crying.”

Seo-ri thanks Woo-jin for worrying that she’d be hurt by the news and acknowledges that he’s a good person, in his own way. Woo-jin insists that he just happened to answer the phone and doesn’t plan to get mixed up in her business anymore, so she shouldn’t make any assumptions about him.

Chan has just started on a huge bag of popcorn when Seo-ri and Woo-jin get home at the same time. He asks how everything went, surprised when Seo-ri announces that she was fired before she started.

Seo-ri runs off to use the computer to figure out how to earn $2,000 and Chan chases after her. Woo-jin walks by the potted plant but stops when he sees that it’s green and has new leaves. He admits to himself with a smile, “She was right. It came back to life.”

Woo-jin can’t get Deok-gu away from Seo-ri for his checkup because he won’t leave her side. Chan announces that Woo-jin’s been dumped and then points out the obvious, “Deok-gu doesn’t want to be separated from her again. It looks like she’ll have to go with you.”

On the way back from the vet, Seo-ri is relieved that the doctor proclaimed Deok-giu much improved. Woo-jin’s phone rings with a spam call and when Seo-ri returns it to his bag, she sees the ChocoPie.

Woo-jin recalls how he waited for Seo-ri to return after he bought her the treat, but when she asks him about that day, he insists that he bought it for himself. Stopped at a light, Woo-jin tears open the ChocoPie and takes a bite but he can barely get it down.

Seo-ri laughs while Woo-jin forces himself to eat the treat but stops when she sees her uncle walking on the other side of the street. She jumps out of the car and runs into traffic calling out, “Uncle,” as cars honk and screech to a halt. Woo-jin cowers in the car and envisions the bus accident as Deuk-go begins to bark.

Seo-ri is in the middle of the street when Woo-jin grabs her arm. She starts to explain that she saw her uncle but Woo-jin can only say, “Don’t move.” Seo-ri tries to jerk herself away but Woo-jin begs, “Don’t go,” and she freezes when she sees tears begin to form in his eyes.

COMMENTS

That sickly plant that Woo-jin constantly runs into reminds us that Thirty But Seventeen deals with rejuvenation. The right circumstances not only heal but unlock unrealized potential and that’s what Seo-ri, Woo-jin, and now, Hyung-tae are poised for. All three were horribly damaged by that bus accident and though they survived, they certainly haven’t thrived. The perfect place for that plant turns out to be in the middle of everything and everyone and that seems to be the same situation that Woo-jin finds himself in.

The running gag about the ridiculous amounts of food that Chan and his friends’ blow through on any given day is amazingly accurate. Teenaged athletes are always in “eat” mode and Thirty But Seventeen has lots of fun with that fact. It’s work to track all of the different ways that the boys find to consume enough calories and their search for food even impacts the story, such as when Deok-gu lost Hyung-tae’s business card to buy those yogurt drinks. It gives Chan and his friends so much personality plus it wreaks havoc in Woo-jin’s once peaceful life.

Woo-jin has gone from the remoteness of the Alps to having his doorbell ring constantly with deliveries. I think it’s amusing that everyone in the house has adapted to the pandemonium and are able to coexist while Woo-jin stumbles and bumbles his way around, constantly out of sorts. Woo-jin is meant to be restored in the same way as that plant, in a busy and bustling household, I’m just not sure that one month will be enough time for his transformation. This hour demonstrated just how much that bus accident scarred Woo-jin when he suffered from post-traumatic stress when Seo-ri ran into the street. No wonder he craves serenity and quiet and wants to avoid stress. He’s not just grumpy and uncooperative, he’s traumatized.

The friendship between Seo-ri and Chan continues to grow and I appreciate that there’s been no hint of romance because I love these two in a brother/sister type of relationship. In fact, I’m actually not in a hurry for any romantic developments because everyone has a lot of growing to do before any romance would feel appropriate. As the second lead, Ahn Hyo-seop has been onscreen as much, if not more, than Yang Se-jong. Maybe it just feels that way because he plays such an energetic character. He’s really killing it as Chan and displays not only the character’s emotional maturity, but his youthful exuberance as well.

I wasn’t expecting Ahn Hyo-seop’s character to be so pivotal to the drama, but at this point, he’s the glue that holds everyone together. Chan is a rock of support and as the questions and mysteries pile up, that support will be in high demand. What is the truth about Seo-ri’s uncle and what on earth happened to her aunt? Were they both involved in something or did the uncle betray his wife? Whatever we learn, it’s sure to be devastating for Seo-ri and the support of a true friend will help her to keep moving forward. Because that’s what Chan is best at, instilling hope and a stick-with-it attitude. As an athlete, he knows about teamwork and pushing yourself beyond your boundaries but he’s always ready with a smile or a shoulder to cry on, even though he’s only seventeen. It’s the older adults who will learn a thing or two from Chan as they deal with their wounds.

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AYS is such a joy to watch as Chan! I've never seen him in anything before but he's rocking it in his role. It seems like everyone has some growing up to do and I can't wait to enjoy the rest of the ride.

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Don't think! FIL!

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F.I.L.

I still laugh when I think of Jennifer saying "Call me Jennifer" and him saying something like, "I felt like it was the listening part of the exam".

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and his expression is priceless..i kept replaying that scene

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Chan developing puppy love for Seo-Ri could be a very serious issue. Deok-Gu already has a very very strong case of puppy love for her. Their love triangle would literally tear the family apart. I hope Chan is smart enough to realize this and backs off.

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Do you disagree? The love that Deok-Gu feels for Seo-Ri is by its very nature one the purest forms of "puppy" love I have ever witnessed.

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I knew that Seo Ri and Channie interaction is beyond adorable...
But I still want to ship Channie with his FOOD!!

Look at his face whenever he eats, ooooh it's undeniable love...

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I love this episode! It's too funny!! And Chan, he's such a energetic sweetheart! I feel like Chan's taking care of baby chick is such as meta Chan is taking care of Seo-ri, his uncle, and his friends. I feel like Chan is more mature than his uncle. I'm really impressed with Chan. I found AHY played this role well so far, and the best he's ever played! I usually found him stiff playing his character, and I don't think he's ever pulled his other characters better than Chan.

I can feel you Mister Gong! When your peaceful life has to be "ruined" because of the three high school seniors and a thirty but 17 year old girl jumping around happily because of a simple good thing, like Seo-ri was accepted in Violin Academy. Looking back at those four, it's easier to be happy when you're younger, HAHAHA.

I love Jennifer's simply wardrobe! all is black and white! :)))

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Chan is such an interesting contradiction. He seems to be just an average or may be even below average student. However, he has the potential to be a Nobel Laureate in the field of human relations. Smart slightly below his years, but yet wise vastly beyond his years. He is a truly fascinating character.

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Chan, his chicken and the deadpan wonder that is Jennifer are what I'm here for at this stage.

I love that this is a household of people who literally take in stray animals and people and cares for them - sometimes for years. The whole place is a menagerie: of old dogs and young chicks and homeless girls and chaotic teens.

If I have a gripe it's that the whole thing is a little broad at the moment. I'm all for chaos coalescing into order (hey, I'm the one person who loved Greasy Melo) but it all seems like it's trying a little hard to be 'whacky'.

Still, even when I'm getting bored a baby chicken will wander through the scene and I'll laugh. These are nice people and I've kind of missed nice.

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I'm hoping the violinist will be nice also.

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This is a k-drama, enough said.

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Same! I'm hoping the writers decide to ditch the trope and have the old "rival" be a mentor of sorts who can lead our lost chick on her own path (please please drama Gods! ) We have enough tension/angst from the accident and mistaken identity already...

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I would love for her to be nice and supportive and the reason that Seo-ri gets her first job.

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Then are you wanting the romance between the Seo-Ri and Woo-Jin never to happen? If Seo-Ri and Tae-Rin are friends then the "friend code" would prevent them from dating the same man. Tae-Rin already has her sights set on Woo-Jin. Seo-Ri would never get involved with a friends love interest.

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To be honest, if Seo-Ri and Woo-Jin never develop romantic feelings for eachother, stay friends, heal eachother's wounds through the healing power of friendship (rather than romance) and form a make-shift housemates' family, I would be perfectly fine with that.

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@cloggie,
Nicely said, bravo. [cheeky music reference]

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Based on the current plot progress and character development, we can not expect to see the first signs of a romantic relationship between Seo-Ri and Woo-Jin until episode 7. Seo-Ri life is utter chaos and Woo-Jin will not even make eye contact. There is going to have to be a catalyst to speed up their relationship to make it happen in a timely fashion. The good doctor is already in place to be the male love rival. The violinist is the only logical choice for the female love rival.

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I think it would be unique if the catalyst wasn’t jealousy! Like, if Woo Jin was able to recover/come out of his shell enough to notice more of what a good and clumsy person Seo Ri is (which is what made him fall for her before), she is able to see more and more what a good person he is underneath his grumpy old man persona, and maybe they bond over their shared history of losing people they love and being forced to grow up suddenly.

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@hotcocoagirl,
Excellent point! Watching too many k-dramas can lower your expectations, if you are not careful. Thank you for giving me a fresh set of eyes. Your version sounds much better.

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I was thinking the same thing when I was watching it, that these are just genuinely nice people, and it isn't often that dramas are like that. I do wonder about the plot, but the baby chicks, Jennifer and the constant eating make the chaos worth it ^_^

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Plot?

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What plot?

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WHOA, there is defiantly a plot. It is centered around idea that there is difference between being alive and living: your life should be more than just breathing. The viewers will follow our two leads as they go from just being alive to really living, finding each other and what is important as they move forward. DAM! it is such a heartwarming plot, my eyes are starting to water.

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And also about arrested development—one person quite literally could not mature past a teenaged mentality because she was physically unable to, while the other one was so psychologically scarred that he refused to emotionally mature. It’s about them maturing together though stray chicks, and sushiney nephews, and an android-like maid who sees more than anyone realizes.

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Both Seo-Ri and Woo-Jin have been alive, but not living for the last 13 years. Seo-Ri was in a coma and did little more than just breath. Woo-Jin emotionally retreated into himself and did just the minimum to stay alive.

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Sorry, it was just a joke ~ I was referring to the fact that character development took the lead over plot progression this week. As in, I expected more to be revealed about the past, or characters to meet each other, and instead it focused on deepening the characters. Which is great, I was just joking because of my own silly assumption of how this show would go, and how it has done better character wise than I expected.

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@hotcocoagirl,
And how do you know I had not figured out your joke and was just playing along?
*guiltily backpedaling like crazy*

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Thanks for the recap @teriyaki!

I pretty much agree with you assessment of the show thus far. As I was reading your comments I kept on feeling like I wanted to comment on each and everything you said. I'll try to keep it simple.

What I love most about this drama thus far is that many of these characters have depth to them which is really rare for a drama, let alone a rom-com. I think this is attributable to not only good writing, but fantastic acting.

YSJ's performance is just daebak. He emotes so well. When Seo-ri rushed into the middle of the street and he went after her, you could tell how desperately he did not want to be be a part of/witness another accident like the one in the past.

He’s not just grumpy and uncooperative, he’s traumatized.

I knew he was traumatized, but I didn't think to think that he is still living with trauma. It's evident, but for me it's one of those things that didn't fully click until you brought it up. Actually, I think I should phrase it differently. Most dramas use past trauma as a tool that they whip out whenever it's convenient to them. Here we are constantly reminded of the past--surprisingly without it weighing everything else down.

I'm constantly surprised by how much I like Chan. It's so easy for a character like him to be over the top and annoying. Ahn Hyo-seop manages to pour and exude so much love into and from that character.

Gosh, I love this drama.

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I kind of feel like the trauma is why Woojin and Seori are the same emotional age. She was shut out from life because of her coma, but he also shut himself away from everyone else because of his trauma. You can see that he almost never has a socially appropriate reaction, even more than Seori.

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Before this episode I was thinking that he had actually matured, since he had gone to university and is now a respected person in his field of work (which I didn't expect from the premise, where I thought he would be a complete hermit). But during this week's episodes, I realized (through the fantastic acting of Chan and YSJ) that he never worked through his trauma from high school, and never let even his nephew get really close to him again. He needs to adjust to life after the accident as much as Seo Ri does.

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I was saving this for the next episode but now it's come up...

... to me I'm not getting a 'stuck at 17 vibe' from him. I'm getting a 'cranky misanthropic old man vibe'. It's why the OTP isn't working for me.

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I hope you’ll stick with it though—I’m already sensing that we’ll be on opposite shores again. 🙃

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I'm sure we've agreed on some things, @ally-le. Like, Circle? We just wrote a piece where we agreed on Circle!

I'm on the fence after episode 4 but I'm nowhere near dropping it.

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We do agree on some things, I just find it more interesting when we don’t.

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I’m actually okay with no love lines at the moment (which I never say!) I want to see these characters grow more!!!

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No, I love this drama! But trust you and I to have similar tastes in shows and leading men. 😁

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That second “I” should be grammatically corrected as “me.”

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So far, I'm really enjoying this drama. I think this writer does a great job in delivering lovable characters, as she also created great characters in "High School King of Savvy" and "She Was Pretty".

I also have been surprised by how much I like Chan, as I wasn't that impressed with Ahn Hyo-seop in "Father is Strange." But he's killing it in this role. Just hope he doesn't develop a crush on the heroine cause I don't want to see his heart broken like the second male leads in both She Was Pretty and High School King of Savvy.

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Whenever Chan is on screen, I have this big stupid smile on my face and I just want to be Chan's best friend forever and ever. He's there for Seo-ri no matter what, and they match each other's energy perfectly. Chan sees Seo-ri as a 17 year old teenage girl and treats her as such, and so Seo-ri has at least one person in her new world who understands her. I'm so so happy that Chan exists!

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He's just a perfect ray of sunshine.

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I just wanna hug everyone in this drama. "Dont think FEEL". I really appreciate the friendships in this drama. And although our lead actress' mentality is 17 years old, i feel she brings this delightful innocence and -do i dare say- mature optimism to the group.

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"As an athlete, he knows about teamwork and pushing yourself beyond your boundaries but he’s always ready with a smile or a shoulder to cry on, even though he’s only seventeen. It’s the older adults who will learn a thing or two from Chan as they deal with their wounds."

I guess it is the innocence of youth that will heal the trauma in adulthood :)

Btw, I love your comments TeriYaki and agreed with them 1000%!!! This drama just makes me feel all kinds of warm and fuzzy. I love it!

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I'm not sure whether I want to date Chan (after traveling back in time to high school) or to adopt him.

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This is kdrama. I think we can do both while he calls us "Big Sister".

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He’ll be calling me Ahjumma just like So-ri and my kid could never be him—I’m too serious and pessimistic (at least as a parent). Although, my kid was just rolling on the floor in a fit a giggles tonight, so maybe I could be his mom after all. Okay, it’s official, I’m adopting Chan.

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This show is pure love. I’m moving absolutely evetything about it. I love the dog, I love the little chick, I love Chan, I love So-ri, I love how So-ri is so good with those kids and the rabbit bow hold (that’s adorable and now looking at the moon that way makes a ton of sense), and I love the plant and how it’s analogous to Woo-Jin. I just want to give that boy a hug and tell him everything about So-ri vs So-mi and that it wasn’t his fault. I’m sure we’ll see that plant bloom as we see him finally get rid of all that dead foliage he’s been harboring all these years. I love Yang Sejong for how he can just transform himself as a character, so I’m looking forward to this. I love Jennifer. I love the best friends. There’s not going to be a villain, right? Can I have another 20th Century Boy and Girl show where everyone is just nice the whole time? I’ll love you, show, it you grant me this.

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This is the only show I've ever seen in a Kdrama where I don't have to brace myself for the next cruel thing someone does. Those shows exhaust me emotionally whereas this show reminds me of the goodness in people and it always brightens my day when I watch it. I don't ever recall like everything about a show and its cast before. I don't FF over parts like I do w/ other show and if anything, I'm often rewinding to rewatch sqooshy mooshy or funny moments again. Like that scene of Seo Ri and Chan on the bench was all sorts of warm fuzzies.

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I wasn't too sure about this show after the first week, but now, now I'm sold. Chan is pure joy, and the emotional center pulling everyone together. I love that he is both a slightly dim, goofy, insatiably hungry teenage boy, and also a fairly astute reader of the physical and emotional needs of others. I want his rowing crew to win all the races, eat all the food they want, and for his heart to not be broken by a writer who might think we need/want a stupid love triangle.

I also love that Seo Ri does not have magical suitcase or closet filled with endless fashion forward clothes and coats. However, I was alarmed at how closely my own closet resembles Jennifers.

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I do not believe that Chan could or would ever be part of a love triangle with his uncle. Homie don't play that.

What makes Jennifer's wardrobe so amazing is that every single blouse and skirt is unique with the exception of the color. The blouses are all white and the skirts all black. An observant person would notice the daily differences in attire, but a lazy person would only ever see a white blouse and black skirt.

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Ha, I am one of those lazy people. But even lazier than that, my wardrobe is several versions of the same basic black shirt and then either black pants, or when I'm feeling cheeky, jeans. This is because I am genuinely lazy, and also I spill a lot when I eat.

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I was trying to be clever, sometimes a big mistake. What I was attempting to say was Jennifer is more than she seems. Just like her wardrobe. At a casual glance she is a woman who always wears a white blouse and black skirt. However, if you take the time to look closely you will see those blouses and skirts are all very stylehsh and unique. There is definitely more to Jennifer than meets the eye.

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One good thing about black skirts and pants is that they are relatively Choco pie safe. If you were to accidentally sit on one it will be much harder to notice the "poop". I bet Woo-Jin wishes he was wearing black pants during the Choco pie incident.

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Hahaha - I've seriously considered getting an adult bib for myself!

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I have one, they are very handy.

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Could it be that her wardrobe is symbolic in that it is black and white and yet "grey" [ie different] all at the same time?

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Chan is a wonderful, caring kid and if I were his parents, I would be so proud of him!

At the same time, it’s sad to think that teenage Chan is quite similar to how Woo-Jin was as a teenager. Even Chan remembers how loving, giving and warm Woo-Jin used to be (I always think of that scene when Chan was a little kid and Woo-Jin was so playful with him when they have their cute uncle/nephew moments) and I think it’s partly why he looks up to him so much. It’s also so adorable that Woo-Jin shows glimpses of his true caring and nurturing nature when he’s around Chan and Deok-Go. Unfortunately Woo-Jin’s severe has generally repressed that aspect of his personality. I experienced something similar after dealing with years of anxiety and depression, I was very reclusive and a shell of my former self, it was tough to realize how much it stole from me. What’s worse is that he’s been carrying this weight alone for so long. Seeing how he reacted to Seo-Ri running into the street was heart-breaking and even moreso in the next episode, I was so impressed by Yang Se Jong’s acting whenever Woo-jin’s trauma surfaced.

I also feel so much for Seo-Ri of course and I’m SO glad she has someone that is as warm and supportive as Chan and also her precious dog while she tries to figure out how to start living again and to find the people she considered family. I’m just wondering how despondent she would be if she knew her Uncle and Aunt hadn’t been to the hospital in a long time. Maybe she’d still rationalize that it was not by their choice because you can see how deeply important it is to her to find them.

I’m impressed with the 3 main lead’s acting honestly, they are all doing a phenomenal job bringing these characters to life. The established and developing love and friendships feel so palpable and are a treat to watch. Even MaidBot Jennifer and the dog are adding to the warmth. The drama has been so cozy, entertaining and emotional so far as expected from the writer of High School King, I’m really loving it!!

Now I’m waiting to learn more about the 2 (sort of)m ysterious characters, the female violinist and the doctor who was watching out for Seo-Ri.

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Job hunting would probably go better if she would go back to the hospital and get some paperwork saying that she had been on ice for 13 years.

But I guess that's too logical for a 17-year-old (?) Maybe if she were 18 :)

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Oh, God, tell me about it. She's driving me bananas. She doesn't even have an ID, which is something a social worker from the hospital could help her with. I have no idea why she hasn't told the lovely people who gave her a home (despite having no reason to) about her coma. They might be able to help!

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I think she kind of told Chan, right? But he’s sworn to secrecy. She’s definitely out of her element. Her mind is one track: get mom’s violin fixed, play said violin, find family and go back to where you were 13 years ago, everything will be ok once that happens. Except now we have a whole new family and pets and plants and Jennifer! I love this show...

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She did tell Chan, kind of.

I do keep reminding myself that when she had the accident she was Korean 17 - i.e. 16 or even as young as 15.

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I guess there wouldn't be as much wackiness if a social worker got involved and got her some papers and registered her for some government assistance programs. It would just be episodes of her waiting in line at some office and going to workshops on life skills.

But yeah...I don't get why she's so reticent to tell people. It makes it sound like she's an escapee from a mental institution where she has been institutionalized for years. But really, she was a violin prodigy who has just woken up from a 13 year coma. It's a perfectly good explanation for why she's been out-of-touch with everything.

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An excellent point if she trusted the hospital to provide her assistance. However, during her long rehabilitation they provided her no help with finding her family. They did not even tell her about the death of her friend. What has changed to make her believe that they would suddenly provide that assistance. At present she has Chan, Jennifer and Fang to support her. Mr Gong has even warmed and made her feel somewhat welcome. Would going back to the hospital really be the most logical choice?

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During her rehabilitation, I feel like the hospital should have provided her with a psychiatrist to make the transition from being 17 to 30 smoother.

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Sadly mental health in Asian is still very far behind the West. It's still considered a weakness to have any sort of emotional issues which is why there's such a high rate of suicides. I wish more and more Asian dramas would show that it's OK to seek and get help for emotional problems b/c they can affect every aspect of a person's life if not dealt with as much if not more than physical ailments.

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Especially in a high-stress society, it's super important to talk to someone about your issues. I remember a few high school dramas where students are caving under the pressure and harming themselves in the process. That's why school counsellors can be very helpful.

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The drama's not too big on logic and sometimes conveniently stretches things.

The guy measuring a bench/chair etc being constantly called a "pervert" (even when there isn't a single person on or near the bench) being one example. I'd think "ok, someone measuring because he's employed to get a replacement bench/chair". Or maybe I'd think he's a bit weird/rude/asocial. But pervert?????

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Jennifer [Ye Ji-Won] “Uber Housekeeper”
- This character in Thirty But Seventeen seems to polarize the viewers. She is either hailed as a comic genius or absolutely detested. There seems to be no middle ground. I believe it is safe to say the writers intended for her to provide comic relief. She is meant to be an eccentric character. I see her as a blending of Nanny McPhee, RoboCop and Mary Poppins. Her almost magical abilities are similar to the two legendary nannies and her dry sense of humor and one liners are similar to the robotic law enforcement officer. I also have come to believe that she can literally kick some butt.
- Why does she polarize the viewers so much? I personally believe that comedy is very subjective and somewhat polarizing. The viewers seem to either get it or are offended by it. Though it would be more correct to say that the feedback received is one of those two extremes. I believe that there are also viewers that are less affected by it and stay relatively silent. Since the moderates are relatively silent, the polarizing seems much greater than it is. Hopefully in the end we will respect each others opinions.
- Some so called “comedy” is offensive by its very nature. It generates “laughs” at the expense of others. This category of comedy is not funny, it is just plain wrong. It should not be tolerated. Unfortunately, what is offensive has an element of subjectivity. Nothing is as simple as it seems.

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Yes, so far she's identical to that character in the Suspicious Housekeeper where the robotic all-knowing, all-fixing, perfect housekeeper is played by Choi Ji-woo (and that one was even a remake of a Japanese series).

If it turns out that she's even got a similar sad backstory, someone is going to do this writer for plagiarism.

I'm hoping they'll go a different route with Jennifer...

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They could do something completely different of course but the similarities right now are uncanny.

Maybe Jennifer is really a robot who's taken over from the real Jennifer who's in a coma somewhere...

No... wait... that's a different drama lol

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Perhaps I inadvertently stated that if you did not like a comedic character the absolute only possibility was that you were offended by them. No, certainly arriving at that conclusion from my posting would be difficult at best. After all, I merely suggested that being offended was a possibility, especially strong amongst the most vocal critics. You have stated you were not offended, which is welcome feedback. Thank you.

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seem : give the impression or sensation of being something or having a particular quality [used to make a statement or description of one's thoughts, feelings, or actions less assertive or forceful]

It was never asserted as a fact, just presented as what I thought might be a possible explanation. The word "seem" appear five times throughout the post. It seems you misunderstood that key aspect of the post.

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The inclusion of the word "seem" alters the meaning of the sentence and allows for other possibilities, though considers them less likely. If this is not the meaning of the sentence, please let me know. I try to learn from my mistakes.

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I would add that your opinion does seem to be polarized because you seem to absolutely detest the character.

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Thanks for your recap and comments, TeriYaki!

I'm thoroughly enjoying this romp of a show. While THIRTY BUT SEVENTEEN contains serious and tragic elements, it also emits a lighthearted vibe that feels true to life without being too over the top. Seo-ri's infectious jumping for joy reminds me of the times I've done that, too -- long after I was 30. The adolescent athletes with hollow legs (insatiable appetites) bring to mind my own kid brother. Jennifer is an enigma who is growing on me.

I'm impressed with the cast. The young actors have been great. Park Si-eun was daebak in SEVEN DAY QUEEN, and she's dynamite as young Seo-ri. Yoon Chan-young looked vaguely familiar. He should: I saw him first in ROMANTIC DOCTOR, TEACHER KIM as the the young Dr. Kang Dong-joo, and later in HWAJUNG, SIX FLYING DRAGONS, THE KING IN LOVE, and DOUBTFUL VICTORY.

Shin Hye-sun is terrific as the fish-out-of-time Seo-ri. She's doing a dandy job conveying the physical and intellectual challenges of her situation as well as the emotional upheaval she experiences as she realizes the innumerable ways in which her life has changed. She got me right between the eyes as she came to grasp how she has been cheated out of her late teens and twenties, and is pretty much unemployable.

As expected, Yang Se-jong turns in a deftly-nuanced performance as the uncle who lost his smile. Woo-jin and Chan crack me up, especially when Unc now has to reach up to tousle his gangly nephew's hair. Thanks to Chan's athletic activities, Woo-jin has for all intents and purposes acquired three more nephews, who are all good-natured sweeties. How refreshing!

Ahn Hyo-seop steals the show as Chan. I didn't even recognize him from drama special SPLISH SPLASH LOVE, where he first caught my eye, and weekender HAPPY HOME. What a chameleon.

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I can't count. Make that: Woo-jin has for all intents and purposes acquired three two more nephews...

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I'm wondering what happened to the fourth member of their crew. How come he doesn't hang out and chow down with the rest of them?!

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AHS was in Queen of the ring( mini series of Three Color Fantasy) with Kim Seul-gi who was the main lead girl from Splish Splash Love. He plays a bit arrogant handsome boy in Qof R and now he got one of the goofiest haircuts I have ever come cross yet he looks quite adorable. I think that all moms love to adopt Chan as their son.

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I have (adopted Chan) and posted baby pics on my wall.

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Chan is currently my fav. AYS is really knocking it out the park... i enjoyed his performance in Father is Strange but now i'm surprised to see he has a much wider range and emotes quite well.
YSJ is still bae though; His scenes at the intersection and in ep7/8, are so well executed, he's capable of ensuring his audience is with his character's emotional journey every step of the way!
I'm a little afraid of finding out just what happened to Seo Ri's family cause I don't want her to suffer even more... :(

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Can I just say...it is my comedic relief after ayht and lom seriousness ....this is good suprisingly.i didn't expect much but I am happy they are not over the top.its quite relatable

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Kia ora (and aloha) to an Antipodean Beanie!

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I used to live in Hawaii, but am actually from New Jersey. It's not every day I get to say howdy to someone in the Land of the Long White Cloud. Glad to meet a fellow Kdrama fan via DB. ;-)

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I really enjoy watching this drama where everybody is trying to do the right thing, where they're all nice and supportive.

I've said it on my fanwall as well, I'm not feeling the romance right now, because Seo-ri seems a mentally really young 17. Maybe just the right age to have a teenage crush on a rower, but I'm guessing we're not going there.

However, I love this drama for having created such a safe environment for all our messed-up characters. If and when Seo-ri is ready to dip her toe into any kind of romantic relationship, at least she's got Jennifer there to give her sensible advice.

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I feel like romance is something she'd consider after the healing. As Buffy said, she's cookie dough. She's not done baking. And only once she's finished becoming cookies can she ask somebody to enjoy them.

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My heart broke for Seo Ri's fantasy life. Our 20s are full of confusion, trying to figure out who you are as an adult but also as a person, but tons of fun too and Seo Ri lost all those opportunities. Instead, she is lost, unemployed with no marketable skills in a society where age is very important. I feel for her. 😞

And for Woo-Jin too. Clearly the dude has been in shut off mode since the accident. Closed off from the rest of the world to avoid more hurt. Which is why I am glad for Chan, his teammates and Seo Ri. Woo-Jin needs someone to put some fire into his life and I feel like those four troublemakers will do.

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That whole sequence of her imagining what she could have been doing during her lost years made me really want to shout at fate for putting Seo-ri in a coma. It really sucked that she went into the coma before graduating high school, so she doesn't even have high school diploma.

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One of my favorite scenes in episode 6 is of Woo-jin's thwarted attempts to install an umbrella in the hand of a miniature human figurine. It looks like an homage to Yang Se-jong's role in TEMPERATURE OF LOVE as Chef On Jung-sun, master of tweezer-fu. He used tweezers to fussily precisely garnish dishes with herbs and flowers at his fusion restaurant, Good Soup. With constant interruptions by famished rowers driving him out of his skull, Woo-jin's manual dexterity goes to the dogs. Unc can't even use the restroom in peace because of Hae-beom's bubble bath tying up the second lavatory. Oh, the humanity!

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I was frustated when Deok-su lost Hyung-tae's business card, I thought he would see Seo-ri already! But anyway, it's how it is and we have to see all of them struggle and improve and survive that accident 13 years ago. I'm just happy to see Jennifer again, when she's not present I find myself asking, "okay but where is Jennifer? I need her quoting quotes for skincare."

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I was so upset on behalf of us Dr. Kim fans and for the man himself. 13 years he was devoted to her while she was in a coma and the moment she wakes up, he loses track of her? Then he had a chance to find her again if not for the idiot (said lovingly b/c Deok Su is a kindhearted guy) yogurt loving jock?

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However, Deok-Soo accidentally did Seo-Ri and Woo-Jin a very big favor. The more time she spends in that house with Woo-Jin, Chan, Jennifer and Deok-Gu the better for them all. She will eventually leave her old home and new family behind, causing us the viewers a lot of angst. Please do not rush her departure. Of course once she leaves, her eventual goal will be to return to them for her happy ending.

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So far so good for this drama. The execution of the premise has been well done by the cast and writers.
There is a saying that family is those who eat under the same roof. Like the beginning of Wok of Love, you have a dysfunctional group of strangers who come together as friends. Everyone in the house, except Jennifer, has the mentality of a teenager, which also proves the point that age is merely a state of mind. As such, Jennifer's role is important to make the other house members to stop and think before acting like a child.
Shin Hye Seon is the key to making the show work. She has captured a true 17 year old in her actions and emotions. As an actress, she has mastered the instant tear machine. But in this role, she has kept a naive, high school student point of view in trying to understand her present situation. For example, making flyers to find her uncle makes sense to a teen who just lost their dog but not to find a person who ran away 11 years ago in a neighborhood that has dramatically changed over time. She asks rapid fire questions to strangers, like should would to a teacher, but gets the opposite feedback. Before the accident, she trusted her family, friends and teachers. After the accident, she trusted the doctors and nurses but they lied to her about her past. As such, she is wounded by abandonment issues. Now, when something bad happens, she reacts emotionally. The only people she trusts is Chan and his friends, because they are at the same mental age with the same outlook she had in her life prior to the accident.
I would rather have the story progress on solidifying friendships than any romantic triangles. I am more interested in how Seo Ri can get her life back on track, and how the people around her will support her.

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I agree w/ everything Welh wrote except the romance. I can't help it, I am a sucker for that and can't wait for the triangle, square, pentagon, hexagon, etc. to begin. I can't wait to see how each of the three suitors will try to win her heart. I hope that they continue with Seo Ri's compassionate nature into romance as well and she'll let down the other guys kindly and gently. I hope they find their own Seo Ris.

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I just want to know what's the deal with the uncle! I feel like it's not gonna be pretty...
"The friendship between Seo-ri and Chan continues to grow and I appreciate that there’s been no hint of romance because I love these two in a brother/sister type of relationship."
Oh, you spoke too soon lol for anyone who already saw episodes 7/8, I'm sure you understand what I mean....
I love that everyone is doing so well with their respective characters, but I have to say I'm more impressed with Shin Hye-sun, I genuinely believe, when I'm watching the drama, that she is 17 years old and I just want someone to hug her and tell her that everything will be okay. Please, protect her!!!

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What happened at the very end of episode 5? Did someone from the production team pass away?

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I need information for this instrumental title song..

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I don't understand some part like when the nephew said he was born in Germany and when back to Korea when he was 10 years old.. his uncle is supposedly 11 yrs old than him. so in the first ep we can say that the nephew whom woo jin kissed is chan that makes woojin 21 years old in the 1st ep.. but we know that he was 17 then and he studied high school in Korea not in Germany.

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