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Life on Mars: Episode 16 (Final)

After weeks of questions, it’s about time we get some answers. Tae-joo has wrapped up Kim Min-seok’s case, but his unfinished business in 1988 still haunts him. It’s the final hour and Tae-joo will have to figure out where his happiness lies.

 
FINAL EPISODE RECAP

A cold case file on the gang attack that resulted in the death of Dong-chul and Co. back in 1988 lies open on Tae-joo’s desk at home. Meanwhile, Tae-joo is speeding down to Insung Station to investigate further.

In the records room, Tae-joo locates the incident report and frantically flips through the crime scene photos of his friends’ bodies. His head snaps up at a cackle of familiar voices and he steps out into the hall where Dong-chul and the team are laughing loudly. He calls out to them, but they turn a corner.

Of course, when he reaches that corner, they’ve vanished. Anxiously running outside, Tae-joo grapples with his sense of reality as he wanders out into the middle of traffic. (Have you learned nothing from all your near-death scrapes with cars?)

Afterwards, Tae-joo is calming down on a bench inside when the current captain finds him. The captain hands over the case file on the gang incident and everything is as Tae-joo had said it would be… except Chief Ahn Min-sik doesn’t exist. Another name is listed in the file, but that individual has since died.

Tae-joo runs to the records room to crosscheck the documents, but Ahn Min-sik doesn’t appear anywhere. What’s more, the captain tells him Ahn Min-sik is absent from the police database altogether. He suggests that Tae-joo try contacting the Police Mutual Aid Association to be sure, but they tell Tae-joo no such person has ever worked within the force.

More confused than ever, Tae-joo stops by the hospital to visit 2018 Chief Ahn Min-sik at his office. Chief Ahn invites him inside and Tae-joo asks if there are any side-effects to his surgery. He explains that he’s been seeing apparitions from his coma dream and Chief Ahn agrees that it’s possible for brain surgery patients to experience delirium and hallucinations.

Chief Ahn reasons that Tae-joo’s dream was a product of his subconscious distorting memories from his traumatic childhood. The “apparitions” he saw there were created from his memories and pain as a sort of defense mechanism.

Tae-joo points out that all the people he met had actually existed, but Chief Ahn asserts that dreams are influenced by the subconscious. In short, if those people were real, Tae-joo had to have interacted with them in some way prior to the dream—passed them on the street, or seen them on TV or in the newspaper.

Thinking over the conversation back at home, Tae-joo’s eyes fall on the cold case files on his desk. Rifling through, he pulls out a report on the Hangbok Welfare Center incident and recalls the current Insung police chief saying that when he looked into the people Tae-joo had requested, he’d been told Tae-joo already had the information.

Turns out, Tae-joo had pulled the documents a few months ago with the intention of investigating unsolved cases. A flashback shows Tae-joo poring over documents on the Hangbok Welfare Center—as well as the Seobu Gang incident where the team died—shortly before his accident.

That’s when ex-fiancée Seo-hyun had approached him for help on Kim Min-seok’s case and commented that Tae-joo must’ve wanted to return to the field (because he was looking into cold cases). Realization hits and Chief Ahn’s words echo in Tae-joo’s ears, “All the things that you see are hallucinations that are created from your subconscious.”

Tae-joo thinks back to his first meeting with Dong-chul and the others and how those relationships had deepened over his time there. It’s too much and Tae-joo fumbles for the antidepressants Chief Ahn prescribed, choking one back.

That night, Tae-joo has fitful dreams of his last moments in 1988 where Na-young cries out desperately for him to save them as the gangsters attack. Jolting awake, Tae-joo sits up and his snowy TV emits Na-young’s desperate radio call.

Before he has the chance to process, however, Tae-joo’s phone rings. The TV cuts to a “no signal” screen and Tae-joo answers the call, greeting his mother on the other line.

He drives over and Aunt runs out to greet him. She fusses over him affectionately as Mom looks on with a smile, and then they all go inside. Tae-joo gapes at the feast Mom has prepared and Aunt gushes that she and Mom were at the market all morning getting all the freshest ingredients.

When the meal is over, Tae-joo finds Mom tending to her plants on the balcony. She worries about him going to work tomorrow rather than resting a few more days, but Tae-joo assures her he’s rested enough.

Mom laughs that Aunt no longer seems interested in marriage—she just likes living with Mom. That’s why Mom moved here, and now she feels she has someone to rely on and laugh with. Tae-joo smiles, saying he’s happy to hear it but Mom perceptively notices something is bothering him.

“There are people who are in need of my help,” Tae-joo admits, “But I wasn’t able to help them.” He tells Mom they’re waiting, but he can’t reach them and he doesn’t know what to do.

Smiling gently, Mom echoes Na-young’s words to just close his eyes and listen to his heart. A genuine smile spreads across Tae-joo’s face and he tells her she just reminded him of someone. Mom guesses it’s a girl, noting that it’s been a long time since he’s smiled like that. Hee.

Taking Tae-joo’s hand, Mom tells him that she just wants him to be happy and that she’s on his side, no matter what. Aunt calls Mom inside to watch TV, but Tae-joo remains on the balcony, lost in thought.

At the Seoul Metro Police Agency, Tae-joo reports to his new position as captain of the Violent Crimes Unit 1. Seo-hyun drops by to congratulate him and check how he’s doing. He assures her he’s not sick, but Seo-hyun argues that he doesn’t look happy.

She points out that it was his desire to return to field work and Tae-joo agrees, but his expression remains lackluster, despite his efforts to look happy. “I’ve had the feeling that something was strange for quite a while,” Seo-hyun huffs, crossing her arms, “When you recovered, you didn’t seem like the same person.”

She recalls he seemed out of place after waking up, like he’d returned to the wrong place. “You felt like a stranger to me,” she says. She starts to ask about his dream, but before Tae-joo can answer, a team member peeks his head in to say everything’s ready to start the meeting.

Seo-hyun excuses herself and good-naturedly shoots down Tae-joo’s promise to call, saying she won’t answer. However, she does want him to be happy and implores him to smile more—she’d heard he smiled a lot as a kid. “I wish I could see you smile,” Seo-hyun says at last, and then she leaves.

The unit starts their meeting and a detective briefs the others on the current case. Tae-joo listens absently, twirling a small metal plate in his hand. The detective plays a phone call recording, but instead of the victim, it’s Na-young’s voice that rings out.

Tae-joo shoots out of his seat as Na-young’s voice is swapped for Dong-chul demanding that he hurry, and finally Nam-shik’s frantic cries. The other detectives cautiously address Tae-joo and he asks for the recording to be replayed… but this time it’s an unknown woman fearfully telling a dispatch officer she’s being followed.

No one is really listening though, because they’re all looking warily at Tae-joo. Finally the presenting detective asks if Tae-joo’s all right, pointing at Tae-joo’s hand that has been grasping the metal plate so tightly that it’s drawn blood.

Tae-joo stares at his bloody hand with a dazed expression. “I can’t… feel a thing,” he mutters, and then turns and walks out of the room. He ends up on the roof and remembers that Na-young had talked him down before. She’d held his hand to her heart to prove they were alive and he presses his palm against his own chest now.

Tae-joo:“I had a dream. In that dream, I met people who are no longer alive now. But… could it really have been a dream… or could it be that I’m still in a dream?”

Tae-joo takes a step forward and as scenes of his friends in 1988 being beaten by the gangsters flash through his mind, he starts to run and finally takes a leap off the roof…

Right back into 1988! Tae-joo holds Chief Ahn’s gun out as he races towards the horde of gangsters and fires off three shots. One gangster is hit in the leg and collapses to the ground while the others take a step back.

Still holding the firearm, Tae-joo orders the gangsters to drop their weapons. One member tries to rush him, but without even a second’s hesitation Tae-joo plants a bullet in the man’s shoulder. His message comes across loud and clear and weapons clank to the cement floor as the men raise their hands in surrender.

Dong-chul grumbles at Tae-joo for taking so long while backup finally arrives and officers arrest the gang members. Yong-ki checks on Nam-shik while Tae-joo kneels next to Na-young. He apologizes for taking so long and they all rise to their feet.

The officers drag all the gangsters away while the team shambles out of the warehouse. Tae-joo confirms to Dong-chul that Chief Ahn is responsible for everything and Dong-chul gripes that he never liked that guy. He barks out an order to call for backup since Chief Ahn couldn’t have gotten far, but only manages a few more steps before crumpling to the ground.

Manager Park checks Dong-chul over at the clinic and assures the anxious group that he’ll be just fine. When Yong-ki continues to whine, Manager Park snaps, “He won’t die! His head is much harder than yours.” Hee.

He tells them the injuries Dong-chul suffered were actually quite minor and he just passed out from all the stress. Unfortunately for Manager Park, the chaos has just begun as Dong-chul’s mother-in-law bustles into the room, Dong-chul’s wife and daughter in her wake.

Assuming Dong-chul is dead, the women immediately start caterwauling. His wife smacks at his body, simultaneously sobbing and berating him for getting himself killed. Manager Park attempts to interject, but Mother-in-law has already switched gears and grumbles that she shouldn’t have approved the marriage.

The team listens awkwardly as Mother-in-law declares it’s not too late and suggests that her daughter hook up with a man from her past. Dong-chul’s daughter stops crying to ask if she’s talking about that rich man and when Mother-in-law nods, the daughter mutters that she’s not against the idea.

All their tittering stirs Dong-chul and he sits up grouchily, scaring the daylights out of the women. Mother-in-law fusses over him in disbelief and his daughter hugs him tightly. He barks that they must want him dead and when his daughter denies it, he tells her to go say that to her new rich daddy. Hehe.

Dong-chul’s wife starts smacking him for faking dead and Dong-chul whimpers that he almost died. The team watches with bemused expressions as the wife lets loose, only muttering, “Please, stop” when Dong-chul begs them to help.

Afterwards, Tae-joo sits with Dong-chul and snickers. Dong-chul snaps at him to stop laughing and says that Tae-joo’s marriage will be the same. They sober when Dong-chul asks about Chief Ahn, but he’s still at large.

Yong-ki and Nam-shik jog in and report that Chief Ahn showed up at the docks, trying to charter a boat. To Tae-joo’s horror, Dong-chul rips out his IV (ouch) and declares that he’s going to catch Chief Ahn with his own hands. “A police officer shouldn’t be afraid to die at the scene!” he shouts and runs out of the room.

Tae-joo’s handcuffs—that he’d used on Chief Ahn—are found discarded at the docks. Dong-chul asks Yong-ki for the name of the boat Chief Ahn cut a deal with and then draws the others in to tell them his plan of attack.

Later, Chief Ahn runs down to the dock but is quickly hounded by an army of officers. He breaks into a sprint and manages to leap onto the boat, shouting for the captain to hurry. To his dismay, Dong-chul emerges from inside and chides him for trying to escape. He then proceeds to pound on Chief Ahn while the other officers, including Tae-joo, look on.

Down in the interrogation room, Chief Ahn refuses to speak. Tae-joo plays the tape Detective Shin had secretly recorded of Chief Ahn admitting to killing Chief Kim and framing Dong-chul, before he’s heard shooting Detective Shin as well. Chief Ahn smirks and Dong-chul flies over the table at him.

Hoisting Chief Ahn up by his collar, Dong-chul growls that he should beg the judge to keep him in jail because the minute Chief Ahn is out, he’s dead meat. Chief Ahn remains silent so Dong-chul drops him to the ground and storms out.

Tae-joo comes upstairs to report that Chief Ahn won’t talk. Luckily, Dong-chul found the ledger of various police officers’ dirty dealings with Insung Construction that Detective Shin had hidden. Na-young says that Chief Kim had probably tried to pressure Chief Ahn with the book when he wasn’t promoted, as expected.

Along with the recording, Tae-joo says they have enough evidence on Chief Ahn to hand him over to prosecution. A couple officers escort Chief Ahn to a police car for transport, but he tries once more to appeal to Tae-joo. He warns Tae-joo that if he goes to prison, Tae-joo will never go home.

“Think about it,” Chief Ahn implores, “I’m the only person who could help you here.” Tae-joo opens his mouth, but his reply is cut off by Dong-chul telling Chief Ahn to shove it. He gripes that Chief Ahn sure is talkative now and tells the officers to take him away.

As the car pulls out, Dong-chul asks Tae-joo what Chief Ahn wanted. “I couldn’t care less,” Tae-joo replies, “Don’t worry about it.” The car starts turning out of the parking lot and they both send Chief Ahn an obscene gesture… except Tae-joo flips the bird and is immediately embarrassed because Dong-chul doesn’t recognize it.

That evening, the team drops in on their favorite haunt like a bunch of gangsters. They inform the barman (whose name is Mr. Yang) that they’ll be having dinner there but he deadpans that they should go to another establishment. Dong-chul whips out an envelope full of cash and Mr. Yang asks what they want to eat.

As soon as Mr. Yang walks away, they drop the act and giddily take their seats. While Mr. Yang grills their beef, Dong-gul toasts the team. After they throw those back, Yong-ki respectfully offers to pour Tae-joo a drink and the others look on proudly as the two awkwardly toast each other. Aww.

Dong-chul suggests that Yong-ki sing a song, so he and Nam-shik jump up and start dancing. Na-young pulls Dong-chul up to join them and Tae-joo watches the others dance around like fools with a grin on his face. Mr. Yang comments that it’s the first time he’s seen Tae-joo smile like that, and says it’s nice.

Na-young comes back and urges Tae-joo to join them. The other three beckon from the dance floor and he eventually gives in. Though his moves may be a bit tentative and stiff, Tae-joo’s smile is genuine as he sings along with his friends.

The party winds down and everyone spills out onto the street. Dong-chul steers Yong-ki and Nam-shik in one direction, but Nam-shik runs back to bid Tae-joo and Na-young goodnight. He eyes them suspiciously for a moment, but then shakes it off and runs back to the other men, who’ve disappeared around a bend.

Na-young starts to excuse herself, but to her surprise Tae-joo offers to take her home. She can barely contain her joy and practically skips after him. As they walk, Na-young tentatively broaches the topic of Tae-joo leaving, wondering when he plans to go. Without missing a beat, Tae-joo answers that he isn’t.

Stunned, Na-young asks why and Tae-joo stops to face her. “Because I’ve grown fond of this place,” he says. Smiling shyly, Na-young says that’s a relief and Tae-joo blurts out that if she ever has the time, they should go see the movie they never had the chance to see (from the tickets she gave him forever ago). Na-young replies that she’d like that and then runs home, while Tae-joo watches with a smile.

The next morning, Tae-joo arrives at the station to find Na-young, Nam-shik, and Yong-ki fussing over the paper. Joining them, Tae-joo sees that Ahn Min-shik’s case has made headlines and Dong-chul’s picture is in the paper.

Dong-chul appears behind them and grumbles at Reporter Bae’s photography skills, but his expression is clearly pleased. Yong-ki wonders if Dong-chul will receive a promotion and although he’s intrigued by the idea, Dong-chul snaps that detectives should catch culprits out of a sense of duty, not for greedy ambition.

He adds that he also just likes being captain and Nam-shik innocently asks if he should inform HR not to promote him, then. Dong-chul snipes that Nam-shik has grown up and then asks Na-young if she would make him some coffee.

Turning to do so, Na-young is stopped by another officer delivering some paperwork. When she opens the folder, she freezes. Tae-hyun notices her odd reaction and asks what’s wrong, but she doesn’t answer. She doesn’t respond to Dong-chul either, so Nam-shik takes the folder.

It’s a transfer notice for Tae-joo to return to Seoul and Dong-chul asks if he requested it. Tae-joo is as shocked as the rest of them and denies any involvement, but no one is convinced. Yong-ki mutters accusingly that it doesn’t make sense for him to be transferred without asking for it and Na-young won’t even look at him.

That night, Tae-joo sits in his house and stares at the transfer notice. A knock behind him alerts Tae-joo to Dong-chul’s presence. When asked how he got in, Dong-chul replies the front door was unlocked and wonders if Tae-joo was waiting for someone. He guesses Na-young but Tae-joo just looks away sadly.

Dong-chul came bearing gifts of chicken and alcohol and he digs in, laughing heartily at the TV while Tae-joo silently sips soju. Finally, Tae-joo speaks, guessing that Dong-chul came in order to tell him something. Dong-chul denies it and Tae-joo wonders if he got kicked out again. Hee.

Sitting up, Dong-chul barks that he’s not a stray cat and Tae-joo asks why is he here, then. “I was just passing by and dropped in. Can’t I do that?” Dong-chul asks, and Tae-joo can’t argue. Sighing, Tae-joo muses that this will likely be his last chance to go home.

Dong-chul stares at him for a beat and then agrees, noting that getting transferred to Seoul from the countryside is a rarity. He wonders why Tae-joo doesn’t look happy though, and points out that it’s ultimately Tae-joo’s choice.

The evening alarm blares and Dong-chul remembers he was supposed to bring his wife soy sauce. Tae-joo stands to see him out and Dong-chul says he never told Tae-joo thank you. “I would’ve died without you,” Dong-chul tells him, “Thank you, Tae-joo.” He pats the young detective on the back, wishing him luck in Seoul, and takes his leave.

The next morning, Tae-joo watches a bunch of kids run past and he flashes back through his time here in 1988, bonding with the team and healing old scars. The memories bring a smile to his lips.

At the station, Tae-joo stops Na-young as she rushes by, but freezes up, unsure of what to say. She says if he doesn’t have something to tell her, she’ll return to work and walks away. Behind her, Dong-chul makes eye contact from his desk for a moment, but returns to his paperwork. Yong-ki also eyes Tae-joo but turns away without saying anything.

Nam-shik is the only one to address him, and asks if Tae-joo has finished packing. Tae-joo says he hasn’t and Yong-ki grunts that he should hurry up already—he’s making them restless. A call comes in and Nam-shik informs the team that a body has been discovered, apparently belonging to a member of the Seobu Gang.

Yong-ki wonders if it was internal strife and Dong-chul vows to clear the gang out of their town. Dong-chul orders Yong-ki and Nam-shik to get ready and tells Na-young to call in forensics and a backup team. Tae-joo waits expectantly but when Dong-chul turns to him, he hesitates and then leaves.

Everyone follows and Tae-joo takes a step to join them but stops when the TV flickers on. He turns to look at the snowy screen and Doctor Jang’s voice addresses him while an apparition of the doc appears behind him.

Doctor Jang asks if Tae-joo is happy, or if he’s still confused whether this place is a dream or reality. Tae-joo doesn’t answer and Doctor Jang tells him the answer is simple: “The place you can live with a smile… is your reality.”

Tae-joo walks past him and follows his team outside. Na-young is telling Dong-chul that backup is unavailable and Nam-shik adds that it’s due to the Olympics. Yong-ki spots Tae-joo and says there’s no point in accompanying them, as he’s leaving soon. Dong-chul agrees that there’s a lot to prepare, but Tae-joo refuses.

“I’ll come with you,” he says, pulling out the transfer notice and tearing it up. Nam-shik warns him that he’ll be disciplined for ripping it up, but Tae-joo is unfazed. Dong-chul smiles and Nam-shik cheerfully asks if this means Tae-joo’s here to stay.

Tae-joo nods and Yong-ki calls him inconsistent, but he’s smiling too and steps aside for Tae-joo to ride shotgun. Dong-chul tells Na-young to get in the car as well. She’s taken aback, but he points out that she needs field work experience.

Everyone happily piles in and Dong-chul shouts, “This car is Back to the Future!” before peeling out of the parking lot.

As they’re driving, Tae-joo’s ears begin to ring and Chief Ahn calls out to him desperately from the radio. Tae-joo looks over at his oblivious car-mates and turns the volume down. Dong-chul questions him and Tae-joo replies that he just didn’t want to hear it.

Dong-chul tsks and switches the station, turning the volume back up on an energetic pop song. Everyone rolls down their windows, so Tae-joo follows suit and when the others start bobbing their heads he awkwardly tries to imitate their movements. Finally he starts singing along and his face breaks into a smile as they drive into their future.

EPILOGUE

On another day, Tae-joo sits alone in the office finishing up paperwork. He grabs his jacket and starts to leave when the phone rings. He picks up and waits for someone to speak but there’s only silence. Finally he asks, “Hello?” and a familiar voice answers, “Hello, Chief Han Tae-joo. It’s been a long time.” The man wonders if Tae-joo has forgotten his voice, but Tae-joo smirks and calls him by name—Kim Hyun-seok.

 
COMMENTS

I can’t believe it’s already over! Although, that epilogue does leave it open if they ever wanted to pursue Tae-joo’s adventures in this new timeline he’s created. Or is it a new timeline? Honestly, I’m still not entirely sure whether he time-traveled, warped to an alternate reality, or if he’s really just running around in an extremely realistic coma dream. I love the twist that he’d been researching those cases before his accident, filling in a few coma theory holes and throwing Tae-joo back into the “What is real/what is a dream?” dilemma once more. I actually like how it’s left somewhat open for interpretation, but I prefer the alternate reality theory, so I’m going to stick with that for my own peace of mind.

I’m so glad Tae-joo was able to return to 1988, because that’s truly where he belongs. He’s happy there, and it really goes to show how miserable he was before, by the way everyone reacted to the “new” Tae-joo that woke up from the coma. His time in 1988 helped him heal long-forgotten scars and become the happier, healthier person he deserves to be. I feel a bit sad to leave Mom and Aunt behind, but that scene when he visited them really felt like closure. Mom let him know that she had Aunt and she was going to be okay, and gave him permission to do whatever he needed in order to be happy (while also giving her seal of approval for the girl who could make stoic Tae-joo grin like a fool).

After returning to 1988 (and solving the immediate problem of saving his friends’ lives), I love how Tae-joo melted into that life. He finally stopped restraining himself and while he’s still a little awkward (the guy needs to get some groove, that head twitch looked painful!), he’s showing his expressions more openly, he took a solid step in forming a relationship with Yong-ki, and he asked Na-young on a date! And how cute was it when his transfer notice came in and everyone was salty? The smiles on all their faces when he ripped it up were so genuine and heartwarming, and I’m crying bittersweet tears to see them all go.

I want to give major props to all the cast and crew for doing such an amazing job from start to finish. Especially Jung Kyung-ho, who somehow made me forget he wasn’t an emotionally stunted cinnamon roll that didn’t even know how to smile (despite watching him play multiple goofy characters over the years). I’ve always adored him but this character really highlighted how skilled he is as an actor. Everyone did such a great job. I love all the characters so dearly and wish them all the best on their journey. The only upside to seeing this gem of a show come to a close is that now I can finally go back and watch the original BBC version! I hope y’all had as much fun with this as I did. Until we meet again on our next drama adventure!

 
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This is interesting: use of color in film (blue signifies passivity, isolation.
https://digitalsynopsis.com/design/film-movies-color-psychology/

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@pakalanapikake I think you said you'd return...
Since you didn't see the Brit version, it ended this way. In the kdrama the tv talks to Tae joo. In the Brit version it's a little girl on the tv. The last scene she turns off the tv which signifies he died. I'm guessing the epilogue in the kdrama, Kim Hyun sook serves a purpose as well, but I simply can't remember who he is in the drama! So I can't guess if he serves the purpose of the little girl, or if it's somebody they never found and serves as a call for Tae soo to stay alive even if in a coma. Enlighten me please!

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I just re read the part where he asks Na young to go to the movies. Heart hurts!

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Eh...wasn't it Kim Hyun Seok who called? Min Seok's hyung, the original serial killer?

He didn't die in 1988 as we found out. There was a cover up of his death.

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@linda-palapala,

In the epilogue, I was very disconcerted to hear elder serial killer Kim Hyun-seok's voice because that was proof to Tae-joo that the former's death in 1988 had been faked. It also implied to me that Tae-joo had indeed figured out that Min-seok's accomplice was still at large 30 years later in 2018. If Tae-joo had made that discovery in his coma / dream / retrospection at the time of his own death, then both perpetrators were still at large to continue their killing spree in 2018. At least that's what occurred to me.

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Then that does leave it open for a 2nd season and means Tae joo didn't really die. I think. I dunno. My head is spinning. Guess it isn't connected then to the girl turning off the tv in the Brit original.

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If Min-seok really had visited Tae-joo in the hospital, Hyun-seok may have done so, too. What a disturbing thought. Both brothers could have painted his nails and he would have been entirely at their mercy. Yikes. Double yikes that his father's murderer may be speaking to him in person in the hospital... just as his father's murderer carried him out of the tunnel when he was a little kid.

I got the impression that Tae-joo's turning off the radio was his way of following his bliss to be with his ghostly band of cops, to go wherever it was that he could feel happiness. For me that meant his remaining in a coma or passing on to the afterlife... I'm still not sure which, although the latter is appealing.

I can't help but wonder why Insung Violent Crimes Unit #3 are the only deceased cops he sees. Even Detective Shin, Dong-chul's mentor, fails to appear. I think the five share a karmic relationship, which can extend between lifetimes. The only scene in which I can detect a possible real-life connection between them is when adult Tae-joo takes his younger self from fake officer Hyun-seok. As he turns and walks down the railroad tracks towards the police search party, the camera focuses on the looks that pass in turn between him and the other four. It strikes me that they seemed to know about Tae-joo's meeting himself. I observed and felt something ineffably significant going on in that scene. I cannot put my finger on it. This time, words fail me. I know that's hard to believe, but it's true. Really. LIFE ON MARS has well and truly rung my chimes.

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Ack, I don't even remember Tae joo turning off the radio. To jog my memory, which scene was it? I need to think about your post here a bit to take it all in.

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@linda-palapala,

In the final scene with the car full of coppers, @54:30, the radio crackles to life and Dr. An Min-seok's voice calls for Tae-joo, who apparently is the only one who hears it and the ringing sound that accompanies it. He reaches over and fiddles with the dial and tunes to dead air, but doesn't actually turn it off. Then Dong-chul hits a pre-set frequency, and Cho Yong-pil starts playing, to which everyone starts grooving in synchronized fashion. Even Tae-joo. And then he starts singing along.

Don't miss the epilogue.

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@pakalanapikake
This woke me up last night: Of course I saw the epilogue and at first didn't like it as I thought it left open a 2nd season. But after thinking about it in the middle of the night,
now I believe the epilogue was the equivalent of the little girl turning off the tv. Tae joo was really murdered. Your mentioning of them painting his nails made it click for me. I need to re watch the epilogue because I think since he was along, after hearing the voice he hung up and walked away, which to me now signifies death.
Also, when he asked Na young to the movies I think that was his way of saying he wanted to stay in his dream state in 1988, didn't really want to die.
Does this make sense?

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alone, not along. Sheesh.

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@pakalanapikake
I just watched the last 15 minute segment and epilogue and he doesn't hang up the phone and walk away. With the phone in his ear and facing the camera, it pans away a bit and the last thing we hear is what's his name laughing.

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Watching the first episode again, I can see how Tae-joo gave personalities to the squad from 88 that had died.

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Part 1 of 2

@linda-palapala August 10, 2018 at 7:25 PM

I've read all your posts through this one at the end re: the epilogue. Sorry to take so long to get back to you. I have been pretty blown out by this finale, as well as that of ARE YOU HUMAN TOO.) I badly needed to catch up on my sleep.

How well I know that feeling of waking up in the middle of the night from tussling with a Kdrama riddle! Yowza.

I surmised that the only way Tae-joo could have heard Min-seok -- and Hyun-seok -- when he was in the coma was if they were speaking to him in person. That was how he heard the doctors, nurses, his mother, and his former fiancee speaking to him. Adult Min-seok told Tae-joo that he visited him in the hospital, which creeped me out. Comatose Tae-joo would have been as inert as the chloroformed prey of the Manicure Murderer(s). I don't think that they would have painted his nails, but the fact that they were close enough to have done so was horrifying.

I'm not sure whether Hyun-seok actually kills Tae-joo, although that might be inferred from the foreshadowing of Detective Shin's being murdered to cover up crooked Chief Ahn's murder of Chief Kim, and his other crimes. In Det. Shin's case, he is killed precisely because he's the only person who knows the whereabouts of the ledger that contains the evidence of police corruption. (Chief Ahn doesn't know that he stashed it in Dong-chul's new locker in the gym.) In 2018, Tae-joo realizes that Hyun-seok's 1988 death by drowning was faked, that he is still at large under a stolen identity (just as he was while impersonating the Insung cop in 1988), and that he is an accomplice in Min-seok's continuing string of murders.

Now I'm wondering if the epilogue means that 1988 Tae-joo will resume tracking down Hyun-seok and stop him, and (I hope) get help for Min-seok, so that the Manicure Murders end once and for all. Maybe what we're seeing is Tae-joo embarking on his first case in the afterlife. I honestly don't know.

- Continued -

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Part 2 of 2, @linda-palapala

I was happy that as he walked her home from the noraebang, Tae-joo told Na-young that he was not leaving Insung because he now felt comfortable there. The look on her face was as close to a whoop of joy as she would ever utter. And then he asked if she would sometime like to see the movie they had missed earlier. It struck me as tantamount to a confession of love by Tae-joo. For a character who had been such a loner at the start of the show, he has made remarkable progress. Actually, they are both such low-key, diffident personalities that their shy smiles to me signaled a giant step forward for both parties. And then, as with you, came the realization that she and the rest of Insung Violent Crimes Unit #3 are already dead... Damn. How is it that a bunch of dead folks singing in a noraebang about the pain in their hearts can convince me so completely that they are alive and kicking?

In the closing scene of the cops driving down the road in the car, Cho Yong-pil's song has lyrics that mention a “green dream,” which nicely matches the golden sunlight on the verdant leaves of the trees lining the road. (Alas, I have not been able to identify the song.) The vibrancy of foliage and sunlight, along with the joyous singing, says to me that this place is where Tae-joo is most alive and animated. It reminds me of “viriditas,” a term used by medieval abbess and herbalist Hildegard of Bingen, who wrote of the “greening power of God.” I first encountered it in a book on labyrinths as a tool for meditation and healing of body, mind, and spirit by Rev. Lauren Artress. In the West, the color green also conjures up the supernatural, as in the story “Sir Gawain and the Green Knight.”

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@coolsmurf identified the Cho Yongpil song at the end of ep. 16 as "Unknown World" (aka "Outfield").

http://www.dramabeans.com/members/pakalanapikake/activity/577130/

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While the show was excellent in itself, I was hoping Tae Joo time travelled rather than dreamed all of it, because if it's the latter then it meant that he went into a permanent coma to continue the (fake) life with people who were actually dead in reality. This is so scary!

I enjoyed but the conclusion just made me feel that he needs saving; from the fake happy life.

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Ahhh... I was watching episode 16 and was about 15 minutes in when, suddenly, the video stopped!! Now I can't find episode 16 anywhere anymore!!! I squinted my way to the bottom of the recap to find out if anyone else also experienced this!

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@growingbeautifully, @wonid2017 Kasumi,

When a Kdrama overwhelms my feelings, I turn to music. I've been medicating with the following two pieces from widely-disparate genres. ;-)

The final scene of Insung Violent Crimes Unit #3 driving down the wrong side of the street (!) with Dong-chul at the wheel, suffused in golden light shining on the green foliage of the trees lining the country road, conjures a sense of cosmic consciousness. It brought to mind the words of Mountain's “For Yasgur's Farm,” which I've posted on my fan wall. It isn't just the lyrics, but Leslie West's plaintive guitar and Steve Knight's majestic organ, along with Felix Pappalardi's insistent vocals, that encapsulate for me how Tae-joo truly has become one of the gang, and they wouldn't have it any other way. The organ also ties in with LOM's spooky instrumental interludes.
http://www.dramabeans.com/members/pakalanapikake/activity/573259/

Another evocative piece of music has also been running in the back of my mind. It comes from an album entitled No More Walls, which reminds me of Tae-joo's quest. “Sao Paulo” by jazz multi-instrumentalist David Amram feels like a soothing, well-deserved requiem for Tae-joo. The combination of Amram's gentle piano with sweetly melancholic strings and soaring, angelic female vocals has been a favorite of mine for many years.
http://www.dramabeans.com/members/pakalanapikake/activity/573809/

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Random Thoughts, Part 1 of 3

@lordcobol's post #9 http://www.dramabeans.com/2018/08/life-on-mars-episode-16-final/#comment-3284765 reminded me of a few things that struck me about the metaphysics of LIFE ON MARS.

1. Foreshadowing of Tae-joo's transition: The scenes of Dong-chul's fake “near-death experience” in the morgue after Manager Park patches him up following Tae-joo's rescue of the team from the gangsters in the warehouse. His wife, daughter, and mother-in-law all think he's dead, and mourn him, then yell at him when he comes to. (I thought I saw the faintest of smiles play upon Tae-joo's lips as he looked on.) If that ain't black humor, I don't know what is. The death of Dong-chul's mentor, Detective Shin, reinforces that imagery. Plus Dong-chul and Tae-joo both hid in the morgue refrigerator. (Watching them extract themselves was hilarious.) We've also seen Yong-ki in the morgue getting patched up after he was stabbed. I do not recall seeing Manager Park patching up Nam-sik or Na-young in the morgue, however.

2. As others have pointed out, Dong-chul states that a police officer should not be afraid to die at the scene. In Tae-joo's case, the bigger challenge would be for him to go on living. It has taken something as drastic as being shot in the head and run over by a car for him to identify the root cause of his nearly-lifelong depression and inability to trust.

3. Another clue that Tae-joo has died: After visiting his mother and auntie, he goes to the briefing at his new job as head of Violent Crimes Unit #1 at Seoul Metropolitan Police Agency. He's holding a paper-holder mechanism from a case file, and while listening to a recording of an emergency call from a crime scene that initially sounds to him like Na-young's call for backup from the warehouse, Tae-joo grasps it so hard his palm bleeds profusely, to the alarm his colleagues. He realizes he doesn't feel a thing. Cue flashback to Na-young's dissuading him from jumping off the roof the first time. She says they are both very much alive because they can feel. When she places his hand over her heart, he can feel it thumping. Now when he makes his way to the roof of SMPA, he feels nothing. I'm guessing he realizes he's already dead; maybe he did not survive the surgery. (By the same token, he could also be extremely depressed.) I think he jumps because he knows this is not real life. He's still inside a dream, coma, or whatever. I don't see it as Tae-joo committing suicide.

- Continued -

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Random Thoughts, Part 2 of 3

4. Re: Tae-joo's injuries and death. In various cultures and traditions across the ages, humans are regarded as eternal spiritual beings who experience serial incarnations on the material plane. Sometimes it is not the physical being that is in need of healing, but the non-corporeal parts (mind, spirit, soul, emotions). To a caterpillar, metamorphosis is a form of death – while at the very same time, it is (re)birth to a butterfly. Sometimes illness is an on-ramp to spiritual growth. In other cases, it may be an effect of causality, a playing out of karma that could even trace back to an earlier incarnation.

4A. Healing does not always mean surviving physically. Tae-joo's situation reminds me of some of the things I read in Final Gifts: Understanding the Special Awareness, Needs, and Communications of the Dying by hospice nurses Maggie Callanan and Patricia Kelley when my mother-in-law was dying of an inoperable brain tumor. I can readily recognize that he is working through his unfinished business and mending fences in his meetings with mom, auntie, and former fiancee, Jung Seo-hyun. Even if everything is “only” happening in his mind.

5. If the case file for the gang murder of four Insung police officers in 1988 is indeed real, and he had indeed read it months before being wounded in the line of duty, then there is nothing that Tae-joo could do to save his team mates. In real life, he is only a little kid when they died. To me, this is further evidence that he has been in a coma (or in the 49-day period following death) for most of the show. It could even be that his vision of jumping off the roof from 2018 back to 1988 is occurring at the same time they are being killed -- which I think is really only a few days after he is seriously wounded while chasing Min-seok. Dang. The whole thing is playing out in his dreaming / comatose / dying mind.

6. “The child is the father of the man.” In the course of the story, adult Tae-joo meets his younger self, and amazingly enough, treats him kindly. It is pretty miraculous for a person as withdrawn and socially isolated as he is. In my book, everything he goes through in the course of the drama that enables him to embrace and comfort his younger self has been worth it. Some folks consult with psychotherapists or psychiatrists. Others confer with shamans and fortune-tellers. Some go the self-help route. Tae-joo does it in his mind with a group of shades – he just doesn't know they (and maybe he himself) are dead. It reminds me of a terrific 1970 TV movie, SOLE SURVIVOR, with Richard Basehart and William Shatner. It is straight out of the Twilight Zone, but not part of that series. Highly recommended. https://www.imdb.com/title/tt0065007/?ref_=tt_urv

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Random Thoughts, Part 3 of 3

7. We were apparently trolled with serial killer Hyun-seok's faking his death (and yet again donning a false identity) in 1988 so that he is still at large in 2018. It amplified my sneaking suspicion that Tae-joo thinks he has awakened from the coma, only to learn that he is still unconscious. I've been wracking my brains trying to recall another show in which I've seen this done. There was a subtle clue that indicated that the character was still dreaming. S/he repeatedly exited the dream, only to discover that there was still at least one more level to traverse. Arg! If I recall correctly, the clues were in the replays of certain scenes with miniscule variations. GROUNDHOG DAY is on my mind, but I think it was a Korean drama. Arg!

8. Tae-joo's trip to the Insung police archives reminds me of ARANG AND THE MAGISTRATE. In it, Magistrate Eun-oh feverishly searches for Arang's book of life in the cosmic hall of records. I believe that these are related to “dream record,” which is recalling one's life through death. This discussion thread from OH HAE-YOUNG AGAIN is a mother lode of cultural insights that are applicable to LIFE ON MARS, too: http://www.dramabeans.com/2016/07/open-thread-454/#comment-2285032. It is one of the pointers to traditional Korean storytelling elements that I compiled for WOK OF LOVE. Here are the links for both parts. You can also find them on my fan wall.

Greasy Kishotenketsu: Secret Ingredients in Kdrama, Part 1 of 2
http://www.dramabeans.com/2018/07/greasy-melo-episodes-35-38-final/#comment-3277180

Greasy Kishotenketsu: Secret Ingredients in Kdrama, Part 2 of 2
http://www.dramabeans.com/2018/07/greasy-melo-episodes-35-38-final/#comment-3277182

9. Thank you again to Helcat and Sunny for their recaps and commentaries, and all the Beanies who have made the trip to Mars and back. It has been a memorable experience. ;-)

-30-

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@pakalanapikake
Thanks for mentioning Kishotenketsu. You clued me in on it when we were discussing Mawang and I've since studied it as much as possible with my shallow understanding of anything. It has helped so much with kdramas and now especially the few really outstanding Chinese dramas I've seen (NIF2, Lost Love in Times and the beautiful Legend of Fuyao). It makes you appreciate the storytelling so much more and gives you patience. So much better, imo, that Western storytelling.
There's a nice youtube video which explains the meaning of "Fuyao" and the poem by Li Bai that the name came from. You might enjoy since this is up your alley:
https://www.youtube.com/watch?v=Jaf8m2OZ72I

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Hi, @linda-palapala.

Glad the info on kishotenketsu has been helpful in your viewing of Korean and Chinese dramas.

Although I am not watching LEGEND OF FUYAO, I enjoyed that video. Many thanks!

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Thank you @pakalanapikake for all your thoughts. I read them with great pleasure and found they resonated with me.

I am re-watching this show and comparing it with the BBC Version. Here's the link to my random thoughts on the OT. http://www.dramabeans.com/2018/08/open-thread-564/#comment-3285662 😉

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Many thanks, @growingbeautifully! I enjoyed reading your comparison of the original and Kdrama versions, along with other Beanies' ideas. ;-)

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Life on Mars sure is quite a ride in 2018 dramaverse, and it's well written too. I usually can't take open ending very well but this one just seems to fit well with all the mystery from the start. The ending remind me with Secret's ending (a TW movie) where the main character went back to the past to be with his lover. Well, for TJ it would be TJ + happiness + 1988 team. The scene with mom & aunt make me sad but still, they want TJ to be happy and in the end, he is.

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thank you sunny for recapping this 'golden' drama! you're right, it seemed like it posed more questions than answers in the end, but i still like it...

my two cents:
yes TJ did commit suicide when he jumped, then he was able to go back to 1988, the alternate universe. I think he’s in limbo, in a coma, in a hospital bed somewhere in SK, 2018. On the 1st time jump, I think it was the convergence of his traumatic past + the unsolved cases he’s been reviewing before the shooting happened. In 1988, he not only found about his story, but also found closure for his father's death. this timeline also gave him the 'happy place' or paradise where he belonged, we saw him smile, made friends, actually considered the feelings and suggestions of other people. an argument could be made that he might have the same thing on the 2018 timeline (that he was happy), but there's only his mom & ex-gf.

i believe he did wake up from his coma, hence the 2018 interlude, wherein he found closure for the manicure cases, said goodbye to him mom & ex-gf. it's very telling that both of these women that he loved & cared about gave him like a go-ahead sign to be happy. the scenes with mom & their conversation was integral to his connection back to NY:)

i do not condone suicide or an attempt to one, but the scenes with the fastener & TJ's bloodied hand, him expressing he doesn't feel anything, might be the impetus that he needed, to recognize that he doesn't belong in 2018.

Again I do not approve but this I considered: No one has greater love than this, to lay down one’s life for one’s friends. - John 15:13. TJ clearly saved his colleagues by going back to 1988. He might be a little awkward with the singing but he’ll get there…

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@bugsbunny bugs_bunny,

Thank you for pointing out John 15:13. "Greater love hath no man than this, that a man lay down his life for his friends." (King James Version) What a wonderful acknowledgement of Tae-joo's personal growth and spiritual progress as a human being. Given his loner personality at the start of the show, who could have foreseen his doing such a thing?

That leap of faith Tae-joo made suggested to me that:

1. He is already dead (because he cannot feel his cut palm), so he isn't committing suicide. He may be in the 49 days following death before his soul moves on to the afterlife. Or,

2. He is still in a dream or a coma.

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@pakalanapikake
#2 i still think he's in a coma. haven't seen 49 days, sorry...

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The comment section for LOM is so lovely and it's really interesting to read what everyone's theories are. It seems like it's just figuring out whether Tae-Joo has been dead this entire time or he committed suicide and whether the ending is really a happy one and if its message is appropriate.

It actually hadn't occurred to me that he may have potentially committed suicide and that is both so depressing and bittersweet but I honestly think he flatlined during the surgery. I feel like he was conscious in 2018, the TV and radio served both as his visionary and sensory aid in 2018 but was very disorienting and panic-inducing since his injuries were life-threatening so it wouldn't surprise me if everything, every build-up was a reflection of how much stress his body was under, it would explain why he would collapse or come close to collapsing during critical or shocking moments of the show.

His return to 2018 felt so dreamlike, everything went so damn near perfect that it's hard to believe it's actually reality. It also felt weird how everyone's reaction to Tae-Joo waking up in 2018 felt anticlimactic, I assumed a lot of crying would ensue but everyone was all smiles and laughter. It felt like Tae-Joo compensating that he had to go so soon and that 2018 was a scenario built in his head to make his peace. Also, let's be real no patient with serious injuries like Taejoo's can fight 𝘵𝘩𝘢𝘵 well, especially not someone who just got off surgery. It felt unrealistic, even for the show and the way the whole fighting scene was done felt so off.

His saying that he can't feel anything also really nailed that he has accepted his death and understands that with death, you lose all the emotion you feel physically. Whether you jump off a building, jump on nails, whatever it is, it doesn't matter because you won't feel a thing.

I feel like most of the comments saw it this way:
accident ------- > recovers ------> realises he's unhappy ------> commits suicide

I saw it kinda the opposite way, no doubt that Tae-Joo was utterly depressed but I feel like his time with the gang brought him out of that, it's like recovery but this time, it's not set in reality. I saw it as a man who had no colour in his life learn to enjoy the things around him. Even though it's sad that it's not exactly reality, at least he understands now. Even if he can't physically feel anything, at least emotionally he's able to grow and enjoy his life unlike before. I don't think he committed suicide, I saw him jumping near the end as open acceptance as his death, he realises he's never coming back so he's embraced wherever he is, because at least that makes him happy.

I'm sure there's so many holes and plot points I'm missing but honestly, I don't even mind if there's no theory that perfectly fits what exactly is going on with Taejoo. I see how the ending can give off a rather morbid message and it depends on how people see it, I guess since there's...

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...tons of theories. I guess what our interpretation might be is a reflection of what we would do or feel as Tae-Joo. I don't know but this show has really blown it out of the park for me. I honestly don't think we'll get another drama like this again for a long while.

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I am confused, is he dead in 2018?

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Hi, @martinjsimwaba! It's so lovely to see you at DB. It's been quite a while. ;-)

You've got plenty of company. It seems that Tae-joo's consciousness is still in existence, but whether it is as a living person in a coma, a ghost, or a disembodied spirit as in TWO COPS, I don't know. Maybe he's in a dream within a dream. Or the afterlife.

I'm leaning towards his being in a coma in which he heard Manicure Murderer Hyun-seok speaking to him in the epilogue. Which makes me wonder if there might be further adventures. ;-)

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@Martin J Simwaba @martinjsimwaba
You can find two possible interpretations of the end if you read the review (please click link in comment 62 below to go to that review). Nothing is conclusive, because it's left to the audience to choose what we prefer. The BBC version of Life on Mars also had an open ending, but the interviews/reviews gave away the original writers' thoughts on what happened in the end.

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This Drama bored me after 3 episodes.... Episodes 2 and 3 I fell asleep watching (which tells you how engaged I was with it).
It's unfortunate because I never watched the original and the story looked to be very interesting. I was expecting something really funny, but this overly serious tone made me give up this drama altogether.
I read the recaps quickly instead.
I'm not disputing the drama's greatness, but it wasn't my cup of tea.

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For anyone who would like to read another review of Life on Mars, here's a link to The Fangirl Verdict's flash review.
https://thefangirlverdict.com/2018/08/28/flash-review-life-on-mars/

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I finished watching Life on Mars yesterday. I usually waited until a whole series had finished airing on TV before I watch it. This way, I could watch it within a span of 1-2 weeks and have the details of the earlier episodes still fresh in my mind.

This is my understanding of Life on Mars:

Tae-joo, before his accident in 2018, was an unhappy man who was detached from everyone, including his ex-fiancée, Seo-hyun. He was a sticker for details and hard evidence, that is, he believed in cold hard facts (his eyes) rather than feelings and emotions (his heart). While this made him a good detective (mostly), he also ostracised himself from his colleagues.
[While he was obviously an unhappy man, I don’t see anything in the episodes that showed that he was deeply depressed or suicidal]

Before his 2018 accident, he was obviously doing research into the death of his father, the Insung Police Force and the unit that was involved in his father’s case in 1988.

When he was comatose for about a month, his subconscious mind ran through the information he had amassed before his accident. While doing so, his subconscious mind integrated himself into the investigation and into 1988.

Part of his 2018 self knew that he was not living his life in connection with others, and his subconscious in his comatose stage tried to make right that unhappy stage of his life. Hence, his growth [into a happier, healthier person he deserves to be – as commented by Sunny] when he integrated into the 1988 Insung unit and learnt what it meant to not fly solo but had a police family who looked out for each other.

Tae-joo’s waking up in 2018 (in episode 15) was not an actual waking up from his coma but his subconscious projecting what his life could be like when he woke up. What we saw in episode 15 and 16 was his subconscious “living out" his 2018 if as awoke from his coma. The scenario that played out was information that his comatose self had received as his mother, Seo-hyun and others talked to him about while visiting him.

So Tae-joo knew how Seo-hyun was saved, how the subsequent investigation went with Min-seok and Hyun-seok - because Seo-hyun told him [much like how we talk to comatose patient and bring them up to date].

Likewise, Tae-joo knew that his mother is doing well in 2018 with his aunt because his mother and aunt told him so when they talked to him in his comatose stage.

[a side note about his aunt: she obviously loves him a lot and would shower him exaggerated attention when he was young; hence when 1988 adult Tae-joo met his aunt, the same exaggerated attention was showed. Except of course the adult version of Tae-joo was embarrassed over this much attention.]

How much of the characteristics of the four Insung police officers were true to what Tae-joo had portrayed of them we would not know. What we do know is that Tae-joo needed a friend/mentor that he didn’t have in 2018, which he found in Dong-chul. He needed to make right his 2018...

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continue from my long write-up :)

How much of the characteristics of the four Insung police officers were true to what Tae-joo had portrayed of them we would not know. What we do know is that Tae-joo needed a friend/mentor that he didn’t have in 2018, which he found in Dong-chul. He needed to make right his 2018 relationships with his colleagues, hence his relationship with Detective Yong-ki. He probably desired to be able to share his knowledge and mentor a younger colleague, hence maknae Nam-shik.

As for Officer Na-young, she was a combination of his ex-fiancée, Seo-hyun and his mother. They are women who love him unconditionally. Seo-hyun is obviously a capable woman who could lead a team well and is a good investigator/prosecutor that gets the recognition and to where she is because she lives in the right era (2000s). What Na-young had said about trusting his heart was probably what his mother had always told him, which he had projected onto Na-young; and he also knew that mom would have approved of him finding a woman that echoed what mom said.

As for the leap off the roof from 2018 back to 1988, it was not a suicide but a symbol of how his subconscious mind left the 2018 back to 1988. It is in 1988 that Tae-joo “found” himself (even though it was all in his subconscious mind) and the kind of person he wants to be and the people he wants to be with.
His subconscious mind started to reject the possibility of going back, that is waking up from his coma. This is because his subconscious had thought that his future in 2018 would be lacking as the four Insung police officers whom he comes to love as family would be dead, compared to the 1988 where he found acceptance and happiness with them. Hence, he decided to switch off the 2018 voices that were reaching out to him.

Would Tae-joo ever wake up from his coma, we would not know. We do know that in his subconscious mind, he is happy where he thought he is, in 1988. His 2018 comatose self knew that Hyun-seok did not die in 1988 so he created the scenario of himself receiving a call from Hyun-seok in 1988. Which just adds to another reason for him to stay in 1988 (in his subconscious).

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why Lee Soon-Ho killed Han Choong-Ho (Han Tae-Joo’s father)?

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This show left me so depressed yet confused and contemplating, i'm not sure if Tae Joo's decision was correct, but his happiness was in 1988 where I feel like he felt much more love and less loneliness than in his reality... overall I wonder what we would choose if put in his shoes?

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SEASON 2 PLEEEEAASSE!

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I liked the drama very much ,, it's truly one of the best from 2018 ,,, my only complaint is How he returned to 1988 ,,does jumping of the roof killed him or brought him back in comma mode ??? does that not considered suicide ,, How can be the only solution for happiness is suicide ,, I know it's fiction but also there are so many individuals who hallucinate whole reality and that story can be dangerous in this way

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i’ve left my comments/theories on another site, but i would like to leave them here too for the sake of more possible discussions :)

i apologise in advance for my extremely long comment!

first and foremost, i believe that HTJ actually woke up from his coma in 2018 (i saw a comment somewhere here saying that the producers have commented and confirmed that HTJ actually committed suicide after waking up from the coma?) and by jumping down the building, he essentially slipped into permanent coma/vegetative state, or maybe even died. logically speaking 2018 is his reality and 1988 is his ‘dream’, which is why he made the choice to jump in order to be able to live in his ‘dream’ forever. which links back to that doctor telling him that wherever he feels happy in is his reality - kinda ironic that 2018 is his actual reality, but since 1988 makes him happier, he chose to go back to make that his reality.

next, some clarifications that i personally had to make:

1) in the epilogue where HTJ gets a call from kim hyeon seok, this scene basically just links back to how they caught him alive in 2018 living with another identity. it’s just a closure and link to show that 1988 HTJ finds out that he didn’t die. if we go deeper, it’s what some others have mentioned; HTJ is ‘finding/creating cases for himself to solve’ just like how he did in 2018 before his coma and after he went into coma.

2) the transfer orders and ahn min sik. i would like to think that both are forms of HTJ’s subconsciousness.
—> the transfer order HTJ saw (seoul to insung) when he first arrived in 1988 was the 1st opportunity for him to go back to 2018 aka wake up from the coma, or stay in 1988 aka remain in coma. here, he chose to stay in 1988 because he had just created and started his happy dream state, and wanted to explore. the 2nd transfer order (insung to seoul) in his 2nd time in 1988, similarly signified another point of choice for him. by tearing apart the paper, he chose 1988, this time because he has experienced what his happy state is like, and he wants to remain here forever, essentially becoming dead or slipping into serious coma in 2018.
—> AMS is also HTJ’s subconsciousness; which first and foremost, explains why he is not found in any records in 2018 after HTJ wakes up from the coma. the 1st time HTJ encounters AMS in 1988 before he wakes up, at the warehouse, AMS tells him that HTJ’s team members are nothing but hallucinations to keep him in 1988. he tells him to ignore them and the ongoing fight in order to ‘return home’, which refers to going back to 2018. HTJ ignores his advice and runs toward his team members caught in the fight, because he wants to remain in this ‘dream’ where he feels happier. however, he somehow returns to 2018 - this is because there is some sort of surgery/operation going on, which inevitably pulls him back to reality. the 2nd time HTJ encounters AMS in 1988 supposedly after he woke up then chose to go back to 1988 by jumping off...

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i’ve left my comments/theories on another site, but i would like to leave them here too for the sake of more possible discussions :)

i apologise in advance for my extremely long comment!

first and foremost, i believe that HTJ actually woke up from his coma in 2018, and by jumping down the building, he essentially slipped into permanent coma/vegetative state, or maybe even died. logically speaking 2018 is his reality and 1988 is his ‘dream’, which is why he made the choice to jump in order to be able to live in his ‘dream’ forever. which links back to that doctor telling him that wherever he feels happy in is his reality - kinda ironic that 2018 is his actual reality, but since 1988 makes him happier, he chose to go back to make that his reality.

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It mirrors the ending of the BBC series, as the protagonist jumps of the building to his death in 2008 and return to the imaginary 1973 as his afterlife. But the adaptation makes it possible for more positive interpretations. Personally I think he died in the 2018, but 1988 is also real, and that's where he lives on.

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