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Last: Episode 7

Tae-ho continues with his scheme to swindle President Jung, determined to take his money and bring him down for good. While the plan is put into motion, Heung-sam has plans for his other minions as well, who have been causing problems for his business. But every action has an equal and opposite reaction, and not every plan goes, well… as planned.

EPISODE 7 RECAP

During a crucial moment in Tae-ho’s Plan, the hotel’s fire alarm sets off the Chairman’s PTSD reaction. Vice-Minister Moon is escorted from the room, and Hae-jin is relieved to see that the Chairman hasn’t been snapped out of his chairman delusion, as usually happens when a siren sets him off… until he realizes that the Chairman has no idea what’s going on.

There’s no time to regroup, as President Jung is ringing the doorbell, so Hae-jin simply shoos the Chairman into the next room. Out in the surveillance van, Tae-ho tells Ship-jang they’ll just have to trust Hae-jin now, as they watch him bring Jung into the room and say his “father” isn’t feeling well.

President Jung is forced to ask Hae-jin to let him in on the “oil sand” project, and he even drops Vice-Minister Moon’s name as a close friend of his, assuming he was here to get a piece of this pie as well. He works hard at buttering up Hae-jin so he’ll put in a good word for him, and Hae-jin’s deadpan expression just kills me dead.

Hae-jin lets slip that an investor just backed out, but they’ll need fifteen billion won in order for President Jung to get in on it. With a fifty percent deposit due day after tomorrow. The huge number takes President Jung back a bit, but Hae-jin’s projection of a five hundred percent return convinces him.

Just as the two men are shaking on it, the Chairman wanders back into the room, to President Jung’s delight and Hae-jin’s horror. He writes one of his “checks” and calmly hands it to President Jung, but Hae-jin brilliantly plays it off as his way of writing down his goals to make them a reality.

Jung falls for it hook, line, and sinker — when he leaves, he orders Big Guy to withdraw every penny the company can spare. Out in the van, Tae-ho sends Ship-jang to follow President Jung and listen in, while he goes to refresh the Chairman’s memory on the Plan.

Up in his penthouse, Heung-sam looks at old photos of a smiling family, and we see memories flash through his mind: Two boys playing ball, an older man complaining about a scam and someone telling him to disappear, then fumbling a bottle of medicine and collapsing. The other man (whose face we don’t see) kicks away the medicine bottle.

The older boy (who must be Heung-sam) witnesses this and cries for his father to wake up, and later during his mourning, the faceless man tells him to find him if he ever needs anything. The boy furiously destroys the piece of paper the man hands him by eating it, while his little brother cries.

President Jung interrupts Heung-sam’s reverie, having come to ask for a short-term loan. Heung-sam seems skeptical, but grins nastily to see Jung taking the bait so easily.

He meets with Tae-ho to tell him that President Jung is falling in line, but says that taking everything he has won’t be enough — they need to make sure he can never recover. He warns Tae-ho not to let his guard down until he gets every penny, but Tae-ho says that he’s already done most of the work by getting Jung interested. His greed will take over now.

He says again that he will make sure Heung-sam gets back the five billion won that he originally lost in the Dae Bong Bio investment, then asks if Heung-sam has taken care of things at the Han Joong Group yet. This is a bit to close to little bro for Heung-sam’s comfort, and he warns Tae-ho not to get too curious.

Of course Tae-ho’s radar pings at that, and he has Young-chil look up Se-hoon. He was apparently adopted to Canada and went to an Ivy-league school on full scholarship, and has been back in Korea for five years. All Tae-ho knows of Se-hoon is that he saw him kiss Jung-min.

Ship-jang mistakes the worry on Tae-ho’s face to be about Nara, and tells him that when this is all over they’ll go straight to Granny’s place and explain. We see Nara working so hard she gives herself a nosebleed, but she overhears Sergeant Bae threatening the men standing in the food line for not making their collection quotas.

He’s telling them they can’t eat if they don’t collect, but Nara says she’s the one feeding them, so she’ll decide who eats. But the men are too afraid of Bae and obey him, and when Nara tries to stop him, he shoves her into a wall. Nara starts to get up but faints, and even Sergeant Bae looks shocked (“I didn’t push her that hard…”).

When Jong-gu hears of this, he charges Sergeant Bae and kicks him in the chest, but Bae says he was acting on orders from Poison Snake. Jong-gu is furious and punches him repeatedly, and Bae goes with Poison Snake and Crocodile to complain to Heung-sam.

Crocodile whines to Heung-sam that Jong-gu has started getting involved in their personal matters. Poison Snake apologizes for bothering Heung-sam with these trivial matters, but says it’s hard to lead his men with Jong-gu interfering. Heung-sam is silent until Crocodile mentions how much time Jong-gu spends wth Mi-joo, and threatens to shut his mouth forever.

Jong-gu visits Nara in the hospital, who complains that everyone is making her rest more than she wants. She teases him that Granny said he’s dating someone, and apologizes for yelling that he mooches off other homeless people. But he allows that it was only the truth, saying that with Tae-ho gone, he feels like those left behind should do something.

Nara asks if his lady is the same one he mentioned once while drunk, the one who saved his daughter’s life – he’d said he didn’t know if he felt guilty towards her, or if he liked her. She says those aren’t mutually exclusive and that he can feel both, and urges him to forget the past.

When the men have gone, Mi-joo tells Heung-sam that she won’t be sleeping with his customers anymore, but he just laughs at her. She says it has nothing to do with Jong-gu, and admits that without Heung-sam she’d be an addict and a ruined woman by now. But she feels she’s repaid her debt, and only wants to manage the club and the other girls from now on.

Heung-sam laughs again and says that he was wondering what to do about her and Jong-gu, because their little stunt the other night (when they ran out on Vice-Minister Moon) put his business at risk. He says that now he has his answer, and strokes her scar, saying that it will never disappear as long as the three of them are alive. He asks Mi-joo, which one of the three should they erase?

Jong-gu visits the building where the fire happened, remembering how he’d seen the smoke and run up screaming his daughter’s name. He’d seen Eun-ji and Mi-joo huddled in the flames, Mi-joo protecting Eun-ji with her own body, and she’d been burned when a flaming beam fell on her shoulder.

Jong-gu is startled when Young-chil suddenly comes out into the hallway, which startles Young-chil equally. He’s forced to show Jong-gu their office space, with computers and expensive epuipment everywhere, and a live feed playing of Tae-ho, Hae-jin,and the Chairman talking about the Plan.

Jong-ho orders Young-chil to call Tae-ho, telling him that he looks pretty good for a dead guy. Tae-ho looks sorry and sad as he looks into the camera, and Jong-gu asks him to come talk to him. When Tae-ho shows up, Jong-gu says that they don’t owe each other anything, and whether or not Tae-ho was dead means nothing to him. Tae-ho says he was planning to come talk with Jong-gu when this was all over.

Jong-gu says that taking responsibility is good — in fact that’s what he’s doing now, taking responsibility as the guy who taught Tae-ho to fight. They’ve worked on endurance but never got around to punching, so now it’s time.

He gives Tae-ho boxing advice, but it’s clearly meant to serve double-duty as advice on how to deal with Heung-sam… advice like using clear and precise punches, closing the distance between himself and his opponent, and only having one chance to block. Tae-ho hears the advice for what it is, declaring that he can destroy Heung-sam.

Jong-gu and Tae-ho face off, and for the first time, Tae-ho holds his own quite impressively. Jong-gu tells him that he has nothing left to learn, so to get out of his sight. But before he goes inside, he tells Tae-ho that Nara is in the hospital, in part due to Tae-ho himself.

Tae-ho walks by himself and stops to look at a small flower, really more of a weed, blooming next to the sidewalk. It reminds him of Nara and her garden, and he goes to see her in the hospital. He watches her sleep as he smiles, remembering how she’d assured him that she wasn’t interested in him, not at all, nope, not even a little bit.

Tae-ho doesn’t wake her, but Nara smiles in her sleep as if she knows he’s there. When she wakes in the morning, she finds the little flower in a cup on her nightstand. Awww.

It’s time for the next phase of the Plan, and Hae-jin and the Chairman wait in their hotel suite while Tae-ho and Ship-jang watch from the van. Some suited men pull up to the hotel after President Jung goes up, and Ship-jang thinks he’s seen them before. Oh no. But everything seems to go well, as Jung and the Chairman sign contracts and transfer the money.

Hae-jin wants to get out of there quickly, saying they have a plane to America to catch, but President Jung says he’s invited someone for them to meet. Oh crap, it’s Vice-Minister Moon, and Hae-jin and the Chairman suddenly look very nervous.

Jung says that he knew why Moon came here the other day, and Moon arrives to the shock of Tae-ho and Ship-jang watching downstairs. They start to freak out, knowing that if Moon goes upstairs it’s all over, so Tae-ho calls Hae-jin. Hae-jin is trying desperately to get himself and the Chairman out of there, but Jung is insistent.

Vice-Minister Moon arrives at the room and immediately there’s trouble when Jung refers to the Chairman as Chairman, while Moon knows him as a representative from the Blue House. It only gets worse when the suited men Tae-ho saw downstairs push their way into the room and introduce themselves as the Seoul Fraud Regional Investigation Unit. Well, shit.

They arrest Hae-jin and the Chairman, telling President Jung and Vice-Minister Moon that these two men are conmen who just scammed them. Jung demands his seven billion won back from Hae-jin, and the investigator says it will take time but promises that they will return his money after proper procedure.

Tae-ho and Ship-jang follow as Hae-jin and the Chairman are driven to the police station, but before they arrive, the van pulls over by the side of the road. The leader of the suited men grins and asks if they’re curious who reported them, and the van door opens to reveal… Tae-ho!

He pays the guys and apologizes to Hae-jin, saying that he had to enact this part of the plan without their knowledge, so their reactions would look authentic. Hae-jin just stammers wordlessly, while the Chairman and Tae-ho share a laugh. Awesome.

Heung-sam visits the gigantic pile of money in his walk-in safe, as President Jung destroys his own office in frustration. He’s heard the news that the men that supposedly arrested Hae-jin and the Chairman aren’t real cops, and he’s figured out that Heung-sam was part of all this. He orders Big Guy to arm twenty of his best fighters — he’s going after Heung-sam.

Jong-gu looks for Mi-joo, but she hasn’t been to the club in two days and nobody can reach her. She doesn’t answer her door either, and Jong-gu grows increasingly frantic to find her.

Tae-ho goes to Heung-sam’s penthouse, where they share a drink to celebrate their success. Heung-sam says tha the only knew what kind of person he was after hitting rock-bottom, since that’s where human nature reveals itself. Tae-ho says that he’s repaid his debt to Heung-sam, but Heung-sam snickers. What about the interest?

Tae-ho offers to let Heung-sam sell his organs, but Heung-sam says he only needs his head. He asks Tae-ho if he wants to help with his business, but before Tae-ho can answer, Jong-gu storms into the penthouse and demands to know where Mi-joo is.

Instead of answering Jong-gu, Heung-sam says to Tae-ho that emotions only get in the way when doing business. He snarls at Jong-gu to re-evaluate his priorities, and to find his woman himself. He asks one more time where Mi-joo is, but Heung-sam says this is the difference between them — Jong-gu lets the past hold him back, while Heung-sam risks his neck reaching the top.

Jong-gu threatens to kill Heung-sam if anything’s happened to Mi-joo, but before things can escalate too far, Tae-ho steps in and stops them both. He asks what Jong-gu is doing, risking himself for a barmaid, and Jong-gu looks like he could rip Tae-ho’s face off with his teeth. Tae-ho says to wait — he’ll step on Jong-gu on his way up.

Jong-gu leaves, only to see a small army of men entering the building, and it makes him pause. It triggers a memory of himself when he still had his daughter, so drunk he could barely sit up, and a young Heung-sam had brought food for Eun-ji and a handful of syringes for Jong-gu. More memories, of a bloodied Heung-sam standing in front of himself and Mi-joo, then later leaving Jong-gu sitting in the gutter alone.

Big Guy leads the men up to the penthouse, where Tae-ho and Heung-sam are still sitting with their drinks. Heung-sam gives Tae-ho credit for saving Jong-gu, saying that he was about to forget their past together. Tae-ho asks how they met, but Heung-sam just chuckles that it’s been such a long time.

Big Guy and his men burst in right then, and Heung-sam laughs that President Jung figured it out so quickly and sent so many men. Tae-ho tells Heung-sam to escape, but Heung-sam doesn’t, though you can see the wheels turning in his mind as he says that those who want to live should leave now.

Big Guy gives the order to attack, and it’s an instant free-for-all as Tae-ho and Heung-sam defend themselves. Heung-sam gets the high ground and Tae-ho grabs one of the men’s weapons, but they’re terribly outnumbered. Eventually Tae-ho is cornered, and Heung-sam takes a knife to the gut. (I have to admit, it’s kind of sweet that the one item Heung-sam saves is his record of his favorite song.)

Despite the way he was treated, Jong-gu goes back upstairs and walks right into the fray, fighting his way into the penthouse. Meanwhile Tae-ho and Heung-sam end up fighting back-to-back, and eventually all three allies work their way to each other. Even having taken the worst of the injuries, Heung-sam is all, “This is just like old times!” HA.

Jong-gu offers to make a path so Tae-ho can get Heung-sam out of here, and Heung-sam jeers at his attackers that they’ve worked hard today. Big Guy isn’t about to let them escape, however, and pulls a large knife. His men start a fresh attack, but a stray pipe swing shatters a window — the strong winds from being at the top of the tall building send glass shards flying everywhere.

The three men try to escape, but while Heung-sam and Tae-ho almost make it to the door, Jong-gu is stabbed viciously by Big Guy. Tae-ho knocks Big Guy away with his pipe and covers them, while Jong-gu extends a hand to Heung-sam, but another swing of a pipe knocks Jong-gu away and allows a man to stab Heung-sam again.

With his last bit of strength Jong-gu drags Heung-sam into the elevator, and Tae-ho jumps in with them. He fights off the men, but they manage to grab him and yank him out as the doors are closing. One last well-aimed jab from Jong-gu knocks away the last man holding onto Tae-ho, and he squeezes into the elevator as the doors close.

Mi-joo comes back from the trip she took with a client, with Praying Mantis right behind as her bodyguard-slash-jailer. Praying Mantis gets a call, and he goes visibly pale and barely manages to hold on to his trademark poker face — whatever he’s hearing on the other end is bad.

Mi-joo and Praying Mantis go straight to Heung-sam’s bedside, where Praying Mantis looks as though he’s going to burst into tears at any moment. He swears to catch President Jung and give him the most painful death possible, which is kind of sweet, in a super creepy way.

Mi-joo tells Praying Mantis to focus on cleaning up the penthouse so Heung-sam can go home soon, and Tae-ho tells her that she can find Jong-gu at Nara’s clinic. She asks why he’s telling her this, and coolly says to relay her greetings when he sees him. Ouch.

Jong-gu is busy giving Nara a hard time and pretending he’s not waiting for Mi-joo at all, even as he gazes into the distance from the roof. Awww. Nara says he should call her if he misses her, and asks how they met. Jong-gu just gives a long, sad sigh.

COMMENTS

Excuse me while I catch my breath — that fight scene was a doozy! Normally I’m not one for long drawn-out fight scenes, but this show is so good, it even managed to use a fight scene to set a stage for an important character moment between our three leading men. It was interesting how they started out fighting alone, and were each losing badly, and only regained enough leverage to get themselves to safety once they stood strong together and helped each other. Well done, Show.

Tae-ho has to walk such a fine line at this point, because he has so many things to stay aware of in order to just survive. Heung-sam is realizing the value of Tae-ho’s intelligence, yet he’s still Number Seven out of seven, which makes him low man on the totem pole and the Golden Boy all at once. We’re already starting to see Poison Snake, Crocodile, and Sergeant Bae noticing this and feeling threatened in their positions — and there’s still Number Three, Straw Cutter, to contend with soon. I have no doubt that when he gets out of jail, there will be a mad scramble as everyone jockeys for position again. Tae-ho doesn’t have the other Seven’s years of experience with each other to know how to navigate their unique little Seoul Station hierarchy, and one misstep could cost him everything. Especially with such an unknown as Straw Cutter, who has been foreshadowed to be quite dangerous.

I’m conflicted in my feelings about Tae-ho in the last few episodes… on the one hand, he’s finally using his brain to get ahead, and in this situation that can only be a good thing. But on the other hand, he’s in danger of burning bridges on the way, and it concerns me. I’m worried that his relationship with Jong-gu could be destroyed before they even get started, the way he’s pushing Jong-gu away with his words and actions. And while we know that Tae-ho is doing it to protect Jong-gu from Heung-sam, who could be unpredictable if he discovers that Tae-ho and Jong-gu are becoming close, Jong-gu doesn’t know that.

Speaking of Jong-gu, I’m ready to learn more about his past with Heung-sam, and why he’s allowed to be Number Two when he doesn’t really seem to have done anything to have earned that honor. Heung-sam keeps talking about their past, and the flashes we’ve seen show two men who appear to have been much closer than they are now. I want to know what there was between them, and how it went wrong, and what Mi-joo had to do with it. And most of all, why Heung-sam continues to bestow a level of respect on Jong-gu that he doesn’t seem to care about or respect in return.

I was a bit taken aback that the Plan to take down President Jung wrapped up so quickly and without any real hiccups (well, other than that one manufactured one, which turned out to be part of the Plan after all). I fully expected to get another episode or two out of the Plan, and that we’d get to see things go wrong and watch Tae-ho flounder to get things back under control. But then I realized that that’s not how Last rolls — I really should stop expecting it to be like other dramas, and sit back and let it surprise me. Because if there’s one thing this show does, and will almost certainly continue to do, it’s surprise me.

The fun part was that after I got over my surprise, I realized that I’m actually glad to see the plot continuing to zoom along at this rapid pace — the balance in this show is so perfect that nothing feels rushed, while the zippy pace gives the audience a sense of events in danger of spiraling out of control for our players. It’s a nice use of timing on the writer’s part, to utilize the quick transitions from plot point to plot point to actually contribute to the sense of approaching disaster. For Tae-ho and Jong-gu, especially, the faster events move, the higher the chance that they will lose their grip and possibly their lives. We’re already seeing it start to happen — they nearly were killed because President Jung retaliated so quickly, they didn’t have time to prepare to defend themselves. I think this is the first time I’ve wished for a drama to actually slow down a bit, if only to allow the characters to catch their breath and get their feet back under themselves!

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Amazing pace and action intensity. Great recaps help to enjoy the story again--and to refresh our memory as to all that happened before the next round of plot development. Thanks LollyPip!

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Thanks for the recap LollyPip!

The Plan B of the fraud squad 'arresting' our duo - Chairman + Hae Jin - was GENIUS!

Fight scene was epic! One for all - All for one!

I was actually worried about Heung-Sam being stabbed (he is a baddie - but still have the humanity in him. Aww he looked after the kid when Jong-gu was too strung out to do so.)

What wonder what is the backstory of Praying Mantis - he is an intriguing character. Obviously he is very loyal to HS.

Have been listening to the heart rendering OST on youtube on repeat since the weekend when it was released.

영지 (Young Ji) [Bubble Sisters] - 다가온다 (Approaches) [Last OST]

If all our heroes make it to the last episode alive - that would be wonderful - i am afraid that we may lose 1 or 2 along the way to the end.

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Loved. Loved. Loved the fight scene. So realistic.

And Heung-sam holding on to that Vinyl trying to prevent it from being broken, so heart rending! I wonder what the name of the music he was playing is. It must have a pretty deep significance for him to hold on to it so preciously even though he was being stabbed. He's such a fascinating character - and isn't even the main protagonist!

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The record must have been his father's. You can see it playing in the flashbacks, next to their photograph in their old home. I guess it either reminds him of his family or it was playing when he found his father dead. If the latter, it would surely remind him of the moment and fuel his hate and determination.

The song is called Heidenröslein and this particular rendition is by the Vienna Boys' Choir.

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Thanks Orion!

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Oh, I missed that, Thanks!

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Also, it's the ring tone of his brother's, if you noticed from last week. It must be important to both of them.

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I thought Chairman's PSTD reaction to the emergency tone was going to let the cat out of the bag. Imagine my surprise to find that Tae-ho had a back up plan, and what a plan! LOL.

I love the surprises in this drama. The scene between Tae-ho and Nara was very sweet. I liked that she smiled in her sleep as if knowing that he was already there. He does have a soft spot for her, although he still has feelings for his ex.

I had to look up the age of the actress that plays Mi-joo, she looked almost 40ish. I was surprised to see she's only 34. It looks like she has one of those faces that seem older than they really are, and it doesn't help that she is sad and doesn't really smile for most of the drama.

The bond between Heung-sam and Praying Mantis is particularly strong. I want to know what the history between them is. It's clear to see that Mantis is devoted to Heung-sam and is clearly not in it just for the money like 3 of the deadly 7 are. It's particularly telling that even though Mr. Ryu was pissed off at Heung-sam, he still went back to rescue him from President Jung's men showing a bond that is stronger than their present impasse. Heung Sam seems like the sort to engender both loyalty and loathing from his men, and that's something that's quite unique about him.

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@Adal

I am surprised that she is only 34 years old as i had her pegged for a much older person through her looks!

I had commented in the Ep 6 recaps that Mi-Joo appearance is very interesting - a strong woman but on the verge of snapping/breaking. During the 24 hours since my comment - the right word came to me- she looks BRITTLE.

I tense up when she appears on the screen because she looks tense and tragic. It looks like she is holding everything inside and it will all come spewing out if provoked.

Hers is a well played character.

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Yes. You nailed it! Brittle is the word that describes her accurately. She looks so world-weary that she could shatter at the slightest shock. The actors and actresses are firmly into their characters and are playing them to the hilt. One of the benefits of pre-production, I'd say.

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How is it that when I wish to dislike a baddie, we get some development from him that makes me see him in a different light? Heung-sam's still a baddie but...but he's not just for the evulz.

You have his bond with Praying Mantis, Jong-gu, Se-hoon, Mi-joo....eeek

The depths they are giving these characters in this show is just...wow.

I have to ask: I think I missed a recap/episode or something but when did this Nara/Tae-ho development occur? (or I truly was not paying attention to them)

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I know, I keep having to remind myself that Heung-Sam is an evil gangster overlord who exploits the helpless and murders people so he can sell their organs. I mean, when you put it like that... he's just plain bad. BUT he's really charismatic (courtesy of Lee Bum-Soo :3 yay ahjussi!) and we know him so well now, I keep catching myself really liking Tae-ho's new chumminess with him and hoping they'll form an awesome partnership. I think that's actually what makes him a really dangerous and effective villian- he's able to pull people into his influence and manipulate them. Mi-joo and Jong-gu know exactly how he's using them and have no delusions about his evilness, but still can't escape from their ties to him. He's able to make people indebted to him, then use them like tools and still command an incredible amount of loyalty from everyone around him- I think this is highlighted a lot in the next 2 episodes, without spoiling anything.

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Heung-Sam is a bad guy.. there is no mistaking this.

Tae-Ho has to grow out of his comfort zone with HS in order to instill his climb to the top. But I think at the end, Tae-Ho will be so entangled in his life with Nara and Jong-Gu that these people really matter to him that he has to do battle with HS

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Oh, and to reply to your question, they both obviously were interested in each other as soon as they met. Nara realized how much she cared about Tae-ho when she found out he was (supposedly) dead. Tae-ho... honestly I thought he discovered his feelings a little too quickly as well. I think it's partly his strong protective instincts kicking in. He feels responsible for hurting her with his fake death trick and also just generally sees her as an innocent and vulnerable person living in a dangerous world. From what I've seen of the coming episodes I would say he doesn't really LOVE her yet and still has some hang ups about his ex-girlfriend.

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Mr Ryu sure is protective of Nara though. Their relationship is more like father-daughter. Look at how quick he was to beat up Sergeant Bae for pushing her against the wall. My guess is that Sergeant Bae wasn't intending to hurt her at all, but it was her exhaustion that caused the nosebleed and made her faint. Maybe this is an attempt to humanize Sergeant Bae, so he doesn't come across as that much of a sleaze ball?

Quick question that I'm kind of curious about is why are the homeless all men? Aren't there any homeless women and children in Korea? And if there are, why isn't the show focusing on them at all?? Even a little on the periphery of this world would bring a better balance of realism to the drama.

I'm not considering Mi-Joo as homeless at all because she sort of lives a luxurious life style. Neither am I considering any of the women in her brothel either because I won't believe that to be the rule for any homeless person who isn't male or above the age of 16.

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Butting in again. We've been discussing this over at soompi forums. It's really odd. Even if the show wanted us to believe there are shelters for women and children, there would not be enough to take in everyone in Seoul's station. And even if some women were pretty and taken away to make into hostesses or healthy and taken away for their organs, there would still be at least some women and children. But nothing. No one. And why would they try to cover that reality up in an otherwise dark series anyway? We get Mi Joo and prostitution and organ markets and murder, I doubt homeless women and children would be "too much".

The only reasonable explanation I can come up with is that this particular station has been cleared out of anyone but men, perhaps by the Seoul Seven, because they only want men as their cash registers. And they can beat those up without anyone getting too eager to call the cops. But then we'd have been told something along those lines.

How does one forget to cast women as extras, really? I don't get it...

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@Orion, I should go read the soompi discussion about this; I'm very curious!

A couple of thoughts, not especially well-informed about the statistics or characteristics of homelessness in South Korea:

I think that the spaces in which men and women live (not just in South Korea) are so highly gendered that it is not surprising that women are not visible in this drama as homeless-on-the-street. While there are surely many homeless women and children in Seoul, as there are everywhere in the world, they are not necessarily going to be sleeping or congregating in the same spaces as the men, for obvious safety reasons. Homeless women are at a huge risk for rape and sexual violence, so I doubt they would be hanging out in Seoul Station. Homeless women are less visible as such in the USA (where I live) as well, because they are more likely to hide, or circulate in different spaces. That doesn't mean they dont' exist, but you don't see them in the same way.

So, The drama can use Seoul Station as the most visible symbol of homelessness in a public space, but it isn't, or can't be, a microcosm of homelessness in general. Rather it is a space where homeless MEN are visible as such. That's why it works really well in this drama as a third sphere of male hierarchy and struggle, parallel to the more usual corporate/gangster spaces of hyper-masculine conflict we see in dramas and movies. The underworld can reveal things that are more hidden in the "legitimate" world (violence, corruption, power struggled, but also loyalty, concern, and survival). In Oliver Twist, the highly organized homeless/beggar world highlighted adult exploitation of children because that is what Dickens wanted to show us, while this drama highlights one way that homeless men organize for survival (granted, in a highly exaggerated way).

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@Joanna, perhaps it was a creative choice, yes. I do agree women would not congregate in the same places, but what showing some during the food handouts and such? They could easily have some as extras, just to exist in the background.

Since the homeless at this station are essentially a gang, the men make sense, but I wish the series had at least thrown a little comment on that. Since it's so very noticeable.

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I will echo everyone else- WOW that fight scene! It was incredibly intense, drawn out, and raw. It was long, but did a great job of maintaining the sense of danger through the whole thing, you could really feel the weight behind every punch and the characters' scrambling desperation.

I'm also concerned about where Tae-ho's choices are headed. As things keep getting more complicated his goals also keep getting less defined and I feel he might be in danger of losing his internal compass. In this episode he pushed Ahjussi away for his own good and didn't really mean what he said, but if he keeps going the way he's pointed he'll start having to take real action against him. I'm hoping he'll have time to slow down and re-evaluate what he really wants and what he's really willing to do for it soon. It's great to have that kind of ideological conflict for a character, as long as the show doesn't lose IT'S compass as well.

Plus, Mi-Joo and Ahjussi just keep breaking my heart more with each episode. Seriously, the more I know about their relationship the more I want them to just be together, the more I realize how difficult it is for them to be together. T^T It's a great piece of writing, but it hurts my heart so! Have mercy Show!

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tq lollyPip

I wonder why is nara character is written _ just as a

counselling nurse ?

Will praying mantis betray heung sam ?

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Thank you lolly-pip.
I can't say enough about this drama but it is amazing, loving every episode

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I also ask myself: in South Korea where women are still so overwhelmingly associated with the home, motherhood, and marriage (even if these norms are changing or being challenged) what does it mean to be a "homeless WOMAN"?

I know that in Spanish, for example, to be "un hombre público" (a public man) just means a man is a public figure whereas to be "una mujer pública" means to be a prostitute. Same adjective (public) but opposite meanings of respectability. I don't know enough about how this kind of attitude might be present in South Korea, or even present in the language, but surely it's a factor how one might go about representing homeless women visibly in a drama. What are the different ways that homeless men and homeless women are perceived? What kinds of stigma might make many women remain in unsafe or abusive relationships, households, or work situations rather than risk the dangers of living on the street? My guess is that a lot of homeless women struggle with mental illness because that is what a lot of homeless men struggle with.

Nara and Halmoni are a "chosen family" who care for each other as a way to survive in a world in which they don't have other (blood) famiy. Their restaurant/rooms-for-rent are a substitute home space for Tae Ho and his gang, who are no longer sleeping rough, but are still identified as "homeless" on some level. So, maybe women's survival strategies are being shown in this drama, but not as sleeping rough.

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