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Odds and Ends: Talking dramas in Boston

girlfriday: So we went to Harvard last weekend. We should probably tell people about that.

javabeans: Yes, good idea. As we announced, we were invited by the Harvard-Radcliffe Asian American Association to talk at an event in their speaker series, and they gave us the loose parameters of talking about beauty, gender, and cultural stereotypes in dramas. And I thought, sure, there’s a lot of beauty in dramas, I could talk about that.

girlfriday: We probably could’ve talked about each topic separately for the whole time, which is likely why we ran over and got kicked out of the building.

javabeans: Yes, I’m pretty sure the door did in fact hit me on the ass as it was closing behind us. That custodian really wanted to get home. But first, the talk. To me I feel like we were talking about very familiar material that we mention in bits and pieces regularly throughout Dramabeans, but also it’s because we’ve been writing our next installment of our book for ages and therefore it’s all stuff we’ve worked out on some level. Which made this kind of talk ideal. But maybe it’s bad to mention the book because, ahem, we’re behind schedule on that.

girlfriday: Ack, don’t remind me! I have such guilt about that. Granted, we’re the ones who made up said schedule, but as always, we’re behind. Don’t worry though — we’re writing it, we swear. So yes, the topics we discussed in Boston — familiar character archetypes across dramas, gender-bending hijinks, inequality and subverting cultural norms…

javabeans: Don’t forget transgressing heteronormative boundaries and reversing the age-gender power balance. Put that way it all sounds very academic and dry, but we said it all in our style, which is to take all the boring academia out of it and have fun with the drama examples. I think it was a really interesting talk, although is that like saying your own baby is pretty?

girlfriday: Maybe, but in this instance people are free to argue, whereas people can’t say your baby is ugly.

javabeans: Even if it is. All babies are ugly. Just so you know, proud baby-having parents of the world.

girlfriday: I’m not going down with that ship. All your babies are lovely! Yes, especially yours, that one with the pudgy cheeks! Anyway, I think the talk was fun because we had a really great audience. It was very interactive and informal, and people asked great questions to keep the discussion going. It always re-surprises me when we do these things, but in dramaland you never run out of “Is this normal?” questions.

javabeans: I love when our answer is “Yes, it is. I know it’s weird, but it’s totally normal. People have birth secrets ALL THE TIME and it’s just normalized.”

girlfriday: Which is what we said, because it’s true. But then of course there’s always the behaviors that are confusingly chicken-egg in dramas, like piggybacking and backhugging. I’m sure they existed pre-dramas, but they’ve taken on new meaning.

javabeans: Yes, it’s the life-imitating-art-imitating-life-imitating-art circle. Like seeing wrist-grabs as romantic because in the dramas they’re played for romance. Whereas in real life a forceful yank on the arm might elicit a much different response. Perhaps one followed with a reflexive kick to the groin.

girlfriday: It would in MY world. What’s interesting about looking at drama tropes across various shows is that the patterns are shockingly few, and the gender gap still so wide.

javabeans: I do think that it’s not solely a cultural argument that could be made to explain that (as much as it’s fun and neat to blame the patriarchy for everything, and also Confucius), because I also think laziness is a factor—as in, this narrative pattern works. Why invent a new one when I can just use it to fashion the makings of the next one?

girlfriday: Completely. Which is why we always talk about these things in chicken-egg fashion, because it’s not one-directional.

javabeans: Well, I think it’s also because to attempt to give the final answer would just be wrong. Everything affects everything else, and the world goes ’round and ’round.

girlfriday: But we also like to give pop culture credit for being as influential as it is reflective, and besides the fact that we’re interested in TV as a narrative form, there’s an immediacy to television and its reception (especially in Korea) that is endlessly fascinating.

javabeans: And there’s just so much to talk about, partly because the material just keeps coming out of dramaland. No rest for the weary and all that. At least it keeps us stocked with things to talk about, and build on for future talks. Which we’ll be sure to do the next time we speak, which ought to be later this year. But we’ll be sure to announce that when we know more.

girlfriday: Thanks to all the Boston beanies who came to see us! We had a blast.

javabeans: And to the non-Boston beanies who made it out too! It was cool seeing some familiar faces from our New York meetup. And of course, thanks to the Harvard-Radcliffe Asian American Association for inviting us out. We’ll take any reason to talk to fans about dramas, apparently, seeing as how we talked until we were shooed out of the building and then talked some more outside.

girlfriday: Nothing beats meeting people who are as obsessed with dramas as you are.

 
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Can't someone at Rice University please invite girlfriday and javabeans to Houston?!?

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Great idea! So many k-drama fans in Houston. I know there is a Korean professor who teaches the language at Rice. Wonder if she would be interested in Dramabeans coming to Rice?

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Let's contact her!

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Let's try to contact her!

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Sorry for the duplicate!

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There are?! Where are y'all at? Are there ever any meetups?

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oh oh oh GREAT IDEA!

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awww, now I wish I could hear you guys speak too! (we do on the podcasts, but face to face is of course different)

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Aw, man! Is that what the professors at Harvard look like? They must be out of this world! :) Thanks for the fun summary of your drama talk. Reminds me of the rhetorics communications course I took in college which was really about Bob Dylan's music. Loved it. You guys really do have the best 'job' in the world. \ /

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If professors at my university looked like that I would go to class everyday.

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But I wouldn't learn anything :-)

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you look extra handsome in that photo javabeans...hahahaha

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What I find interesting in all your travels to various universities is not so much that you talk about Korean dramas - but the fact that it is pretty much ONLY Korean dramas. That shows me that the "Korean Wave" is still waving. (does that make sense?).

On the flip side, it shows how poorly that other Asian countries - especially Japan - which had a pretty good head start - have done in exporting their culture and media.

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I seem to remember that something on the FUJI website that made it clear, that not subbing and exporting jdramas was an intentional choice that rhe network made. I wonder why?

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I have done some research on it, and did not have much luck finding out a lot. Part of it has to do with the control that a few companies in Japan have over the actors and actresses in Japanese productions. Probably some truth to that, but not the whole story. Some sources cite union disputes.

But the most plausible to me is the theory that because of the way that the Japanese distribution system works, those in control of some 80% of all distribution rights insist only DVD only sales. Essentially, they are stuck in the same time warp that American music distribution was some 15 or 20 years ago, with the same results - anything worth seeing gets pirated.

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Dramafever and Viki seem to have aquired a few (very few!) dramas. It would be nice if that trend continues.

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i noticed tokyo dogs is on dramafever!!! my favorite jdrama

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Great summary! I would have loved to hear the "outsiders'" questions.

The way I feel about cycle of life-imitating-art-imitating-life-imitating-art, etc is this:
When Drama shorthands were born - "He grabs because he cares vs She cooks because she cares" made up 90% of drama bread. Every once in a while, we see "HE cooks or SHE confesses first" - so viewers become more comfortable with less aggressive males and more assertive females on the screen. The new images get rolled into the idea dough and take space away from the older ones. Eventually, your white dough evolves into pumpernickel rye, but nobody can point to the ONE moment the recipe changed.

The wrist grab - will it ever disappear completely?

Sure they cliches eventually become stale but at least we are moving into a more gender equal image of love. Not gender neutral; THAT is not good for me. I like there is a difference between men and woman. Vive la difference!

GOD this stuff is hard to talk about. No wonder it falls to seven syllable word using intellects.

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Ok, I'll say it. The wrist grab and the piggyback rides are two guilty pleasures of mine. Those are pretty much the only tropes I don't get tired of, no matter how overused they are.

*hides in a corner*

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And hide you should, as I have sent out my pack of 120 vicious hungry dogs to hunt you down.

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Piggyback are awesome. Wrist grabbing is demeaning, for lack of a better word.

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Went to a dinner dance where this lady drank too much. To my surprise, her Chinese boyfriend or boy friend (I assumed) picked her up and gave her a piggyback ride to their car. That was a few months ago, so it's still happening in public.

I haven't seen any wrist grabbing, which make me cringe every time I see it in a drama.

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I'd be ok with the wrist grab if they didn't look like they also meant receiving a dislocated shoulder.

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You said it.

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I was in an amusement park in southeast asia last month and I saw this couple having their photo taken while the guy was giving the girl a piggyback ride. Piggybacking is not the norm in this country and I was grinning when I made the comment to my friend that what we were seeing is because of the power of KDramas. It was cute and the girl was having the time of her life.

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I have been a fan of watching clichéd tropes (especially the really stupid ones) for ages, and not just in Korean dramas. It is interesting to me how some live on forever, and other come and go.

One example is that up to around 2011, one of the most common clichés in k-dramas was the girl breaking or losing her high heel shoes and (of course) being saved from falling by the hero. It was so overused that in one drama it appeared at least 5 times. And, sometime around 2012 it just almost totally disappeared.

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I saw that high heel trope in The Flower Boy Next Door which I think aired in early 2013 but they subverted it a bit by having the girl break her designer shoes on purpose to try to get the guy she liked to help her out (and then he still didn't want to and only did so grudgingly).

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Was that like when they introduced the ridiculously 4 inch high heels?

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I'm grateful that getting a bit wet=an instant fever and a devoted LI spending the night moping their brow bit has mostly died out.

It was sweet the first few times I saw it but that trope wore out it's welcome fast.

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Yes!!! I hated that cliche with the high heels so much, and am glad it's finally run its course.

Hopefully the next cliche to go will be the one where the guy "backhugs" the girl with his coat. It is so cringeworthy, and I think women would be embarrassed if a guy really did that to them in public. Every time I see that move in a k-drama I think of a mother hen with a chick under her wing.

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As long as you recognize that "difference" is mostly constructed and performative (or at least allow, even if you're an avid essentialist, that social norms work to greatly exaggerate and widen the difference and perception of it), and don't foist it on others who aren't interested in confining themselves to that. :-)

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See, THAT is what I am talking about....um...actually what does that mean?! :)

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For a moment I thought it was Umbridge speaking ! :D

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OK, it is perfectly clear after reading this on the wiki:

"Performativity is the process by which semiotic expression (in language or a symbol system) produces results or real consequences in extra-semiotic reality, including the result of constructing reality itself. In the frequently cited Butlerian vein of performativity, gestures and speech acts do not express an interior identity; they perform that very identity and even its assumed quality of interiority."

See now?

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But 'gender as performance' isn't really an out-there, abstruse concept...? This theory usually butts up against the gender essentialists who maintain that sexuality and gender are natural and innate, and see the sexes more as binary oppositions (dividing things into feminine v. masculine). Constructionists thinks most of those divisions are socialized (not innate) and/or exaggerated; focus on the constructedness of gender; and many even think the biological sex binary (male/female) is too simplistic, especially when you consider intersex people. Both strands tend to be feminist, though, which is what matters, regardless of your views on gender. :-)

http://en.wikipedia.org/wiki/Performativity#Performance_theory_and_gender_perspectives

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By Gabby, I think I've got it! Thanks!

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Re: gender neutral

Couldn't agree more. I think the part of the problem is that so many confuse 'equality' with 'sameness'.

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Is there any video of the event, that might be posted on youtube or something? I'm even thinking of looking up the soc to email them and beg XD At the very least so those of us who can't enough of it don't miss out.

...'cause all I got here is, 'javabeans and girlfriday - my sunbaes - were talking kdrama and I wasn't there'.

Good job! I hope HeadsNo2 is doing better as well.

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I'm curious about this too - I looked on the Harvard-Radcliffe Asian American Association's website and Facebook but couldn't find anything. Videos or pictures or otherwise :(

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Actually there are pictures of the lecture on the Harvard-Radcliffe Asian American Association’s official website, on the "photos" page! :)

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It would be fascinating to see one of your lectures, filmed, (like in those university lectures provided online). ;) I would really like to listen to you :D

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I think it is a success only when there are outside discussions ^^

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I have alwaysuniqueht wrist grabs are something that happens, because the hand is otherwise occupied or it just has easier access , until kdramas of course.

Over here, wrist grabs and hand grabs is interchangeable granted asserting dominance by how much I can break her arm is Something so Korean dramas.

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*always thought

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It always makes me so sad that i live in Australia :( i want to go to one of these so bad!!!

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Congratulations! I'm glad you're being recognised for your work that brings pleasure to people who are equally passionate about Korean Dramas/ Movies. I hope you'll have your next meet up in Melbourne so that I could finally meet both of you.

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You better be glad we cant insert pictures into comments (can we? Will html tags work?) or all the parents would be posting their babies' pic to prove you wrong. Including me, cause my little fella was adorable!

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I am actually glad that people cannot post images. That is my main issue with Soompi - people post and repost and then quote and re-quote the same images endlessly.

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Was the event taped? CCTV Maybe? Can you upload that? Please? Please??
If i were to fly to the US, it would cost me an arm and a leg :( :(

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Dramabeans in Harvard. I am so glad that your hobby has brought you places, recognition and achievements. I'm happy because y'all work so hard for DB. I love you guys!

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i think it would be interesting for you to have regular lectures online! i mean i know you do podcasts but i sort of want to watch you guys talk kdramas in a more serious tone (equality and stuff).

good job JB and GF! you guys rule!

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yay, dramabeans . you guys rock.

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I'm giving a talk on Hallyu at a conference in October. I'd be interested in knowing a bit more about your talk, if you're willing to share.

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