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Sungkyunkwan Scandal: Episode 18

Dear beloved readers,

I want to address the issue of there possibly being a second season to SKK Scandal. I, for one, am against the idea. Don’t get me wrong, I would love to see more of our Jal-geum Quartet, as well as the other wonderful characters of this gem of a drama. But I feel the intensity and dramatic oomph of the first season would be lost – unless the focus were switched entirely to, say, Jae-shin or Yong-ha and away from Yoon-hee and Sun-joon. Or if the series were made into more fluff. Either way, I think the series would lose some of its charm. Besides, most sequels tend to, err, flop.

If there is to be a continuation of some sort, I vote for a movie. That would keep the narrative tight as well as retain the essence of the series. Anyone want to start a petition with me?

Love, red pill

PS. I know the above picture is kind of random, but for some reason I am in love with that shot. Maybe it’s the lighting, maybe it’s the chess pieces that are all in disarray, or maybe it’s that that hand belongs to Jae-shin. All in all, it’s beautiful.

SONG OF THE DAY
임재범 (Im Jae-bum) feat. 윤하 (Younha) – 사랑에 아파한 날들 (The Days We Spent Hurting Over Love) [download]

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

LESSON 18 RECAP

 

As the wonderful gat (hat) kiss becomes a distant memory in the matter of mere seconds, Yoon-hee and Sun-joon walk into the secret hideout completely stunned. Sun-joon’s father is the mastermind behind the murders that happened ten years ago?

With his faith in his father on the line, Sun-joon takes on the task of finding out who the real owner of the land deed was. If his father is indeed the mastermind, then he should be the one to find out.

 

Yong-ha joins Jae-shin, who has already turned to the comforts of alcohol. Our nearly omniscient Yeo-rim astutely guesses that Jae-shin was willing to set aside the investigation for Yoon-hee’s sake – to save her from the heartache that she’ll have to endure if Sun-joon’s father is indeed the culprit. But what Yong-ha didn’t realize before (and Jae-shin did) is that Yoon-hee, too, loves Sun-joon. That complicates everything.

In true Sun-joon fashion, he goes directly to his father with the land deed. The supposed owner Baek Dong-su was the Lee family’s butler – which means the true owner was Minister Lee. So why was the deed used to bribe a police officer ten years ago?

Here we get a peek into Minister Lee’s political philosophy: Protecting the nation comes first and foremost, even above filial piety. Sometimes that leads to father and son becoming enemies, such as in the case of the late King Yeong-jo and the late Crown Prince Sado. What he fears is not the contents of the geumdeungjisa but the consequences of its reveal: the political sovereignty will be at the hands of a grieving son, and if swayed by foolhardy emotions like regret and grief, inevitably there will be more bloodshed and political unrest.

And if Sun-joon is swayed by the emotions of his youth, he could ruin the Lee family. Is that why, Sun-joon questions with brimming tears, his father sacrificed the late Professor Kim Seung-hun and the late Moon Young-shin and destroyed the geumdeungjisa?

No, his father denies, but Sun-joon is no longer so naïve to blindly believe his father; the land deed is glaring evidence that his father was involved.

Probably for the first time in their lives, Sun-joon turns his back (literally and figuratively) on his father. “Did you say that father and son can become enemies for the sake of the right path? From now on, I plan to be your enemy.”

Jae-shin finds Yoon-hee burying herself among books in the school library and convinces her to call it a night (“If you read books and don’t sleep enough, you won’t grow tall”) and walks her to the room.

She’s all nervous energy, but he wants her to take things slow. In order not to intrude, he’ll be spending the night with Yong-ha (wipe those naughty thoughts from your minds!).

She seeks reassurance from him, asking if he thinks it’s true about Sun-joon’s father. He offers her the best comfort he can at the moment: “Don’t worry about it. We’ll find out when Sun-joon comes back.”

The following morning, Jae-shin is waiting outside the hideout for Sun-joon. Jae-shin tells Sun-joon to lie about the land deed; their secret mission is to find the geumdeungjisa, not to find out who was behind the murders. But Sun-joon points out that since they haven’t solved the riddle of the secret letter, finding the mastermind may very well be their only clue to finding the geumdeungjisa. Besides, hasn’t Jae-shin been looking for the murderer?

Jae-shin: Yes, I have – and I always said that hiding the truth is a cowardly act, I absolutely detested it – yet, I’m saying I’ll bury the truth. So if you’re gonna show off, wanting to be honest, just and honorable, then don’t.
Sun-joon: Sa-hyung.
Jae-shin: People become cowards when they have someone they want to protect. Isn’t that who Kim Yoon-shik is to you?

Jae-shin claims that Yoon-hee won’t be able to forgive him if he tells her the truth, but Sun-joon knows that true repentance comes before forgiveness. And it’s not just Yoon-hee that Sun-joon needs to ask forgiveness – there’s also Jae-shin.

Sun-joon promises to try his hardest to make sure Yoon-hee doesn’t get hurt.

 

So Sun-joon tells Yoon-hee the truth as he knows it. It’s heartbreaking: Sun-joon explains that he thought it best if she knew, and Yoon-hee distractedly gathers her books and tries to leave. When he stops her, she says that asking her to listen to him any longer is too cruel.

 

Sun-joon chases her outside, wanting to beg forgiveness in his father’s stead. If he can’t be forgiven, he’d have to accept that as well, but if she’ll allow him to stay, he’ll do his hardest to set things right by finding the geumdeungjisa.

But things can’t be set right because finding the geumdeungjisa won’t change anything in Yoon-hee’s world. She leaves, saying that she needs time to think, and this time Sun-joon is unable to stop her. Fortunately for him, Yong-ha and Jae-shin are there for him.

At Moran-gak, Minister Ha throws a stringful of money at Yoon Cham-gun, enough to convince him to go into hiding. They seem unconcerned that Cho-sun is hearing every word, which isn’t surprising considering that gisaeng houses were known to host many a political tryst since gisaengs were (usually) deaf and dumb to political affairs.

Back home, Yoon-hee asks her mother for the truth about her father’s death. But her mother doesn’t want her to fight against the world; the world always tries to crush those who rebel against it. That’s what happened to Yoon-hee’s father, and she doesn’t want the same to happen to Yoon-hee. But Yoon-hee picks up on the unspoken confirmation that her father’s death was wrongful, enough to make Yoon-hee resent and want to fight the world.

Yoon-hee laments that her mother didn’t tell her sooner, before she ever met Lee Sun-joon and fell in love with him.

 

Yoon-hee: What kind of person do you think Father was? Yoon-shik, always when I thought of him, a cold wind blew through my heart. Father used to sit you on his knee and read to you, and my place was outside the door. So when I thought of him, I didn’t remember his face. I’d remember the shadow I’d see from outside the door.
Yoon-shik: Sis, you didn’t know? Father always sat near the door, reading as loud as he could. He read books that I was too young to understand. He wasn’t reading to me, he was reading to you outside the door. You didn’t know that all this time?
Kim Seung-hun: (from his lecture notes) To watch my daughter advance in her studies is a painful thing. If I were her teacher, I would have wanted to teach her. But is it right to teach her to have aspirations in a world where she cannot fulfill them? I am a foolish father who cannot provide any opportunities to his talented daughter. I listen with abated breath as my daughter reads aloud, and today, once more, I weep deep inside my heart.

And red pill is reduced to a babbling puddle of tears. Father-daughter moments always kill me.

Yoon-hee takes her father’s lecture notes to Professor Jung with questions to ask. If her father wrote a secret letter, doesn’t that mean he suspected that someone would try to kill him to take away the geumdeungjisa?

Yes, but her father undertook the danger and risk because he believed the geumdeungjisa to be the key to the new world of King Jeong-jo’s dreams. The one hope he was willing to sacrifice his life to realize was to give his talented daughter a world in which she has more opportunities.

 

Having gained some insight into her father’s thoughts, Yoon-hee figures out part of the riddle: the geumdeungjisa is at SKK. Two lines they thought were hints were actually part of an acrostic saying that spell out “sungkyun” and the original meaning behind the Sungkyun part of the school’s name (“sung” for “complete the nation through its talented people” and “kyun” for “reform the customs”).

So now they need to find the place within SKK to which education leads and which marks the beginning of the nation. Which means they need maps of the SKK campus.

 

In the school library, short Yoon-hee is unable to reach the maps on the top shelf, and Sun-joon gets them down for her. In the process, he notices that she’s no longer wearing the couple ring. Heartbreaking. (I have a sneaking suspicion I’ll be saying that word several more times before this recap is over.)

Now that she realizes that she’s misunderstood her father all these years, she wants to know why he wanted to protect the geumdeungjisa. This might be the first and last time she’ll truly understand him.

Sun-joon wipes away her tears, knowing that she’s trying so desperately to explain to him why she has to do this. He fully understands and promises to help her find the geumdeungjisa.

It’s painful and heartbreaking, but I love how even in this moment, you can feel the true friendship that originally bonded these two.

 

Minister Ha stops by to reassure Minister Lee that Yoon Cham-gun’s lips have been sealed. Minister Lee turns the subject to the geumdeungjisa. Now that he knows his son is involved (as well as other SKK students), what better way to keep an eye on his prodigal son than by using In-soo?

Minister Ha isn’t the complete idiot I thought he was, successfully guessing that Sun-joon is one of the SKK students looking for the geumdeungjisa. But then he overturns my thoughts again by foolishly bringing up the marriage issue.

Minister Lee blames Minister Ha for ruining everything, and he says curtly and with finality that their children will never marry. Huzzah!

Minister Ha is pissed off, and in the typical subordinate-turns-on-superior scenario, he gripes that he’s the one who helped Minister Lee into a position of power. He vows to show Minister Lee just what he’s capable of doing. And he’ll start by catching the person who caused the ends to unfurl.

For that, he’ll need Cho-sun. She starts to protest but they’re interrupted by In-soo.

(Cho-sun, you will redeem yourself in some way, won’t you?)

 

Sun-joon ditches the books and actually does legwork to find Yoon Cham-gun. He scours Yoon’s house and what seem to be Yoon’s usual haunts, but finds nothing and ends up late in meeting with the other three.

Jae-shin suggests waiting a bit longer; after all, Sun-joon’s not one to break his promises. But Yong-ha bitterly points out that any human being would break this promise; it’s not easy for a son to try and prove his father’s guilt.

Meanwhile In-soo begins tracking the Quartet’s movements, particularly what they’re researching and reading up on.

 

Since the hints point to education, the remaining three members of the Quartet start looking into places related to studying, such as the lecture hall, the library and the examination room. But they mustn’t forget the other hint (the start of a nation), as Jae-shin points out. He interprets this to mean civilization and connects that to ancestral tablets (in relation to founding fathers, I think). There are such tablets in all three places mentioned, so they start looking, but they find nothing.

Yoon-hee points out that the secret letter’s purpose is to help find the geumdeungjisa, not to hide it. She’s determined to find the answer to her father’s riddle, and she’ll start back at square one.

Yong-ha runs straight into In-soo and his henchmen. In-soo lets it be known that he’s following their every move. Then he attacks Yong-ha’s weakness once more: “You don’t belong with them. You’re different.”

Yong-ha jumps into a fashion analogy to get a point across. Everyone knows he’s the fashionista of SKK, and he’s willing to share his secret with Insoo. “The more the clothes don’t become you, boldly match the colors instead. Don’t forget because right now, your look is very passé.”

 

Sun-joon’s search ultimately leads him to the gambling house, where he tries to get people to look at the sketch he has of Yoon Cham-gun. I don’t really get why that random guy throws the first punch, but ultimately Sun-joon ends up in the middle of a brawl. And for the first time, we get to see violent Sun-joon.

Dear Sun-joon, why are you smiling as the kicks rain down on you? Physical pain does overshadow inner pain, doesn’t it? Albeit briefly.

The other three hear of Sun-joon’s trouble and hurry to the gambling house, where Sun-joon sits, beaten and forlorn. He looks so different from usual that Yong-ha asks seriously, “Are you the Lee Sun-joon I know?”

They find out that Sun-joon has been searching for Yoon Cham-gun. He refuses to sit around poring over a riddle and chose to get physical instead. In other words, he’s acting the opposite of how he’d usually act, using his body before his brain.

Yong-ha: Did you push yourself this much because you want to find the geumdeungjisa? Or because you want to prove your father’s innocence?
Sun-joon: What I want to know is the truth about that night ten years ago.
Yong-ha: Let me ask just one thing. If you find the geumdeungjisa, you might not be able to live the life you live now, as the Left State Councilor’s son. Are you okay with that?
Sun-joon: No matter how I end up, it’ll be better than living as the son of the criminal who stole a father and a brother from the friends I hold dear.

Unable to listen anymore, Yoon-hee leaves but Sun-joon quickly chases after her.

Yoon-hee: If you’re doing this for me, stop. I hardly remember my father’s face, and misunderstanding him hurt me so much. Your father means so much more to you. So stop, you can stop. I can’t bear to watch you anymore.
Sun-joon: I wanted your forgiveness. In order to buy medicine for your sick brother, you dressed up as a male to find work in the marketplace in place of your father. I wanted to beg forgiveness for those cold and hungry and lonely times. Oblivious to your hard times, I was reading in a warm room, and I cannot forgive myself for that. I want to say I’m sorry. If I could, I would turn back time and give you everything that I had. So I wanted to ask you to forgive me.

 

Yong-ha is shocked by Sun-joon’s change, astonished by Sun-joon’s decision to become his father’s enemy. Speaking of turning on one’s father, Jae-shin knows only too well that hating one’s father is a living hell.

In the palace, King Jeong-jo muses that the late Professor Kim Seung-hun’s secret letter feels like a final lesson. He’s quite curious to find out what the Quartet will learn by searching for the place to which education leads and where nations begin.

 

At the city gates, Yoon Cham-gun is leaving the city, being way too loud-mouthed and inconspicuous for someone going into hiding. Sun-joon tails him, thinking about Yong-ha’s tip that someone paid Yoon a lot of moolah to have him move to the countryside.

Well, apparently that someone would prefer him dead. Fake Red Cho-sun appears, and Sun-joon shows off some decent fighting skills before Jae-shin appears out of nowhere and takes over. Turns out he was following Sun-joon, probably to make sure he doesn’t get into trouble again.

Cho-sun makes a break for it, and Jae-shin gives chase. With a breathtakingly beautiful moon in the background, they engage in hand-to-hand combat. Jae-shin manages to unmask Cho-sun and confirm his suspicions before Cho-sun runs off again.

Please, Cho-sun, redeem yourself before the series ends.

Back in the library, Yoon-hee traces the path her father must’ve taken when bringing the geumdeungjisa out of hiding and back into the capital. That’s when she remembers Professor Jung’s words that the geumdeungjisa was originally hidden at the Jongmyo Shrine (the Royal Ancestral Shrine). That’s where the ancestral tablets for the past kings are – hence, where “the nation begins.”

Professor Jung also told her that the late King Yeong-jo put the geumdeungjisa at Jongmyo in hopes that someday, it will help King Jeong-jo in solidifying his sovereignty. (Which fits with the second hint in that education leads to higher offices which leads to political power and ultimately, ruling power. Hence, education leads to the shrine where the past rulers are. At least I think that’s the reasoning.) And so Yoon-hee concludes that the geumdeungjisa isn’t at SKK, it’s at Jongmyo.

She tears out the map of Jongmyo from the book and dashes off. Unfortunately, she’s spotted by In-soo and his men, who quickly figure out that she tore out the page on Jongmyo.

 

As Yoon-hee arrives at Jongmyo, Sun-joon and Jae-shin question Yoon Cham-gun about who ordered the murders. He’s awfully bold for someone who was almost killed – at least until Jae-shin fills him in that it was Cho-sun who tried to kill him. The light bulb goes on above his head and he realizes that Minister Ha wanted him dead.

Meanwhile, Yong-ha is at a local tavern doing what he does best: laying down cash in exchange for information. He successfully bribes a police officer into spilling that Yoon’s been meeting Minister Ha an awful lot these days.

And so the truth finally comes out: It was Minister Lee who ordered Yoon to escort the late Professor Kim and Moon Young-shin that fateful night. But it was Minister Ha who tweaked the plan to include the murders. When Minister Lee found out, he realized there could be trouble and helped cover up the tracks by offering the land deed.

In other words, Sun-joon’s father is NOT the mastermind. (Can I please hear a collective sigh of relief?)

Yong-ha is musing over his findings when he sees a gaggle of guards and In-soo rush by, heading in the direction of the Jongmyo Shrine.

Back at the library, Jae-shin advises Sun-joon to find Yoon-hee and tell her that his father is innocent. Jae-shin comments that things turned out well for everyone, himself included because it would be such a bother to loathe a guy like Sun-joon for the rest of his life. (Finally some Jae-shin/Sun-joon bromance?)

Feeling uneasy, Yong-ha joins them, looking for Yoon-hee. It doesn’t take him long to realize that Yoon-hee, too, headed towards Jongmyo and she’s in big trouble since In-soo knows the Quartet is looking for the geumdeungjisa. And by trouble, he means possible death.

The fearless (and reckless) Yoon-hee begins her search of the Jongmyo Shrine as the guards close in. In-soo and Minister Ha are willing to go full-out since this may be their last chance to get rid of the geumdeungjisa for good.

Jae-shin reminds Sun-joon of his promise that he won’t let Yoon-hee get hurt before he rushes off to distract the guards. He reappears dressed in Red Messenger gear and manages to lead away at least half the guards. The rest continue on to Jongmyo.

 

Inside the shrine, Yoon-hee is having no luck finding the geumdeungjisa. Outside, Jae-shin is fighting way too many guards who are all armed. He ends up face-to-face with the captain of the guards, who is the better swordsman and knocks away Jae-shin’s sword.

Yoon-hee freezes when she hears someone come in, but it’s only Sun-joon. He’s relieved to find her safe and sound and embraces her.

Just as Jae-shin is sliced across the chest. Heart… breaking… into… a million… slivers.

COMMENTS

I’ll keep it short. Mostly ’cause my thoughts are in a jumble.

First, I continue to have faith about Cho-sun. I have a perpetual chant going on now: Redeem yourself, redeem yourself. It’s coming, I can feel it in my bones. That aside, can I just point out that every time she comes onto the screen in her gisaeng attire, everyone else washes out of the screen for me. She’s that charismatic.

Second, LOVE Sun-joon’s ongoing change in personality. In a way he’s becoming reckless, but I’d rather think of it as him becoming more passionate. So much that his body reacts instinctively now instead of checking and double-checking everything in his head first. And his bitter smile when he’s getting beaten up – wow, that just about killed me.

Third, the angst. LOVE IT. I know a lot of people wanted more angst from Sun-joon earlier when he discovered Yoon-hee’s secret, but this episode only confirmed for me that it was a good thing they downplayed that angst. Because we had this angst coming up. And this AND that would’ve led to angst overload. So me thinks.

I know a lot of readers out there already watched episodes 19 and 20 by the time this recap is posted, but please, PLEASE refrain from posting spoilers out of courtesy for those who haven’t seen the final episodes yet. Thank you.


Darn those gats!

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I agree. As much as I love the show I'm all for 'leave well enough alone'. I'm afraid of there being a season 2.

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This episode was such a tug of war. Everytime Jaeshin did something awesome, Sunjoon would do something amazing and then Jaeshin would top that again.
(Jaeshin still wins though, the fact that he's willing to die for her trumps ALL)
WHY DO YOU DO THIS TO MY HEART SHOW?!

I'm currrently choosing colleges now and it's very hard considering that I just want to go to Sungkyunkwan!!

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rockingchairs, i think we can say that it has been that since ep 1. this is the main reason that makes this show so dynamic. you get a sense of friendly competitiveness on who can top who. but not about trivial things but on things that really matter like principles, character and integrity. it is what i would have expected from them though, them being an institute of learning where idealism dwells and grand dreams are forged. i would be utterly disappointed if it were not so....

judging by the comments here i would say that people from all walks of life hold those same ideals dear even though, or precisely because, we find gross corruption lurking in many areas. yes...as someone entering university, you should not decide on it lightly. may you find you very own sungkyunkwan! ;-)

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Sorry for the late comment to your comment samgetang...but WELL SAID!!! :)

Thank you so much for articulating what most of the commentors in this blog may be thinking...

In fact I salute the writers for the putting an intellectual bent to the plot in such a way that it does not come across as preaching but boy, does the plot teach us (or at least me) a lot about the universal values that we all hold dear and which are manifested in the characters' struggles in the drama :

such as
equality in all aspects of life
(or at least as far as it is possible to be achieved),
dignity,
service to humankind,
family values
(especially between father and son and father and daughter),
independence,
respect (toward oneself and others)
kindness,
forgiveness,
acceptance
among others.

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Thank you, koreandramalover! Yes, that's it - it delivered all the right messages without being preachy.

I read somewhere that this drama struck a chord mainly on women in their 30's to 40's more than its target audience of 20somethings (i would presume since this is a youth drama). The theory is that this older age group grew up in an era when most of the history was similar to the settings found in SKKS when the young were idealistic and wanted to change the world. If there is any truth in this then, judging from the response to this drama, it may be said that this age group may still be yearning for, and hopefully still working to achieve, that dream society. But what about the younger generation? Since I belong to the former group, I would dare say that maybe the latter are now more concerned with finding their own identity amidst globalization and too much comfort (for those in the 1st world countries) or too much discomfort (for those in not so advanced societies) that they still do not know what they really want out of life. That's perhaps why other dramas, like playful kiss for instance, might appeal more to this age group. In the end, kdramas, or other dramas for that matter, somehow provide a respite, a break, maybe escape from our varied life's realities....but i also hope that it will also inspire us to be better persons of this world wherever we find ourselves in.

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Thank you so much samgetang!! I am so happy you have managed to help me to articulate what went through my mind while watching SKKS.

I am 40 years old and yet I did not have a problem connecting with the universal issues/ideals/principles such as dreaming of a better future/tomorrow, of finding our place in society and the world, of wanting to be a better human being, etc. that are being portrayed in the drama by 20-somethings in a setting of those within the late teens to 20-somethings...

and I attribute that to the gifted writer, Kim Tae Hee, as well as, the exceptinal actors and producers/director and all those who helped in one way or another to make the drama such a success...

Universal values transcend time and space and this drama (even with its flaws) has managed to highlight that so beautifully and eloquently that I have found myself being inspired anew at reaching for all that is good, worthwhile and beautiful to be achieved for the good of all humankind - irrespective of gender, race, status, background, obstacles/challenges.

In fact, to me, SKKS has managed to blur the man-made lines that exist in society about boundaries/borders that separate us in terms of ability attached to gender so much so that I am surprised the premise of SKKS is in the era of King Jeongjo and not the present time.

How truly far-sighted the King and some of the scholars were.

How inspiring that is...

Also, how truly refreshing that a drama helmed :

by a well-rounded and talented female lead who is at the lower end of the 20-something age group;

by actors (main and supporting) in the lower end of the 20-something age group who are evenly-matched in outstanding acting ability

and

by a gifted young female writer, no less;

could be SO well-made, even SURPASSING all my expectations... :)

SKKS is one drama worthy of the highest accolades and deserving of the distinction of being UNFORGETTABLE in Kdramaland.

:)

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kdl, i came back to this prev drama/recap and lo and behold found yr reply just now...

I like how u said it: "...i have found myself being inspired anew at reaching for all that is good, worthwhile and beautiful to be achieved for the good of all humankind – irrespective of gender, race, status, background, obstacles/challenges." Yes, that's how SKKS struck me, too! :-)

I agree, for me as well, SKKS is on the very top of my list (although I cant say Ive watched that much kdrama) because there is also very few man-woman relationship that u can find in media, or in real life, with the kind of relationship that Lee Sunjoon and Kim YoonHee had. It was a relationship between equals; not that man or woman is essentially equal (i dont mind that we are oh so different haha!) but that the man loves the woman much and respects her intellect as well as her character and vise versa. this is truly rare because it requires much sacrifice and strength of character to achieve this and so only those who are able to transcend themselves can gain this depth n breadth of love from their partners. this is the main reason why moon jae shin, even though he's just sooo cute, adorable and all-around lovable is not the man for our KYHee. it helped though that he is all that and yet KYHee still has eyes only for LSJ, which just further strengthens the bond that the two has.

still pining for SKKS hahaha :-)

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YAI said in an interview that he might not participate if a sequel is produced soon. (The interview is translated by Jaeshinah from Soompi.) That said, I also think a sequel might not be a good idea. Lol. Aside from that, SKKS's impact is still too strong right now; they all need a breather.

Anyhow, I've yet to watch eps. 19 & 20, too. (I'm devotedly waiting for the subs.) I've seen YAI pics, though, and I have to say ep 19 is heart-wrenching. (I know we can all guess that from ep 18's ending scenes.) I've cried over those Jae Shin gifs; what more when I watch the full eps.?

I prolly have to enlist for the DVD so as not to suffer from withdrawal. >.<

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red pill, even Jae Shin's hand is LOVE!! that guy is beaming with charms!!

Yoo Ah In FOR THE WIN ;D

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Thanks for the recap!!
But I have a question... At what point did Yong-ha become aware that Jae-shin and Sun-Joon both knew that Yoon-shik was a girl... and that they were both in love with her?!

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I think the second season are possible with more focus on Yong Ha and JaeShin.

Like how they live under the new jeoseon, and their struggle to find places for commoner and woman.

Just one thing, they have to make sure that they cast J4 again along with the PD and scriptwriter.

That's the only way to make it works.

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Thanks Red for an awesome recap....and like you, as much as I wanted a Season 2 just for my Jae Shin and Yongha's sake...I think it will be good if it is a movie. Or, I would be happy if Jae Shin and Yongha will announce immediately what their next project will be so I have something to look forward to. But please Ah In...let it be another Saeguek...you look good on those clothes and with long hair.

I die a thousand deaths at the last part. I know that sounds so dramatic but when that sword slices Jae Shin...I was screaming and literally said out loud...better not let anything happen to him or I will send a hate mail letter to the writers...:)

*Sob* more angst for my Jae Shin....

Looking forward to the last 2 remaining episodes...

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omg i noe!!! those hats!!!!! garggggggh!!!!!

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i really like the scene with yhee and her father...

and the starting bromance between js and sj XD

thanks for the recap!

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OMG what's there not to love in this drama & On top of that .Moon Jae SHIN :-) i have never fallen in love with any drama actor like this ! sniff sniff..

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thanks for the recap, red pill! i can't wait to watch the last two episodes! this drama is awesome! :D

i'm up for season 2. i don't think the story will be stretched out or anything, thus affecting the quality of the drama. they probably will explore more on jaeshin and yongha. besides, there is a book 2 of skk scandal. from what i've heard, it's about their lives as officials after graduating from skk.

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I got so pissed off at the ending, why my Moon Jaeshin again?

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I agree they "slashed his heart" already because of YH/SJ now they have to slash him again with a sword in his chest. ARGHHHHHHH!!

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i totally cried during the father-daughter scene and teared up again while reading about it. so awesome.

other random comments:

yoon cham-gun talks like a creeper. *shiver*

someone said it before but i was yelling at my screen WTH when YH just ran out and left all her books lying around for others to see. way to go ms. discreet.

i can't say it enough, but ILOVEMJS<33333

two more episodes to go!!!! ahhhh!!!!!!!!!! maybe after, i can get back to real studying :p

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Thanks a lot for the recap. I for one will love to watch the sequel but of course they will be a cons and pros of it. But to build it into a movie is something big and maybe the plot will change and of course the love story will be more intense.

Maybe it is not a bad idea afterall if the producer to turn it into something big afterall all 4 of them is a big star. Can't wait to watch it. Just my 2cents.

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Redpill,

I just read your fanfic on insoo and chosun and i think i'm falling for insoo !!!

Never ever thought that would happen!

You go girl!

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On a random note: from the beginning of the series I have continually enjoyed the visual enhancement on the screen of the scholar's thoughts and text recollections through written and fading textual characters. Even though I don't understand any it brings me along in their thinking. Now especially that they are puzzling out the clues left to them.

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yeah! I almost hate the show for hurting Moony! good thing I reminded myself that this is a drama.

anyway, there is a common trend in each lead character including the king - it's the father-and-child relationship. it is the starting point of their personality and also the reference point for a major change. I adore it! specially Yoon Hee's dad. My eyes brimmed with tears for him. I salute you sir!

anyway, now I understand the danger lurking around finding geumdeungjisa (ahh this word is a real tongue twister for me)

and may I ask, why is Cho sun a slave/servant of Minister Ha? What happened then?

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red pill you should've inserted a screencap of the backhug-unveiling-of-Chosun that JS and her had. OMG THAT WAS HOT. :D

Okay that aside (ahem), I cried too at the words of the father; so beautiful.

Anticipating a good run to the finish line, hopefully SKKS ended just as great as how they started!

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I am going to hate the scriptwriters for the rest of my memory of MOON JAE SHIN if they will kill him at the end of this series. lols

I hope our 3 lead boys would be given a nice ending story in this series. I am hoping Cho-sun and the student president would just make up and be together. I am beginning to like the president's shouting in his scenes. lols He's kinda cute when he shouts. hehehe :D

xoxo
candidmom

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Never had a single recap of SKKS that I missed. And it has always been adorable and addictive, magnifying the dramas excellent scriptlines. Thanks a lot Red Pill and Girl Friday for your hard work.

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Um, i just want to say that MJS was sizzling hot in the fight scene with CS.

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I thought the sequel was going to be with new characters who are going to attend Sungkyunkwan... so pretty much like Goon S was the "sequal" to Goong, but now it's "Sungkyunkwan S"

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my heart breaks over and over for moon jae shin. he's just so good that i want that pairing - JS and YS!!!...first time ever in my drama watching life. i remember saying "if you are killing off my MJS, i will divorce you show!!!!!". I knew Yoo Ah in is good, but i didn't realize how good until this drama....OMG!!!! screen stealer!

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COUPLE RINGS????? In the Joseon era?

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Jaeshin's hand? Win. I wonder if they had incidents on set, of Micky getting the brim in his eye. Maybe they could release some episodes over youtube. I am hankering for some Ha In-Soo and Kang-moo development. Not between them mind you (or maybe?), but they always make me feel like there's more to them. I guess good actors do that.

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Wow, thank you so much for doing this recap. Also, I think I read that they wanted to do a season 2 but not of the four but about another group of teenager in the same era. How knows it may turn out good.

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Thanks for the recap. I really love how the MJS character has been written and depicted. The part where MJS tells SJ to hide the truth was the ultimate scene for this episode. I love how differently those two characters chose to show their love for YH, and the fundamental reasons why YH and SJ are best matched. I love MJS and my heart breaks for his one-sided crush, but SJ won big points for recognizing MJS's loss from the geumdeungjisa incident.

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I love this ep!!!!

I'm loving the Dad+SJ exchange the most. I'm proud to see Micky improves in every subsequent scene w/ KGS.

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haven't seen the last 2 episodes but i agree that having a season 2 will be a bad idea. i'm a fan of this drama esp. the jal-geum quartet but i think season one is just right. maybe the four of them can star in a different/ new drama. that will be exciting :)

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there were so many great things packed in this episode: SJ's commendable efforts in seeking the truth and forgiveness, YS's revelation of her father, YH patting on JS's butt, etc etc. but all those lovely scenes threw out of the window when that bastard of a royal guard slashed my beloved Jaeshin across the chest!!! gah, i don't remember cursing so much at drama before. (i don't think they will let him die, but it was still painful to watch.)

oh, and i am in love with SJ, i've always like him in the past, but he totally melted my heart in this episode. sigh.

thanks for the recap btw.

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couple rings? seriuosly, in the joseon era? ugggghhhh

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I just saw Ep 19. ARGHHH!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
The upcoming ending is bittersweet.

SPOILER ALERT

I am unhappy. I wanted Goel Oh Daemul pairing! I knew that wasn't going to happen, so I decided to want a confession and see Daemul heartbroken than she must break someone's heart and see her struggle, maybe with some added jealousy from Garang. DARN!!!! Was it too hard to have her realize that Goel Oh loves her? She still hasn't got a clue, and she never will. I'm sorry, but that is pretty crappy. And when everyone uncovers the fact that she is a girl, because it looks like they will, she will never know that Geol Oh has been covering her. WTF!!!!!!!!!!!!!!!!

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Only Gu Yong Ha can pull off a gold and bright pink hanbok during the Joseon Era, hell no I take it back, I think even today. Cracks me up that during the beginning of this EP the seriousness of the scene that SJ's father is the mastermind and that YH and SJ overheard it after the epic undressing and kiss, and GYH was wearing this "festive" hanbok amidst the darken basement(?). I thought it was funny, can he get any "brighter."

God, I love him and MJS, too, of course.

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Hi! How heartbreaking it must have been for SJ to finally admit to his "gayness" despite thinking that YH liked JS. And how brave of him to admit it, not only to himself, but also to YH. It would have been so much easier for him if he had any idea that YH returned his feelings; but to do it despite his continuing heartbreak, it must really have cost him so much!
Needless to say, I luuuuuuurv Sunjoon!

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I was talking about his "market confession scene." He rocked that scene!

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I love this drama!

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I would have to agree with you, red_pill, on leaving SKKS as it is....even though we don't seem to get enough of the 3 guys and 1 girl and we might be having withdrawal symptoms for quite sometime.

Try as they may they cannot really equal nor top this magnificent ensemble mainly because it's all about the material, meaning the script, story. Of course the directing and acting were very much commendable but without a great material to start with these actors would just be that great actors...and the film or drama series as a whole would be sadly forgettable and would not have that much impact at all.

I do believe the story/script is always the king and all the other elements, like directing, acting, production designing, cinematography, musical scoring etc are all working towards the great telling of that story. In this case the fine writing has driven the other elements to deliver it in the best possible way and so we find ourselves, the audience, awed and singing praises about it.

Somebody said earlier why not put the foursome in a new drama altogether. I guess that might work if we have another excellent story and roles that would fit them to a T. But if we put the very same actors in a mediocre storyline and with a so-so script, we might not get the same feel and texture as what SKKS was able to richly deliver.

So, I would have to say go hunt down the writer/s and beg them on bended knees to write pls pls pls another inspired storyline like SKKS, hehe :-) for these four... :-)

On the other hand they can as easily cast new faces but since their new material is strong and vibrant we may just have another hit to follow the heels of SKKS. So long as this new story will not allude to SKKS and stop the people from comparing it with them then it just might be a new kdrama that we will all squeal, swoon and dream for :-)

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Hi samgetang! Once again, I am late in reading and replying to your comment because of, what else, but life's daily demands? Esp considering I am a teacher...

However, having read your GEM of a comment here, I just have to give my comment...

May I know - Are you Korean? Or American? Or Korean-American?

Your command of the English language is just impeccable;

your insightful take on the issue reflects a deep intellect;

your message is truly profound and inspiring;

and yet you managed to come across as so unassuming and down-to-earth!

that what I found myself doing everytime I read your comments is nodding my head vigorously in agreement with EVERYTHING you say!!! :)

Wow! You are truly blessed with so much potential, samgetang! :)

In fact, I think you should start a blog of your own seeing as how IMO you have so much potential to helm your own and start another revolution of inspired and inspiring discussions such as those found here in Dramabeans with our inspiring and remarkably talented Javabeans and Girlfriday!!

And I would be one of your first and most loyal readers/commentors... :)

How about it samgetang? :)

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I was about to ask: who are the writers of this kdrama? what other series or film have they done in the past? I'm now interested to watch their other works...tnks!

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I agree with you totally samgetang!

I hope the are kind souls out there who can direct us to the other works of this fantastic group of writers of SKKS.

In fact I salute the writers for putting an intellectual bent to the plot in such a way that it does not come across as preaching but boy, does the plot teach us (or at least me) a lot about the universal values that we all hold dear and which are manifested in the characters' struggles in the drama :

such as
equality in all aspects of life
(or at least as far as it is possible to be achieved),
dignity,
service to humankind,
family values
(especially between father and son and father and daughter),
independence,
respect (toward oneself and others)
kindness,
forgiveness,
acceptance
among others.

Please, somebody, anybody, help us to find the other works of this commendable group of writers.

Thanks so very much :)

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SKKS screenwritter is Kim Tae-Hee
her other works:
# That Person Is Coming (MBC, 2008)
# Dae Wang Sejong (KBS1, 2008)
# Great Inheritance (KBS2, 2006)

Here's an in depth interview with her:
[url="http://10.asiae.co.kr/Articles/new_view.htm?sec=ent0&a_id=2010110419011910506"](INTERVIEW) KBS drama “SungKyunKwan Scandal” writer Kim Tae-hee - Part 1[/url]
[url="http://10.asiae.co.kr/Articles/new_view.htm?sec=ent0&a_id=2010110422340983865"](INTERVIEW) KBS drama “SungKyunKwan Scandal” writer Kim Tae-hee - Part 2[/url]

*hope I got the bb code right* ^^;;

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Oooh, THANK YOU SO MUCH!!! God bless you for the info you gave :)

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So, the attractive lady standing next to the lead actors on stage during the wrap-up party was the writer of SKKS, Kim Tae Hee.

I think she is attractive enough to be an actress herself. :)

Ive read the 2 parts of the interview and I found it to be quite enlightening.

Certain things in the interview stood out for me and I think would interest most of the commentors in this blog who are in love with Yoo Ah In or in the Moon Jae Shin character :

Kim Tae Hee said :

By the way the most charming character in the book was Geol-oh but I don’t think I’m cut out exactly for portraying such raw and rough male character (laugh).

That’s how my Geol-oh is more sensitive and less in words compared to other characters.

This combined with additional interpretation of actor Yoo Ah-in who happens to be a very sentimental actor, the Geol-oh in the drama became someone completely different from the original story.

Wow!!! And I thought only us the commentors in this blog have noticed how well Yoo Ah In has portrayed the Moon Jae Shin character - for someone so young, Yoo An In certainly has so much potential...

Kim Tae Hee continued :

Someone told me melodrama is about showing the process of people opening hearts. I like the saying and this is exactly what I want to do in my next project.

I have thoroughly enjoyed her effort in putting across "the process of people opening hearts" in SKKS and am so looking forward to her next projects.

Thanks again karz for posting the URL. :)

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Thanks so much, koreandramalover and karz!!!! Is Great Inheritance also titled Shining or Brilliant Inheritance? Ive watched parts of that and I think it is also one fine kdrama.

Thanks, karz, for the links to the interview...and for identifying the writer for us.

Process of people opening hearts...remarkable! Sounds easy but really you need creativity and in fact genius to unravel that kind of truth and wisdom from a drama.

No wonder she has not only shown this in SKKS but she has also opened our hearts, the viewers, through her fine craft! Will read more on her...

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Wonderful interview of Kim Tae Hee! Thanks, karz! Always interesting for me to know what drove the writers to write what they wrote.

And I checked Great inheritance...it's not same as Shining or Brilliant Inheritance after all... I will look for a DVD or online streaming so I can watch it and know more about this amazing writer...thanks for all yr help, karz!

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Wonderful insight samgetang!! You are absolutely right and I agree with everything you said... :)

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Can a Kdrama be more perfect, in all aspects, than Sungkyunkwan Scandal? Production-wise, the story line, the acting, the beautiful actors (even the bad people) - I can't believe they could come up with a gem such as this! I don't know when I'd have the desire again to watch another drama - SKKS just probably cured my Kdrama addition :o).

I love SKKS so much that I'm saving all the recaps in my pc - and will print all of them when I'm done. I will go over the most lovable parts of each episode, especially from eps 15 to the end. When the dvd comes out, I will probably be first in line (and won't let anyone borrow my precious possession). And I have Lee Sun Joon's very sweet and romantic "I will be there" lines (ep. 17, part 1) in my Facebook Notes ... forever.

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I meant Kdrama addiction ... sorry!

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I agree with you totally aster!

You said exactly what was on my mind!!

How wonderful to have had the privilege of watching such a gem of a drama - a gem because it has done more for me than any other drama (except maybe Glory of Family/Family's Honour).

Although it is not perfect (especially for the glaringly obvious flaws in editing/plot lines), it is by far one of the finest dramas that I have watched because it has :

made me wonder at how beautifully the universal ideals that we all hold dear are crafted and weaved into every aspect of the drama, such that it does not at all appear to preach or trying to teach the audience HOW and WHAT to think...

and yet THINK was exactly what I did a lot of (and THINK DEEPLY at that) after watching the drama...

and REFLECT on the message/s and moral values the drama is trying to transmit to the audience...

experience every emotion known to man watching everything and everyone in the drama -
from the lead actors to the secondary actors, especially the little ones,
to the breathtaking scenery,
to the mesmerising score/OSTs,
to the appealingly-dignified-looking costumes...

in short - EVERYTHING...

Now, how many dramas can we bestow such accolades?

Far too few in my opinion...

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agreed with you both. Other dramas really pale in comparison .At first I also cannot understand why am i so addicted , now I realise is the whole package ,but I
particularly love the loving couple.

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Yes, sam! "Addicted" is THE word for it...unfortunately, now that it is over, I am having withdrawal symptoms, as I am sure all addicts go through once the source of addiction is taken away...

waaahhhh... );

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moon jae shi my heart bleeds for you
:(

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I'm going to miss hearing this: "Na Goo Yongha dah!"

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i too think that a sequel is not a good idea. most sequels usually turn out bad.

however i would support a jaeshin-yongha side story..the scene where yongha gently hit jaeshin's butt was so cute!!(is that reason enough? heck!haha)

thx for the recap red pill!:)

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I actually haven't had the time to watch this drama (geographical and internet connection issues), but I sure read the recaps and they're really great! And for that, I'm thankful to you guys. 정말 감사합니다! (hihi, that's me trying out what little I have learned.)

By the way, I just had to say that Ha Ji Won's bro so much looks like her. As with the stare/glare. Genetics? Haha. Anyway, I really loved the recaps (in general) and I learn more from them than by just watching. Your insights and comments really do help and are very much appreciated. I have never seen drama in a more "intellectual" light until this site became my addiction/daily dose.

Keep it up!

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Iam glad that I am not the only one that saw this

"moon jae shin to pair up wit cho sun" Now that would be cool

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I know it's probably silly, but did you get the term "mollah" from "Unnatural History"? D:

Thanks so much for your recaps, guys, I really haven't had time to watch this yet, unfortunately Q_Q I hope I still will, though D:

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Geol oh is not dead~!
He is alive~!

And no one is dead here~!

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I'm really looking forward to the last 2 episodes, such as reading a novel ... Could I count on you * V *

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SKKS has truly been a remarkable revelation...

I am 40 years old and yet I did not have a problem connecting with the universal issues/ideals/principles such as dreaming of a better future/tomorrow, of finding our place in society and the world, of wanting to be a better human being, etc. that are being portrayed in the drama by 20-somethings in a setting of those within the late teens to 20-somethings…

and I attribute that to the gifted writer, Kim Tae Hee, as well as, the exceptional actors and producers/director and all those who helped in one way or another to make the drama such a success…

Universal values transcend time and space and this drama (even with its flaws) has managed to highlight that so beautifully and eloquently that I have found myself being inspired anew at reaching for all that is good, worthwhile and beautiful to be achieved for the good of all humankind – irrespective of gender, race, status, background, obstacles/challenges.

In fact, to me, SKKS has managed to blur the man-made lines that exist in society about boundaries/borders that separate us in terms of ability attached to gender so much so that I am surprised the premise of SKKS is in the era of King Jeongjo and not the present time.

How truly far-sighted the King and some of the scholars were.

How inspiring that is…

Also, how truly refreshing that a drama helmed :

by a well-rounded and talented female lead who is at the lower end of the 20-something age group;

by actors (main and supporting) in the lower end of the 20-something age group who are evenly-matched in outstanding acting ability

and

by a gifted young female writer, no less;

could be SO well-made, even SURPASSING all my expectations…

SKKS is one drama worthy of the highest accolades and deserving of the distinction of being UNFORGETTABLE in Kdramaland.

:)

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haha....the kissing scene was funny! Definitely used the setting to the fullest. Nowadays no hats to prevent this =P

And the father - child background stories are interesting. I've always wondered why yoon Hee's father didn't let her study together with her brother....Earlier on, they showed Prof Jung visiting and seeing her studying outside! I'm glad I live in this century where females are allowed to pursue education! =)

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i love reading the discussions in the comments for skks recaps, so intellectually stimulating hehe.

anyway, the scene where yoonhee realized that her father was actually educating her all those times made my cry buckets.

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I agree jyyjc...the comments by the commentors in this blog for SKKS are exceedingly interesting and intellectually stimulating to me too...

AND I agree totally with the scene between Yoon Hee and her father - bawled my eyes out watching that as well the other scenes depicting her memory of her father and her interaction with her father...

so heart-breaking and so close to our hearts, esp cos I am my father's daughter...ANY interaction between my dad and I could start the crying bouts...

the love between parent/s and child does that to me ALL THE TIME... ):

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