Bad Guy: Episode 17 (Final)

by javabeans

Here we are, the finale! I thought it was better than Episode 16, but frankly that isn’t saying much. At least 16 was entertaining and off-the-wall. This episode, as the wrap-up, was more puzzling.

I know there was a three-episode cut-down and all that scheduling madness. HOWEVER, the drama finished filming two weeks before the last episodes aired. In the world of the live-shoot production system, that is a luxurious timespan with which to work some post-production magic. Or, you know, throw up your hands in defeat and give up.

SONG OF THE DAY

Bad Guy OST – “웃지마 울지마” (Don’t laugh, don’t cry) by 4Men, Jang Hye-jin
[ Download ]

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FINAL EPISODE RECAP

At the psych ward, Jae-in and Tae-sung find Gun-wook’s room empty, so they split up and scour the grounds for him — where, we must note, every single psych-ward extra plays up the I’M CRAZY act like they’re auditioning for a Park Chan-wook movie. Or maybe they were just trying to one-up Gun-wook. Cringes all around.

In Madam Shin’s office, a perfectly sane-looking Gun-wook sits in her chair, his back to her. Rain pounds the windows and lightning gives an eerie strobe effect to the room, which is lit in a blood-washed tint. But when she whirls the chair around to confront the seated figure, he disappears. Poof.

She whirls around — he’s walking away from her. Then he flickers into nonbeing again. Her voice recording starts playing — the one where she gives the veiled kill order — and she is seriously spooked. Is she going mad, or is somebody in possession of a super-elaborate hologram projector? She screams at her invisible tormentor to come out and confront her.

After their unfruitful search at the hospital, Tae-sung drops Jae-in off. He has seemingly come to grips with her choice, assuring her that he won’t come looking for her anymore so she can go and be happy with Gun-wook. I appreciate the maturity, but the writers keep jerking Tae-sung from one extreme to another and it’s jarring. Emotional whiplash.

Jae-in thanks him for his understanding, then hurries away to see Gun-wook. It isn’t until he’s alone that Tae-sung allows himself to drop the smile and feel the blow of losing her.

Assuming Gun-wook has returned home, Jae-in rushes into his apartment excitedly… only to find Tae-ra instead, staring at his Wall of Revenge. For a brief moment we get that “back off from my man” glare so beknownst to the denizens of Jerry Springer, but Tae-ra drops the hauteur when Jae-in reveals that Gun-wook is alive.

Tae-ra registers Jae-in’s disappointment that Gun-wook didn’t recognize her, and guesses that they were closer than she thought. She also makes a few mental connections and asks if she and Gun-wook were in it together to ensnare members of the Hong family. (No, alas, that was PURE COINCIDENCE.) [Just like my hatred of these last two episodes. Pure coincidence. -GF]

Tae-ra accuses Jae-in of breaking up with Tae-sung because he’s no longer the president’s blood son, but that’s news to Jae-in, who hadn’t known this latest development. She answers that it doesn’t matter to her — what matters is that she wants the person for himself, which is why she can’t be with Tae-sung.

Can we take a moment to mourn for Tae-sung, who eats alone at home that evening? Solitary eating can be such a powerfully sad image in dramas (it comes in just below the crying-into-food imagery on the Pathetic-o-Meter — which, we might note, Tae-sung has also done). After Jae-in leaves, all Tae-sung has left of her is the packed food she had made for Gun-wook.

Always a step behind everybody else, the two cops arrive at the mental ward recently vacated by Gun-wook. At least they make up for it with one discovery: a small gadget is affixed to a wall-mounted speaker, which appears to be a video camera in disguise.

Gun-wook has reportedly been transferred to another hospital, and the nurse hands over an envelope left behind by Gun-wook’s guarantor for the cops. Opening it, they find a voice recording device. Lucky for these two that the clues keep falling into their laps, eh?

We don’t hear the contents, but the evidence is strong enough to arrest Madam Shin for ordering Gun-wook’s murder.

Unsurprisingly, she is hardly cooperative during the interrogation and answers questions with “Ask my lawyer.” This leads to the unintentionally hilarious exchange whereby she scoffs that he’s asking questions he knows the answers to, and he demands that she answer them anyway, growling, “Shin Myung-hwa-sshi! Give me your name!” Oh, lulz.

Tae-ra watches anxiously as her mother, joined by her lawyer, is questioned by the police. Super pet peeve: Upon the lawyer’s exit from the room, Tae-ra asks for a status update and the lawyer says, IN FRONT OF A COP, “The evidence is pretty clear so she doesn’t have much room to make excuses.” WTF, lawyer? [Thankfully, the cops are equally stupid, so it’s a wash. -GF]

As Gun-wook is alive, Madam Shin won’t be facing the worst-case legal scenario, though it wasn’t for want of trying on her part. It strikes me that for such a rich and powerful woman, Madam Shin sure has trouble hiring minions who can do their jobs properly.

Tae-sung enters, in shock at the news that Madam Shin tried to kill Gun-wook. He learns that Gun-wook presented proof against her and grows angry, growling that he’ll have to meet him. (So confused at all the weird emotions. So… Gun-wook was just supposed to let her get away with trying to killing him?)

Gun-wook’s partner meets with Secretary Kim. The two speak frankly about Gun-wook’s Ultimate Plan, indicating that they are in cahoots. We aren’t told how long Secretary Kim has been working with them, but it appears to be a recent partnership.

The partner says how Gun-wook had been surprised to find that Tae-sung was as much a victim in this as he was, and says that “one person” has caused quite a lot of grief for everyone. It has the ominous ring of a Madam Shin takedown, or so we can hope.

Infuriated that Gun-wook is responsible for Madam Shin’s arrest (though I’d put the blame on the one who committed the crime, myself…), Tae-sung arrives at Gun-wook’s apartment and bangs on the door. Inside, guess who’s perfectly healthy and sane? So much for the insanity act being real. [Aaaaaaaaaargh! -GF]

Gun-wook ignores Tae-sung’s shouts and looks enigmatically at his lighter, then burns more stuff. Wait, did he steal this lighter back from Madam Shin? How… and when?

Gun-wook narrates resolutely as though addressing Tae-sung: “Even if the life you hated till now is a lie, it changes nothing. The hurt you caused someone while living recklessly doesn’t get erased. Is that unfair? It can’t be helped. That’s you, and that’s me.”

Madam Shin is tried for her crime, and here’s the gist of her cross-examination::

Prosecutor: “Did you order Gun-wook killed?”
Madam Shin: “Nope. Never.”
Prosecutor: “Really? For sure?”
Madam Shin: “Yup.”
Defense lawyer: “The defendant didn’t order a hit.”
Madam Shin: “Why would I? My life is great. He could have been my son. I deny everything.”

(Worst trial ever.)

Next, the recording sent to the cops is submitted as evidence. Now we hear its contents — it’s taken from the scene where she ordered Secretary Kim to take care of Gun-wook, who should have been offed twenty years, and threatens that she is not a patient woman.

Madam Shin is unruffled because the tape isn’t actually that damning — I mean, it implies things, but it’s not conclusive proof. She calmly identifies the voice as hers, but says she never ordered Gun-wook killed. She spoke out of anger, and points out that people say “I’m gonna die” all the time and don’t actually mean to drop dead. You know the prosecution sucks when Madam Shin is the one making the most sense in the courtroom.

She even keeps her cool when Secretary Kim testifies against her and reveals that after getting the order, he had instead warned Gun-wook of what she was planning. (Ah, this explains how he was able to ride with him in the ambulance to the hospital, then act as his guarantor.)

However, one more witness is brought in, and this ruffles her composure. He’s the hit man ordered to kill Gun-wook the third time (or is it fourth?), and he confesses under pressure. After the previous attempt failed, he was ordered to kill Gun-wook.

Clearly she hadn’t anticipated yet another trusted employee turning on her, and she loses it. She shrieks, in her nails-on-a-chalkboard screech, “When did I say that?!” She starts babbling about a setup, insisting that this is a trap and that she has no idea who the guy is.

However, that’s not all: More evidence is submitted, this time a video. Now we see what the hidden devices were for (keen eyes will have noticed a glimpse of this device in Madam Shin’s office as well). The clip shows Madam Shin’s paranoid rant from the top of the episode, where she screams at an invisible Gun-wook about how she should have had him taken out twenty years ago.

Madam Shin shrills at the court that she didn’t kill anyone, but her desperate reaction is pretty damning. After she has regained her composure, she gives her last statement, taking the martyr’s stance that she’ll endure all this to get to the bottom of the mess. You and OJ both.

Now it’s Jae-in’s turn to lose her mind. Just as Madam Shin says she had no reason to kill the boy she once treated as a son, Jae-in stands up IN THE MIDDLE OF COURT and starts screaming that Madam Shin is a lying horrible murderer who ruined Gun-wook’s life and stole away his family. She’s dragged away by the bailiff.

Outside, Old Cop comes up to Jae-in to give her the recorder containing the evidence, explaining that there was additional material on it. Gun-wook’s message says, “Moon Jae-in, are you listening? This is the truth of the world you longed for. What will you do now? You choose. I’ll always be in the same place.”

Having lost her case in this alternate universe where conspiracy-to-commit-murder crimes are tried in a single day, Madam Shin is loaded onto the prison bus. She turns to address Gun-wook, who is watching nearby, and asks how he feels after messing with his father and sister — and reveals that yes, he’s the real Tae-sung.

Explaining that she’d kicked out the true child and brought in the fake, she taunts him with the truth that he lost everything for himself. She smirks, “I won.”

This delivers a huge blow to Gun-wook, as well as Tae-ra, who has overheard. The housekeeper now turns to face him, addressing him as “Young Master,” apologizing for not telling him earlier.

Tae-ra has such a shock at this news that I wondered if she was somehow unaware of her own paternity and thought she and Gun-wook were full siblings. (Gah, this drama has too many birth secrets.) It turns out she does know they’re not related, but her reaction makes me think wistfully of the awesomely dark drama we might have had if they’d actually gone there and made them blood siblings. Oh, Bad Guy, you leave me with so many what-ifs.

With this revelation comes the knowledge that Gun-wook destroyed his own family, and he finds his father. President Hong is conscious and aware, but still recovering and unable to speak as Gun-wook breaks down clutching his hand. Although he’s mostly reacting in remorse, I have to believe there’s a tiny bit of relief mixed in at finally reuniting with his father. [Such a waste of a potentially interesting relationship. -GF]

The two longtime servants muse over the grievous sin they’ve committed against Gun-wook. Secretary Kim explains the reason for his defection from Madam Shin’s ranks, relating how he lost his wife to illness during the time he was serving prison time after taking the fall for the president. When he was released, the president expressed no interest or care about the wife.

That had shattered Kim’s illusions and his unwavering loyalty to Haeshin, and afterward he sought out Gun-wook’s dead parents (and cared for their graves) in an attempt to ease his guilty conscience.

Tae-sung submits his resignation letter to Tae-ra, who tries to talk him out of it. He answers that he wants to live on his own now: “And if I come to work for Haeshin, I’ll come on my own merit. I want to live not because I’m somebody’s son but just as myself.”

He’s come a long way, hasn’t he? Now he acts the part of concerned brother, explaining that at least she and Gun-wook aren’t related. Therefore, he advises her not to agonize too much about it.

With a smile, Tae-ra asks for a hug, and I wonder if it’s a first for them. He’s always been the troublemaking rebel, and she’s always been the censuring older sister who took her parents’ side. Funny how Tae-sung is acting the part of son and brother now, after realizing he’s not their blood relation.

Tae-sung guesses that Tae-ra still cares for Gun-wook and urges her to protect her relationship with him. That prodding is enough to send her to Gun-wook’s apartment, where she finds him on the ground, lost in a daze.

She tells him that she’ll call him by the name Shim Gun-wook for the last time today, as they still have some things to settle. First of all, she doesn’t regret meeting him — she felt thrilled and excited for the first time in a long time. Even though she knew he wasn’t being honest about his interest in Mo-nae, she couldn’t help falling for him.

He falls over, and she rushes to his side. Seeing that he was clutching an old family photo — back when he was part of the Hong family — Tae-ra makes a keen insight, that this all (the revenge plan) was his way of returning to the family. Did he miss it so much?

She confesses that she had a tough time after he was kicked out of the family, and even though she knew it wasn’t his fault, she had felt betrayed by the young Gun-wook. She apologizes for that, and adds that perhaps that thought might be a comfort to him now. Tae-ra’s voice starts wavering with emotion as she says she’ll try to call him Tae-sung.

Tae-ra returns to the auditorium, where she imagines the spirit of the young Tae-sung greeting her enthusiastically. She kneels down and hugs him, and says sorry. The boy cheerily tells her it’s okay.

(Is this whole family prone to hallucinating now? These fantasy bits can be quite evocative when used sparingly… but Little Tae-sung has made an appearance in multiple people’s imaginations now, which would be more apropos were he a paranormal specter and not a metaphorical device.)

Tae-sung interrupts Jae-in’s lunch to tell her to be with Gun-wook now, because he’s bound to be in a lot of pain with the discovery that he was the real Tae-sung all along.

Shocked, Jae-in heads to Gun-wook’s apartment right away, just as Gun-wook takes out a gun. He contemplates it for long moments before lifting it to his temple… which is when Jae-in bursts in.

Quickly, he tosses the gun aside. She approaches silently and puts her arms around him. She speaks consolingly, saying that she understands that he must be feeling upset after harboring his revenge plans for so long.

Gun-wook starts to protest, but emotion wracks his voice and he can barely get the words out. Jae-in says that the family can forgive him, then takes his hand to turn him around to face her. She introduces herself as though this is their first meeting and they’re starting afresh, and prods him to introduce himself as Hong Tae-sung. He struggles, but gets the words out.

Jae-in holds him, and they share a moment as the embrace turns into a kiss. Which is when Mo-nae, back from the States and wearing a peeved expression on her face, arrives at the apartment.

Mo-nae lets herself in, further incensed at the sight of YET another woman making out with Gun-wook. Quickly, she turns and goes without being seen.

(Does nobody in this drama lock their doors, either? Have they been watching Personal Taste? ‘Twould save everyone a lot of grief, is all I’m sayin’.)

Mo-nae waits outside in the shadows, biding her time until the opening presents itself. Jae-in invites her sister over and leaves the apartment to meet her in the street, which is when Mo-nae lets herself in. Gun-wook isn’t in sight so she looks around, further pissed off to see that photo of Jae-in and Gun-wook. So much pain hath that Polaroid wrought.

And then, she sees the gun on the ground and picks it up.

When Gun-wook enters the room, Mo-nae points the gun at Gun-wook and blames him for wrecking her family. All her earlier bitterness of being passed up for her sister is multiplied by her fury at hearing about her family’s misfortunes and the knowledge that Gun-wook was behind it all.

Mo-nae makes her accusations, which are all fairly on the mark, her voice shaking with rage as Gun-wook tries to calm her down. He takes a few steps toward her, but she shrilly yells for him to stay away. How dare he even use her name?

She blames him for making her this way — she’d been happy before — and shrieks, “I wish you were dead!”

She fires the gun.

Out in the street, unaware of any trouble, Jae-in greets her sister. As they chat, Won-in expresses her approval of the match, saying how much better this is than Gun-wook and his rope.

In a bit of dramatic irony, she points out that his rope would have taken him to heaven, which would imply death. Little does she know how prescient that sentiment actually is.

Gun-wook’s not dead, though, and when we return to the scene at the apartment, both parties are still standing in their original positions. Mo-nae looks startled with herself at the gunshot, but when Gun-wook starts to approach her again, she gets all worked up again and keeps the gun fixed on him.

Gun-wook speaks to her gently with a hint of a smile and says, “I’m sorry.” He asks her to call him oppa just once, like old times, but she refuses — he’s nothing to her now.

Finally, Mo-nae lowers the gun and drops it on the ground, the fight sapped out of her. She leaves quickly…

And it’s only now that the camera pans down and reveals to us that he’s been shot. Ahhh!

He falls to the ground and holds his bleeding side, but for some reason he doesn’t call for help. He’s fixated on the gun and grabs a towel to wrap it in, intent on getting rid of the evidence.

Staggering to his feet, Gun-wook leaves the apartment, headed for god knows where, doing his best to stay upright while keeping the gun hidden. He attracts some curious stares but nobody intervenes.

Jae-in goes grocery shopping with her sister, intending to make Gun-wook that home cooking he loves so much. They figure that he must have stepped out on an errand and wait for him to return, but the night grows long.

Finally, Jae-in spots a hand-written note, which says that his adoptive parents from the U.S. called him about an urgent matter, which she interprets to mean that he dashed out on a last-minute trip to the States.

All the while, Gun-wook continues to stagger in the streets until the camera blurs and fades out, denying us confirmation of his whereabouts.

When we fade back in, it’s some unspecified time later. President Hong sits with his daughter, able to speak now, and asks about Tae-sung. She answers that both are doing well, assuring him that “that child” will return someday. He muses that he’d like to bring the whole family together for a nice meal when that happens.

Tae-ra receives a box in the mail, which she opens to find a care package. The note is addressed to So-dam, but the contents are meant for Tae-ra — a DVD of Dirty Dancing, for example, recalls her memory of her long-ago day of playing hooky. The note tells So-dam to smile a lot in front of her mother and is signed from “So-dam’s loving uncle.”

In Jae-in’s apartment, a crane falls as she walks by — it’s the one she found that day in Jeju, upon which Gun-wook had written the names of the Hongs and described them as “family.” Underneath that he’s added “Jae-in, Won-in” and a non-word that seems like he was about to write “family” but cut out one character short.

Won-in brings in a care package from the mail, and this one contains a glass mask, similar to the one Ryu-sensei had made. [One-of-a-kind my ASS! -GF] A note reads:

“How would the world look out of the eyes of the one you loved? Jae-in-ah… I’ve had that thought. If I look at the world through a different gaze, how would it be? Jae-in… how are you? You have to be happy no matter what. If you look at my world through those eyes… I’ll be able to laugh, too. Now, won’t you look at my world instead of me?”

Excited at this indication that Gun-wook is back (clearly she read the note without actually READING the note), Jae-in rushes to his apartment — but it’s empty.

Apparently justice is swift but short in this universe, because Madam Shin is let out and resumes her place in Haeshin Group. Tae-ra takes over, while Tae-sung appears to be traveling on his own, and Mo-nae continues her dilettante lifestyle of yoga lessons and spa treatments.

Meanwhile, Jae-in thinks over Gun-wook’s note, which ends with the words that began this journey: “In the complete darkness of night, it’s hard to tell which is the sky and which is land, and whether the light is fire or stars. Where is it I’m going? Is it heaven? Or is it hell?”

And then! A body is found by the water: Gun-wook.

As Jae-in wanders by the police station, she misses the notice posted directly behind her, which is an announcement of a dead body bearing Gun-wook’s resemblance, replete with back scar, asking for people to help them identify it.

Jae-in wonders, “Gun-wook, where are you? Is the world you’re looking at happy now?”

THE END

 
Bad Guy OST – “어디에” (Where) by Mi (美) [ Download ]

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JAVABEANS’ COMMENTS

WTF, finale?

First, the things that don’t make sense (and there are many):

For instance, the lighter. Gun-wook got that back how? I’m sure there are ways to fanwank this so that it’s technically possible for him to have gotten the lighter back from Madam Shin’s possession, but it doesn’t fit with what we’re shown. It’s a tiny detail, but when you take lots of little details and add them up, the plot logic of everything starts teetering.

Let’s even say we forget the lighter. What about that crane? Jae-in has had it in her possession since the day she found it in Jeju Island, only now it bears her name and Won-in with “famil–” written on it? When did Gun-wook steal the crane, open it up, add to the note, fold it back up, and return it to its place? I don’t doubt that there’s a way to fit this into the technical timeline, but it was clearly done for dramatic impact without considering all the pieces fitting into the overall logic.

What about Madam Shin’s hallucinations? Was she really just suffering from guilty conscience? I don’t buy that she HAS one, so while her mental breakdown is greatly satisfying to watch, I find it out of character. I read a Korean blog that was greatly disgruntled with this point, having thought (and hoped) that perhaps Gun-wook was medicating Madam Shin’s water or some such with the aid of the maid, which would have been great.

Also, it’s ridiculous how she keeps killing people to clean up after herself, which requires more killing, which turns into this whole mad cycle. There’s a Mad TV sketch where a character kills a pet by accident, but is seen by the postman at the door, so he kills the postman to keep him quiet, and then a neighbor comes by and sees the dead postman so he kills the neighbor too, until there’s a ridiculous pile of bodies heaped at the front door.

One murder, chilling. Two murders, probably still chilling. But when murder becomes her go-to solution for managing a problem, it becomes laughable.

Watching Bad Guy is like looking at a piece of lace. At a distance, you’re not quite sure what the pattern is but it looks pretty enough. But then you get up close and realize those are huge honkin’ (plot) HOLES, not lacework.

All that aside, however, my biggest beef is that NOBODY GOT WHAT THEY DESERVED.

I guess Gun-wook let himself die because it was more important to clear his little sister of the shooting, but why didn’t he go for help? The fact that he doesn’t try — and it must have been a survivable wound if he was able to walk all the way to the river — suggests that he was ready to go. Maybe this is the punishment he said he would accept “later,” after his revenge was meted out.

Only, I’ll contend that Gun-wook hasn’t actually done anything deserving karmic retribution. In fact, I recall griping that he’s hardly a bad guy at all, because he didn’t do anything that illegal. He uncovered the Haeshin Group’s corruption and Tae-kyun ended up dying, but it was Tae-kyun’s own behavior that got himself killed — he was the one conducting shady deals, and he was the one drunk driving.

Even if we were arguing karmic retribution, the drama is woefully inconsistent on this score, because Madam Shin gets out of prison in a matter of days. (Perhaps weeks, but if Gun-wook mailed his care packages before dying and they were delivered after Madam Shin was released, we’re talking a very short time.) And Mo-nae must have seen that Gun-wook was shot — so she just gets away with murder? She ends the drama blithely indulging in luxurious activities while Gun-wook’s body lays unclaimed and moldering?

HOW DOES THAT MAKE SENSE. WHAT IN THE HELL. WHY DID I WATCH YOU.

Perhaps one could argue that that was the point, that revenge plots will result in your own downfall. (And murder plots won’t?) So then Bad Guy becomes this exercise in futility, because Gun-wook’s life served no purpose and the ones who created so much misery and stomped on people like bugs are just going to keep on keepin’ on.

A brief note on the acting. Kim Nam-gil was good. Not brilliant — he unfortunately did not live up to his performance in Queen Seon-deok for me, because his Gun-wook was just so damn enigmatic and impassive all the damn time that I couldn’t connect with him or understand him. Han Ga-in reminds me a lot of Han Ye-seul in Will It Snow For Christmas — that is to say, serviceable at times but really nothing worth particular mention. Jung So-min was a lovely surprise and I’ll look forward to seeing her portray a (hopefully) more enjoyable character in Playful Kiss.

Oh Yeon-soo was the shining star in terms of acting technique, and I’m sorry I haven’t mentioned her before. However, as much as I appreciated her performance, I felt absolutely nothing for her character, so my admiration remains on a purely technical level for her restrained, repressed performance. In contrast, even though she was better than Kim Jae-wook, his character was much better written, and therefore his performance had greater impact for me than hers did, because I felt for Tae-sung. That was a trait missing from everyone else, which may explain why there was so much praise directed his way. Is he a better actor than Kim Nam-gil? I wouldn’t say yes or no — but the alchemy of his performance and his character was stronger, for me.

On the direction, music, and cinematography score, this drama gets an A. Maybe A+. On the story score, I don’t even feel able to score it properly because right now there are not enough letters to do it justice.

 
GIRLFRIDAY’S COMMENTS

This whole final episode was one big steaming pile of crap. I hated it with the fire of a thousand suns. With a cherry on top.

Dear writer: you took seventeen episodes to tell us that the rich stay rich and the struggling middle class DIE, people who have money can get away with murder, and that blood purity somehow washes away all sins. Yeah. Hitler thought that too. If you wanted me to be bitter and angry about the human condition, you should have set up your drama to, oh, I don’t know…BE a dark and insightful commentary on the human condition. If I hadn’t donated my heart to science to pay for my overpriced education, I’d have shed a tear.

For the sake of my fragile sanity, I’m going with: Gun-wook died twenty years ago that rainy night along with his dog, and Ghost of Gun-wook has been haunting us ever since. Think about it. It totally works. Yeah. I’m done.

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